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Lladro figures to include, 'Follow Me' (x2), 'Duckling', 'That Tickles', 'Sleeping Bunny', Elephant group and other various animal figures, seventeen in total, eight boxed, with a Belleek porcelain harp with black mark to base, some restoration, H 15cmCondition Report: Elephant tusk is broken but present, please see image
ATTRIB. GEORGE RICHMOND (1809-1896) LADIES IN THE DRAWING ROOM WITH HARP. WATERCOLOUR. 57 X 70 cm. BRASS LABEL TO FRAME, STUDY SKETCHES TO VERSO OF THE WORK. Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.
Victorian and later jewellery, comprising an ebonised wood mourning brooch carved as a harp with gilt metal strings, a resin brooch decorated with applied yellow metal and set with three coloured brilliants, a cast resin floral brooch, and a brooched Victorian crown, together with a steel cased fob watch [not running], mourning brooch 37 mm
Vinyl - Over 80 Jazz LPs plus some 10" albums to featuring rarities to include The Fantastic Jazz Harp Of Dorothy Ashby (ATL 5047), Phil Seamen Trio – Phil Seamen Meets Eddie Gomez (PAN 6306), Charlie Mariano self titled (London Records LTZ-N15031), also including Wes Montgomery, Sonny Rollins, Modern Jazz Quartet, Buddy Rich and many others. Condition varies but at least Vg overall
Lalique Crystal (Contemporary) 'Elton John, Music is Love', limited edition sculpture of an angel holding a harp, on a stepped square base inscribed 'Musica Amore Est', limited 171/999, signed to the base, 28cm high, complete with certificate of authenticity and original box In as new condition from a collector, has not been displayed out of the box until now.
Ireland, Female Education; Possible Royal Presentation Copy. Simple Direction in Needle-Work and Cutting Out; Intended for the use of the National Female Schools of Ireland. To which are added, Specimens of Works Executed by the Pupils of The National Model Female School [i.e. the Quaker-established Kildare Academy/Kildare Place Society], ? a royal presentation copy for Queen Victoria, Dublin: Published by Direction of the Commissioners of National Education in Ireland, et al., 1846, [5], 6-84pp, 85-106ff (Specimens), first part (i.e. text) signatures collating: ¶², B-L⁴, the paginated and unpaginated interleaved green printed specimen leaves 'illustrated' with 60 cotton, linen, wool, lace, further needlework, and printed textiles, comprising samplers, frocks and dresses, hosiery, patchwork, etc., all of which are prefaced by an extra-illustrated silkwork leaf embroidered with the message: The Queen Reigns In the Hearts of Her People Aug. 1849, the cresting and apron embroidered in gilt threads with a royal crown and the Irish harp or clarsach, within a meandering green shamrock border, finely bound in contemporary purple morocco over boards, somewhat bowed, the upper-cover blocked in gilt and centred by the VR cypher within an unlettered garter and crested by St Edwards Crown, each cover outlined with a blind double-fillet border, the white paper printed leaves with all edges gilt, gilt-rolled anthemion dentelles, marbled endpapers, 4to There are several tantalising indications that this finely bound copy of a usually more restrained volume, two of which have been sold in these rooms before (a c. 1836 edition, July 2022, & the 1853 edition, January 2023), might have been a copy presented to Queen Victoria during her 1849 visit to Ireland. As well as the dated needlework samplers corresponding to the imprint date, i.e. 1849, the extra-illustrated sampler, with its eulogy addressed to the sovereign, is not called for and its uniqueness hints at presentation. The fine binding, again uncommon on such a practical book, strongly indicates a presentation copy. The University of Toronto's database British Armorial Bindings show only one further example of this supralibros, Victoria Stamp 9, on an 1851 Dublin imprint now in the Penes Philip Maddock library. Provenance: the collection of Sally Tuffin (b. 1938), "Youthquake" fashion designer of the eponymous Foale and Tuffin.
A 20th Century mahogany sofa, the carved show frame with pierced harp motif flanked by cushioned back rest, seat and elbow rests upholstered in pink floral fabric, raised on shaped supports,130 x 77 x 93cm high, together with a 20th Century armchair upholstered in pink fabric, raised on mahogany supports, 70 x 75 x 10cm high.
