We found 19185 price guide item(s) matching your search

Two vintage child's chairs to include ash and elm bobbin turned example.

BEECHWOOD FRAMED BOW BACK ARMCHAIR WITH BOBBIN TURNED SPINDLES WITH CANE SEAT AND BACK

EARLY 20TH CENTURY OAK FRAMED SINGLE DRAWER SIDE TABLE WITH BOBBIN TURNED LEGS

Various Brussels bobbin lace collars, a tape lace trim and mixed embroidered mats and linens

Oak Arts & Crafts Bobbin turned corner chair with upholstered seat over scroll supports

Marble top oak washstand on bobbin turned legs

Bobbin turned hall table

A late 17th/early 18th century oak bible box, with later stand, incorporating bobbin turned legs, some restoration required, box size 47.5cm D x 63.5cm W x 18cm H - total height 88cm

An early 20th century relief carved oak circular milking stool raised on bobbin turned supports

An oak bobbin turned gateleg table

A large quantity of lace making accoutrements including bobbin winders, bobbins, books. lace making pillow and other related items.

Victorian walnut tripod table with bobbin pedestal (50cm x 39cm, H68cm), cream painted standard lamp with shade and a similar rectangular mirror Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

19th century oak cabinet with moulded frieze above stylized leaf carved lozenge panelled door, on bobbin turned supports joined by stretchers, W61cm, H119cm, D40cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

A 19th Century Victorian bobbin framed nursing chair having a stick back with stuffed needlework seat stitched in a fleur de lis pattern, raised on bobbin and block legs. Measures 93 cm high x 50 cm wide x 47 cm deep.

A Victorian walnut bobbin turned child's chair. 27' high

WILLIAM AND MARY OAK ARMCHAIR with bobbin-turned arms and a conforming underframe joined by a rectangular "H"-stretcher, 56cm wide

Mid 20th Century Mahogany Lectern. Two tiers on raised square fluted supports, rectangular base on bobbin feet. Measures 47'' tall x 25'' width and 16'' depth. In good condition. Please see accompanying photographs.

Inlaid Occasional Table on Bobbin Turned Legs with Shelf under

A 35 1/2" Victorian carved oak side table with lion mask to frieze drawer, set on a bobbin turned open stretcher base

A matched set of 4 chairs with bobbin backs and rush seats

AN OAK CORNER CUPBOARD ON A BOBBIN TURNED BASE

A Victorian oak sideboard, shelved half gallery crested by scrolling acanthus, the projecting base with three short drawers neighbored by panel door enclosing a shelf, all applied with a central Green Man mask, flanked by acanthus capped bobbin-turned pilasters, stile feet, 138cm wide

A Victorian Gothic Revival walnut nursing chair, shaped arched cresting pierced with a tracery quatrefoil, above a pair of bobbin-turned columns, drop-in seat, Berlin needlework upholstery, cabriole forelegs, brass casters, 108cm high

A 19th century solid satinwood and ebony strung salon armchair, the slightly arched back over swept part-wing arms, on faux fluted ebony strung tapered supports with foliate carved bun finials, the back, wing arms and stuff over seat upholstered in olive green watered silk, raised on tapered ebony strung faux fluted front legs with bobbin feet and sabre back legs, 38¾in. (98.5cm.) high to back, 23in. (58.5cm.) wide.

A late Victorian sprung base child's rocking chair, the beechwood bobbin turned frame over a dark red velvet stuff over seat, 25¾in. (65.5cm.) high.

An 18thC oak gate leg table, the oval top on bobbin turned supports, 90cm W.

A VICTORIAN WALNUT FRAME DINNER GONG AND STAND, the arched frame decorated with a carved eagle in low relief, on bobbin turned side supports and stretcher and outsplayed side supports with paw feet. 130cm high x 74cm wide

VICTORIAN MAHOGANY CHEST of two short over three long drawers, having turned wooden knobs with mother of pearl button inset, shaped frieze drawer and bobbin half pillars on a plinth base, 124cms H, 123cms W, 55cms D

A period side table with single drawer on bobbin supports

A Victorian burr walnut Sutherland table, oval top with satinwood cross-banding, boxwood stringing, bobbin-turned gatelegs, bun feet, 82cm x 124cm, height 75cm

A Regency carved beech and simulated rosewood armchair:, with upholstered curved back, padded arm supports with reeded terminals and stuff over seat with bobbin turned seat rail on square tapered and bobbin turned legs, terminating in brass capped ball feet.

