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A Belleek Shamrock pattern clock;  a similar harp and vase;   Noritake tea service, for six Japanese coffee service;   etc

An Edwardian large silver two handled trophy cup of shallow circular form on a low spreading foot, with harp-shaped handles, initialled ‘P’ on one side and inscribed on the other, by Walker & Hall, Sheffield 1907, 30.5cms diameter – 53.25oz.

A LATE VICTORIAN 18CT GOLD DIAMOND RING, designed as a shield shape signet with a rose cut diamond set harp, to the bifurcated shoulders set with small very worn pearls, leading onto a polished band, hallmarked 18ct Birmingham 1885, ring size M, approximate gross weight 2.3 grams (condition report: general light wear in keeping with age, very worn down pearls, shank slightly misshapen)

Large Plaster figure of a Plaster Gilt decorated Art Nouveau figure with Harp marked Reproduction Interdite N 509. 58cm in Height

Eight harmonicas including cased Hohner ‘ The Super Chromonic ‘, cased Hohner Chrometta, cased Victory, cased Swan, cased Guinness, cased Hohner Blue Harp and two loose

Five early 20thC figurines to include a Dresden 'Mother & Child' with harp 18cm h with mark to base, 'Hunter' Chelsea porcelain with red anchor to base 23cm h along with candleholder and other figures. (5).

Gold on silver brooch in the form of a harp / lyre, 5g.

A GEORGE III BANK OF IRELAND PROOF SIX SHILLINGS, 1804. A Bank of Ireland gilt proof six shilling piece, Laureate and draped bust of George III, Reverse 'Bank of Ireland Token', Hibernia seated l. by a harp, 1804 Six Shillings, to the exurge. Plain edge, Matthew Boulton Soho Mint. c. 27.51g. *CR Good condition with only light marking, reflective fields.

AN IRISH PROOF HALFCROWN 1928 AND SIMILAR PENNY. A proof halfcrown, Harp with date 1928, Reverse Standing horse with value to the exurge. Similar penny harp with date 1928, Reverse hen and chicks. With an empty eight coin 'Irish Free State case'. *CR Reverse with marking, obverse much better.

A COMMONWEALTH SIXPENCE, 1656. St George's Cross in a shield and wreath, mint mark sun, reverse with cross of St George and Irish Harp in shields 'God With Us' dated 1653. *CR Some rubbing to both sides, small split at base.

A 9ct rose gold Wedgwood blue jasperware ring depicting a woman playing a harp, split shoulders, Chester 1919, N, 2.3g

Gold pendant / charms including 9ct gold piano, harp, camera, Canada and ship, 10ct gold Rotary International and 14ct gold charms including two clogs, tram, New Orleans and one otherCondition Report:9ct approx 21.95gm, 10ct approx 3.75gm, 14ct gold approx 13.75gm

HONORÉ DAUMIER (FRENCH, 1808-1879)Apollon signed with initials 'h.d.' (lower right), titled (lower left) pen, ink and pastel on paper 29 x 19cmProvenanceDelphine Baron;Henri Rouart, Paris;Sale, Galerie Manzi-Joyant, Paris, Collection Henri Rouart, 16th-18th December 1912, lot 55;Mr. and Mrs. Charles H. Tweed (acquired at the above sale);Harrison Tweed, gift from the above in December 1920;Chester Dale;Sale, Parke Bernet, New York, 16th March 1944, lot 11;Rosen Collection (acquired at the above sale);Gifted in 1985;Sale, Sotheby's, New York, 19th January 2005, lot 5LiteratureErich Klossowski, Honoré Daumier, Munich, 1923,no. 105CEduard Fuchs, Der Maler Daumier, 1930, no. 31, illustrated p. 25K. E. Maison, Honoré Daumier, Catalogue Raisonné of the Paintings,Watercolours and Drawings, Greenwich, 1968, vol. 2, no. 454, illustrated pl. 156Condition ReportThe sheet has been adhered to backing card, discolouration to the extreme borders corresponding with the current mount.  Minor surface mark to the right of the harp, otherwise the sheet is sound.  Ink and pastel in good original condition.  Held in a later frame in fair condition.

