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A Victorian Rosewood Pillar End Writing Table, mid 19th century, with a gilded red leather writing surface above two frieze drawers, on standard ends supports with moulded bases and recessed castors, 115cm by 60cm by 73cm. Good cosmetic condition, as recently refurbished and repolished. Minor shrinkage split to left corner which has been partly filled and polished. Various small splits/repairs around the edge of the table top. Leather top with various old ring marks and scuffs which have been painted/repaired. Three knob handles damaged around the base section. Drawers open but no key. Table structurally sound. 251119

A 19th Century French white marble and gilt metal clock garniture, the portico style four pillar clock with eagle finial, white enamelled dial and drum-cased movement stamped 'Samuel Marti, Paris' and numbered 50369, together with a pair of twin light candelabra, each with a flaming grenade finial. (3)

An Arts & Crafts burr walnut mantel clock, centred with a rosewood dial on four pillar supports on a sloped platform base, height 36cm.

A FRUITWOOD OCCASIONAL TABLE the circular tray top 53cm diameter, on spiral turned pillar and tripod base, 69cm high

A VICTORIAN INVALIDS TABLE the tilting top 42cm x 84cm, on pillar support with ratchet rise and fall mechanism

A SEALEY FIVE SPEED PILLAR DRILL IN WORKING ORDER

A pillar gold scale, by Sampson Mordan & Co., c.1820, the lever stamped 'S Mordan & Co.', with scrolled decoration to the support, with a walnut base with a single drawer containing a box of carat weights, 13.7cm wide, 17cm high The green Moroccan leather box made by Mordan is only the second example known, see article in Equilibrium 2005 issue no 1, pgs. 2987-2989.

A Victorian mahogany miniature centre table, moulded circular top, turned pillar and draught-turned base, scroll feet; An Arts and Crafts oak occasional table, hexagonal top, pierced outswept legs, incurve triangular undertier, 68cm high; A 19th century oak framed country kitchen child's side chair, rush seat; A 19th century oak framed country kitchen side chair, rush seat

λ A George III and later mahogany triple pillar dining table, the reeded edge top with later rosewood and parquetry crossbanding, above turned stems, reeded scroll legs and brass paw sabot and castors, comprising: a pair of 'D' ends and four leaves, supported by a concertina action, 69.5cm high, 351.5cm long, 136.7cm deep.

A Victorian mantle clock, with an opaque glass dial populated with black Roman numerals and hand painted floral swags, set within a case principally veneered in mahogany, of pillar form flanked by rounded sides, bordered throughout with mixed inlay, centred with a ball finial, 26 cm high, 15.5 cm wide, together with an Edwardian example or rounded arch form (2).

Wickes bench pillar drill, unused

19th Century pillar cut and wheel engraved Masonic tumbler with various motifs including; square and compass, pillars, the sun and moon etc, also incorporating three dice contained within the hollow base of the glass. (B.P. 24% incl. VAT)

Clive Fredriksson, painted and carved wood sculpture, owl on pillar, height 64cm

A Nutool 5-speed pillar drill, GWO

1/4 horse power pillar drill on a wheeled metal trolley CONDITION REPORT: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.

A Mid 20th Century Painted Brass Pillar Clock Under Glass Dome, 30cm High

A Tray of Sundries to Include Pillar Clock, Ice Bucket, Metalwares, Oil Lamps, Metal Wares etc

ROYAL ALBERT 'MOSS ROSE' COFFEE AND DINNERWARES, twelve dinner plates, tureen, one oval meat platter, two tier cake stand, (wear to pillar), twin handled cake plate, gravy boat and saucer, coffee pot, milk, sugar, six breakfast plates, twelve side plates, six coffee cups and saucers

A pair of George IV pillar cut glass decanters, with lenticular effect height 22cm (no stoppers)

BUREAU PLAT, early 19th century French Empire flame mahogany and gilt metal mounted with tooled leather top above three frieze drawers and capped pillar column supports, 77cm H x 186cm x 87cm.

A pine dresser with a raised back and pillar supports above drawers and cupboards 137x48cm

Late Georgian oak pillar table

A small pine pillar display cabinet, 44.5cm wide.

