A Vienna porcelain cabinet tazza and low comport together with a cabinet plate, one painted with a contemplative Pysche peering into the depths of the river from its bank, signed Wagner, together with another painted with "Mrs Robinson", a lady in 18th-century dress accompanied by a faithful dog on a verdant riverbank, also signed Wagner, the high comport entitled (indistinctly) decorated with two classical muse painting a love heart on a stone pillar, indistinctly signed, 23 cm diameter. (3)
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4 Dosen, Kerzenleuchter und Kännchen mit Blumenmalerei. Meissen. Schwertermarke Ende 20./Anfang 21. Jh.. 1. Wahl sowie 1 und 2 Schleifstriche. Polychrom bemalt, goldstaffiert. 2 + 1 runde Dosen (Ø 7, 12 und 14,5 cm), 1 rechteckige Dose (7,5 x 5,5 cm), 1 Säulenleuchter (H 15,5 cm) und 1 Kännchen (H 11 cm). Minimale Bestoßung am Rosenknauf des Kännchens. Aufrufzeit 28. | Feb. 2025 | voraussichtlich 14:35 Uhr (CET)4 boxes, candlesticks and jugs with flower painting. Meissen. Sword mark late 20th/early 21st century. 1st choice and 1 and 2 grinding marks. Polychrome painted, gilt. 2 + 1 round boxes (Ø 7, 12 and 14.5 cm), 1 rectangular box (7.5 x 5.5 cm), 1 pillar candlestick (H 15.5 cm) and 1 jug (H 11 cm). Minimal wear to the rose finial of the jug. Call time 28 | Feb. 2025 | probably 14:35 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
15 Zwiebelmuster-Porzellane. Meissen. Schwertermarke, 2. H. 20. Jh., 1. Wahl sowie 1 und 4 Schleifstriche. Unterglasurblaue Malerei. 3,3 kg. Bierkrug (H 14 cm), 2 Säulenleuchter (H 15,5 cm), 2 Essig-/Öl-Kännchen (H 13 cm), 3 Dosen (H 10 cm), 2 Leuchter (H 6,5 cm), 4 Eierbecher (diese mit Girlandenmuster; H 7,5 cm) und 1 Tablett (Ø 22 cm). Aufrufzeit 28. | Feb. 2025 | voraussichtlich 15:15 Uhr (CET)15 onion pattern porcelains. Meissen. Sword mark, 2nd half 20th century, 1st choice and 1 and 4 grinding marks. Painted underglaze blue. 3.3 kg. Beer mug (H 14 cm), 2 pillar candlesticks (H 15.5 cm), 2 vinegar/oil jugs (H 13 cm), 3 cans (H 10 cm), 2 candlesticks (H 6.5 cm), 4 egg cups (these with garland pattern; H 7.5 cm) and 1 tray (Ø 22 cm). Call time 28 | Feb. 2025 | expected 15:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Gründerzeit-Pfeilerspiegel mit Konsole. Überwiegend Nussbaum, massiv und furniert. Spiegel 190 x 103 x 20,5 cm, Konsole 52,5 x 95 x 31,5 cm. Hochrechteckiger Spiegelrahmen mit vorkragendem Gesims und rundbogenförmiger Spiegelfläche mit geschnitztem Rocaille-Schild und Rahmenleisten, flankiert von teilplastischen Rundsäulen und Drechselzier. Konsoltisch mit Profilkanten und offenem Sockelfach mit Arkadenfront, Drechselsäulchen und Diamantquadern, kassettierte Rückwand mit Rahmenleisten, auf schauseitig 4 gedrückten Kugelfüßen und verso 2 Klotzfüßen. Partiell rissig, Furnierdefekte, leichte Altersspuren. Abholung erforderlich.Aufrufzeit 28. | Feb. 2025 | voraussichtlich 20:00 Uhr (CET)Foundation period pillar mirror with console. Predominantly walnut, solid and veneered. Mirror 190 x 103 x 20.5 cm, console 52.5 x 95 x 31.5 