A FIRST WORLD WAR MILITARY CROSS GROUP OF SIX TO THE ROYAL FUSILIERS. A Great War group of six comprising George V Military Cross, unnamed as issued, 1914-15 Star named to 10780 Sjt F. Howard R. Fus. War Medal and Victory Medal to 2 Lieut F. Howard, Second World War Defence and War Medals unnamed as issued. Frank Howard was born in 1888 enlisting as a Band Boy in the Royal Fusiliers. He entered the War in France on the 19th January 1915 and was Commissioned a Second Lieutenant on the 9th April 1917, he served with the 4th Battalion of the Royal Fusiliers (City of London Regiment). Wounded on the 20th Jan 1917 during an attack from the south of the Arras-Cambrai road, advancing at 0700 hours the battalion came under heavy shell fire but continued to move forward until they had covered about a mile progressing over a defensive system at Tilloy known as 'The Harp'. The Battalion lost 225 Officers and Men on that day. Howard was awarded the Military Cross for conspicuous gallantry and devotion to duty 'He led his company in the attack until severely wounded. He refused to be moved back and although only able to crawl he remained in command. When forced to withdraw he organised and made determined efforts to resume the offensive, shortly afterwards becoming unconscious.' His brother was killed in the same action. He suffered with the wound for years to come due to shrapnel embedded in his body and left the Army in 1919. He reenlisted in the Royal Fusiliers 10th (City of London) Battalion (69th Searchlight Regiment)(Territorial) as an Administrative Officer. Mounted for display with copied history. *CR Good condition.

Marc Chagall,  French/Russian 1887-1985,  David and His Harp, 1956;  lithograph in colours on cream wove,  from the unsigned edition,  printed by Mourlot, Paris,  published by Verve,  sheet: 35.5 x 26 cm,  (framed)  (ARR)  Provenance: William Weston Gallery, London  

An American Ukelin zither together with a Chartola Grand zither harp. Location:If there is no condition report, please request.

An Irish Killarney marquetry book slide, inlaid with a harp and a view of Muckross Abbey, inscribed Killarney Lakes, 45cm wide, c.1860

An 18th century Irish silver cream jug, of bold design, chased with ducks taking to flight, flowers, fruit and C-scrolls, acanthus-capped handle, lion monopodia, 11.5cm high, crowned harp and Hibernia marks, Dublin c.1760, 198g

A Scottish sycamore snuff box, wooden hinge, rectangular with curved sides, the lid with statue of William III monument within floral wreath with crowned harp at base and inscribed 'The Glorious and Immortal Memory', within an octagonal frame within leaves and berries, the sides and base in the same design, foil 30%, 8.1 x 5.1 x 1.8cms.

AN INTERESTING IRISH SHILLELAGH WITH IRISH FREE STATE LINKS. A shillelagh with 33 cm handle and uneven bulbous head with raised lettering 'Ireland For Ever', harp, shamrock and two axes. The head 11 cm wide, 17 cm overall. *CR Split to top, scuffing and chipping to raised decoration.

A ROYAL HIBERNIAN MILITARY SCHOOL CAP BADGE. A 1901-21 period die stamped Royal Hibernian Military School Cap badge with Imperial Crown above voided centre with harp. *CR Good condition.

