We found 19185 price guide item(s) matching your search

A very fine Regency rosewood twin pedestal chess table and accompanying carved ivory chess set in the single fitted drawer. The canted gaming top with penwork decoration has a checkered centre board with each square decorated with a flower head and under a wide border of acanthus scrolls and with two panels decorated with Classical farming scenes. The plain frieze is edged with bobbin turned moulding above double baluster supports over a swan neck plinth with further bobbin moulds and raised on squat bun feet, 74.5cm high, 71cm wide, king pieces 12.5cm. Condition Report. To be used as a guide only. Chess set intact, red king with a chip to the crown, white king finial re glued, red bishop with a rough patch to one side of the reeded column otherwise all pieces in good condition. The table is in overall very good condition. With expected marks and wear. Penwork top has survived remarkably well. Structurally sound. The loop handle to the original key is broken but still functioning.

Two Edwardian inlaid Mahogany chairs (one carver) with carved floral backs and a bobbin turned nursing chair

A Victorian Canterbury bobbin turned decoration, turned legs to ceramic castors, 57cm long

A Victorian carved oak hall table with bobbin turned legs, 104cm long

A 19th Century circular gypsy table, on bobbin turned supports

A 19th century mahogany bobbin turned wig stand, circular base, 50cm high

An oak occasional table, shaped rectangular top, bobbin turned supports.

A Victorian gilt framed overmantel mirror, with moulded cornice and with a rectangular bevelled glass within bobbin moulded frame and with two rosettes, on bun feet, 120cm wide, 89cm high.

A pair of 17th century style carved and turned oak back stools, with shaped cresting rails above captive panel seats, raised on bobbin turned supports

Carved oak triple wardrobe, demi lunette frieze, central mirror panel door flanked by arcaded panels, bobbin moulded outlines, width 192cm.

Reproduction joined oak stool, bobbin moulded legs, width 47cm.

A late Victorian/Edwardian elm and beech comb back Windsor chair The pierced splat back flanked by scrolling arms and bobbin turned uprights, the dished seat raised on four turned supports united by a double 'H' stretcher. CONDITION REPORT: Lot 868: Light scratches and marks, very small chip to edge of seat.

An Edwardian Oak Glazed Three Section Bookcase on Short Bobbin Supports Over Stretcher Shelf. 154x37x130cm High

An early 20th century bobbin turned oak towel rail

A late 18th early 19th century oak table of pegged construction with bobbin turned legs joined by stretchers with slide through drawer

A Swiss treen needle and bobbin case carved Edelweiss

A circa 1700 oak side table, the two plank top with moulded edge above a single frieze drawer on bobbin turned supports united by a plain stretcher to turned feet, 90.5 cm x 75 cm

A 19thC walnut side table fitted with single frieze drawer with brass drop handle and raised on bobbin turned supports and cross-stretcher

A Victorian yew wood and elm country windsor armchair. Raised on turned legs united by bobbin turned stretcher. Above a elm saddle seat with hooped rail back rest having yew wood frame. Shaped elbow supports either side of seat. Measures: 116 x 72 x 49

An 18th century oak side table on bobbin turned legs, 73 x 87 x 58cm

A James II elm side table with a single drawer on bobbin turned legs, with alterations 72 x 81 x 49cm Old restoration including replaced stretchers and repair to one foot

A pair of 18th century oak slat back chairs, bobbin and block legs with one other

A low oak corner chair, and bobbin turned chair (2).

A pair of brass bobbin turned candlesticks, a jam pan, further pair of brass candlesticks, a mortar, single candlestick and a shallow bowl, also a copper coaching horn and a copper warming pan.

An oak wainscot chair with panelled back and shaped arms, on bobbin turned supports, solid seat on bobbin turned legs and flattened stretchers. Est £100-150

A group of 19th century embroidery and lace including deep borders embroidered with flowers and palms of fine Ayrshire cut work and self embroidered border, two girl's dresses, a nightdress and other items of handstitched broderie anglaise, lengths of black bobbin lace, other black lace and a veilcondition report not avialbe

A 17th century oak drop flap dining table with end frieze drawer, on bobbin turned supports, 130cm wide.

An antique oak Joint Stool on bobbin turned and square supports with square stretchers, 18in

Early 20th Century stained bar back kitchen chair together with an upholstered stain bobbin turned bedroom chair. (2)

19th Century oak bobbin back open arm farmhouse kitchen chair.