AN EARLY 20TH CENTURY MAHOGANY HEXAGONAL OCCASIONAL TABLE on a spindled and bobbin stretchered base

A VICTORIAN OAK SIDE TABLE, the foliate carved back above rectangular top, on bobbin turned legs, width 122cm x depth 41cm x height 95cm

PINE FRAMED BOBBIN TURNED COLUMN STANDARD LAMP

Pair of bobbin turned oak open arm chairs

Mouseman: A Rare Early 1920's Robert Thompson of Kilburn English Oak Chair, the earlier back panel with a carved shield and motto CARPE DIEM, solid seat, bobbin turned front rail and block and bobbin turned front legs, inscribed to the underside THOMPSON KILBURN YORK, pre-mouse period, 115cm

An 18th century and later oak drop leaf dining table, the oval top supported on bobbin turned legs and cross stretchers and later ball feet, 72cm H x 48cm W x 46cm D For condition information please view this lot on our website HERE 

An 18th century oak single drawer side table 80cm wide x 77cm high and an 18th century oak low side table on bobbin turned supports 83cm wide x 56cm high, (2).

A set of six early 19th century Anglo-Indian teak framed dining chairs with bobbin and split bullseye decoration, on turned supports, 45cm wide x 85cm high, (6).

Early 19th century Pedestal Table with Circular Sycamore Top on a Turned Bobbin Support and Three Carved Splayed Legs, 49cms diameter x 73cms high

A Treen Bobbin Holder, novelty miniature animals/figures, contained in a hallmarked silver mounted box.

19TH CENTURY OPEN ELBOW CHAIR, with scroll and foliate engraved top rail above turned supports, caned back and seat with associated cushion, on two front carved scroll feet joined by bobbin stretchers, 31cm high

VICTORIAN OAK TEA TABLE, of 17th century design, two drop leafs, above barley twist legs on bobbin feet, 70cm high

18TH CENTURY OAK SIDE TABLE, the frieze drawer with shaped brass swing handles and escutcheon, on four turned bobbin legs joined by stretchers, and bobbin feet, 72cm high

17TH CENTURY FRENCH WALNUT SIDE TABLE, with frieze drawer, on four turned tapering legs joined by a moulded H-stretcher, on bobbin feet, 72cm high

A Very Fine Belgian Bobbin Lace Fan, probably late 19th Century Ghent Valenciennes, the top border very unusually featuring upstanding leaves giving a delicate effect, before a swagged border of leaves and flowers, and further, larger floral sprays filling the remaining space, the flowers of varying size and delicate fillings. The bottom border follows the upper border in style but with smaller leaves. Handmade net. The leaf is mounted on a slender, much earlier, 18th century ivory frame, the upper guards carved and pierced and painted, an oval feature containing a floral spray, lower panels containing flowers effectively in relief. The gorge sticks are painted in pairs, the central feature covering four sticks. Guard length 10.75 inches or 27.5cm. A good marriage of periods, the leaf fits well, is clean, and no damage noted. The monture is fresh and in good order.

A Large Late 19th Century Cream Gauze Fan, the bone monture lightly carved and pierced, the leaf painted in pastels with floral sprays, mainly to the upper section, with a central spray upon which two colourful butterflies are about to land. Sequins and spangles in various colours provide highlights and shine. The edges of the leaf are trimmed with white bobbin lace. Guard length 13.75 inches or 35cm; A Late 19th Century Black Silk Satin Fan, the leaf mounted on wood, the sticks decorated in gold. The leaf is applied with four fabric panels, reducing in size, all featuring bright colours and woven heraldic style design. They are further bordered with plain silk embroidered in gold thread tambour stich. Each panel is linked by gold stitching resembling leaves. The verso is plain black cotton. Guard length approx.12.5 inches or 32cm; Together with A Late 19th Century Black Ostrich Feather Fan, the wood sticks stained black and slightly carved and shaped at the shoulder. Simple silver metal loop and wide black silk ribbon attached. Overall height 15.5 inches or 39cm (3). Fan 1 - Generally good, gauze appears strong, upper guard noted as bowing slightly when the fan is closed. Fan 2 - The upper guard has become detached from the silk leaf, requiring attention. On the verso, the black cotton can be seen to be strained next to the guard. FAN 3 - Generally sound but the linking thread has come undone so the fan is not holding in two places.