A Victorian Prie Dieu, with tapered velvet upholstered seat and T shaped back, raised on cabriole forelegs with brass caps and castors, together with a Victorian mahogany box commode, a standard lamp in the Georgian style with partially fluted and reeded pillar and swept tripod and a stained pine pelmet (4)

A Georgian mahogany sofa table, with inlaid crossbanded detail, fitted with two real and two dummy drawers, raised on a possibly associated turned pillar and swept and reeded quadruped, with cast brass foliate caps and castors

A late Victorian walnut sideboard, fitted with two frieze drawers, over an open fronted compartment and cupboard enclosed by a pair of fielded panel doors, together with a Victorian stained pine pot cupboard, an inlaid Edwardian mahogany two tier side table with frieze drawer, a 19th century rosewood occasional table base with turned pillar and swept supports with cast brass paw caps and castors, beneath a later associated top, two Edwardian lightweight open armchairs of varying design, an oak freestanding corner, bow-fronted umbrella stand, with turned bobbin supports and an oak table top book trough with pierced detail and a mirror (9)

A 19th century mahogany snap top occasional table, the circular tray top raised on a turned pillar and tripod 60 cm diameter approx

A Regency rosewood games table of octagonal form, enclosing four real and four dummy drawers, raised on a vase shaped pillar and platform base with scrolled supports, the top with birds eye maple inlay, 51cm wide

A small Georgian mahogany snap top table, the circular top 50cm diameter, raised on a turned pillar and tripod base

A William IV rosewood occasional table of circular form raised on a central turned pillar, shaped tricorn platform and moulded bun feet, 55 cm in diameter

Two Studio glass candlesticks, one in frosted glass with a four ringed stem, engraved with initials to base, the other in green glass with a pillar type design, the tallest 23cm (2)

A Lladro figure, of a lady in flowing robes aside pillar, impressed and printed marks beneath, 33cm H.

Marquetry wine table; the hexagon shaped table on central support pillar, approx 47 cms h. 

An early Victorian mahogany sarcophagus shape work table, the moulded hinged top enclosing a lined interior and lift-out fitted tray, on a baluster turned pillar with turned collar, the concave sided platform base on bun feet, 45cm square x 71.5cm high.

A George III style mahogany tea table, 19th century, the circular tilt-top on a baluster turned pillar and tripod base, 75.5cm diameter x 73cm high and another similar reduced in height, 74cm diameter x 44cm high (2).

A Victorian walnut boxwood strung three division Canterbury, distressed, with spindle turnings and drawer under, on castors, 55cm wide x 39cm deep and a George III style mahogany pedestal table, 19th century, with circular top, turned pillar and tripod base, 60cm deep x 72cm high (2).

A Chippendale style mahogany tea table, George III and later, the shaped circular moulded edge tilt-top on a fluted and whorled turned pillar and tripod base, 79cm diameter x 71cm high.

Late 18th century/early 19th century cut glass water jug, probably Irish, with diamond design around middle and pillar flutes to base, 18cm high

Pillar drill, bench grinder, Black & Decker band saw and sharpener (4).

A very large 12 seat oak three pillar refectory table with four plank top and carved frieze, 357cm x 91cm.

A Regency style mahogany twin pillar dining table Extended 250cm (two spare leaves)

A walnut Android barometer with pillar supports and silvered dial maker Negretti & Zambra. Glass damaged - NO RESERVE

A pine dresser with a raised back and pillar supports above drawers and cupboards 137x48cm

A reproduction mahogany Gallery table with four pillar legs united by a carved stretcher.

An old manual pillar drill fuel cans and vintage small portable TV (a lot) - NO RESERVE

THE JAMESON COLLECTIONA WATERFORD STEPPED AND DIAMOND CUT WATER JUG, c.1830 (chip to spout); and another, pillar cut, 17.5cm and 18.5cm. (2)This collection was formed in the 1930s by the artist Mrs Jean Jameson (nee Musgrave of Tourin, Co. Waterford)

THE JAMESON COLLECTIONA PAIR OF WATERFORD PILLAR AND DIAMOND CUT DECANTERS (with original stoppers), c.1830, triple ring necks, star cut bases, each 21cm highThis collection was formed in the 1930s by the artist Mrs Jean Jameson (nee Musgrave of Tourin, Co. Waterford)

THE JAMESON COLLECTIONA WATERFORD FLUTED OVAL BUTTER DISH AND COVER, early 19th century, with tall faceted knobbed lid with pillar body and star cut base, 16.5cm wide This collection was formed in the 1930s by the artist Mrs Jean Jameson (nee Musgrave of Tourin, Co. Waterford)

A 19TH CENTURY CUT GLASS JUG, with wide fluted spout and serrated rim, above a band of bold pillar flutes and diamond cut, on circular star base, with scroll handle, 16cm high

