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A 9ct gold charm bracelet comprising a rose gold Albert link bracelet suspended with various 9ct gold and yellow metal charms including shamrock, harp, golf clubs, spinning wheel, sausage dog, parrot etc, length approx 20cm, weight approx 28.2gms Further details: good, charms intact, wear and tear commensurate with age
COLERIDGE, Samuel Taylor (1772-1834). Sibylline Leaves: A Collection of Poems. London: Rest Fenner, 1817. 8vo (215 x 130 mm). (Lacking half-title, a few stains.) Contemporary calf (rebacked, with repairs to hinges and spine). Provenance: John Wordsworth (1805-1839), nephew of William Wordsworth (signature on verso of flyleaf). FIRST EDITION, with several of Coleridge's best-known works, including "The Rime of the Ancient Mariner," "Fears in Solitude," "The Eolian Harp," "The Nightingale," "Dejection," and "France." John Evans & Co. abandoned a project to print a two-volume edition of Biographia Literaria and Sibylline Leaves in 1815. Fenner acquired the sheets, printed preliminaries, and issued this work in 1817; thus, "Vol. II" appears on several leaves throughout the text. Ashley I, p.206; Tinker 697; Wise Coleridge, 45.Property from the Annette Perlman Trust
Charles I halfcrown 1634/5, Tower Mint, mm bell, obv. group III third horseman type 3a1, scarf flying from waist, rev. oval garnished shield, S2773, VF; and a Charles I shilling 1632/3, Tower Mint, mm harp, obv. group D fourth bust with falling lace collar, inner circles, XII in field, rev. garnished shield with CR at sides, S2789, AVF.
Ireland, George II Halfpenny 1752, Type 3, obv. GEORGIVS, laureate bust left, rev. HIBERNIA, crowned harp, S.6607, Fine; Ireland, George III halfpenny 1805, obv. laureate and draped bust, rev. crowned harp, S.6620, Fine; Ireland, halfpenny token 1806, medal alignment, obv. ST. PATRICK APOS 432, bust right, rev. IRELAND over crowned harp, Fine; Isle of Man, George III 'Cartwheel' halfpenny 1798, obv. laureate bust right, rev. Triskelis, S.7416, VG; Essequibo & Demerary, George III half stiver 1813, obv. laureate head right, rev. crowned denomination within wreath, KM# 9, Fine; 4 x Victoria pennies: 1854, 1855, 1889, and 1900, Fair to VG; 2 x Victoria halfpennies: 1851 and 1888, VG; and 3 x Victoria farthings: 1853 (GFine), 1868, and 1901.
Maundy Silver, to include: George III threepence 1762, obv. young laureate draped bust right, rev. crowned 3, S3753, GVF; James II twopence 1687, obv. laureate head left, rev. II crowned, S3416, Fine; George II twopence 1732, obv. young laureate and draped bust left, rev. crowned 2, S3714A, AVF; and George III penny 1800, obv. older laureate and draped bust, rev. normal 1 crowned, S3761, NEF; together with a William III sixpence 1696, obv. first bust right, rev. crowned cruciform shields, early harp and large crowns, S3520, VG.
George III Maundy 1D 1800, obv. older laureate and draped bust right, rev. crowned 1, light contact marks otherwise VF; together with British and Irish bronze and copper coinage, including: 4 x pennies, comprising: 1863, 1873, 1901 and 1948; 3 x George III halfpennies 1806(x2) and 1807, Good to Fine; George V halfpenny 1933; 7 x farthings, comprising: 1878, 1892, 1899, 1915, 1919, 1921, and 1927; Ireland, George IV penny 1822, obv. laureate and draped bust left, rev. HIBERNIA over crowned harp, S.6623, cleaned to give a silver appearance otherwise EF; Isle of Man, Victoria halfpenny 1839, Poor; New Brunswick, Victoria cent 1864, short 6, Good; Canada, silver 5 cents 1906, about Fine; and a small quantity of other base metal and silver issued and commemorative coins and medallions. Viewing recommended.