GOOD GROUP ASSORTED SILVER & COSTUME JEWELLERY, including marcasite salamander bracelet, bumble bee and other brooches including a crowned harp brooch, various bracelets, Chinese cinnebar lacquer ring and bracelet, several well-filled charm bracelets, necklaces, earrings, silver and paste set dress rings, and an unusual Native American ring, etc. (qty)
4x William III Sixpences, comprising: 1696, early harp, large crowns (Bull 1202, ESC 1533, S.3520) Fine; 1696 E, early harp, large crowns (Bull 1277, ESC 1537, S.3523), 1696 N, early harp, large crowns (Bull 1288, ESC 1538, S.3524) large scratches at French arms otherwise Near Fine; 1697, third bust, late harp, large crowns (Bull 1233, ESC 1566, S.3538) crack to edge at 2 o'clock otherwise Fine
NINE SHELL CARVED CAMEO & OTHER BROOCHES including 3 x with head and shoulder profiles of ladies in gilt metal mounts, 2 x further similar, one mounted in an 800 stamped frame, the other unmounted, 3 x various shell cameos, one detailed with flowers, one of the Three Graces and one depicting a person playing a harp, all with continental silver mounts, also a Wedgwood Jasperware oval brooch with white metal mount, 4.75 x 3.5cms (the largest), the largest gilt metal brooch stamped '2.5m gold plated', 4 x 3.25cms
A collection of four nurses belt buckles. Featuring a sterling silver scroll work buckle, marked for Charles Lambe, Dublin 1899, featuring Hibernia and harp marks, total weight 33.2 grams. To also include a brass enamelled buckle; an electroplate nickel silver belt featuring the face of a lion and a man; plus a white metal flower and scroll design buckle.
SEBASTIAN ERARDS AND PIERRE, PATENT NO. 6446, 18 GREAT MARLBOROUGH STREET LONDON. A FINE LATE 19TH CENTURY 46 STRING SEVEN PEDAL CONCERT HARP the puginesque Gothic revial gilt gesso and birds-eye maple case with figural angel motifs to the upright.179cm high 92cm wide The harp is in unrestored condition, and would need some attention before being playable. Some of the strings are missing and one of the foot peddles to the back is also missing. The oil on the tuning adjustments is dirty. There are minor losses to the gilding on the frame and the gallery to the top of the column is loose. There's no damage or cracks to the frame and is very stable.
A COLLECTION OF NOVELTY POCKET WATCH STANDS INCLUDING ONE MODELLED AS A LONGCASE CLOCK (11)Various datesThe clock 25.5cm high; Together with two boxes with inlaid decoration, a gilt-metal rococo-style frame, an enamelled stand, a wall plaque, an Art-Nouveau wall plaque, a wooden box with arched top, a circular stand with tray, a wooden box with drawer and a metal stand with harp detail
A Unique Single Owner Collection of Rare Irish Bog Oak Artefacts by Cornelius Goggin (1850-1914) & other Carvers Comprising: A large Jewellery Casket profusely carved with round tower, castle, abbeys, wolfhound, harps, oak leaves ivy leaves, shamrock sprays and the front panel with round tower, wolfhound, Celtic cross in graveyard with old Abbey, 17cms x 30cms (6 ½” x 12”); A rare Victorian carved Irish bog oak sarcophagus shaped two division Tea Caddy, profusely carved with hinged top, a central harp with sprays of shamrocks, the front frieze with a recumbent wolfhound issuing sprays of shamrocks above a heart shaped lock plate, and a shield to the rear, etched all over with trailing shamrocks, 17cms h x 28cms w (7” x 11”); A very good Victorian Irish bog oak Book Slide, the sliding base with a double base of shamrock sprays and other foliage, the hinged sides one carved as Ross Castle, Killarney, flanked by two trees and the other, a Round Tower flanked with two trees, 20cms h x 51cms w (8” x 21”) closed; A good Victorian carved Irish bog oak Book Slide, the sliding base centre carved with Abbey Ruin and Tress within a band of shamrock sprays, the hinged ends, one in the form of an Irish Wolfhound with gilt metal collar on a shamrock base, the other an Irish crowned Harp with shamrocks, and a rectangular leaf carved base below, 22cms h x 58cms w (8 ¾” x 23”); A pair of spiral reeded Irish bog oak Candlesticks, (one as is with losses), 17cms (7”), a pair of smaller matching ditto, 12.5cms (3”), a pair of shamrock and harp carved Candlesticks, 13cms (5”), a pair of lighthouse shaped bog oak Candlesticks, 16cms (6 ¼”), a Victorian carved bog oak Owl Form, a small Candlestick 14cms (5 ½”), a large Victorian Irish carved bog oak Candlestick with spiral reeded stem on circular shamrock carved base, 19cms (7 ¼”), and one other Irish bog oak Candlestick on shamrock shaped base, 13cms (5”); A Victorian carved Irish bog oak Model of an Irish Round Tower, on circular base, 22cms (8 ½”), a collection of Irish carved bog oak Harps, various shapes and sizes, all carved with shamrocks, 16cm (6 ½”), the largest and 8cms (3”) the smallest – 17 (a few with losses); An Irish carved bog oak Celtic Cross carved with harp, shamrock and Abbey ruins, 13cms (5 ¼”), a smaller similar ditto with harp and shamrock inscribed ERIN, 7.5cms (3”); A fine Victorian carved Irish bog oak Card Case, in the form of a small book, one side with a Celtic Cross inside ivy leaf sprays and Greek key border and Celtic spandrels, the other side with a harp inside shamrock, sprays and an interlaced border, 11cms (4 ½”); A fine large Victorian carved Irish bog oak Card Case, each side profusely carved with recumbent Irish Wolfhound, harp and shamrock sprays, inside an oakleaf border, 12cms (4 ¾”) (with losses) a smaller similar ditto with Abbey & Castle, 9cms (3 ½”) and two smaller harp and shamrock carved Vesta Cases; A good Irish carved bog oak Skillet with cover, carved with shamrocks on three legs, 10cms (4”), a carved bog oak parrot head Handstick Pommel with glass eyes, 8cms (3 ¼”), a miniature model carved bog oak Irish Stout Bottle, 13cms (5”), a circular bog oak Coaster with shamrocks on ball feet, 11cms (4 ½”), a small carved Group with round tower, harp and recumbent Irish Wolfhound and a small shamrock shaped Photograph Frame; A collection of 8 Irish carved Irish bog oak miniature Photograph Frames, all etched and carved with shamrocks, various shapes and sizes, one inscribed GALWAY; A collection of Irish carved bog oak Jewellery, comprising two stretch bangles carved with shamrocks, one with small gold mounts and harp centre, the other with shamrock centre, a gold mounted harp brooch, a circular gold mounted circular Brooch with various flower heads and shamrocks, a very fine circular gold mounted Brooch with central harp, the strings in gold crested with shamrock and flanked to either side with fern leaves another oval shamrock and harp Brooch and a cross pendant with harp and shamrocks and one other stretch Bangle; A collection of 11 Irish carved bog oak lidded Boxes, each of circular form the majority carved with shamrock and harps, various sizes and shapes; A collection of 6 assorted carved Irish bog oak Match Holders, five with shield shaped striking panel and carved with shamrocks, various shapes and sizes, 6.5cms (2 ½”) largest; Two similar carved Irish bog oak harp and shamrock Paper Knives or Page Turners, an Irish bog oak Pipe, three various book form Vesta Cases, one carved with round tower, harp, shamrock and wolfhound, the other with harp and shamrocks, one other with painted armorial and carved with shamrocks, a small carved Model of an Irish thatched Cottage 10cms (3”), a carved bog oak shamrock form Pen & Ink Stand, three similar bog oak Killarney Jaunting Cars, three with ponies and two with drivers,(some with losses), three bog oak gypsy Tripods with hanging cauldrons and bog oak shamrock shaped calendar stand with ivorine month, day and date marks, a Vintage bog oak Table Clock, in the shape of a shamrock and chased with shamrock sprays, two small bog oak Coasters, one inscribed CORK, each with shamrock sprays and one with harp; a Swagger Stick; A collection of miscellaneous bog oak Miniature Items, comprising cauldrons, skillets, single handled pots, pin cushions etc., and a small quantity of miscellaneous bog oak parts, approx. 108 pieces. (108)
A CARVED BOG OAK BROOCH AND A CORAL BEAD NECKLACE, the brooch in the form of a harp and shamrocks, in a base metal mount with brooch pin and C clasp, with box, together with a long coral branch bead necklace, fitted with a large base metal bolt spring clasp, approximate gross weight 34.0 grams (condition report: general wear to both pieces)
Clear crystal angel with harp. Gold accents on body and wings, on green satin ribbon. 9443 NR 980 001. This item has its original box: 4"L x 4"W x 3"H. Certificate of Authenticity included. Dimensions: 1.25"L x 1.25"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
A SILVER OBLONG BALUSTER TEA POT AND SUGAR BOWL HAMILTON & CO. (OF CALCUTTA), BIRMINGHAM 1915 The teapot with a composition finial and harp handle, a gadrooned border and on four ball feet 27.5cm (10 3/4in) long 718g (23.1 oz) gross Condition Report: Tea pot - Marks are clear, slightly wobbles, play to the hinge and handle, cover sits well, dent to the top of the body Sugar bowl - Maker's mark double struck, stands well, dent to the body Light scratches and wear commensurate with age and use Condition Report Disclaimer
A SILVER OBLONG BALUSTER TWIN HANDLED SUGAR BOWL WILLIAM HUTTON & SONS LTD., SHEFFIELD 1916 With twin harp handles 18.5cm (7 1/4in) long Together with a canted corner square ash tray by A. & J. Zimmerman Ltd., Birmingham 1921, 11cm (4 1/4in) wide; and another similar smaller example, 8.5cm (3 1/4in) wide 331g (10.65 oz) gross
Selection of part tea sets and Irish ceramics. 1 Colclough part tea set, one gainsborough part tea set, 2 paragon Winchester trios small bowl and teapot, 2 Royal Grafton Woodside trios, teapot milk and sugar, 1 saddler Gold and cream teapot, Papian Vases and trinket box, Balleek vase sugar bowl and jug, harp shaped ceramic clock.