Two Attractive Large Late 19th Century Fans, the montures of mother-of-pearl. The first, in plain white mother-of-pearl, mounted with a cream chiffon leaf bordered with Brussels bobbin lace, is delicately painted with white birds, in flight and on a branch of May blossom, with a posy of Lily of the Valley to the left, next to the signature ''Eudes''. The second fan, mother-of-pearl in pale pink, carved and pierced, is mounted with cream gauze painted with flowers in soft pastels. Bone ribs. Contained in a cream silk covered card fan box with inner label for Duvelleroy. Fan 1: Guard length 13.75 inches or 35cm Fan 2: Guard length 12.75 inches or 32.5cm. Fan 1: the gauze is damaged in places and the monture needs attention, the upper guard being broken near the head, the lower guard being repaired, several gorge sticks also being broken, and lacking several ribs. Fan 2: the gauze is split on several folds.

Cats! Two Contemporary Fans, featuring cats, to include one quite chunky wooden fan, the monture varnished, the single leaf with six panels of cats of different varieties, all with their names beneath. A metal cat adorns the upper guard. Signed on the verso (but not clearly) and dated 1998. Together with ''The Owl and the Pussy Cat'', a very amusing and detailed painting of the Owl in a gondola, the vessel applied with fine Brussels bobbin lace, the Pussy Cat acting as Gondolier, direction signs pointing towards Bedford and the FCI AGM in 2015 ( the Ruby anniversary), another sign warning ''Danger, Fan Conference 2015'',and an original verse to the left, ''The Owl and the Cat/ Set sail on the Ouse/In a curious Brussels lace barque/They were heading to Bedford with overnight bags/To join friends at the A.G.M lark/Said the owl to the cat ''will we get there on time?''. The bone monture, already incised and decorated, has been further adorned with a metal fan at the tip of the upper guard, and two ruby coloured stones, a similar stone at the rivet/head. The metal loop has the addition of a ruby ribbon. Marked as inspired by Edward Lear, initialled by the artist and dated 2015. Contained in a ruby red card fan box, lined in cream. Guard length 9.5 inches or 24cm. Both in good, unused order.

A Late 19th Century Brussels Bobbin Lace Leaf, worked in a simple floral design in horizontal bands, and mounted on an elaborately carved 18th century ivory frame, carved and pierced in chinoiserie fashion, the gorge with a central cartouche carved with a figure holding a parasol over a seated dignitary, a further smaller vignette carved to each side, and figures and pagodas merged with elaborate scrolling filling the reserves. Together with the lid of a satin covered fan box. Guard length 11.5 inches or 29cm. Very slight loss of ivory to the left side in the gorge, and to the right-hand vignette.

A Tortoiseshell Fan, circa 1900, mounted with a leaf of black net, applied white Brussels Bobbin lace, and tiny silver sequins. The lace is of floral design, with leaves, and the centres are filled with needle lace. Tortoiseshell loop. Guard length 9.5 inches or 24cm. The upper guard and first stick in appear to have been repaired. The faintest of lines can be seen just where the gorge is shaped. No splint, nothing obvious.

Four 19th to Early 20th Century Fans, comprising a pink mother-of-pearl example mounted with a cream silk leaf, painted with a spray of white blossom and green leaves. The floral spray is repeated on the gorge. To the left, the painting is initialled, EK. The verso is plain. Simple gold metal loop decorated with an elaborate cream silk tassel. Guard length 1.75 inches or 23.5cm; A circa 1880's bone fan, black silk mounted with a fan leaf of Brussels bobbin appliqué on machine net. The verso is plain. Guard length 10.5 inches or 26.5cm; The third fan, mid-19th century, is of white Mother-of-pearl, carved, pierced, gilded and silvered, the same design to guards and gorge. The double paper leaf is a lithograph depicting three maidens in the countryside accompanied by sheep, a suitor presenting flowers. The verso has a similar scene: and finally, a later silver sequinned fan, the double leaf mounted on wood sticks stained black, the monture inlaid with silver metal dots, the leaf with a band of spangles as a top border and tiny sequins and larger spangles forming the outline of cascading leaves and ribbon swags. Guard length 9.5 inches or 24cm. The first fan is in good clean order, however 2 of the central gorge sticks have a chunk missing (sections not present). The lace fan is sound but the bone is a little grubby with slight staining. The lace is unwashed but also a little grubby. The third fan lacks the upper section of the lower guard, the leaf is torn on some folds, and light staining is visible on the verso. The sequin fan is sound but the upper layer of the leaf is frayed to the bottom right and detached to the bottom left.