A Large Accumulation of British and Foreign Pre-Decimal Coinage, to include mixed pre-1920 and pre-1947 British silver: George III, comprising: 2 x shillings 1817 and 1819, and a sixpence 1816; William IV, including: 2 x shillings: 1834 and 1836, and a sixpence 1834; Victoria, to include: 2 x crowns 1889 and 1897(VF), a double florin 1890, 3 x halfcrowns 1885, 1898 and 1899, 5 x florins 1883, 1886, 1889 and 1897, 5 x shillings 1875, 1887(x2), 1890 and 1900, 4 x sixpences 18??, 1838, 1884 and 1887, 3 x fourpences 1840 and 1854(x2), and 8 x threepences; George V: 4 x halfcrowns 1922, 1928, 1929 and 1931, a florin 1921, 3 x shillings 1923(x3), a sixpence 1929, and 30 x threepences; and George VI: 6 x halfcrowns 1937, 1940, 1942, 1943, 1944, and 1947, 2 x shillings 1937(x2), and 2 x silver threepences 1940 and 1941; and a small quantity of foreign silver, including South African Republic one shilling 1864, obv. Kruger head left, rev. denomination and date within wreath etc.; together with a large quantity of post-1947 George VI and Elizabeth II cupro-nickel crowns, halfcrowns, shillings etc. and copper and bronze currency including Ireland, George III farthing 1806, obv. laureate head right, rev. HIBERNIA above crowned harp with date below, near Fine. Viewing recommended.
Bank of Ireland £1, 26th September 1918, 1908-1919 issue, obv. red and black lettering, Hibernia standing with harp at left and right, Medusa heads above, signed William H. Baskin, Chief Cashier, serial no. A/42 11011 in red, rev. blank, Pick 91, fold marks and colour loss consistent with age and use, minor staining to reverse, otherwise Fine, SCARCE.
A 9ct gold charm bracelet with approximately twenty-five gold charms, to include seal fobs, harp, enamelled Chinese lantern, dog, lighthouse, three-masted ship, picture frame, bowl, bells, love heart box which opens to reveal two rings inside, book, horse, Chinese symbol, rugby ball, antelope, articulated fish, Cupid with bow and two hearts, elephant, map of Africa, three coloured dice within pierced orb in swivel mount, etc, united by a 9ct gold heart-shaped padlock clasp, length approx 20cm, approx 136g. CONDITION REPORT Most of the charms are stamped 9ct. The frame is unstamped. The map of Singapore is stamped 14K.
ANTON SITZER (Austrian, fl. early 20th Century) oil on canvas - a fashionable twenties girl beside American harp, signed and dated 1928, 181 x 128cmsProvenance: private collection South WalesComments: small paint loss upper centre and lower centre, canvas wrinkled bottom margin, reverse of canvas with large patch applied consolidation resin.
SILVER & HARDSTONE. Three Victorian Scottish silver & hardstone hat pins, including two hinged pins. Also, an Irish harp pin set with Connemara marble. All stamped Silver or Sterling Silver except fouled anchor. Longest 20.5cm. All hatpins are in clean or reasonably clean condition. The pins however, have varying degrees of rust. Please request a condition report. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
WMF WAITER. A WMF Art Nouveau waiter, lady with a harp, No.252A. Max. height 23cm. Please note that all items in this auction are previously owned & are offered on behalf of a private vendor. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
A GROUP OF LAMPS, CERAMICS AND METALWARES, to include a three tier painted metal plant stand height 66.5cm, a pair of oriental style table lamps with shades, two large fabric covered lampshades, a painted cast iron cat doorstop, a blue vase with wrapped straw detail, two ceramic jardiniere stands one in the form of an elephant, a modern table lamp in a vintage style with pressed glass body, height to top of harp 79cm, etc (Qty)
Scratch-built illuminated wooden doll's house type display of 'The Old Music Box' music shop, the hinged front opening to reveal a single room furnished with counter, piano, harp, figures, display cabinets, violin, saxophone and other musical instruments and accessories L51cm H28cm D29cmCondition Report:Good condition.Electrical working condition unknown.
A 9ct gold fancy link charm bracelet complete with six musical themed charms including gramophone gem set, violin, harp, trumpet, grand piano and bagpipes, length approx 21cm, all charms marked 375, bracelet unmarked assessed as 9ct gold, total gross weight approx 37.7gms Further details: good- all charms present and intact, clasp working
18th (The Royal Irish) Regiment Officer’s Shoulder Belt Plate c.1800. A superb and most rare example the oval gilt back plate with a raised and beaded rim, in the centre a mount featuring a crowned pierced strap, ‘Virtutis Namurcensis Præmium’, this in turn encloses the Harp and Maid resting on a shamrock leaf; the whole with a background of translucent rich blue enamel, two hook and two stud fasteners (Parkyn Fig. 181), very good condition £2,000-£3,000 --- Provenance: Wallis & Wallis, June 1969 and January 1977.
