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An early 19th century giltwood harp by Sebastien and Pierre Erard, 18 Marlborough St. London, Patent no. 6265 with ecclesiastical decoration, 5ft.9ins

John Edward Redmond: a small crested china portrait bust, the base printed in colours with the Irish harp and named 'Redmond' 111mm high

Three small blue-printed bowls: one decorated on the outside with large flowers and two reserves featuring Chinese figures fishing, diameter 12.7cm; another with flower sprays and a geometric border outside and a wide inner border featuring reserves with harp and crown, diameter 14.4cm (several chips, hair crack); and the third with a geometric pattern covering the outside and a border of sloping stylised flowerheads and leaves around the inside rim, diameter 15.8cm; all unmarked, circa 1805-20

A Swansea red-printed tea plate, with shaped and moulded rim, decorated in mulberry-red with a romantic-style scene featuring a lady with a harp within a border of scroll and flower-framed scenic reserves, diameter 15.4cm, impressed mark "DILLWYN / SWANSEA" in a semi-circular curve, circa 1830-40 (tiny chip underneath rim)

A set of six inlaid walnut Scandinavian with a scrolled top rail over a pierced harp shaped splat, carved swan necks and an inlaid arrow motif, raised on sabre front and back legs

An 18th Century Irish pierced brass footman, of serpentine form, the pierced brass top with a unicorn and crowned lion either side of a central wheel, with a harp and lute on each side, 68cm

A Belleek (Second Period) small milk jug and sugar bowl, moulded with scallop shells, and moulded and painted with shamrock, the jug with harp shaped handle, 8.2cm high (3 1/4"), printed marks in black

A FRENCH GILTWOOD AND SATINWOOD HARP with applied rams head and classical foliate mounts by Domeny Paris dated 1897, 57" high.

An 18th century Channel Isles trefid spoon, with a ribbed rattail, scratched with the initials "IMC" above an engraved "Crowned harp" device, maker's mark GS below a crowned fleur de lys, unascribed, c. 1750, 6.9in (17.3cm) long, 0.75oz.

A pair of Edwardian pedestal dishes, with plain, everting rims and twin, harp-shaped handles by James Aitchison, London 1907, 7.5in (19cm) diameter, 34oz. (2)

A late Victorian silver three-piece tea service, oval and half-gadrooned with composition harp handle and ivory finial to teapot, length 22cm, Sheffield 1891; and a three-piece cruet, Sheffield 1938, 21oz all in, (6).

A George V silver five-piece condiment set, B'ham 1913; a George III oblong baluster mustard, with gadroon rim, the domed cover with ball finial, harp handle and on four ball feet, London 1812, 4.25oz, 7cm; and a cut glass sugar castor with silver cover, B'ham 1806, (7).

An early 20th century three piece silver tea set of octagonal pear form, the teapot fitted with ebony harp handle and knop finial raised on ogee moulded foot, Sheffield 1944 by James Dixon & Sons, 28cm (7 1/2in) high, 41 troy oz gross.

A hand written arithmetic book dated 1793, detailing example calculations and an early 19th century music book David's Harp - Mrs Wesley's selection of Hymns.

A Victorian oval shell cameo brooch, designed as the portrait of a lady playing a harp, the setting with scroll pierced borders.

A zither 'The Concert Harp Special'.

A collection of twelve crested china novelty ornaments to include harp [Bournemouth], rugby ball [Bridport], shell [Ilkley], etc.

A fancy belcher and intertwined ropework 'charm' bracelet, hung with 20 charms including; a sovereign 1887, a coral pig, a hare, a bear, a Victorian gold fob seal with a harp surmount, a cabochon turquoise band and an amethyst matrix with intaglio owl, a late 18th century gold and reverse intaglio drop-shaped locket back pendant depict a classical representation of Hope, and various other charms, variously stamped and marked

An Auto Harp, and instruction manual

A VICTORIAN 1822 PATTERN INFANTRY SWORD, the 32.5" single edged fullered straight blade with "Ym Clawd" and harp insignia within cartouche, the brass hilt with VR cyphers and folding sideguard, and ribbed wire bound fishskin grip. Overall Length 37.5".

Charm bracelet with assorted silver hallmarked and sterling silver charms, includes heart lock, Irish harp, etc.

