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19th Century sampler with verse and figure playing a harp with various trees, insects and flowers by Hester Sophia Willshiere, dated 1858 in birds eye maple frame

: CLEMEN• ISAUR• LUD• FLORAL• RESTAURATRIX•, Bust left, a Harp at right / : HIS IDEM SEMPER HONOS, fl owers. XF

A 19th Century giltwood and gesso and fruitwood framed harp by Thomas Dodd of 92 St. Martin's Lane London, No'd. 73 (for restoration), 169 cm high CONDITION REPORTS Is in a somewhat distressed and unstable state. Losses throughout, mold, dirt, etc reguires extensive resrtoration - see images for further details

LITTLE MACK SIMMONS & HIS BOYS - BLUES FROM CHICAGO - From one heralded harp player to another with this very few on the ground EP (Outasite 45-0SEP-1). Reportedly only 99 copies were ever pressed! The record is in strict VG condition. There is one very small scratch at the start of side 1, it would be unlikely to deter sound quality in any great respect. Unfortunately, the four pronged centre is no more.. The picture cover is in Ex+ condition with very little wear - there is a very slight bend to the cover.

Swarovski Crystal Glass, bunch of grapes with gold plated leaves and stem and a harp.

William III Half Guinea 1695, laureate bust right, rev. first harp, 4.13g; minor rev. edge bump at 3 o'clock o/wise generally good edge & surfaces, reddish/blue tone in legends, AVF

4 x Crowns comprising: 1696 first draped bust, first harp; edge has been planished to remove the lettering causing an uneven edge surface & raised rim in parts, contact marks, AFine; 1819 LIX contact marks, good edge AFine; 1902 edge bruises & other edge imperfections, contact marks GFine/AVF & 1937 good edge & surfaces AEF/EF

A pair of blue and white willow pattern meat plates, 39 x 31cm and an auto harp, (3).

A 19th century Killarney arbutus marquetry box: the shallow domed hinged top inlaid with an Irish harp enclosed by a shamrock border, with similar shamrock decoration to the sides, 28.5cm. wide.

A collection of Pendelfin figures to include, Robert, Muncher, Painter, Rocky, Phumf, Parsley, Jim Lad, Pie Face, Barrow Boy, Victoria, Snuggles, Margot, Lucy Pocket, Rosa, Vanilla, Maud, Pooch, Totty, Megan the Harp, etc. (24)

A collection of Pendelfin figures to include, Jingle, Bongo, The Thumper, Muncher, Poppet, Lollipop, Lucy Pocket, Robert, Nipper, Picnic Midge, Pie Face, Rosa, Megan the Harp, Squeezy, Maud, The Thumper, Sonny, Dandy, Crocker, Casanova, Rocky, etc. (24)

David's Harp, consisting of about three hundred tunes adapted to Mr Wesley's selection of hymns, printed for R.Lomas early 19th century, The Students Instructor in drawing and working the five orders of architecture by Peter Nicholson, 1795, A Plea for Religion and the Sacred Writings addressed to the disciples of Thomas Paine by the Rev. David Simson, 1814, together with A.H. Swiss, No. 9 Hunting Map, with cloth cover

Irish Bog oak walking stick of tapered form with carved harp and shamrock decoration, 87cm. Condition Report. Generally good condition, small chip off bottom end but no visible repairs.

SATINWOOD HARP BY ERARD FRERES, no. 37, with neo-classical gilt gesso mounts to the fluted column, a brass plaque giving their address as Rue de Mail, Paris, with original metal lined wooden case, height 170cm,

Hoarwithy including RP exterior of blacksmiths pu 1906, New Harp Inn RP of customers sitting outside, The Mill, Alt Bough etc. (23)

Joseph KirckmanLondon 1800A double manual harpsichord in a mahogany, chevron banded and boxwood strung case raised on a trestle stand with four square tapering legs; Length 254cm, Width 100cm. The keyboard surround with satinwood, crossbanding and ebony and boxwood stringing, the nameboard bearing the inscription Josephus Kirckman Londini Fecit 1800, 19 Broad Street, Soho. Ivory naturals and ebony accidentals. Compass FF to f3. Two Pedals, ivory handstops, including Venetian Swell, Harp Stop and Machine. This is believed to be the latest dated extant Kirckman harpsichord. LiteratureMakers of The Harpsichord and Clavichord 1440-1840. Third Edition. Boalch p.457

A late 19th century pair of bronzed spelter figurines of musicians, a young lady playing a double bass and a young man playing the harp, both on shaped bases, height of each 54cm (2).

A Large skin covered Kora African harp

A Jubel table harp with floral decoration

An African Baga bow harp, carved softwood and animal hide, on a later ebonised stand, 80cm high.