20th Century butlers tray on bobbin turned legs, the tray decorated with swallows amongst foliage.

A William IV mahogany window stool, raised on turned bobbin supports and bun feet. H.46cm W.105cm

A Bobbin Style Painted Corner Chair.

An Oak Side Cabinet; composed from a small Georgian hanging cabinet to the upper section, with shaped and fielded panelled door flanked by pilasters, 63.5cm wide 25.5cm deep 75cm high, the lower associated section fitted with a drawer on bobbin turned supports, 64.5cm wide 171cm high overall.

Ernest Gimson yew rush-seated chair made by Edward Gardiner with two pointed finials to the bobbin uprights, having two tiers of bobbin spindles on similar supports and cross stretchers (similar chair in the Arts & Crafts collection at The Wilson Museum, Cheltenham) This chair was commissioned in the 1920's by Arthur Edward Harvey (1896-1978), architect and industrial designer who trained at The Royal College of Art, The Slade School and Royal Academy School. As head of the school of Industrial Design at Birmingham School of Art, he was made a Freeman of the Worshipful Company of Goldsmiths (London) for his contribution to his improvement of design schemes in the 1920's. Harvey also designed silver for Hukin & Heath and other silversmiths and worked with Hugh Casson on The Royal Palace, Baghdad. A copy of an original leaflet from Edward Gardiner's workshop is available for viewing

Ernest Gimson yew rush-seated chair made by Edward Gardiner with two pointed finials to the bobbin uprights, having bobbin spindle back on similar supports and cross stretchers (similar chair in the Arts & Crafts collection at The Wilson Museum, Cheltenham) This chair was commissioned in the 1920's by Arthur Edward Harvey (1896-1978), architect and industrial designer who trained at The Royal College of Art, The Slade School and Royal Academy School. As head of the school of Industrial Design at Birmingham School of Art, he was made a Freeman of the Worshipful Company of Goldsmiths (London) for his contribution to his improvement of design schemes in the 1920's. Harvey also designed silver for Hukin & Heath and other silversmiths and worked with Hugh Casson on The Royal Palace, Baghdad. A copy of an original leaflet from Edward Gardiner's workshop is available for viewing. An original black and white photograph showing the chair and lot 12 details the original cost at 53/6

Ernest Gimson yew rush-seated armchair made by Edward Gardiner with two pointed finials to the bobbin uprights, having bobbin spindle back on similar supports and cross stretchers (similar chair in the Arts & Crafts collection at The Wilson Museum, Cheltenham) This chair was commissioned in the 1920's by Arthur Edward Harvey (1896-1978), architect and industrial designer who trained at The Royal College of Art, The Slade School and Royal Academy School. As head of the school of Industrial Design at Birmingham School of Art, he was made a Freeman of the Worshipful Company of Goldsmiths (London) for his contribution to his improvement of design schemes in the 1920's. Harvey also designed silver for Hukin & Heath and other silversmiths and worked with Hugh Casson on The Royal Palace, Baghdad. A copy of an original leaflet from Edward Gardiner's workshop is available for viewing. An original black and white photograph showing the chair and previous lot 11 details the original cost at 73/6

Ernest Gimson yew rush-seated stool made by Edward Gardiner on bobbin turned supports and cross stretchers This stool was commissioned in the 1920's by Arthur Edward Harvey (1896-1978), architect and industrial designer who trained at The Royal College of Art, The Slade School and Royal Academy School. As head of the school of Industrial Design at Birmingham School of Art, he was made a Freeman of the Worshipful Company of Goldsmiths (London) for his contribution to his improvement of design schemes in the 1920's. Harvey also designed silver for Hukin & Heath and other silversmiths and worked with Hugh Casson on The Royal Palace, Baghdad. A copy of an original leaflet from Edward Gardiner's workshop is available for viewing.

A turned elm spinning wheel, with seprate bobbin tray (2)

A 19th century Scottish pokerwork stool on bobbin legs

An oak bobbin turned drop leaf table.

Wood bobbin, oriental vase etc

Early carved oak and bobbin turned occasional table (without drawer)

Set of 6 early bobbin turn chairs

Oak lift top work basket on bobbin turned legs

A Victorian oak and beechwood correction chair, lyre-form splat, bobbin-turned legs and stretchers, woven reed seat, c.1870..