cm. High rectangular mirror frame with projecting cornice and round-arched mirror surface with carved rocaille shield and frame strips, flanked by partially sculpted round columns and turned decoration. Console table with profiled edges and open plinth compartment with arcade front, turned columns and diamond ashlars, coffered back panel with framing strips, on 4 pressed ball feet on the front and 2 block feet on the reverse. Partially cracked, veneer defects, slight signs of age. Collection required.Call time 28 | Feb. 2025 | presumably 20:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
"Tellurium-Lunarium" mit Pfeilerpostament. Koehler & Volckmar AG u. Co Leipzig. Tellurium gemarkt, auf dem Pfeiler mit Messingschild betitelt. Globus "Ludw. Jul. Heymann" gemarkt. Nach 1918. Gusseisen, Messing teils schwarz lackiert, Pappe mit Farblithografie. Nadelholz mahagonifarben gebeizt und mattiniert. H 39 cm, gesamt 149 cm. Gesamt 10,7 kg. Rechteckiger Gusseisenfuß, Schneckenantrieb mit Handrad, Teller mit Papieretikett: Himmelsrichtungen, Jahreszeiten, Monate, Tage, Sternzeichensymbole und -benennungen sowie Gradeinteilungen. Aufgeschraubte Messing-Kerzenhalterung sowie -spiegel. Um den rotierenden Globus sich drehender Messing-Mond. Funktioniert. Alters-/Gebrauchsspuren, Pfeiler restauriert. Alle Lose mit einem Limit (Startpreis) von mind. 1.500€ werden mit der Art Loss Register Datenbank abgeglichen. Abholung erforderlich.Aufrufzeit 26. | Feb. 2025 | voraussichtlich 16:43 Uhr (CET)"Tellurium-Lunarium" with pillar pedestal. Koehler & Volckmar AG u. Co Leipzig. Tellurium marked, titled on the pillar with brass plate. Globe marked "Ludw. Jul. Heymann" marked. After 1918. Cast iron, brass partly lacquered black, cardboard with color lithography. Pinewood stained mahogany and matted. H 39 cm, 149 cm in total. Total weight 10.7 kg. Rectangular cast iron base, worm drive with handwheel, plate with paper label: cardinal points, seasons, months, days, zodiac symbols and names as well as degree divisions. Screw-on brass candle holder and mirror. Brass moon rotating around the rotating globe. Functioning. Signs of age/use, pillar restored. All lots with a limit (starting price) of at least €1,500 are checked against the Art Loss Register database. Collection required.Call time 26 | Feb. 2025 | probably 16:43 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Handmade and hand decorated glossy figure featuring a woman modeling a hunter green dress with frill trim on the sleeves as she leans against a pillar in a pensive state. Royal Doulton backstamp. Artist: Peggy DaviesIssued: c. 1970Dimensions: 7.25"L x 4.25"W x 6.5"HCountry of Origin: EnglandCondition: Age related wear.
Handmade and hand decorated glossy figure from the Harradine Classics Series that depicts a woman modeling a frilly green dress accented with a pink petticoat and accessories as she leans against a pillar. Royal Doulton backstamp. Artist: Leslie HarradineIssued: 1935-1949Dimensions: 5.25"L x 4.25"W x 7.75"HCountry of Origin: EnglandCondition: Age related wear.