A collection of Pendelfin buildings, display stands and figures, including a Curiosity shop with original box, a gypsy caravan, Castle Tavern, etc, figures include Morgan the Harp, Mother Rabbit, Father Rabbit and Uncle Soames, considerable amount of chipping generally (2 boxes and loose)

Musical instruments, to include a melodian, cased, Hohner harmonica, a Hohner Blues harp, etc. (1 tray)

William and Mary (1688-94), gold Guinea, 1689, conjoined busts right, legend surrounding, GVLIELMVS. ET. MARIA. DEI. GRATIA, toothed border around rim both sides, rev. crowned quartered shield of arms, later harp, Lion of Nassau as an escutcheon at centre, date either side of crown, .MAG. BR. FR. ET. HIB. REX. ET. REGINA., 8.26g (Schneider 465; Farey 312; EGC. 360; MCE 152; S.3426). Toned, a well-balanced coin much eye appeal, about or near very fine.The Latin legends translate to on obverse "William and Mary by the Grace of God" continuing on the reverse as "King and Queen of Great Britain, France and Ireland."

Ireland, Republic, silver Halfcrowns, 1931, 1933 (2), Irish Harp dividing date, legend around, rev. Horse, value in exergue (S.6625). All graded by NGC, the first as UNC Details, Reverse Cleaned, the second as AU Details, Reverse Repaired, the last as UNC Details, Reverse Cleaned. (3)NGC Certifications 6945643-008 , 6945643-009 & 6945643-010

William III (1694-1702), gold Half-Guinea, 1695, laureate head right, Latin legend surrounding, GVLIELMVS. III. DEI. GRA., toothed border around rim both sides, rev. crowned cruciform shields, early harp in Irish shield, sceptres in angles, Lion of Nassau at centre, date either side of top crown, .MAG. BRI. FRA. ET. HIB REX. (Sch. 515; Bull EGC 429; MCE 189; S.3466). Weakly struck at 12 o'clock and corresponding reverse, good portrait, very fine graded by NGC as AU Details Cleaned.NGC Certification 8221134-003The gold output for the calendar year of 1695 was the second highest of the reign at £717,218 compared to the smallest silver output in the same year of a mere £62.

A Continental Table Harp and Percussion Instrument

Commonwealth (1649-1660), Pattern Farthing, in brass with a copper centre, shield with St George’s Cross, laurel wreath enclosing k above, rev. shield with Irish harp, laurel wreath enclosing k above, edge plain, 21mm, 2.38g/6h (Cooke 817; BMC 374). About fine, extremely rare £500-£700 --- Provenance: M.J. Roberts Collection

William III (1694-1702), Sixpence, 1696y, first bust, large crowns, early harp (ESC 1296; S 3525). Lightly toned with iridescence, extremely fine £150-£200

A Chinese guzheng zither harp - 21 strings. Measures at approx 162cm x 36cm

JOHN MAYALL - 7" COLLECTION (OVERSEAS PRESSINGS). An extensive collection of around 74 7" singles by John Mayall, overseas pressings. Titles include I'm Your Witchdoctor (x2) (IMF 510 & 3C006-91417), John Mayall & Blues Breakers Vol 2 (LS 208), Dust My Blues (TOP-1373), I Need Your Love (TOP-1403), Sonny Boy Blow (TOP-1432), Picture On The Wall, JM & Bluesbreakers Vol 3, Step In The Sun, Suspicions Pt 1 & 2, Don't Waste My Time, Plan Your Revolution, Room To Move, Play The Harp, 2401, Don't Waste My Time, Que Noche La De Aquel Dia, You Can't Put Me Down, Don't Pick A Flower, Broken Wings, Dream With Me, Looking Back, Step In The Sun, Key To Love, Crocodile Walk. Condition is generally VG to Ex+.

Tanzender weiblicher Akt, Marcel Debut (1865 - 1933 Paris) Bronze patiniert. Nur mit einem Lendenschurz bekleidete, tanzende junge Dame. Sie hält in ihrer Linken eine Harfe, die Saiten sind aus Draht gefertigt. Bezeichnet "Marcel Debut". Berieben. Höhe 72 cm. A large French bronze sculpture showing a nude woman holding a harp, Marcel Debut (1865 - 1933 Paris) A large French bronze sculpture showing a nude woman holding a harp, Marcel Debut (1865 - 1933 Paris) Bronze patiniert. Nur mit einem Lendenschurz bekleidete, tanzende junge Dame. Sie hält in ihrer Linken eine Harfe, die Saiten sind aus Draht gefertigt. Bezeichnet "Marcel Debut". Berieben. Höhe 72 cm. Condition: II -

Schwarzburg, Germany, 19th century, depicting 3 ladies with harp, diameter 25 cm.

