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Bronze Age, 13th-11th century B.C. Of square shape, used for making various jewellery elements: small circles, ear-drop pendants, rosettes with striated lines and locating holes on the surface. Cf. Papaconstantinou, D., Menti, N., ‘Re-examining a steatite mould from Idalion: old practices in the light of new perspectives’ in Various, Medelhavmuseet, 199, Finds and Results from the Swedish Cyprus Expedition 1927–1931: A Gender Perspective, pp.198-206, figs.1-2, for similar. 114 grams, 63 mm (2 1/2 in.). Collected from 1969-1999.From the collection of the late Mr S.M., London, UK.Plaques of this type were half of a mould for small objects such as ribbed bobbin-shaped or spherical beads or crescent-shaped pendants. They must have been made for casting, judging by the pouring channels and the circular holes for ?xing it to another corresponding half. Ribbed globular and ‘grain of wheat’ gold beads were common in Cyprus and Crete. Similar moulds with pouring channels have been found in the Near East, while open moulds intended for glass ornaments with ?at backs have been found in the Aegean.
An early Victorian mahogany bobbin stand, of twin scroll-carved pairs of uprights, each fitted with two bars for suspending bobbins, on a rectangular platform base with a fitted drawer, raised on flattened bun feet, the drawer containing two silver thimbles, a white metal needle case and silver short rule together with a quantity of white metal and other sewing paraphernalia. Height 31cm, width 31cm, depth 25cm
An Arts & Crafts Sussex Style Ebonised Beech Chair, circa 1900, with bobbin turned and spindle back, rush seated, bobbin turned front rush rail, on tapering front legs, unmarked,53cm wide, 86cm high seat depth 46cm seat height 40cmLoose frame. Whole in the rush seat. Wear consistant with age and use. See extra images.
Oak extending dining table, oval with thumb mould edge, on heavy block and squat baluster column, cruciform base, 77cm high x 90cm wide x 153cm long and a set of four matching dining chairs, each with curved reeded top rail, gothic window carved splatback and green and cream stuffover seat, on bobbin turned supports (5)
FOUR ITEMS OF ANTIQUE FURNITURE comprising Thomas Turner Manchester inlaid rosewood music cabinet base, stamped to the door top, numbered 4093, lacking upper section, raised panel front, urn and swag inlay detail, interior sheet music shelves, black pot castors, 64cms (h), 53cms (w), 39cms (d), mahogany Sutherland table, twin flap, turned supports and stretcher, brass cups, black pot castors, 56cms (h), 14.5cms (w) closed, 65cms (w) fully open, 55cms (l), walnut single door bedside cabinet, 76cms (h), 36cms (w), 33cms (d), mahogany tripod table, shaped top, bobbin turned column, splayed supports, 72cms (h), 54cms (w), 43cms (d)Provenance: private collection Conwy
Friedel Anderson (Oberhausen 1954). Bobbin. 1990. Öl/Karton. 27 x 50 cm. R. u. monogr. und dat. FA 90, l. u. bet. - Norddeutscher Landschafts-, Architektur- und Figurenmaler. A. studierte zunächst Kunstgeschichte in Göttingen, von 1978-84 dann Malerei an der Akademie Kassel bei M. Bluth. 1993/94 erhielt er einen Lehrauftrag an der Fachhochschule für Gestaltung Hamburg. A. ist Mitglied des Künstlersonderbundes und der 'Norddeutschen Realisten'. Er stellte auf der Art Karlsruhe und bei der Galerie Felix Jud in Hamburg aus, aber auch im Deutschen Schiffahrtsmuseum in Bremerhaven und im Wenzel-Hablik-Museum in Itzehoe. Der Künstler lebt und arbeitet in Itzehoe. Mus.: Schleswig (Schleswig-Holsteinisches Landesmus. Gottorf). Lit.: AKL.
An Arts & Crafts late 19th century Gothic inspired carved oak bobbin turned chair. The chair having turned finials atop over a squared back rest with Gothic window shaped back slats. Rattan squared seat below raised on bobbin turned supports united by peripheral stretchers. Measures approx. 90cm x 46cm x 40cm.
An 18th century painted silk box base, decorated with swags of flowers, initials MV, dated June 16th 1786 and Landown Grove on third side, lift out tray —7 1/2in. (19cm.) wide (missing lid and damaged); containing a hand-painted silk pin-cushion, a wax headed miniature doll, a sampler on hand-woven cloth by Hannah Paull? dated 1789, a muslin and card doll’s hat painted with flowers, an interesting unfinished white work muslin trim part attached to oil-cloth pattern, a painted muslin doll’s collar (moth holes), a bone bobbin, a damaged Palaise Royal mother of pearl handle scissors (missing handle and other handle damaged) and a miniature letter to Melinda in envelope dated 1783

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19185 item(s)/page