A GEORGE III MAHOGANY EXTENDING DINING TABLE the solid top with moulded edge on twin pillar supports, reeded splayed legs with brass feet and castors, with two additional leaves. 73cm high, 117cm wide, 310cm length (fully extended) ***PLEASE NOTE CATALOGUE DESCRIPTION SHOULD READ LENGTH 310cm***
A BRASS CORINTHIAN PILLAR STYLE TABLE LAMP, with a scrolled top and a stepped base, height to fitting 62cm, a small Art Deco style tapered lamp, along with two other lamps, condition report: one lamp missing finial that holds the shade on, all with general signs of usage, large brass lamp with the plug cut off (4)
Ca. 800 - 500 BC. A convex chalcedony seal with an oval face and a domed back. The design on the front, shows a lunar crescent on a pillar, in the middle of two simplified Egyptian ankh-symbols. Accompanied by a signed scholarly note by Professor Wilfrid George Lambert. Size: 17mm x 23mm; Weight: 10.2g Provenance: Property of a London gallery; formerly with a Mayfair Art dealer S.A.; Ex. 1990s London collections, studied and catalogued by professor Lambert in the early 90s (with original note, signed by him). Previously in an old British collection formed since the 1960s.
Late Period, Ca. 664 - 332 BC.A red jasper amulet of the goddess Isis in an upright posture. The figure is depicted wearing a tripartite wig with defined lappets resting on her shoulders. The facial features are clearly outlined, including large eyes, a broad nose, and a small mouth. The body is slender, with the arms held close to the sides and the hands clenched into fists. The torso displays a subtle indication of the figure’s anatomy, including the waistline and hips. The lower half features a straight, columnar skirt extending to the base. The feet are distinctly defined, positioned side-by-side on an integrated rectangular plinth. The reverse shows a vertical back pillar inscribed with hieroglyphs, extending from the back of the head to the base.For similar see: The British Museum, Museum number EA60921.Size: 45mm x 15mm; Weight: 9.5gProvenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.
Late Period, Ca. 664 - 332 BC.A fragmentary faience amulet depicting the goddess Isis. She is shown standing with her arms positioned along the sides of her body, her gaze directed forward. The figure features prominently protruding breasts and a naked abdomen. She wears a tripartite wig and a hieroglyphic headdress representing the throne of Egypt. A vertical pillar is present at the back, serving as support for the amulet. Isis, is one of the most important deities of the Egyptian pantheon. She is typically depicted as a woman wearing a throne-shaped headdress, symbolizing her role as a queen and mother. Isis was revered for her magical prowess, wisdom, and her role as a protective mother. She was the wife of Osiris, the god of the afterlife, and mother of Horus, the falcon-headed god associated with kingship and the sky.For similar see: The Museum of Fine Arts, Budapest, Inventory number 51.2560. Size: 35mm x 9mm; weight 1.5gProvenance: Private UK collection; acquired on the UK art market, pre-2000.
THEATRE: Three Staffordshire Pottery Theatre Figures, Mrs Siddons as Lady Macbeth and John Philip Kemble as Hamlet, circa 1845, each dressed in ermine edged clipped clay cloaks, he holding a skull, she a piece of cloth, 21cm high; also William Charles Macready as James V of Scotland, standing beside a plinth, 21.5cm high (3). Refer: Harding Book 1, Page 317, Fig 1156 (Macready), Macready, neck repaired, base and pillar restored. Condition report Macready, neck repaired, base and pillar restored.
MÄRKLIN Zubehör für die Modellanlage, Spur H0, darunter Drehscheibengarnitur mit Karton '7186'; 3 Trafos (mit Schachtel '6631'), 12 x Pfeiler '7253' und weitere Pfeilerstücke ohne Karton; 8 x Prellböcke '7190', 2 x '7191' und 2 weitere Prellböcke ohne Karton; 4 Gitterbrücken '7262'; 2 Bogenbrücken '7263'; 12 Rampenstücke '7268'; 2 Packungen gebogene Gleisstücke '5100'; 18 Pck. gerade Gleisstücke '5106' (16 x Inhalt komplett, 2 x unvollständig und z.T. abweichend); Weichenpaar '5221'; Bogenweichenpaar '5140'; 4 Pck. Anschlußstücke '5111' sowie 4 weitere Packungen Gleisstücke; Zugehörigkeit von Inhalt und Karton nur oberflächlich geprüft. Kartons tlw. besch. Inhalt überwiegend wenig bis gar nicht bespielt. Fkt. nicht geprüft.| MÄRKLIN accessories for train modelling, track H0, including turntable set with box '7186'; 3 transformers (with box '6631'), 12 x pillars '7253' and further pillar pieces without box; at least 8 x buffer stops '7190'; 4 lattice bridges '7262'; 2 curved bridges '7263'; 12 ramp pieces '7268'; 2 packs of curved track pieces '5100'; 18 packs of straight track pieces '5106' (16 x complete contents, 2 x incomplete and partly different); pair of switches '5221'; pair of curved switches '5140'; 4 packs of connecting pieces '5111' and 4 further packs of track pieces; contents and box only checked superficially. Boxes partially damaged. Contents mostly little to not at all used. Fct. not checked.