Longcase clock with copper dial with moon phase, in oak case with facet-cut windows, with harp pendulum, late 20th century, 213 cm high, 60 cm wide

Comtoise clock with harp pendulum

Hornby Boo Boos Care Mabel Lucie Attwell figures including Lullaby with Harp and Helpful with feeding bottle and bib - unused in packaging, various loose figures, together 3 for demonstration only records

A pair of Royal Dux style neoclassical musicians, the female with a harp the male with twin pipes, 28cm high.

Magnificent collection of ceramics that includes a figural dish of a woman playing a harp, a bunny shaped plate, a shamrock decorated round spill vase, a shamrock decorated pillar shaped vase, a shamrock decorated basketweave vase, a sleeping puppy jewelry box, a shamrock decorated island vase, and a harp sculpture. Belleek backstamp on all items. Largest item measures 8.25"H x 4.25" dia. and smallest item measures 4"H x 2.25" dia. Issued: 20th centuryDimensions: See DescriptionManufacturer: BelleekCountry of Origin: IrelandCondition: Age related wear.

HANS NIKOLAJ HANSEN (1853-1923), 'Figural Mythological Scene', Harpens Kraft, the Strength of the Harp', oil on canvas, 207cm x 262cm, framed (Provenance bought).

Beautiful collection of three English pottery small treasure/pin dishes in diamond, circle and club shapes. In sage green reliefs: Harp; In lilac reliefs: Three graces; In primrose reliefs: Terpsichore, the muse of dance. Wedgwood impressed marks on base. Largest piece dimensions: 5.75''L x 4.5''W x 0.75''H. Issued: AntiqueDimensions: See DescriptionManufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.

A George II Irish Silver Salver, Maker's Mark HC, Dublin, Circa 1740 shaped circular and on four shell and scroll cast feet, with foliage and rocaille-cast border, similarly chased and centring a later engraved coat-of-arms46cm diameter, 83oz 13dwt, 2,601grMarked underneath with maker's mark, Hibernia and harp marks. The marks are generally clear. Engraved with a scratch weight "86"5'. There is some overall surface scratching and wear, consistent with age and use. The coat-of-arms appears to be later but within the original cartouche. Presumably erased though does not feel obviously thin.

A quantity of music sheets to include: Pianoforte Duets, First Piano Lessons, The Dance Music of Ireland by O'Neill, Complete Method for the Harp by D. Watkins, etc.

Vinyl - Jazz - Dorothy Ashby – The Fantastic Jazz Harp Of Dorothy Ashby LP on Atlantic Records ATL 5047. Original Uk 1966 1st pressing purple labels. Sleeve VG (2 centimetres tear at opening), Vinyl VG / VG+ (non feelable marks and scuffs).

A 19th Century burr walnut decanter stand, the caddy top opening to reveal a compartmentalised interior, later decanters and glasses below an inlaid marquetry harp panel lid, on tapering octagonal pedestal and tricorn platform base and bun feet, height 87cm x depth 31cm x width 45cm. Condition reports for each lot are available on our website.