A SET OF FOUR GEORGE II IRISH SALTS of squat circular form, on three lion-mask & paw feet, by Charles Leslie, Dublin 1740-50 (maker's mark, crowned harp & Hibernia); 3" (7.5 cms) diameter; 18.1 oz (4)

Four boxed Swarovski musical instruments: saxophone, violin, mandolin and harp

A large cast bronze ship's bell, with crown top and applied badge with initials J.B. and a harp over a shield, 14ins

Box of assorted items including miniature CLUB harmonica, Butlin's badges, old Jews harp, a naked lady bottle opener, Wade Whimsies etc

A Worcester candle snuffer (a.f.), inlaid snuff box, two bog oak pieces depicting a harp and castle, a small box and cover and an Art Nouveau box (5)

A Tole ware Harp string caddy 19th Century; together with a double base mute and two tuning forks (4)

A CHARM BRACELET, the fancy-link bracelet stamped '9 .375', suspending assorted 9ct gold and yellow metal charms, to include a harp and a magnifying glass, length 16.5cm

Spanish white glazed porcelain plaque of a lady wearing robes, marked 'Casasus, Spain' verso, 30" high; after Kauffmann relief moulded Jasper plaque of the Three Graces and a cherub playing a harp, 8.5" x 13", framed (at fault); also a terracotta head of a Tibetan type character inscribed V and A verso, upon a black plinth, 17" high (3)

AN IRON JEW'S HARP & TWO OTHER ITEMS including an Eastern knife with decorative handle and sheath and a bone/ivory bookmark with pierced decoration and carved elephant top, various measurements

AUTO HARP - early 20th century chord-zither auto harp. Black with rose flower design painted on body.

AN ASSEMBLED WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ELECTROPLATE TEA SERVICE, GERMANY, VARIOUS DATES, 20TH CENTURY comprising: a teapot, coffee pot, covered sugar basin, milk jug and hot water kettle-on-stand, each shaped ovoid body applied with a harp-shaped handle, on a flat base with detachable composition and gadrooned finial, kettle-on-stand with a curvilinear stand, distress to finial of kettle-on-stand and lacking burner, kettle-on-stand 30,5cm high (5)

A needlework on silk of classical scene, young boy with harp serenading a girl

British Coins, William III, sixpence, 1696, first laur. and dr. bust r., rev. crowned cruciform shields, later harp, large crowns (S.3527; ESC.1543; Bull 1211 [R3]), light grey tone, extremely fine*envelope states ex E. R. Jackson Kent Collection, Glendining Auction, 26 May, 1965

Irish Coins, Ireland, George III, Bank of Ireland, six shillings, 1804, laur. bust r., rev. Hibernia std. l. with harp, date beneath (S.6615), lightly toned, extremely fine

Irish Coins, Ireland, George III, proof farthing, 1806, in bronzed copper, no stop after date, laur. and dr. bust r., rev. HIBERNIA, crowned harp, date below (S.6622), about mint state

Foreign Coins and Medals, Ireland, Republic, halfcrown, 1943, harp, rev. horse standing l. (S.6633), good fine, rare

A post 1902 silver plated plume holder of an Irish Regiment, harp within crowned oval shamrock wreath, with backing plate and plume socket (crushed). Basically GC (some wear). Part of a Private Collection

A Belle Epoque bronze and gilt bronze easel dressing table mirror, in the form of a harp adorned with angel, cherubs and floral motifs Approx. H. 85cm

Film Poster: Revenge of the Nerds (1984, 40" x 30").Film Poster: Roseanna's Grave (1997, 40" x 30",Film Poster: Metroland (1997, 40" x 30")Film Poster: Boyz n the Hood (1991, 40" x 30"). Starring Cuba Gooding Jr,Film Poster: The Addiction, 1995 original poster, 30" X 40"Film Poster: The Grass Harp (1995 US, poster prepared for UK release in June 1998, 40" x 30" quad).Film Poster: Curly Sue (1991, 40" x 30"Q). Film Poster: Brewster's Millions (1985, 40" x 30"), Film Poster: Intimate Relations (1996, 40" x 30", double sided, Film Poster: The Santa Clause (1994, 40" x 30", double sided

Charles I 1632-63 silver shilling Mintmark harp. Fine Charles I 1633-34 silver shilling, Mintmark Portcullis. Fair Charles I 1634-35 silver shilling, clipped. Mintmark bell. Good fine Charles I 1636-38 silver shilling, clipped. Mintmark tun. Fine Charles I 1640-41 silver shilling, clipped. Mintmark star. Weak portrait. Good fine Charles I 1640-41 silver shilling, clipped. Mintmark star. Poor Charles I 1640-41 silver shilling, clipped. Mintmark star. Poor Charles I 1628-29 silver sixpence, clipped. Mintmark anchor. Fine Charles 1 1632-33 silver sixpence, clipped. Mintmark harp. Fine Charles I 1636-38 silver sixpence, clipped. Mintmark tun. Good fine (10)

AN ART NOUVEAU ROYAL DUX BISQUE PORCELAIN FIGURAL CENTREPIECE, modelled as a young maiden holding a harp, seated on the edge of a large shell raised upon a wave moulded base, pink patch mark, model 2509, 12" high (Illustrated) (Est. plus 18% premium inc. VAT)