A George V silver cream jug, with gadrooned border and angular handle raised on three hoof feet, London 1915; a silver cream jug with shaped border and flying C scroll handle and three hoof feet, Birmingham date letter rubbed; and another with reeded border and harp shaped handle Birmingham 1916, 7oz total weight
60s/ 70s - BEAT/ ROCK/ PSYCH 7" COLLECTION. A quality selection of 23 60s/ 70s 7" singles, mixed genres. Artists/ titles include TNT - Big Trouble (JAM 4), Lee Hammers Popcorn - Love Is Coming (POF 053), Information - Lovely To See You (E2461S, demo), Nirvana - Tiny Goodness (WIP-6016), Hard Meat - Rain (WIP 6066), Garry James - I Need You All The Time (DB 8593), The Shouts - She Was My Baby (EA.001), Jimmy Powell - I've Been Watching You, Juicy Lucy - Pretty Woman, The Smoke - My Friend Jack, The Rare Breed - Beg Borrow And Steal, The Rockin Vickers - Dandy. Lucifer's Friend, Glass Menagerie, Harvey Matusow's Jews Harp Band, The Pink Floyd - See Emily Play (DB 8214, record is G+), Jackson Heights, Tracey Dey, The Northern Lights, Orange Bicycle, The Transatlantics, The Cats. Condition is generally VG to Ex+, odd one may drop below.
An early 20th Century turned bog oak and carved Irish parish constable truncheon or stave, primitively carved with crossed incised lines, leaves, shamrocks and a harp, the tip carved with 'Killarney' in a curved band, 34cm long/Note: Likely centrally distributed to appointed parish constables although a standard design may have been established to be copied locally.' Likely relating to the town of Killarney in Co. Kerry to the SW of Ireland. CONDITION REPORT: Good overall condition. Slight crack to upper section as pictured and abrasion to wood next to the base of the crack showing unvarnished wood colour. Two very slight vertical cracks to handle
A BAG OF WHITE METAL JEWELLERY, to include a silver hardstone harp brooch, hallmarked rubbed, a white metal charm bracelet fitted with ten charms such as a horse shoe stamped silver, a bucket stamped sil, football, pig, kettle etc, fitted with a spring clasp, a gold plated circular locket, two cameo brooches one depicting the three graces the other a lady in profile, a malachite pendant necklace, a white metal cameo ring depicting a lady in profile stamped 925
NINETEENTH CENTURY WELSH YEW WOOD BOOK-SLIDE SWEETHEART TOKEN both hinging ends carved with a centre harp, acorns and leaves and the inscription 'IAITH ENAID AR EI THANNAU - COFIA FI' (the language of the soul on the harp strings - remember me), 28cms longComments: overall good, two separate sections, hinges appear to be working and original, surface marks onlyProvenance: private collection Cheshire
* Harp Lute. A rare George III period harp-lute by Edward Light circa 1800, the black lacquered body with fluted column and gilt carved wood eagle terminal, decorated in gold with maker 'Light Foley Place London Patent No 8', with a beehive to the floral border, lacking strings and general damage and wear commensurate with age, 84.5 cm QTY: (1)NOTE:Edward Light (circa 1747 - circa 1832) was an English musician and inventor of the harp-lute. Very little is known about his life although at one time he was the organist at Trinity Chapel, Conduit Street, London.

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9712 item(s)/page