An Oak and Mahogany Thirty Hour Longcase Clock, late 18th century, 13" arch painted dial signed Jno Pattison, Halifax, dial arch with rolling moonphase aperture, four pillar movement with an anchor escapement, outside countwheel striking on a bell, 233cm highWeight and pendulum both missing
An early 19th century French flame mahogany and ormolu mounted eight-day, four-pillar portico clock, the silvered dial set with Roman numerals and subsidiary seconds dial, with twin-drum movement stamped 'Robert, Paris', striking on a bell, grid iron compensated pendulum terminating a relief moulded floral bob, raised on plinth base and turned feet, height 49cm.Condition Report: - Please note that this lot is not suitable for our in-house postage service. We would recommend collecting this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/.Small loss to front right lower corner, and upper right corner, otherwise appears ok.Ticks when wound, although we offer no guarantee of full working order or accurate timekeeping.
RARE BLUE AND WHITE TRANSFER PRINTED DISH PRINTED WITH A SCENE ENTITLED 'KASKERAT', FROM 'THE OTTOMAN EMPIRE SERIES' EARLY 19TH CENTURY marked to the reverse ‘Kaserat’ within a simple architectural cartouche 32cm wide The print source for this scene is ‘A View of Kaskerat in Romelia’, by Luigi Mayer (1755-1803). A copy of the print is in the V&A; Museum, South Kensington, accession number SP.390. Fragments of a platter printed with the same design are in the collection of the NYC Archaeological Repository, object No.9. The Ottoman Empire series is by an unknown maker. With the single exception of ‘The Pillar of Absalom’ all views in the series are taken from Mayers ‘Views in the Ottoman Dominions’, his prints taken from original drawings by Sir R Ainslie, and published by R Bowyer of 80 Pall Mall, London, 1810. The series is also known as the Torch Border Series and the Incense Burner Series, after the distinctive incense burner in the floral scroll border. See Coysh & Henrywood, Dictionary of Blue and White Printed Pottery, Vol.1, p 270.
A Victorian mahogany duchess dressing table, the super structure with central lidded compartment flanked by two banks of three drawers over a single frieze drawer on turned and carved supports united by an under tier on castors, 118 cm wide x 48 cm deep x 98 cm high and a Victorian mahogany drop leaf Sutherland table on end pillar supports to splayed feet and castors, 89 cm wide x 102 cm x 72 cm high and a Victorian mahogany two drawer side table on turned tapering legs (3)
A 19th Century mahogany sofa table, the rounded rectangular drop-leaf top cross-banded in rosewood, over two frieze drawers with beaded edge and turned knob handles, raised on plain end pillar supports, united by a turned stretcher, on hipped splayed square tapered legs to unusual lion's paw fore end brass caps and castors, 166.5 cm wide x 71.8 cm deep x 74 cm high
A Victorian burr walnut veneered card table, the quartered top with serpentine edge and moulded decoration, over a plain frieze, on carved and turned end pillar supports, united by a centre stretcher, raised on carved and moulded cabriole legs to scroll feet, 91 cm wide x 43.5 cm deep x 69 cm high and a set of four Oxford type bar back chairs, three stamped RW (5)

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