Esdoornhouten vergulde harp, Sebastien Erard (1751-1831); Uitgevoerd met acht pedalen. De klankkast met schilderingen van muzikanten. Gesigneerd: 'Sebastian Erard's, Patent no. 2432, 18 Great Marlborough Street, London and Maker to H.R.H. The Princess Charlotte of Wales, To His Most Christian Majesty The King of France and H. J. Mothe, the Emperor of all the Russians. (beschadigingen aan de kast, in te restaureren conditie). h. 170 cm, b. 83 cm Christie's Amsterdam, Twenty Rooms: The private collection of the late Mrs Elias-Vaes, 27-29 April 2010, lot 985 [1] A Parcel-Gilt, Ebonised, Giltwood And Gilt-Gesso Harp By Sebastian Erard (1752-1831), London

Group of 12 14k yellow gold pendants and charms (one is 10k). Including a 14k yellow gold Credit Zurich one gram gold pendant, marked 585 fine gold, Dallow 14k.One 14k yellow gold bar form pendant with rabbit ear bale, marked 14k along the front and the reverse.One 14k yellow gold charm in the form of a skyscraper, resembling the Empire State Building, marked 14k along the bottom.One 14k pierced filigree heart charm, engraved with a cursive K, marked 14k along the reverse.One 14k charm in the form of an owl in a graduation cap sitting on a book, engraved along the reverse "Inez Louis," marked 14k along the reverse.One 14k yellow gold charm of oval form with a filigree frame, the central oval engraved with "Tookie" and "Don Colleen Bill 5-30-'65," the frame and central oval marked 14k.One 14k yellow gold charm in the form of a house, resembling a Swiss chalet, marked 585 along the bale.One 14k yellow gold floral cluster brooch, with locking safety clasp closure, marked 585 along the reverse.One 14k yellow gold pendant of swirling form set with one pearl and two diamonds, unmarked, tested 14k.One 14k yellow gold pendant of butterfly form, the antennas form a double looped bale, marked indistinctly, tested 14k.One 14k yellow gold harp form charm, set with a slab of green hardstone, unmarked but tested 14k.One 10k yellow gold heart form pendant, channel set with numerous small baguette cut diamonds, marked 10k along the reverse.Length ranges from 16.84 mm to 37.32 mm; width ranges from 11.89 mm to 23.82 mm; depth ranges from 2.97 mm to 4.79 mm. Gross weight: 32.5 g.Condition: Wear to all of the gold, some of the charms' jump rings separating. The diamonds in the 10k brooch not well set. Accretions to the pearl in the pendant with the pearl.

AUTOGRAPHS. An album containing approximately 386 signatures, most many to a page and some back-to-back, including the autographs of Ernest H. Shackleton, the leaf additionally signed later by Ranulph Fiennes, Ellen Terry, Henry Irving, Wilhelm Ganz (with line of music), Thomas Lloyd, Maria and Guglielmo Marconi, Sebastian Ferranti, Granville Bantock (with line of music), Gladys Cooper, Clara Butt, Alice of Albany, Harry Lauder, Prince Edward, Princess Mary, Prince Henry and Prince George, Queen Elizabeth II when Princess, Lucy and Stanley Baldwin, Caradog Roberts (with line of music) and Nellie Melba. Provenance: by family repute this album was compiled by Maude Thomas and her descendants. Note: Maude Thomas was Queen Elizabeth’s Mistress of the Robes when the then princess was attending events in Wales. Maude was also an accomplished musician playing Piano, the Viola and the Harp, achieving the accolade of ‘Harpist of the Rhondda’.

A George IV silver harp prize for the Brecon Eisteddfod 1826, with presentation inscription 'I John Jones, Telynor, am ei Ragoriad ar y Delan, Yn Eisteddfod Aberhonddu, Medi 26, 1826' and further Welsh inscription of verse 'in Praise of the Harp', by Chas Taylor, Maker, 37 High St, Bristol, 17cm high, 3.5ozMiniature harps such as this were given as prizes at 19th century Eisteddfodau, and may be modelled on one given at a 16th century Eisteddfod at Caerwys. The Welsh inscription translates as 'To John Jones, Harper, for his Excellence on the Harp, in the Eisteddfod of Brecon, September 26, 1826'. John Wood Jones (1804-1844) was from a family of musicians, and was trained on the triple harp by the famous blind harper Richard Roberts of Caernarfon In good condition overall, minor knocks and scratches. The maker's details are engraved to the underside of the base, but no conventional hallmarks.

