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Six 19th century silver plated buttons stamped 'Liberty', each with classical lady playing a harp; and a late Victorian 'The Duchess Solitaire' button, (7).

A VICTORIAN TWO-HANDLED LOVING CUP the girdled cylindrical body with harp-shaped handles upon four ball feet, by Andrew Crespel and Thomas Parker, 1864, 19cm. high; 53.75oz

A 9CT GOLD FRAMED CAMEO BROOCH, depicting harp playing lady, another in pinchbeck frame and a silver bar brooch. (3).

AN EDWARDIAN EBONIZED "CORONATION HARP" HAND ZITHER, in original box.

A set of six Victorian cabochon garnet and citrine waistcoat buttons of circular faceted form with gold shanks, 9/16in diameter; together with a set of six Art Nouveau silver buttons of floral form depicting a lady playing a harp, Birmingham 1904, 5/8in diameter. (2)

Fine diamond brooch modelled as a harp, set with one and a quarter carats of brilliant cut stones in white and satin yellow gold, circa 1980

A late Victorian cup, with two harp shaped handles, by W Gibson & J Langman, London 1893, 6.9in (17.5cm) 22.25 oz.

An Edwardian novelty double sided silver photograph frame, modelled as a harp, Chester, 1908 5.75ins

A Meissen figure of a lyrical muse circa 1870 emblematic of 'Fantasy', holding a harp in her left hand, her left leg perched on a small square pedestal, a floral tiara in her hair crossed swords in underglaze-blue, incised L 150 impressed 137 33cm., 13in. A comparable model is illustrated in Preisverzeichnis der Koniglich Sachsische Porzellan-Manufactur in Meissen, 1904 p.1 ill. L.150 described here as 'die Phantasie'

AN ENGLISH PORCELAIN JUG of panelled baluster form with harp loop handle, painted with two floral ovals reserved on a dark green ground with gilded foliage and banding, early 19th century, 8" high, possibly Alcock

AN ENGLISH POTTERY JUG of baluster form with harp loop handle, painted with flowers, initialled E.M. under spout and dated 1842, 6 1/4" high

19th century Dresden figure of a girl resting her arm on a harp and seated on a rocky base with a fish at her feet, 8" high

Staffordshire figure of a woman with a harp, a man with a squeeze box, 42cm also a frit decorated spaniel and puppy, 18cm

A late 19th Century Continental porcelain figure group depicting musicians in 18th Century dress, him playing a wind instrument, her seated playing the harp, glazed in bright colours, bears Naples mark in underglaze blue verso, height 13cm (Please see lot 99 for image)

1958 Hofner Committee Electric GuitarCarved solid spruce body top with birdseye maple back and sides captured in a blonde finish. It features marbled binding, with multiple black/white purfling to body and an all ebony fingerboard. Machine heads are single units, with solid brass barrels. Ebony two piece bridge, with individual string saddles made of fret wire. Five piece flamed maple/mahogany marbled and laminated neck. Boasts "Harp style" tail piece. Comes with original hard case.

A Dundalk Newry & Greenore Railway Company original gold leaf garter arms transfer mounted on board. Owned by the LNWR, this 5ft 3 ins.gauge Irish railway of 261/2 miles nevertheless had its own armorial device to adorn its carriages. It features a standing Britannia clasping hands with Hibernia, complete with harp, Irish greyhound, early train, a paddle steamer, and the pier and lighthouse at Greenore. This is the second, and final, design. 24"x23". Mint.

Miscellaneous small collectors items to include decorative marbles, carved wooden harp shape ornament, pair of enamel vases, Alum Sands dip pen, etc.

A Regency carved giltwood framed patent Harp by Sebastian Erard, London, No 940, the headstock carved rams head masks, leafage scrolls, etc in need of complete restoration

Irish gilt necklet, formed with shamrock designs in possibly bog oak and with a harp drop, in it's original fitted case, early 20th century

AN ITALIAN CHAMBER HARP, 19th Century, (bears date 1805) No.54, 'Sourapo Antonio successor of Pasquale, Tramutol', 42 strings, gilt gesso decoration on the post, height 164cm

A late Victorian ovoid cut glass claret jug, the plain silver collar with harp handle, the flat cover with trefoil thumbpiece, Birmingham 1892 by Elkington & Co, 20cm high.

A late Victorian silver three-piece tea service, oval and half-reeded, the teapot with composition harp handle and finial, Sheffield 1893-94 by James Deakin & Sons, the teapot 22.5cm long, 19.75oz.

A late Victorian silver three-piece tea service, of teapot, cream jug and twin-handled sugar bowl, oval and half-reeded with harp handles and raised gadroon rims, Sheffield 1895 and 1896 by James Dixon & Sons, the teapot 26cm long, 45oz all in.

An Edwardian silver three-piece tea service, in Regency style, oval with engraved and pricked decoration, the teapot with composition harp handle and finial, Chester 1905 and 1907 by Nathan & Hayes, the teapot 27cm long, 26oz all in.

A silver three-piece tea service, of swollen oblong form with incurved angles, the teapot with composition harp handle and cover finial, Chester 1935, 27.5cm long, 23oz.

