We found 30666 price guide item(s) matching your search

A modern pine pillar type seven drawer chest, height 133cm, and a bedside chest of three drawers (2).

A small mahogany pillar type chest of four drawers, height 74cm.

PAIR OF FRUIT BOWL LAMPS, in the form of a bowl of exotic fruit below the central pillar, in bright colours, with shades60cm without sideQty: 2

COLLECTION OF WALL SCONCES AND HANGINGS, MOSTLY PAIRS of wooden and resin form, some with small shelves, some with stands for pillar candles, most but not all pairstallest 35cm

Naudé, Henri (French, 1859-1941); b. Brégnier-Cordon, and Arthus-Bertrand (Paris, 1803-present) FRANCE, Le Journal, c. 1895, an Art Nouveau bronze award medal by H. Naudé for Arthur-Bertrand, robed female seated on pillar adjacent to telegraph wires, casting papers from her right hand over a townscape, rev. wreath, named (Concours de Bébés, Léon Kochnitzky), 56mm, 88.12g. About extremely fine £40-£50 --- Léon Kochnitzky (1892-1965), musicologist and man of letters. Le Journal, the Paris daily newspaper founded and edited by Fernand Arthur Pierre Xau (1852-99) in 1892

An Edwardian brass Oil Lamp, with green coloured etched glass shade above a moulded dome brass pillar and circular base, with spare milk glass shade and a walnut cased wall clock, with circular enamel dial. (2)

A Georgian style oak Hall Table, the plain top above a frieze with three drawers and carved motifs, on block pillar legs, united by a H stretcher, 175cms length x 95cms width x 80cms high (69" x 37 1/2" x 31 1/2"). (1)

A large pine Plinth or Stand, with arched sides supported on four turned pillar supports; together with a similar smaller ditto, as is. (2)

A 19th Century oval mahogany Breakfast Table, the top with wide crossbanded border on a base with turned pillar supports above a quatreform platform base with inlaid outsplayed legs terminating on hairy paw brass castors, 183ms x 122cms (72" x 48"). (1)

A 19th Century mahogany four tier Wall Bracket, with bobbin turned pillar supports, approx. 81cms wide x 99cms high (32" x 39"). (1)

A William IV mahogany fold-over Tea Table, on a shaped pillar terminating on a quatreform base with bun feet, approx. 98cms (38 1/2"). (1)

An Irish William IV period mahogany Cabinet, attributed to Williams & Gibton, stamped A8457, the moulded top over panelled doors with ornate brass escutcheons, and half pillar with carved capitols, on bracket feet, approx. 132cms (52") wide x 96cms (38") high. (1)

A large silver plated two handled tall Cup and Cover, for "Celebration Ale Perpetual Cup," the lid of domed form with greyhound surmounted inscribed on a turned pillar upright with circular base, approx. 51cms (20") on an ebonised wooden base. (1)

A Victorian fossilised slate Fire Surround, the oblong top above a plain frieze with corbel supports on stepped pillar supports, approx. 163cms w x 120cms h x 38cms deep (64" x 47" x 11"). (1)

A large 19th Century Scottish mahogany cased Grandfather Clock, the hood with breakneck pediment over brass and silver dial with arabesque and roman numerals and painted moon phase, flanked by turned pillar, above a trunk with 'love heart' panelled door, on a box base with bracket feet, approx. 239cms high x 66cms wide (94" x 26"). (1)

An attractive 19th Century French gilt Mantle Clock, depicting a young lady in low cut dress leaning against a pillar, with inset enamel clock face with Roman numerals on a shaped base, with floral garlands and trophies with separate giltwood base, approx. 45cms (18") high. (1)

An attractive four tier mahogany Table or Wall Shelf, with shaped cornice and plain pillar supports; together with a three shelf Wall Bracket and a Victorian rosewood framed Tapestry Fire Screen on stand. (3)

An assimilated marble pillar Plinth, with circular top and square base, approx. 120cms high (47"). (1)

A 19th Century carved mahogany pillar Hat and Coat Stand, on outsplayed reeded legs. (1)

A heavy brass pillar Table Lamp, on a decorated plinth base. (1)

A 19th Century oak tripod Occasional Table, with circular tilt top, 20" (51cms), with circular pillar support on triform base. (1).

