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An Edwardian matched silver four piece tea service by S Blanckensee & Sons Ltd, Birmingham 1901-1903, with harp handles and gadrooned borders, engraved with a monogram, the teapot 24.3cm long, 32.6 oz gross

A George III Irish silver oval cream jug, Dublin 1800, with high harp handle, the body engraved with a foliate band above swags and two shield-shaped cartouches, one with the initial `K`, 11.3cm high, 3.4 oz

A 19thC French mantel clock, by Japy Freres, the drum shape movement striking on a bell, the white enamel dial with black Roman numerals and painted with floral swags, pierced gilt hands, crested by gilt metal harp, doves and foliage, on a white marble base mounted with a spelter figure of Cupid, on toupie feet, 30cm high.

A large signed onyx figure of a seated naked lady with harp.

A late-Victorian silver and green hard stone vesta case, by J. Cook and Sons, Birmingham 1894, shield form, engraved foliate decoration and inlaid with a harp, length 3.8cm, plus a modern silver novelty vesta case modelled as Toby the dog, London 1983, length 6cm. (2)

A boxed Piano Harp a/f

A 19th century Irish table top cabinet, the hinged lid inlaid with acorn and oak leaf boarder enclosing a panel depicting a country house, with inlaid hinged doors and panels depicting Muckross Abbey, Killarney Lakes and Ross Castle, Killarney Lakes, the interior decorated with Irish harp and shamrock inlaid decoration, containing three short draws on a shaped plinth base. 30cm wide

J. Erat, Wardour Street, Soho, London, A late 19th century satinwood and parcel gilt harp, with crown embellishment, carved with rams heads and caryatids upon a fluted column support and plinth base, frame number 945, H.6ft 4ins W.2ft 7ins

A knee harp/zither of traditional design having transfer decoration

A `ELGAR` HARP PAINTED IN BLACK AND GILT WITH COLOURFUL TRANSFERS OF A YOUNG LADY AND FLOWERS

A Victorian majolica slender ovoid vase, in relief with scantily draped cherub with a harp within a cobalt blue cartouche, the cream ground with scrolling vine, domed base, 28cm high, impressed mark, c.1880

A pair of Derby Crown Porcelain two-handled ovoid vases, painted by George Landgraf, signed, with initials, well painted with beaded gilt oval cartouches with scantily clad cherubs, one with lyre shaped harp, on brown ground, the other with bow and quiver, the neck and base in turquoise and gilt, fluted necks, leafy scroll handles, square plinths, 24cm high, crown and interlaced D mark, c.1885 George Landref is a little known artist who worked at the Osmaston Road site between 1880 and 1885, before working at Derby he worked for Brown-Westhead, Moore at Cauldron Place

A Meissen group of musicians, the lady playing the harp while her companion holds her music, a boy playing the flute in the background, raised on a reticulated base, blue crossed swords mark and incised `D48`, minor good restoration, 19cm. Provenance: from a good private collection.

A 16th Century Carved Stone Corbel, depicting an angel playing a harp. 8 ins x 7 ins x 15 ins (20 cms x 18 cms x 38 cms). *

A Victorian oak telescopic music stand, and a stained beech framed harp stool

Seventeen items of jewellery and vertu, including; a rectangular pietra dura brooch with a harp motif, a silver brooch, Birmingham 1895, a pair of paste set hat pins, a propelling pencil, a small glass scent bottle, a brooch fitted with two portrait miniatures, probably Indian, three buttons, two enamelled buckles, a French medal, an Oriental small seal, a locomotive charm, a gilt metal mounted banded agate box, a filligree barrel shaped slide and a gilt star shaped pendant with a detached similar suspension loop.

A pair of George II Irish silver oval salt cellars by John Hamilton, maker’s mark, Hibernia and crowned harp only, Dublin, circa 1740, with gadrooned rims, pierced sides and on ball-and-claw feet, engraved with a crest, 8.5cm (3.5in) wide, 192g (6.15 oz), with blue glass liners. See Jackson, 3rd edition, p. 634 and Delamer, Ida & O’Brien, Connor ‘500 Years of Irish Silver’, p. 201 for the maker’s mark.. The crest of OGILVY of Scotland of a lion rampant holding an erect plumb-rule between the paws.

Six 18c Irish bright cut teaspoons (5+1), five with makers mark for John Shields circa 1800, the sixth with makers mark `AM` possibly Arthur Murphy, with Hibernia & Harp crowned but no date letters.

A 19th century portrait miniature on ivory of circular form, depicting a girl playing a harp, signed `Perrin`, within an engraved ivory frame, old handwritten label `Lady L. Perin 63` verso, 7.5cm diameter.

A WMF style silver plated, white metal card tray No. 252A, cast with a diaphanously dressed lady by a harp.