An Aesthetic Movement painted glass window panel, of a classical female playing a harp against foliage and within chevron border, 61x44.5cm; another of Gothic monograms and beasts within lozenges, reset, 49.5x26.5cm, (2).

A WMF silvered pewter vase, of footed square ovoid section with twin harp handles and a classical figural panel to each side, with original glass liner, 32cm high.

Nine crested items including harp and cap.

A George II oblong snuff box,+ with an embossed plaque on the cover depicting a maiden playing the harp, with beasts of the forest in attendance, reeded borders and initials on the base, unmarked, c.1730, 2.75in (7cm) wide, 2.5oz.

A Belleek harp decorated with shamrocks, green back stamp, 16 cms high, together with a ewer decorated with shamrocks, brown back stamp, 19 cms high.

A GILT HARP UPRIGHT PILLAR.

Mauchline Ware bindings Scott (Sir Walter) Poetical Works, T. Nelson, 1873, plts. in a Mauchline Ware binding of varnished wooden boards with a fern and leaf design on each cover, brown roan spine blocked in gilt, a.e.g., together with The National Melodist, ed. J. G. Kieser, Edinburgh, Wm. P. Nimmo, [c.1880], in a Mauchline Ware binding of varnished wooden boards, design of a harp on the upper cover, and a lyre on the lower cover, both surrounded by ferns, a.e.g., and twelve other volumes in similar Mauchline fern and leaf bindings, 4to et infra. (14)

IRISH: A SET OF FOUR GEORGE II CANDLESTICKS With turned sconces and stems with floral engraving, the shoulders and domed circular bases with embossed leaves, with four associated nozzles, Harp and/or Hibernia mark on candlesticks, mark of Robert Calderwood (c.1741) on nozzles Each 22cm. high (26 cm. high with nozzles); 91oz. (4)

A FINE AND UNUSUAL VICTORIAN IRISH TUNBRIDGEWARE-DECORATED INLAID YEW-WOOD WORK TABLE, the hinged rectangular lid centred by an oval Tunbridge scene of castle ruins, within chequered frames and a broad border inlaid with shamrocks and ferns, the underside inlaid with a central chequer-edged patera with harp motif within broad shamrock-inlaid border, above five lidded-and 24 open compartments, the removable tray concealing a further recess beneath, the exterior with shamrock inlay to the front and sides of the main body, to the front of the bombé substructure, to the base of the chevron-decorated octagonally-facetted tapering stem, and to the circular platform base, the whole on three carved paw feet, 57cm x 41.5cm x 74.5cm high, (22.4in x 16.3in x 29.3in)

An early 19th century horn snuff box, the lid moulded in relief with a man raising his glass to a scantily draped lady as they kiss enclosed by the inscription 'Teach Me This And Let Me Swim My Soul From The Goblet's Rim, Teach Me This And Let Me Twine My Arms Around The Nymph Devine', the reverse with plough and harp trophy, 8.5cm diameter (2)

Psalter [Slavonic]. Use of the Greek or Russian Church, ?mid-7th Century,. 330 leaves, handsomely printed in red and black in Slavonic script, 15 well?spaced lines of text per page, with large ornate initials, usually in red, and decorative head?pieces, full?page woodcut of a saint writing at a desk on the verso of the fourth leaf (recto blank), with an integral blank leaf about halfway through the volume, some slight soiling, generally in good, crisp condition, bound in contemp. blindstamped calf over wooden boards, central panel of the upper cover with a blindstamped design of King David playing the harp, with Adam and Eve in the Garden of Eden on the lower cover, 4 heart?shaped brass bosses at the corners, with a central leaf?shaped brass boss, rebacked c. 1770 in English red morocco, gilt, lettered on 2 black leather labels, and with Mus. Bapt/Bristol/Gifford in gilt on the bottom compartment, spine now rubbed, and chipped at the head, sm. 4to. Bookplate of A. Gifford on the front pastedown, over which the Bristol Baptist College bookplate has been pasted. Earlier ornate signature of Thomas Martin. Gifford himself has supplied an initialled inscription, identifying the item as a "Psalterum Sclavonicu[m]", on a free endpaper. The register appears to be in 8's, although the first gathering comprises only 6 leaves, indicating that 2 leaves, one being the title?page, is missing. (1)

Old English Inns. An early group of attractive large?sheet vellum indentures from the 18th c.,. all detailing the sale of old drinking houses including The Sun Inn, The George, The Bell Inn, Black Horse, Welsh Harp, Horse Shoes, Kings Arms, etc., all retaining their original wax seals (11)

Three various figures - Huntsman in blue coat, 14cm high, Musician with horn and spaniel, 15cm high and a seated musician playing a harp with a spaniel beside, 12cm high

Late 19th Century mahogany framed firescreen in the form of a Regency harp with ormolu mounts, beading and caryatid, standing on triple ormolu paw feet and with plate glass panel, 112cm high

A Scottish George III silver teapot, of long octagonal form engraved with leafage under a reeded girdle, harp handle and on four ball feet, Edinburgh 1809 by Dick & McPherson, repaired, 26cm long, 26oz.