Terentius (Publius). P. Terentii Comoediae sex elegantissimae, cum Donati commentarijs, ex optimorum praesertim veterum exemplariorum collatione emendatae, atq[ue]; scholiis exactissimis, à multis doctis viris illustratae, & nunc denuò ab omnibus mendis repurgatae, Basil: Apud haeredes Nicolai Brylingeri, 1567, printer's woodcut device to title with old oval ink stamp 'Statthalterei Freudenfels', copious early manuscript annotations throughout volume, free endpapers discarded, contemporary blind-stamped pigskin with decoration including embossed portraits of the Prophets including King David playing a harp, extremities slightly rubbed, lacking ties, 8voQTY: (1)NOTE:Adams T361; VD16 T466. Not in BMC STC.

Daniel O’Connell The Irish Liberator by Gwynn. first edition in embossed cloth with harp; The Great Dan by Trench; The Road to Excess [Isaac Butt] by White; The Pursuit of Robert Emmett by Landreth in superb dj. 1949 and Captain Boycott and the Irish by Marlow. 5 hardbacks

The Lay of an Irish Harp, or, Metrical fragments. Owenson, Miss [Lady Morgan]. Printed for Richard Phillips 1807

Gems Of The Cork Poets, Comprising The Complete Woks of Callanan, Condon, Casey, Fitzgerald and Cody. Cork 1858. Original green cloth, harp and shamrock to front board and gilt title on spine

Milligan Fox, Charlotte. Annals Of The Irish Harpers. London: John Murray, 1911. Blue cloth boards with gilt harp to front and titles to spine, 6 portraits (complete); and The Roche Collection of Traditional Irish Music, hard cover, d/j, 1982 (2)

A silver Irish harp brooch, together with a collection of silver and white metal jewellery, including malachite clip-on earrings, gem-set bracelets, a string of rose quartz beads, and other items Condition Report:No condition report available.

CAPOTE, T. Other Voices, Other Rooms. Lond., (1948). Ocl. w. dust-j. First UK edition, unclipped. -- Id. The Muses are Heard. N.Y., (1956). Ocl. w. dust-j. (Dust-j. chipped at spine ends & a bit dam. at extremities). First US edition, unclipped. -- Id. The Grass Harp. (N.Y., 1951). Or. rough cl. w. (slightly chipped) dust-j. First US edition, first state (rough cloth). -- And 14 o. on and by Capote. (17).

Irish carved rosewood 22 string harp.

Roségouden bandring met harp motief, bezet met topaas en diamant, briljantslijpsel, circa 0.76 ct., gehalte 750/000, maat 17.5, bruto gewicht 7.2 gram.

A BOX OF ASSORTED ITEMS, to include a silver harp brooch, hallmarked Birmingham 1888, approximate gross weight 2.9 grams, four early 20th century paste brooches, a paste buckle, two 'Stratton' compacts, a Bakelite beaded necklace, a paper mâché snuff box, and other assorted items

A hardwood mallet, possiby Near Eastern, a wooden harp and a wooden shaft, possibly African. Herewith a wooden implement and a wooden bel. L. 47, 69 and 56 cm. [box]

A mixed group of jewellery, including a figaro link bracelet, (broken), lobster catch marked 9k, length approx. 19.0cm, 5.0grams; a freshwater pearl & amethyst bead necklace, lobster catch marked 375, length approx.41.0cm, 20.0grams; an enamelled butterfly brooch, UK hallmark, makers mark J A & S (John Aitkin & Sons), 1918, 4.2grams; a curb chain, marked sterling on bolt ring, 3.8grams; a charm bracelet with heart padlock (marked silver), with six charms including house, harp, boat, etc, any charms unmarked have not been tested, 42.3grams; and two costume jewellery brooches, one of a mouse, (Qty).