Joseph Murray Ince (1806-1859)Netley Abbey, signed to pillar, and dated 183?, watercolour, 28 x 20cm Appears to be in good condition.

An 18th Century Cuban mahogany Pillar Table with birdcage support, baluster column and tripod base, 2ft 7in diam

A pillar drill with a Record clamp

A box of tools including pillar drill stand, vice, ratchets, air brush set, etc.

Minicraft MB680 pillar drill. Not available for in-house P&P

Mixed modelling items including a mini pillar drill. Not available for in-house P&P

6th-8th century A.D. D-shaped amuletic pendant with pierced lug suspension: obverse a bird with omega; reverse a hatched pillar with rings. 1.74 grams, 22 mm (7/8 in.). [No Reserve] Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman.

8th-7th century B.C. A bifacial sceptre head formed as a Master of Animals atop a collared tubular stem with flared foot; the finial composed of two addorsed birds standing on their backs looking up towards two birds' heads facing down and joined to slender crescentic arms representing slender beasts with ridged backs and roaring mouths, each in the grip of the Master standing crowned between them; the Master with tubular body, animal-like ears, prominent nose above a small mouth and wearing collars, neck rings and tiered headdress; waisted socket below; mounted on a display stand. Cf. Godard, F., The Art of Iran, London, 1965, fig.19, for similar; Chausidis, N., Luristan Standards, iconography semiotics and purpose, Skopje, 2022, p.10, for similar and catalogue nos.C13-C19; C24, D32,D39; E7; E17; F1; F30; G7; G9-G11. 399 grams, 32.3 cm (526 grams total, 34.5 cm including stand) (12 3/4 in. (13 5/8 in.). [No Reserve] Acquired between 1965-2020. Private collection, London.The small head belongs to the tubular idols with protomes of second type of ‘Master of Animals’, probably being a finial standard. This type, according to Chausidis, came to be with the gradual transformation of the ‘zoomorphic standards with a human head, whereby the front legs of the animals became integrated into the tubular pillar of the standards. It gradually began to be cast with the other elements, representing the neck and torso of the central anthropomorphic character that retained the two-faced feature of the previous type. The necks and heads of the animal pair separated from the rest of their bodies, which, in turn, gradually lost their original form and acquired new meanings.

Roman Period, 2nd-3rd century A.D. Standing on a pillar and wearing a feather crown and a panther skin cloak, his hands resting on his knees, large protruding ears and grimacing expression. Cf. Weber, W., Die ägyptisch-griechischen terrakotten, Berlin, 1914, pl.25, no. 251, for similar. 362 grams, 24 cm (9 1/2 in.). (For this specific lot, 5% import VAT is applicable on the hammer price.) The Erotica Collection Christian von Faber-Castell, Küsnacgt ZH, Switzerland, since the late 1970s.Christian von Faber-Castell (born 1950) is a renowned German entrepreneur and art collector, best known as a member of the prominent Faber-Castell family, famed for their iconic writing instruments. A passionate advocate for art and culture, Christian von Faber-Castell curated an extensive and diverse private collection of erotica spanning centuries and cultures. His collection reflects a deep appreciation for the interplay of beauty, sensuality, and artistic expression, bringing together rare and unique works that explore themes of intimacy and human connection. Pieces from this collection have been featured in notable exhibitions and are celebrated for their artistic and historical significance. This offering represents a rare opportunity to acquire works from one of the most fascinating and eclectic private collections of its kind. Bes became one of ancient Egypt's most popular apotropaic deities from the New Kingdom onwards. Despite his somewhat fearful appearance, Bes was the patron and protector of pregnant women and children and was also believed to protect from snakes.

