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1880s Charles Stewart Parnell, a Stevengraph portrait. A portrait of Parnell with a spray of shamrock and a Maid-of-Erin harp, titled 'The Late - Charles Stewart Parnell' to the mount. Frame size 8 by 5.75in. (20.3 by 14.6cm)

1922-37 Irish Army officer's sword. An Irish Army officer's sword, the blade marked 'Proved' and etched with a harp above celtic interlace motif surrounding the badge of Oglaigh na hEireann set in a sunburst, on brass hilt with Oglaigh na hEireann badge, with wire-bound fishskin grip, in leather-bound scabbard. 39in. (99.1cm)

1922-37 Irish Army officer's sword. An Irish Army officer's sword, the blade marked 'Proved' and etched with a harp above celtic interlace motif surrounding the badge of Oglaigh na hEireann set in a sunburst, on brass hilt with Oglaigh na hEireann badge, with wire-bound fishskin grip, in leather-bound scabbard. Sword length 39.50in. (100.3cm)

1978 Long Kesh prisoner art. Carved harp. Signed to the interior 'Billy Brady - Cage 9'. 28 by 18 by 12in. (71.1 by 45.7 by 30.5cm)

Early 20th Century Nationalist flag pin. A gilt metal and green enamel pin-back badge in the form of a green flag centred by a Maid-of- Erin harp, by Thomas Fattorini, Bolton 1.25 by 1in. (3.2 by 2.5cm) The Fattorini family ran a number of jewellery and silversmith businesses in Bolton from the late 18th century. Thomas Fattorini Bolton traded as such between 1903 and 1919.

Irish nationalist needlework panel 'Erin go Bragh'. A mid19th century silk & bullion needlework panel, centred by the emblems of the Four Provinces, surrounded by the slogan Erin Go Bragh flanked by four shamrock-emblazoned green flags and a hound and a harp to the fore, above the motto 'God Save Ireland'. Framed. 18 by 19.50in. (45.7 by 49.5cm)

A gilt composition harp shaped table mirror with cherub (a/f), 62cm

A Spanish silver figure of a hare with harp, 20th century, the harp's column decorated with a swan and angels, model sitting on a plinth with silver cast angels as supports, harp 6in. (15.2cm.) high, gross weight without plinth 7.8 tr.oz. * Condition: In excellent condition, nothing to report.

A Taxco Mexican silver and turquoise brooch; a silver and moss agate brooch, as an Irish harp; a goldstone set brooch (3)

A GEORGE III IRISH SILVER PEDESTAL SALT, c.1786, maker Dennis Fray, Hibernia and crowned harp only, the eliptical bowl on a swept stepped foot, gilded, 4" wide, 2 3/4" high, 3ozs 7dwts (Est. plus 18% premium inc. VAT)

North Irish Horse scarce post 1908 white-metal headdress badge. A fine die-stamped white metal example with applied Maid of Erin Harp. (KK 1504) Loops VGC

Royal Irish Rifles Victorian Officer’s pagri badge circa 1881-1901. Die-stamped blackened brass crowned Maid of Erin Harp resting on a scroll inscribed “Quis Separabit”. Loops VGC See Dress Regulations 1900, Plate 60.

Royal Irish Regiment Victorian OR’s brass cap badge circa 1896-1901. Die-stamped crowned Harp on title scroll. (KK 613) Loops VGC

Royal Irish Reserve Regiment Boer War OR’s brass cap badge. Scarce die-stamped Imperial crowned Harp. (KK 1132) Loops VGC Also worn blackened by the Royal Irish Constabulary

Princess Victoria’s (Royal Irish Fusiliers) scarce large bi-metal Brodrick cap badge circa 1902-05. Die-cast flaming grenade, the ball bearing white metal Maid of Erin Harp surmounted by Prince of Wales plumes. (KK 693) Slider VGC As stated in KK, not worn with coronet.

North Irish Horse OR’s brass cap badge. Die-stamped, non voided Harp. (KK 1503) Loops VGC

8th King’s Royal Irish Hussars Victorian OR’s bi-metal cap badge circa 1896-1901. A good die-stamped example. Crowned Maid of Erin Harp resting on tri-part title scroll. (KK 761) Loops VGC

A modern Belleek model of a harp, green dog mark beneath, 16cm high, two heart shaped dishes with black marks beneath, glass fish ornament, and a Border Fine Arts swan and cygnets group numbered WW4. (a quantity)

A table harp.