A Good Mixed Brussels Appliqué Lace fan, circa 1880's, mainly bobbin with fine needle lace fillings, large floral sprays to the sides of a central lace motif enclosed in formal scrolling. The fine lace, of good original off white colour, is laid onto black silk. The verso is plain. The monture, of a clean and bright green/pink mother of pearl, is unadorned. A silver metal loop in the form of twisted rope holds an elaborate cream silk tassel, with a knot and fringe embellished with gold metal thread. Guard length 10 inches or 25.5cm. The lace is in very good order, as is the black silk. The lower guard has been repaired, with one break in the middle of the upper section, another further down near the shaped head, this repair in the form of a metal plaque.

Madonna and Child: A Mid-19th Century Mother-of-Pearl Fan, with elaborate monture, being carved and gilded with overlaid swags of flowers in shades of gold, the gorge backed with mother-of-pearl. The double paper leaf shows a detailed scene of the Madonna and Child seated for Raphael to paint their portrait, in the presence of the French king Francis I and his courtiers. Other servants provide refreshments, a small dog is laid in the foreground and a large window in the background shows a tower and rooves of adjoining buildings. A lady with small child is watching the proceedings. To either side the reserves are richly decorated with scrolling in gold and pink roses, the background of mid green, within which there is a trompe l'oeil of meandering white bobbin lace. The verso depicts a two-arched bridge over a river. Contained in a card fan box for Haywards of Oxford Street and an additional label for J. Duvelleroy 167 Regent Street W, London. Guard length 10.5 inches or 26.5cm Raphael's Madonna and Child as seen in the National Gallery Collection, also has the tower in the left background. Raphael (1483 - 1520) is thought to have created that work around 1509 - 1511. Raphael does appear to have painted many versions of the Madonna, from around 1503. The leaf has good colour and appears sound. One gorge stick is broken but present, detached at the rivet and the shoulder Some of the overlaid MOP is lacking, notably on both guards, as is the backing MOP on one gorge stick. The lower guard has been repaired by means of a silver metal panel. The leaf is generally in good order save for a minute piece of paper top left corner.

By R Serand: An Early 20th Century Brussels Bobbin Lace Fan, the lace mounted in white mother-of-pearl with strong gilding. Central to the leaf, a tranquil scene of a rather well-dressed shepherdess, a bow on her staff, to match the ribbons on her hat and her pink gown edged with lace. In the background, a lake with stone arbour, trees in blossom. To the fore, three lambs, one of which the maiden is caressing. A basic silver metal loop is adorned with an elaborate cream silk tassel. Contained in a substantial fitted box covered in green, and gilded, the interior in cream suede, cream fabric lining the lid, the retailer ''R. Carassalo Paris. Montevideo 1843 printed in gold. Guard length 9.5 inches or 24cm. The fan is in good clean order, no splits to the painted panel. The box outer is scuffed to the front left corner, with other small imperfections. The clasp works well.

A Fine-Quality Large Late 19th Century Brussels Bobbin Lace Fan, with aspects of Ghent Valenciennes, the guipure lace leaf designed with flowers and leaves, the use of whole and half stich giving a particular lightness to the leaf. Mounted on white Mother-of-pearl, gilded and silvered in a swagged design of leaves and flowers to the gorge, repeated the length of both guards. Good heavy ornate cream silk tassel worked with gold threads. Bone ribs. Contained in a cream card fan box with rounded lid, labelled for Duvelleroy 167 Regent Street (London). Guard length 12.75 inches or 32.5cm. Very good. Lace clean but unwashed. Box scuffed at the corners, rather scratched, stained at one end, but strong and fit for purpose.