Charles 1st Halfcrown 1632-33 mm Harp, Tower under Charles 1st, S2771

Charles 1st Shilling 1632-33 mm Harp, Tower under Charles 1st, S2789

19th Century British SchoolA Celtic bard seated by the sea playing a harp with a young woman listening attentively, and an interior scene with a bard resting on a bed overseen by a woman folding a bodhran,oil on panels,24.5 x 20.5cms; 9 1/2 x 8in. (a pair)

Two corresponding Robinson and Leadbeater Parian ware figures of Classical ladies, polychrome with gilding, the first in green robes with oil lamp and jug, the second in red and green robes with harp, each on circular bases, height 45cm, Robinson and Leadbeater England black circular transfer mark to bases

Irish bog oak truncheon carved with a harp and shamrock, 19 ins long

Reproduction Guinness pub stained glass window, with amber panels with Guinness Harp dated 1790, with fitted glass and bottle pouring, together with painted hanging toucan style birds (3)

A carved shell cameo brooch in 9 carat gold mount. Depicting a maiden playing a harp in a landscape with a hound at her feet, 4.25cm wide. Condition Report. To be used as a guide only. Good condition.

Vintage 9ct gold, stone set brooch weight: approx 3.65 grams, together with two other vintage brooches including harp and shamrock and another paste set brooch

Single manual harpsichord by Thomas Culliford, London, 1785 for Longman and Broderip, the case sides veneered in 'plum pudding' mahogany with boxwood stringing and Indian laurel crossbanding, the lid veneered in standard mahogany with shaped brass strap hinges, the keywell veneered with burr walnut with holly and ebony stringing and kingwood cross banding, the fasciaboard inlaid with floral scrollwork and a central musical trophy, the soundboard with an inset gilt-metal rose pierced ends carved with a figure playing a lyre and the inscription Longman & Broderip, Cheapside, the later five octave keyboard, FF to f3 omitting FF♯, with ivory naturals and ebony accidentals, seven brass-knobbed hand levers with ivory inserts inscribed Machine, Harp, Lute [8ft.], Octave [4ft.], silent [dummy], 1st Unison [8ft.] and 2nd Unison [8ft.], two pedals controlling the machine stop and the Venetian swell respectively, with later music desk, on trestle stand.The later name baton inscribed Longman and Broderip, Instrument Makers, No. 26, Cheapside and No. 13 Haymarket, London also stamped on the wrest plank L & B. and with the serial No. 381. Inscribed Culliford on the underside of the soundboard.Length 7ft. 2¼in., 219cm.; width 3ft. 1⅜in., 95cm.; case depth 1ft. ⅝in., 32cm,*Recorded by Donald Boalch in Makers of the Harpsichord and Clavichord, 1440-1840 (3rd edition edited by Charles Mould), pp. 486-487. Formerly owned by Violet Gordon Woodhouse for whom Arnold Dolmetsch converted it into a two manual instrument (1899). There is an illustration of the keyboards as adapted by Dolmetsch in Violet, The Life and Loves of Violet Gordon Woodhouse by Jessica Douglas-Home and a further one which originally appeared in Music and Letter (1920). Subsequently owned by Lady [Georgina Beatrice] Headlam. Acquired by Mackenzie of Ord in 1965 who eventually (1991) arranged for it to be converted back into a single manual instrument

Three netsuke style carvings to include lady playing harp

A silver thimble, a silver butterfly wing brooch, silver pendant and chain, two white metal malachite cravat pins, a Yorkshire Rose pendant silver and enamel and a World War Two French bracelet and an Irish bog oak harp (q)

A George III silver cream jug, having floral engraved decoration and harp shaped handle, raised on ball feet, London (date letter indistinct)

A Victorian watercolour of family musical scene with harp and flute

Girl Playing a Harp, ink on paper unsigned, Female Bust Portrait and Portrait of a Dog's Head, pair pencil drawings by Joyce Platt signed verso max 22cm x 18cm (3) Condition Report Click here for further images, condition, auction times & delivery costs

WILLIAM III. SIXPENCE, 1697. Obv: Third draped bust right. Rev: Crowned cruciform shields with later harp. CGS encapsulated, 15711. UNC 82. Ex - NGC MS64. (1 coin)

GEORGE IV. VISIT TO IRELAND MEDAL, 1821. Struck in AE. Obv: Laureate and draped bust left. Rev: Irish harp, crowned, within a spray of rose, thistle and shamrock. 18.1g, 34mm dia. EF, with lustre. E 1049; BHM 1117.

A continental carved giltwood framed boudoir type dressing table with mirrored super structure over a single drawer on turned and fluted legs united by a stretcher, two three-fold dressing mirrors and a brass framed harp stool

A Victorian silver belt buckle with central harp and scroll design, London, 1896

19TH CENTURY SEBASTIAN AND PIERRE ERARD GOTHIC HARP, patent no.: 5446. 176cm high. CONDITION REPORT: Generally very grubby, worn and poor condition generally, significant areas of gesso relief missing in places, one horizontal crack noted to sound board, some restoration required. Appears to be minor woodworm marks at bottom.