MARX BROTHERS THE: Chico Marx (1887-1961) American Film Comedian. Vintage signed and inscribed postcard photograph of Marx seated in a three quarter length pose at his piano. Signed in blue ink across the centre of the image, with better contrast than is usually encountered on this image; Harpo Marx (1888-1964) American Film Comedian. Vintage signed and inscribed sepia postcard photograph, an amusing image of Marx in a head and shoulders pose at the entrance to a kennel, holding a small dog under each of his arms. Signed in blue ink across a light area at the head of the image. Together with a blue ink signature by Marx on a piece featuring a printed caricature of the comedian playing his harp. Heavy vertical fold at the centre. G to VG, 3

An Ultimatum brass framed ebony brace by MARPLES with rare brass head screw with "William Marples" displayed in a "banner" with harp device, hair crack to head (the head screw of this brace is illustrated in TUB p64 top) G

A pair of early 20th Century cast metal table lamps, each modelled as a musician, playing harp and cello beneath silk tasselled shade on stepped circular plinth.

Silver and jade Irish harp brooch

Auto Harp in Wooden Case

An Irish mahogany games table, the oval top inlaid with chess board and harp decoration and with cable twist edging on a square section tapering support and four scrolling carved legs, 23" wide.

A late Georgian mahogany converted instrument case, the upper section with twin glazed doors enclosing shelves over a fall front secretaire, with applied lute and scrolling acanthus decoration over twin panelled concave doors flanked by cable twist pilaster columns to either side on hairy paw feet, bearing original label `Self Performing Harp and Flute invented and manufactured by Clementi & Company, 26 Cheapside, London`, 51" wide x 79" high.

An M. Hohner harmonica, The Echo Harp, boxed

Seven Hammered Coins, Charles I, comprising: shilling MM crown, two sixpences MM harp, two halfgroats (one holed) and two Scotland 20pence (one Briot`s issue); and a James I Penny, various grades Poor to GFine

A PAIR OF ANTIQUE CARVED GILTWOOD TWIN BRANCH WALL SCONCES - each in Neo Classical style with ribbon and bow and wreath above a harp and with scrolling branches above tassles, 27" high overall (see illustration).

EARLY 19TH CENTURY INDIAN HORN AND IVORY RECTANGULAR NEEDLEWORK CASKET (REQUIRING RESTORATION) 9" WIDTH; ALSO ETHNIC CARVED HAND HARP

Two sets of three George II/George III silver Irish Hanoverian pattern dessert spoons, by Joseph Cullen and by Alexander Richards, maker’s marks, crowned harp and Hibernia only, engraved with a crest, 184g (5.9 oz gross), in a later case. Joseph Cullen mentioned in Jackson, 3rd edition, p. 638 for 1765. Alexander Richards, p. 637, 1753-4. The crest of KELLY / O’KELLY of Castle Kelly, co. Galway, Ireland. This mythical beast, part fox, part wolf and part eagle of uncertain origin, is known in heraldry as an Enfield. Provenance: Cornwallis

A silver oval cream jug by S. Blanckensee & Sons Ltd, Chester 1937, in George III style, with a reeded harp handle and rim, 9.5cm (3.75in) high, 130g (4.15 oz). Provenance: Cornwallis

A pair of George III urn shaped salts by Peter Podio, London 1795, with half gadrooned bodies and twin harp handles, on square bases; and four others similiar by Robert Harper, London 1874, each engraved with the Courthope crest, 649g (20.8 oz) gross, in a leather covered case. Provenance: Courthope

A George III silver oblong baluster tea pot by William Bennett, London 1807, with a composition finial and a harp handle, on four ball feet, 28cm (11in) long, 545g (17.5 oz) gross; and a late Victorian hotwater pot by Josiah Williams & Co. of Bristol, London 1898, with a spherical body, a shaped gadrooned rim and a composition finial and harp handle, on a collet foot, 15cm (6in) high, 399g (12.8 oz) gross. Provenance: Courthope

A Victorian Large Staffordshire Group gentleman and lady playing harp and accordion, on white and pale blue ground, 42cm high

C19th Oak 8 Day Long Case Clock, brass dial, secondary seconds dial & date aperture, carved oak case, door carved with rearing stag, carved plinth with clover & harp, Welsh Dial Marked Owen Williams

Large 19th Century crossbanded mahogany wheel barometer by G. Rossi of Norwich, having swan neck pediment. Silvered fahrenheit thermometer, 12" silvered dial profusely engraved with figures flanking a crown, harp and other instruments, fitted hygrometer and spirit level, 122cm high.

A silver capstan ink well, the tortoiseshell top with inlaid Irish harp, Birmingham 1916, together with a glass ink well.

A c1700 copy of XII sonatas or solos for a violin a bass violin or harpsicord compos`d by Arcangelo Corelli his fifth opera". This edition has ye advantage of having ye graces to all ye adagios and other pieces where the author thought proper by Arcangelo Corelli. There is likewise engraven his first second third & fourth operas being all the works of that author yet extant London. Printed for J. Walsh servt. to her majesty at ye Harp & Hoboy in Katherine Street in ye Strand & J. Hare at ye viol & flute in Cornhill nere ye Royal Exchange. Having been professionally re-bound and restored to a high standard."