Two Large Circa 1890's Gauze Fans, contained in virtually matching boxes, having belonged to two sisters. The first, of pink Mother-of-pearl, unadorned, features a cream gauze leaf mounted à l'Anglaise on bone ribs, painted with sprays of Spring flowers in soft colours, a spray of Lily of the Valley at the lower centre, bordered by small lilac flowers, the leaf sides and upper border with the same, with several dragonflies hovering above. Tiny silver sequins are embroidered throughout, and the leaf edge is finished with a narrow border of white bobbin lace. The verso is plain. Contained in a box marked ''Miss Gladys''. Guard length 13.75 inches or 35cm. The second fan, in an unmarked box, has a cream gauze leaf mounted on carved, shaped and pierced bone sticks, this time a painting of dandelions with their seed clocks, yellow daisies, wild flowers and large spikey leaves. A touch of lilac and brown stems add colour. Mounted à l'Anglaise. The verso is plain. Guard length 13.75 inches or 35cm. The gauze leaf, fan 1, is very slightly split to the bottom left. The box end is present but not holding. Fan 2 is strong, no splitting noted, but one tiny hole in the gauze right of centre. The cream celluloid loop is a replacement? The box is undamaged.

A Large Late 19th Century Brussels Bobbin Lace Fan, the guipure lace quite open with large flowers. Mounted on a sturdy amber-coloured resin frame, the gorge plain, the guards carved in a classical fashion of scrolling. Square shaped loop in resin, and fitted with a cream silk tassel with knotted detail. Together with a cream card fan box, the inside lid bearing the label ''from Racine, Fan Manufacturer. Fans Repaired''. Guard length 13.75 inches or 35cm. Together with A Small Maltese Lace Fan, early 20th century, mounted on plain bone. The cream silk lace is worked with the Maltese cross to the top border, this being shaped. The middle leaf panel is designed with ovals, in the main containing flowers made with wheatears, the central oval featuring the Maltese cross. Finished with a simple cream silk tassel and gold metal loop. Contained in a card fan box, the outer covered in pink floral paper, unlabelled. Guard length 8 inches or 20.5cm (2). Brussels fan: In good order, the lace quite white, but note the dark brown stain to the left upper border. Maltese fan, in good order.

A Selection of Modern Fans, most created by the current FCI President, Lorraine Taylor-Kent, who for many years designed a special themed fan for the AGM Gala dinner. Some were offered as prizes in a competition held during the dinner, others could be purchased, but all were limited editions. Here we have fans from Windsor in 1988, Norwich in 1990, Manchester in 1991, Brighton in 1992, Nottingham in 1993, Bath in MCMXCIV, London (20th Anniversary) in 1995 , London again in 1996, Leeds in 1997, Bedford in 1998, with a wooden lace bobbin, King's Lynn in 1999, plus from the USA, a FANA 1994 lilac brisé fan, and FANA bird brisé fan for 1997 (13). All as purchased.

Cherubs and Black Lace: A Late 19th Century Printed Fan, the double paper leaf mounted on pale wood, the upper guard gilded with the name Marie Brizard & Roger, who have produced cognac in Bordeaux, from 1755. Based in Ivry-sur-Seine in France. The recto, with a pale green background, is printed with a border of black bobbin lace, surrounding two charming groups of winged cherubs, some holding white doves, others having gathered blousy peach roses, all wearing flimsy stoles with decorative ribbons, and flowers in their hair. The verso, a paler green, advertises the products, being Champagne, Cognac, superfine liqueurs of various flavours and Anisette. A tiny scroll at the tope centre says ''offert par la restauration de Vichy''. Printed by J. Ganné.Guard length 9.5 inches or 24cm; and Villa des Fleurs, Vichy: A French Advertising Fan, the double paper leaf mounted n plain wood sticks, printed with an attractive portrait of a Belle Epoque lady, dressed for evening in velvet and pearls, surrounded by ruby coloured flowers which complement the red shield surmounted by a crown that represents the Spa town of Vichy. A banner promotes the Villa des Fleurs. Signature for Guiclo Gormin and a printer's attribution for the Papeterie Universelle, Lyon. The verso is printed en grisaille with a scene of the Casino, Villa Des Fleurs, on the lakeside at Aix-Les-Bains. To the far right, printed in script, Louis Gue???, Annecy. Guard length 9.75 inches or 25cm. Villa Des fleurs has been a hotel in Vichy since the 1880's. Aix-Les-Bains appears to have had a building of this name at approximately the same time (2). Fan 1 - In very good order, and clean. Fan 2 - Very good, firm, good colour.