Miniature items including doll's house tea set on tray, two cups and saucers, chinese bowl, bottles of Guinness and Harp lager, Players cigarettes and a Royal Worcester model of a robin

A Pair of Jacob Petit Porcelain Vases, with flared and waved rims supported by S scroll pierced handles, each ogee body painted to the front with curtained interior scenes, one depicting a gentleman and two ladies gathered around a harp, the other of a gentleman addressing two young women at a masque, the reverse panels with sprays of flowers against a lavender ground, enriched with scrolls and gilding throughout, on integral shaped rectangular bases with further floral and bird panels, scrolled feet at the angles, each with painted "JP" mark in underglaze blue, circa 1840, {40cm high}.

A GEORGE III IRISH CUP, of campana form, two harp shaped handles, later inscription by Jonathan Williamson, Dublin circa 1770, 17.5cms across the handles, 11ozs.

A LATE VICTORIAN FOLIATE AND SCROLL EMBOSSED SHOE PIN CUSHION, with tied bow, Birmingham 1899, 4.25ins long and a George V DITTO inset with green hardstones and an Irish harp design BUCKLE, Birmingham 1916, faults. (2).

A late Victorian rose bowl, of hemispherical form with twin harp-shaped handles and a low circular foot by Charles Stewart Harris, London 1901 (with a plated grille and wooden plinthe), 50in (38cm) wide overall, 47oz.

A 19th century Irish bog oak two handled cup tapering from a square rim to a round foot and carved on one side with three castles on a shield and on the other with a lion, harp and bible above a castle, both on quartered entrelac dragon backgrounds, 10cm high

Killarney Lakes; a 19th century Arbutus Wood backgammon board, decorated with stipple engraving and silvered inlay, inscribed ERIN, together with a harp and floral garland, above a Crown and V.R., 14.25in x 13.75in extended.

A Scrimshaw pewter mounted coconut powder flask, naively carved in the form of a seal, engraved with depictions of, Britannia with a ship, a harp with figure head terminal, and the Regimental badge of the Royal Artillery with compass and square, and figures of birds, early 19th century, 6in overall.

THREE LATE 19TH/EARLY 20TH-CENTURY CHRYSTOLEUMS on white glass, one signed "W.Menzler" depicting a young woman seated beside woodland falls, the second entitled "Touch the harp lightly", the third depicting two young women, one carrying a jug, and a cockatoo drinking from a vessel, all with partial overpainting, each 24.5cm x 16cm, (9.6in x 6.3in), in ebonised frames under glass

A George III Irish wine label, of canted oblong form with a moulded edge, incised "SHERRY", possibly by John Toleken of Cork, with Dublin marks (Harp & Hibernia), for c.1800.

A modern oval sauceboat, on three feet, with a wavy rim and a harp-shaped handle, by Viners of Sheffield 1934, 7in (18cm) long, 9oz.

A Italian carved Carrara white marble bust, 20th Century, of a pre-raphaelite beauty wearing a draped robe terminating at a harp, upon a square plinth base, 66cm high.

Bronze figure of a woman in flowing dress seated and playing a harp, 7.5" high

J*** Stewart. 18in. x 24in. (46 x 61cm), A Scottish Laird seated at a fireside listening to his daughter playing on a harp. Signed and dated '02, unframed.

A jewellery box containing an imitation pearl and gilt necklace by Trifari, a matching bracelet; two imitation pearl necklaces; a paste brooch; a gilt link pattern necklace; a pair of ear clips; and harp design pendant etc.

A Charles Stuart Parnell commemorative cup and saucer circa 1885, printed and overpainted with portrait panels and a harp within clover borders.

A Martin Brothers stoneware figure, dated (18) 80, boldly modelled as a bearded figure seated playing a harp and singing

An Irish silver and enamel chalice medieval form studded with blue and green enamel and stones, the rim inscribed 'Ah my beloved fill the cup that clears today of past regrets and future fears' from Edward Fitzgerald, in fitted case stamped harp mark, dated 1906 16cm. high.

A ROSE BOWL IN GEORGE II STYLE the girdled body with harp-shaped handles, raised upon a spreading circular foot, wood plinth, by William Hutton and Sons Ltd, Birmingham, 1906, 30.5cm. diam.; 24oz.