A George I Irish silver rat-tail table spoon by John Hamilton, Dublin, 1715 (crowned harp, date letter, maker's mark), 19.9 cm. long, wt. 68 gm.Good condition, even bowlslight wear to date letter and crowned harp but all legible and distinguishable.

A George III Irish silver button, marked with Hibernia and crowned harp only, Dublin, circa 1780, engraved with elaborate script initials "DH", 2.5 cm. diameter, wt. 5 gm. Good marks, crisp engraving, slight distortion to button which needs slight straightening to top.

A George I Irish silver rat-tail table spoon by John Hamilton, Dublin, 1715, 19.9 cm. long, wt. 67 gm. Crowned harp and maker's mark clear, date letter indistinct, good even bowl.

Dated 1746 AD. Obv: profile bust wiuth LIMA below and GEORGIVS II DEI GRATIA legend. Rev: cruciform arms with nine harp strings and seven hearts with M B F ET H REX F D B ET L D S R I A T ET E legend and date. Edge: raised DECVS ET TVTAMEN ANNO REGNI DECIMO NONO inscription. S. 3695A; ESC 6th 1688 (old 606"). 14.81 grams. . [No Reserve] Good fine; pierced.

19th century AD. A bronze heart-shaped pendant with three pivoting panels; the cover with enamelled royal arms (post 1837) with two sets of England's three lions on a red field quartered with a Scottish lion rampant in a tressure on a yellow field and the Irish harp on a blue field; two of the panels with remains of a paper photograph(?) 8.18 grams, 24mm (1"). Ex Stratford collection, Suffolk, UK; acquired on the UK art market after 2000. [No Reserve] Fine condition, usage wear.

Han Dynasty, 206 BC-220 AD. A group of three ceramic tomb figures representing female musicians; each is shown kneeling and wearing long sleeved robes painted in red to the upper part and with a black belt across the middle; each has their hair pulled up into a flat bun on the top of the head; one figure holds a drum, another a cymbal and another a small harp. 1.7 kg total, 18cm each (7"). Property of a London gentleman; acquired before 1980. China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments. Ancient Chinese people believed they would go to an afterlife when they died. So they placed miniature versions of things for everyday use in tombs for the deceased, such as these musicians, hoping that the dead could enjoy the next life like when they were alive. These grave objects gradually developed into funerary artworks and reflected the social standing of the deceased. [3] Finely modelled.

A Colombia Three harp by Tim Hoborouju

A Royal Doulton figure 'Y Gymraes - Welsh Lady HN4968' together with 'Harp' & another novelty Welsh costumed figure

Shop Scales, Possibly By Avery a large set with cast harp top, 22'' brass beam, tubular steel stand enamel in pink/white, pan scale with bell weight to one side and ceramic circular flat plate with motto 'Justitia et Fides'; with additional bell weight stamped VR 1870 40'', 110cm high

EIIR Royal Irish Rangers Pipers Headdress Badge, large two piece silver gilt pipers badge in the form of a crowned winged harp on a scroll with regimental details. Four lug fittings to the reverse of the badge. Gilt dulled to brass.

EIIR North Irish Brigade Officers Cap Badge, two piece silver gilt example in the form of a crowned winged harp standing on a scroll with regimental details within. Two long lug fittings to the reverse. Gilt dulled to brass

A Venitian style mirror of harp form with acid etched floral design.

A late 19th/early 20th century Congolese Imbira harp. L.25cm

A good mixed lot to include a lady's evening purse decorated with beads, two wristwatches one by Accurist and one by Camel, three small pairs of white metal scissors, a Pixie powder puff, boxed, a Hohner Echo Harp, boxed and similar

A novelty silver miniature harp, 6 cm high, and a similar gramophone (2) Condition report Report by NGModern

AN AUTO-HARP (with key) and a box of dominoes, darts (feather tipped), cribbage board etc

Vintage auto harp with manual. (B.P. 24% incl. VAT)

A pair of brass candlesticks, 30.5cm high, a copper kettle and coal helmet, a small wood framed harp with carrying handle, 83cm, two fencing foils and other items.

Three storm lanterns together with further brassware to include vintage motor horns, bellows, blow torch and a further Reynolds Zither-harp.