Armagh Cavalry Officer’s Silver Coloured Metal Shoulder Belt Plate 1796. A very fine quality oval example with engraved details featuring the crowned Harp and Maid, ‘A’ ‘C’ ‘1796’ and the motto, ‘For Our King And Country’, the reverse with contemporary engraving, ‘Mr. Barlow’. Two hook and two stud fasteners, very good condition £1,500-£2,000 --- Note: Tony Skelsey discusses this plate and other Irish Volunteer plates of the period in his exhaustive article in the M.H.S. Bulletin No. 256, May 2014. Other ‘A C’ plates are discussed and are found to pertain to other specific units. Both the Armagh Cavalry and the Armagh (Neighbourhood) Cavalry were under the titular command of Francis, Earl of Charlemont, in 1804.
Coins, Ireland, Henry VIII (1509-1547), a collection of Harp Groats comprising an Anne Boleyn example, hA to the side of the harp, F or better with losses to the edge, 2 x Katherine Howard Groats, both with hH to the side of the harps, one F with minor losses to the edge and the other NF with a segment missing from the edge together with a Jane Seymour Groat, hI to the side of the harp, F or better
asymmetrical, the frame of rocaille form, depicting a trumpeting angel, head of a cherubim, and another cherubim holding wreath, with suspending tambourine, harp, and trumpets, all pulled by a crowned swan, supported by two spreading feet and stand, apparently unmarked; overall height: 84 cm (33 1/8 in.)CONDITIONThe mirror is in very good condition.
A late 19th century French Classical Revival gilt metal and mother-of-pearl oval musical desk stand, the central harp flanked by two quill holders cast as mythological dolphins, each over a cut glass inkwell and a pounce pot, all above a carved mother-of-pearl shell and foliate cast ormolu base enclosing a musical movement, on four lion paw feet, height 23cm, width 20cm, depth 17cm (musical movement defective).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Anthony C., English Coins: [A] Collection begun in 1879, an extremely detailed handwritten account of the collection of British coins formed by Charles Anthony, from Gallo-Belgic issues down to 1937 type coins of George VI, including rubbings of all coins, details of their provenances and prices paid, 250pp. Half-leather and boards; extremities scuffed, otherwise sound, a fascinating record and unique £300-£500 --- Provenance: Ex libris Charles Anthony Jr, with his bookplate; David Sealy. Charles Anthony Jr formed a considerable collection of coins, beginning in 1879 with the acquisition of a Charles I shilling, mm. harp, for 3/6 from a “Dealer, Drawbridge, Bristol” and a 1708 shilling for half a crown from a “Dealer, Triangle, Bristol”. During the early 1880s he was acquiring coins from the likes of the pawnbroker and jeweller Abraham Myer in Hereford, F. Redfern & Co in Peterborough, James Verity in Dewsbury and particularly Robert Sadd Jr (1815-94), a second-generation Cambridge jeweller, from whom he bought a considerable range of coins in 1884. By 1885 he had discovered the London dealers, becoming an occasional purchaser from Lincoln down to 1927, while his first acquisitions from the then-new firm of Spink, at 2 Gracechurch street, namely extremely fine crowns of 1720 and 1739 for £2 each, were made in 1886. Visits to un-named dealers in Wardour street and Charing Cross at the same time yielded further pieces. During the 1890s occasional coins were acquired from circulation in the year of issue, but apart from new issues acquired from banks at the time, between 1900 and 1920 the only purchase appears to have been an oval countermarked dollar, bought in Buenos Aires in 1906 for the equivalent of eight shillings. Commencing again in 1920, Anthony proceeded to expand the collection with purchases from Spink and Baldwin and, from 1935, from Seaby; the latest acquisitions from all three firms were made in July and August 1947. The Buenos Aires connection yielded a Richard III groat, which cost 4/6 in 1927, and preceded Anthony’s most active decade, the 1930s, when he acquired large numbers of coins from the major London dealers and participated directly in several Glendining auctions, including the Drabble and Waite Sanderson sales. His collection was housed in three cabinets, one of which, made in Kingswood c. 1739, was made for George Montgomerie of Thundersley (1712-66). The collection was bought by Seaby in either late 1947 or early 1948 and first marketed by them in February 1948; some of the gold coins from it were acquired by Major William Tapp, MC, a portion of whose collection was sold in these rooms in March 2017

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9712 item(s)/page