Sir David Wilkie (1785-1841), 'The jew's harp', oil on canvas laid down on board, 7" x 5"

A pair of George III Irish bright-cut sugar tongs,+ with shell grips, by John Dalrymple, Dublin c. 1780. Marks: maker's mark, Harp & Hibernia, 1.2oz. (See lot 28 for illustration)

A pair of George III Irish sugar tongs,+ feather edge with fluted grips initialled `B' over `A A', by William Law, Dublin c. 1780. Marks: Harp Hibernia and maker's mark, 1.2oz. (See lot 28 for illustration)

A rare pair of George III Irish sugar tongs,+ part pierced, with feather edge arms and scolloped bowls by Owen Hart or Hugh O'Hanlon of Newry, c. 1780. Marks: Harp, Hibernia and maker's mark, 1.5oz.

An Edwardian trophy cup,+ on a pedestal foot with two harp-shaped, foliate handles, by Elkington & Co, Birmingham 1909, 9.5in (24cm) high, 17oz.

A rare, early George III Irish spoon tray of oval outline,+ the central scroll cartouche initialled "M" over "C.M" flanked allover by chased and embossed chinoiserie figures, fruit, flower, scrolls and an oblelisk, the reverse engraved with the scratchweight "3.2", maker's mark, Harp & Wibernia only, by George Hill, Dublin c. 1765, 7. 25in (18.5cm) long, 3oz.

A pair of late 19th Century Continental painted spelter electric table lamps, each in the form of a female muse, one holding a tambourine and lyre, the other standing by a harp, on circular fluted socles, 27ins high, and shades for same

A Meissen Group of Children Emblematic of 'Music', late 19th century, four playing the mandolin, tambourine, flute and harp, a fifth directing from the raised centre of their craggy mound, the fluted base picked out in pink, crossed swords in underglaze blue, 17.2cm (one leg broken, minor chips).

Continental silver novelties; a sailing boat crewed by two winged cherubs, by Berthold Müller, Nuremberg, import marks Chester 1899, 3.625in overall; a harp, surmounted by a figure of a seated hound, accompanied by a man with a tricorn hat, import marks Sheffield 1900, 4in high; and a cello, enclosing a peppermint box, import marks London 1901, 4in high. (3)

Francis S. Walker RHA RE (1848-1916), Ireland Painted by Francis S. Walker RHA; Described by Frank Mathew, Adam & Charles Black, London, 1912. Second edition. Crown octavo; original green cloth blocked in green and black in a design of shamrocks, with gilt lettering and a gold harp stamped on upper board. Top edge gilt. With 79 colour plates, each with tissue guards. A lovely work. €40-€60

An 18th century English enamel box, the lid with an oval panel inscribed 'Britannia Rule The Waves' on a ground of purple and white squares and panels depicting a rose, thistle, harp and shamrock. The underside of the lid inscribed 'God Save the King and Queen the Prince and Princess of Wales and Royal Family', the base inscribed 'Dreyfous 99. Mount Street. (missing bronze mounts and hinges), 13cm wide

A WILLIAM IV ROSEWOOD SUTHERLAND TABLE supported by a moulded harp shape pedestal, 37in. (94cm.) wide

A pair of George III Irish bright-cut salt spoons, with pointed ends and navette shaped bowls, crested, by Benjamin Tait, Dublin C. 1795. Marks: Harp, Hibernia & maker's mark only, 0.3oz. (2)

A German porcelain group of a young woman, seated, playing a harp, a gentleman at her side, decorated in coloured enamels, the rectangular base with four winged feet, 24cm high (9.5"), circa 1900 (minor damage)

(-) - The Harp of Renfrewshire, half calf, 1873.

ALLAN (J.) - The Days of The Monasteries, cloth, 1907; also The Harp of Stirlingshire by W. Harvey; and Guildry Papers 1949-50 (3).

FORD (R.) - The Harp of Perthshire, illus. with port., cloth, 1893.

A pair of George III tankards, William Birch, London, 1789, barrel-shaped, harp handles, 14cm, 5.5in high

Pair of Moores bon bon dishes, modelled with a cherub, one with a harp, the other a cello, with applied flower on a scrolled rococo base, transfer marks to base, (minor damages) (2), 16.5cm 6.5" high

Edwardian four piece tea set, by Walker and Hall, comprising of coffee pot of oval form, with ebonised mushroom finial, harp handle, fluted body, raised on a single pedestal base, 27cms (10.5") high, 22ozs 68 dwt, together with a matching teapot, 18cms 97") high, 20ozs 52dwt, sucrier, 12cms (4.5") high, 11 ozs 58 dwt, and cream, 10cms (4") high, 6 ozs 89 dwt, Sheffield 1912, (4)