A George III silver ovoid cream jug, with engraved bands and monogram in an oval reserve, applied reeded rim and a harp handle, London 1801 by Solomon Hougham, 11cm high, 4oz.

A George V silver three-piece tea service, of long octagonal form, the teapot with composition harp handle and oval finial to the domed cover, Sheffield 1928, the teapot 16cm high, 26oz.

Tiles: Copland Shakespeare scenes, circa 1880, 'Prince Hal feints Falstaff' black and white tile; plus two Minton tiles, black and white transfer of biblical scenes: Moses found in rushes; and King / boy with musical harp (three).

Bisque china figure, of an angel playing a harp on neoclassical style plinth base decorated all over in colours, wings restored, 14 1/2in (36.7cm) high

Belleek teapot, in shamrock design and with harp shaped handle, (slight chip to spout) early mark in black, 5in (12.5cm) high

Royal Piano Harp (Zither), sold by 'The Oxford Academy of Music', 20in (50.8cm) long

An Art Nouveau Belleek porcelain dish modelled as a maiden playing a harp, black printed mark, 17cm wide

A Staffordshire portrait figure of Napoleon III circa 1854, modelled sitting on a gun emplacement, his right arm resting on a canon, piles of shells at his feet, on an oval base with raised gilt title EM NAPOLEON, 39.5cm., 15.5in., chip and minor hairlines; together with two other large Staffordshire figure groups, second half 19th century, the first a Scottish huntsman with a dog; the second a lady playing a harp and a gentleman playing an accordian standing before a wall former 39.5cm., 15.5in. minor damage (3)

AN ORMOLU AND PORCELAIN FRENCH CLOCK GARNITURE the eight day movement strikes the hours and half hours on a bell with an outside countwheel, the backplate stamped with the trademark of the maker of the roulant blanc ‘S. Marti et Cie, Medaille de Bronze’ along with that of the retailer ‘Oppenheim, Londres-Paris’ and the serial number ‘233’, the blue porcelain arched dial having blued steel moon ‘hands’, black Roman hour numerals painted within white oval cartouches, with a bird and nest in a tree painted to the centre and with further painted decoration below the dial depicting two cherubs, one with a harp the other writing all surrounded with a gilt border, with further porcelain panels to the front and sides of the ormolu case which is engraved to the rear and has applied swags and is surmounted by further ormolu decoration, the rear of the case stamped with the mark of the case maker ‘P.H Mourey’, with two matching ormolu three light candleabra, both with porcelain vase shaped trunks and porcelain panels to the front, height 52cm (clock), 42cm (candleabra)

A mirror, lettered - GUINNESS EXTRA STOUT, gilt harp trademark in shamrock border, 37 x 54cm, framed, early 20th c

MEGAN THE HARP RABBIT, dressed in pink

MEGAN THE HARP RABBIT, dressed in yellow and black.

GOOD MEGAN THE HARP RABBIT, dressed in red and green

A 19TH CENTURY IRISH YEW-WOOD MARQUETRY DAVENPORT The sloping front enclosing an arrangement of pigeon holes and drawers, the door to the right enclosing five drawers, all typically inlaid with meandering shamrock, harp and building motifs, 26in. (66cm.) wide

A Derby teacup and saucer, enamelled and gilt in Chelsea style with three mazarine blue and gilt cartouches of birds framed by swags, a gilt "harp' motif to the well of the saucer, having gilt borders and wishbone handle, saucer 14cm diam, Robert Bloor & Co, painted crown, crossed batons, D and gilder's numbers 11 or 13 in red, c1820. Minimal wear to the gilding on the top surface of the rim of the saucer, but in overall excellent condition and rare, no damage or restoration.

AN EDWARDIAN TWO-HANDLED TROPHY CUP of urn shape, upon a raised pedestal base, harp shaped handles, by J. Davis and Son, Sheffield, 1909, 34.5cm. high; 52oz

A GEORGE V TWO HANDLED CUP AND COVER of urn shape, upon a raised circular base, the cover with leaf decoration, turned finial and gadroon border, harp shaped handles, by S. Blanckensee and Son Ltd, Chester, 1928, 26cm. high; 39oz

A First Period Belleek (Co Fermanagh, Ireland) Echinus Pattern Part Tea Service, each piece modelled as a section of sea urchin, comprising teapot and cover, with a finial within a frame of six "pincers" in gilt, pink coral twig handle, spout and foot, milk jug, and teacup and saucer, each piece with radiating panels in turquoise and orange enamels and gilt, transfer printed in black with wolfhound, tower and harp mark over "Belleek", also impressed Patent Office registration lozenge for 22nd February 1869, {the teapot 9.7cm high}

A 9ct gold curb link watch albert chain, on a 9ct gold heart shaped padlock clasp with ten gold charms as fitted, including: scooter, poodle, harp, key and snail and a pale green gem set costume bracelet.

A Staffordshire model of a Clock Tower, 9in H A/F, Staffordshire Figure of a lady holding a harp with a spaniel, and a reproduction Spaniel