A very rare Caughley pounce pot, circa 1780-90, of distinctive 'Bobbin' form with bulbous centre and spreading rim and foot, dished top pierced with several holes, printed in blue with floral sprigs and hexagonal cell borders, the unglazed base unmarked, 9.5cm high (with drilled hole to the base, possibly 'spiked' by the factory) *See Halls sale October 8th, lot 173 where a similar example sold for £3100.

A set of four Edwardian walnut dining chairs, with bobbin rail backs overstuffed seats and turned tapering legs, (4).

A pair of early 20th century oak framed armchairs, upholstered in a green and cream striped fabric, raised on turned bobbin supports and stretchers.

A Charles II oak side table with bobbin turned legs with single drawer, c.40'' wide

An 18th century and later oak chest with applied decoration on a bobbin turned stand 33" wide (approx)

Lancashire bobbin back rocking chair, with sea grass seat.

Small 19th Century oak two fall leaf table, with carved decoration, frieze drawers and bobbin turned supports, width 62cm.

Mahogany three tier folding cakestand, folding chair, bobbin framed side chair and needlework panel firescreen (4)

Set of six oak Jacobean style high-back dining chairs, barley twist and bobbin turned supports and stretchers, bergere backs and pop-out sets, (four stands and two carvers) height 117cm

Arts and Crafts Oak Dresser raised on Bobbin Legs

Oak Bench / Window Seat with Lift Lid and Lunette Carving on Bobbin Legs

Set of Six 18th century Style Oak Dining Chairs with Brass Studded Spanish Leather Seats and Back raised on square and bobbin turned legs

An 18th Century and later oak double gate-leg table with bobbin turned legs united by stretchers. 106cm wide.

§ Peter Rees Roberts (British, 1923-1998) A Panorama of vignettes of Cambridge oil on panel comprising of two equal sized panels 145 x 540cm (57 x 211in) Provenance: Commissioned for Lloyds Bank, Cherry Hinton, Cambridge, in the 1970s. During the 1970s and 1980s Rees Roberts executed murals for several shipping companies including the Norwegian Viking and Cunard lines. He completed murals for Williams & Glyn's Bank in the City, for Lloyds Banks in Cambridge and Farnham, and for hospitals in Ealing and Guildford Peter Rees Roberts was known in particular for his mural works and for his career as a freelance national press artist in the 1950s. He studied drawing and illustration at Wimbledon School of Art from 1939 to 1941. After being medically rejected for war service, be began to study mural painting under Professor Ernest Tristram at the Royal College of Art, which had transferred to Ambleside for the duration of the war. His paintings from the Ambleside years continued the tradition of earlier Royal College mural painting students such as Evelyn Dunbar and Cyril Mahoney. Like Dunbar, Rees Roberts painted scenes of workers in rural industries, his 1942 tempera panels of The Bobbin Mill at Ambleside being his most ambitious and successful work at the RCA. Stanley Spencer was a strong mural painting influence at the time, but Rees Roberts said that he was more affected by the Mexican artist Diego Rivera. His large painting of a gasworks, also from his time at Ambleside, is a stylised composition of men and machinery that has echoes of films such as Metropolis or Charlie Chaplin's Modern Times. While at Ambleside, Rees Roberts met Ursula McCannell, another Royal College student, and they married in 1945. Shortly before their meeting, Ursula had made a stone head of a handsome man with strong aquiline features - rather prophetically it could almost be a portrait of him. Rees Roberts in turn painted a tempera panel of Ursula in the style of Raphael, a particularly beautiful portrait that marked his feelings for her. After a holiday at Mousehole in Cornwall, they settled in Farnham near Ursula's parents and Peter taught for a while alongside Otway at the Farnham School of Art. After the war, Rees Roberts exhibited at several London galleries including the Modern Art Gallery, the Leger, the Redfern and the New English Art Club. He began to paint more in oils and his pictures, often of Cornish fishermen, became darker and more in tune with the neo- romantic mood of the time. His 1945 self-portrait, The Painter in Mousehole, has a brooding intensity that is reminiscent of the heroic men in Ursula McCannell's early paintings of the Spanish Civil War. The 1948 Picasso exhibition in London made a strong impact on Rees Roberts and his style moved closer to that of his contemporariesRobert Colquhoun and Robert MacBryde. These Cubist-inspired, densely abstracted figurative paintings of the late 1940s gradually became simpler, with an increasingly brighter palette. Through the 1950s and early 1960s Rees Roberts exhibited at the Royal Academy and regularly with the London Group, Unframed. Colours are good. Two holes at the top drilled for fixing.