Six Limoges miniatures to include a piano, a harp, a violin, a basket, a pitcher and a dove with ring (6). 

A large 19th century French gilt bronze and slate 8 day mantel clock with enamel dial having Roman numeral markers. Surmounted with a Classical maiden playing a harp and seated on a stool inscribed Salmson 1857. Inlaid to the plinth with a trailing band of enamelled convolvulus. Housing a cylinder movement striking on a bell, 63cm wide. Condition Report. To be used as a guide only. Some chipping to the slate. Bronze and gilding in very good order. Bell loose with no nut. Key and pendulum lacking. Dial clean.

Antique Piano Harp/Zither Late 19th Century piano harp 'Edison No 5 Special' American model. Of wooden construct painted green with gilt decoration and American eagle decoration. In good overall condition.

Antique Carved Alabaster Lamp Base. Unsigned. Repaired "AS IS" condition. Measures 12-1/4" to harp. Shipping $85.00 (estimate $25-$50)

A Victorian bargeware water jug, Mr G Green, Welsh Harp, Hendon 1886, 20cm high

A BSR Fidelity gramophone record player and an early 20th century Zither by the Welsh Harp Zither Co

A letter from Van Diemen's Land dated 1856, detailing the voyage of a gentleman in steerage on the ship Mermaid from Liverpool, to Trinidad, en route to Melbourne, Australia, and his intended onward journey on the Harp to Wellington, New Zealand, the privations of the travelling conditions, weather, food and other travellers on board the ship, and the intention, were he to travel again, to go as a saloon passenger; together with an earlier letter from Charles Jones to his sweetheart 'Watty', from Wixford Lodge, West Bridgford.

AN OVAL CAST IRON WALL MOUNTED "EIRE" PLAQUE, depicting a celtic harp,54cms x 41cms.

A German ebonised auto harp

Three Spelter Figures on turned ebonised wooden plinths including a Gent carrying an urn, a lady with yoke and buckets and a larger figure of a maiden with a harp

Small vintage Italian harp with paper instructions

A George III Irish silver ladle, by Michael Keating, Dublin c. 1780, maker, Hibernia and Harp only, with floral engraved handle and shell bowl, length 18 cm, weight 1.5 oz.

A BOX OF WELSH LANGUAGE BOOKS together with 'Welsh Melodies arranged for the Harp' by John Thomas, Boosey & Sons, signed by John Thomas Condition Report:Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information

A vintage Auto Harp decorated with roses. Comes with tuning key. Measures approx 45cm x 25cm.

A vintage 20th century African tribal 5 string harp of wooden and animal hide construction with carved tribal mask to front. Original purchased by the vendor in Northern Cameroon. Measures 51cm long. 

A Dutch silver shaped oval bachelor's three piece tea service in the 18th century taste by C. L. J. Begeer, Utrecht, 1911, .833 standard, the tea pot with a finial modelled as a stitched leather football, an ebonised harp handle and a reeded banded base, the tea pot 20cm (8in) long, 615g (19.8 oz) gross

A silver hexagonal twin handled comport by Walker & Hall, Sheffield 1920, the harp handles issuing from leaves, on a domed hexagonal pedestal, 16cm (6 1/4in) high, 633g (21.3 oz)

Five items of small silver, including: a William IV drum mustard pot by the Barnard Bros., London 1834, with a gadrooned rim and a harp handle, initialled, 6.5cm (2 1/2in) high; a small twin handled cup and cover in George I style by The Goldsmiths & Silversmiths Co. Ltd, London 1926, 11.5cm (4 3/4in) high; an oval swing handled basket by John Edward Wilmot, Birmingham 1910, 14.5cm (5 3/4in) long; a footed facetted ovoid sugar caster by E. S. Barnsley & Co., Birmingham 1916, 12cm (4 3/4in) high; and an Armada dish by Boodle & Dunthorne, London 1988, 14.5cm (5 3/4in) diameter, 630g (20.25 oz) gross

A carved Celtic table harp for re-stringing.

A table harp.

AN EARLY 20TH CENTURY AUTO HARP IN FITTED BOX, a 19th century walnut inlaid writing box, a small parquetry trinket box, and three vintage children's books (6)

A quantity of modern Belleek porcelain, to include mantel clock, vases, figural posy vases, clover leaf decorated harp ornament etc, together with a Belleek style mantel clock (13)