A FRENCH GILTWOOD AND MARBLE TOPPED CONSOLE TABLE, 19th century, with raised mirrored back surmounted by a Sevres type porcelain portraits linked by foliate boughs and swags and supported on twin pillar columns enclosing a large oval mirror plate, the base of inverted breakfront design, with fitted Carrara marble supported on leaf carved tapering legs and joined by concave stretchers. 260cm high x 180cm wide x 57cm deep

A GEM-SET BROOCH, BY MEISTERDesigned in the form of a butterfly, set throughout with oval-shaped yellow sapphires, highlighted with round brilliant-cut diamonds, mounted in 18K gold, signed Meister, length 4.2cmMeisterMeister was founded in 1881 by Emil Meister, a bold minded goldsmith and remains a family jewellers based in Zurich, Switzerland. For more than twenty years now, it is in the capable hands of two brothers Adrian Meister and Roland Meister, the fourth generation to run the company. The tradition of style, top quality, competence and trust has been upheld in the company through the generationsFrom humble beginnings, Meister began trading jewellery and silverware in a shop in Münsterhof 16 and flourished over four generations into a powerful company, currently with 3 shops located in prestigious areas of Zurich, selling gold and diamond jewellery, watches, silver and crystal glass objects porcelain and renowned top quality brands. The company experienced tremendous growth between 1950 and 1980, with Walter Meister at the helm, taking the company from strength to strength and reinforcing his commitment to top quality goldsmiths. Meister won the coveted Diamonds International Award a total of seven times and has been a member of the Diamond International Academy since 1968.Meister is known for its large selection of precious stones and pearls. The gemologists at Meister travel far and wide, inspecting and purchasing beautiful stones which become the pillar of Meister jewellery. All jewellery is designed and made in house, they specialise in using a wide range of coloured gems in striking and unusual colour combinations, which take centre stage in the classic styles and also in the modern timeless designs. The yellow sapphire & diamond butterfly brooch is a lovely example of Meister’s style and creativity with coloured stones. The piece is in perfect harmony, with the golden yellow sapphires complimenting the yellow gold frame pave-set with diamonds.

Thirty-nine early 20th century crested China models of pillar boxes

An early 20th century Danish pillar telephone magneto, Jydsk Telefón Aktieselskab, hand-crank mechanism, to a black rounded plinth, with cream and white metal dial, with later electrical fittings, body stamped 'Jydsk Telefon Aktieselskab' verso, 32.5cm high (at fault)

Thomas Smith of London - an early 19th century mahogany longcase clock, the hood having stop-fluted brass pilasters, flanking 12" arch brass dial, signed and with strike/silent dial to the arch, silvered chapter ring, with Roman and Arabic numerals, matted centre, subsidiary seconds dial and rolling date dial, twin winding holes for a brass eight-day five pillar weight driven movement striking on a bell, the case having arched panelled door to a boxbase, h.212cm (excluding brass finials).Not currently running (swing of pendulum appears too short).With pendulum and brass cased weight, no key.Strike train wire is broken.Pendulum repaired.Dial with tarnishing, otherwise good.Hood missing section to top and glass to right side is cracked.Case generally good, faded to one side and with loss to bottom left corner of door.Lock to door missing.No feet to case.Brass mounts to top and bottom of back left column missing.

William Riches of Swanton Abbot - an 18th century oak longcase clock, having 12" square brass dial, signed to the silvered chapter ring, with Roman and Arabic numerals, subsidiary seconds dial and date dial, the twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the plain case with panelled door and boxbase, h.195cm

John Gauler of Hereford - a late 18th century oak and mahogany crossbanded longcase clock, having 12" square brass dial, cast brass spandrels, signed and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial, rolling date dial, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having fluted canted corners to a boxbase, h.199cm

Thomas King of London - an 18th century longcase clock dial and movement, the 12" brass arched dial with strike/silent dial to arch, the silvered chapter ring with Roman and Arabic numerals, matted centre, subsidiary silvered seconds dial, and name disc, together with a rolling date dial, twin winding holes for a brass four pillar weight driven movement striking on a bell; together with a brass longcase clock dial only for George Borrett of Stowmarket, 12" (2)

A Victorian mahogany droptrunk wall clock, the repainted 11" circular white enamelled dial signed Moore of London, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the case having crossbanded raised panelled door, h.122cm

A late Victorian brass skeleton clock, having a cut silvered dial with Roman numerals, chain-driven eight day four pillar movement with anchor escapement, the whole raised upon variegated white marble plinth, under a glass dome, gross h.39cm

An eight day longcase clock signed Peter Walker, St Katharines Fecit, early 18th century, five pillar movement, later case and later carving