A Victorian silver mounted cut glass claret jug, Birmingham 1891, with a bud finial to a domed cover, spirally gadrooned, to a harp handle, with a spherical cut glass body, 23cm high

A silver four piece canted-rectangular tea service by Adie Brothers, Birmingham 1938, comprising a tea and coffee pot, a twin handled sugar basin and a cream jug, each on a pedestal foot, the tea and coffee pot with composition finials and harp handles, the teapot 28.5cm long; together with a pair of silver sugar tongs by Barker Brother`s, Birmingham 1936, 57.3oz gross

A silver oblong baluster four piece tea service by Ollivant & Botsford, Birmingham 1936 and 1937, comprising a tea and coffee pot, a twin handled sugar basin and a cream jug, each with gadrooned rims, on four ball feet, the tea and coffee pot with composition finials and harp handles, the teapot 27.5cm long, 46.3 oz gross

A Victorian silver half reeded pedestal hotwater pot by William Hutton & Sons (Edward Hutton), Sheffield 1887, with an ebonised urn finial and harp handle; a matched cream jug and basin by Martin, Hall & Co. Ltd, Birmingham 1919, 31 oz gross

An electro-plate mounted clear glass claret jug, the plain mount with a domed cover, a turned finial and a harp handle, on a tapered body, 28.5cm high

The Echo Harp harmonica by M Honer, boxed

A Boxed Hohner ``The Echo`` Harmonica, a Jews Harp and a plastic Harmonica.

A small Regency mahogany gilt metal mounted and brass inlaid bookcase, the rectangular top over a shallow frieze with acorn, oak leaf garland and harp decoration over a pair of glazed panelled doors enclosing two shelves on later turned feet

A silver and Connemara marble brooch, designed as a harp, Birmingham 1907, two gold and gem set bar brooches, a silver gilt mounted compass fob, Birmingham 1908, a small fob seal, a Victorian half pearl set stick pin with a horseshoe motif, and three pairs of pendant earrings.

A Bohemian garnet set shaped oval brooch, a Connemara marble set brooch, designed as a harp, a Victorian Golden Jubilee commemorative brooch with an enamelled shield motif, dated `1887`, a brooch with a camel and palm tree motif, and eight further brooches.

VICTORIAN ROBERT BURNS RELIEF MOULDED WALL PLAQUE the circular cast metal study within a raised border with harp motif, 28cm diameter

A Victorian 9ct gold brooch decorated with a harp, approx 2.5g.

A small parcel lot of assorted Swarovski Crystal items to include a small clock, boxed flower heads, a pear, a harp etc, damages. (12)

A SILVER SWIVEL SEAL PENDANT on chain, two silver Scottish thistle brooches, a further kilt brooch, a silver ring and a seed pearl harp and clover leaf brooch

A 19th Century Satinwood and Parcel Gilt Forty-Five String Concert Harp, the brass plate stamped Frederick Crosjean, 11 Soho Square, London, improved patent, no.1030, the column support and tapering body raised on a platform base with leaf carved scrolling toes and six pedals, 86cm by 50cm by 174cm See illustration

An Art Nouveau Royal Dux figure, of a nymph with a small harp seated on rocks, 31.5cm

14 Irish collar badges: officer’s silver plated Irish harp and gilt silver plated R Inniskilling Fus; OR’s R Inniskilling Fus pair sideways brass, single sideways bi metal, upright brass and bi metal; 2 part R I Fus sideways (2), pair R Dublin Fus; a Vic bi-metal R Fus collar or sidecap. GC. (15)

A Victorian silver oval half reeded teapot by Charles Stuart Harris, London 1888, with composition lobed finial and harp shaped handle, on a collet foot, engraved with a crest and legend ‘Nobilis est ira leonis’, 24.5cm, 9.75in long, 510g (16.6oz) gross. The crest and motto of this teapot belongs to the name of Stuart, kinsman of the Marquesses of Bute who use this crest and motto along with another crest and motto for CRICHTON. The first husband of Mrs Knatchbull-Hugessen (Ropley House) was Lord James Charles Crichton-Stuart, son of Sir John Crichton-Stuart, 5th Marquess of Bute and Lady Eileen Beatrice Forbes. In 1947 ownership of Dumfries House passed to Sir John Crichton-Stuart,5th Marquess of Bute and upon his death in 1956, the Dowager Marchioness of Bute returned to live at Dumfries House.

JONES, Edward, Musical and Poetical Relicks of the Welsh Bards, to the Bardic Tunes are added variations for the Harp, Harpsichord, Violin and Flute and general history of the Bards and Druids, pub London 1794, and MOORAT Joseph, Thirty old-time Nursery Songs, pictured Paul Woodroffe (2)

An Irish vase-shaped caster, mid 18th century, with high domed cover and knop finial, crested, 13.5cm. high, crowned harp and hibernia marks only, some wear to marks, 4.50ozs.