A FRENCH GILT METAL AND STAINED WOOD STANDARD LAMP FIRST HALF 20TH CENTURY The graduating pillar body, raised on an elegant tri-foot, with white fabric shade 155cm (excluding shade) Condition Report: Is in overall good condition and presents really well. Minor marks, scratches and dents throughout. Some oxidation and rubbing to the patina of the metal. Some darker patches with build up of varnish and then paler patches too, to the wood. Some foxing to the wood, which presents as speckles at the foot and not considerable. All condition points in line with age and wear.   Condition Report Disclaimer

A collection of glass tableware, early 19th century and later, comprising:a claret jug, the silver-plated mount over a tapering body engraved with foliate motifs,30.5cm high,a Prussian-type decanter, with two annulated rings below a moulded mushroom stopper,a similar decanter, with three neck rings over a pillar-cut body,a pair of globe and shaft-form decanters, each engraved with fruiting vine, anda pillar-cut claret jug, with a radial-cut mushroom stopper (6)Condition Reportmushroom stopper, ground down

A 19th century mahogany twin pillar extendable dining table. The rounded rectangular top with a moulded edge, mounted on turned columns with sabre legs and brass casters, with two additional leaves, H74cm x W295cm (fully extended) W202cm (unextended) x D111cm Condition Report: Appears in a fair condition for its age, scratches and marks to the top conducive with use. Structurally sound pedestals no damage to the supports. Measures H74cm x W295cm (fully extended) W202cm (unextended) x D111cm.

A Pillar Drill

A Wickes pillar drill and two tool boxes.

JEREMIAS PFAFF, AUGSBURG: A 17th Century rosewood and tortoiseshell striking table clock, the bird finial upon a silver mounted scrolled cornice over an architectural form case, central silvered Roman numerated circular dial with pierced and engraved flowers, single pierced brass hand and front verge pendulum, upon a gilt metal mask, single front drawer, raised upon feet (one detached). Back of case with brass hinged door accommodating the bell opening to reveal the backplate with signature, highly decorative pierced brass hammer, numbered countwheel and ratchet works, label verso, ivory inlay to chequered sections, standing 44cm high x 26cm wide x 11.5cm deep. IVORY REFERENCE CODE 7AN8SK9J. Jeremias Pfaff was a notable clockmaker from Augsburg, Germany, active during the late 17th century. His work is recognised for its craftsmanship and complexity. A notable creation of his is an automaton table clock featuring a lion, highlighting the intricate design and mechanical sophistication characteristic of that era.CONDITION REPORT: Many brass features on case are corroding and dirty. Case pillar to left is loose and needs a lot of work. Three ivory chequered sections missing by left window. Left window glass cracked. Front left foot is loose. Tortoiseshell front pieces have splits.

A pair of early 20th century Art Deco simulated marble table lamps of Neoclassical column form each having a square tapered shade above a moulded square capital over a gradually tapering round pillar on a square moulded pedestal raised on a stepped plinth base. H.64cm

An antique mahogany twin pillar sideboard

A Rexon RD26A pillar drill

A late 20th Century burr walnut veneered dining room suite comprising rounded rectangular D end twin pillar dining table, 96.5 cm wide x 210 cm long x 73 cm wide together with a set of eight faux burr walnut stained beech Queen Anne style vase back dining chairs on cabriole front legs to pad feet (6 plus 2 carvers), a sideboard or dresser, the figured top over four short drawers and fretwork carved frieze on shell carved cabriole legs to claw and ball feet, 168 cm wide x 53 cm deep x 81 cm high and a matching display cabinet with broken arch pediment over astragal glazed doors enclosing adjustable shelving over a slide on a base of two drawers and two cupboard doors on bracket feet, 99 cm wide x 39 cm deep x 213.5 cm high

Pedigree Sindy’s Range Rover (missing rear pillar)

antique pillar in sculpted and gilded woodAntieke zuil in gesculpteerd en gedoreerd hout - hoogte : 149 cm

Introduced as a concept car at the January 2003 North American International Auto Show, the FJ Cruiser was approved for production after positive consumer response and debuted at the January 2005 North American International Auto Show in final production form. It features a short wheelbase, stocky frame, and grille-headlight arrangement much like the original FJ40. Other throwback design cues include a nearly vertical windshield with three windshield wipers for maximum surface area coverage. The FJ's body features rear opening access doors that give a unique look to the SUV. Special high-strength steel was used to give the vehicle side impact protection without the need for a door pillar.  The interior of the FJ features many design elements focused on enhancing off-road practicality. All interior surfaces are covered with washable rubber materials to aid in fast cleanup after heavy outdoor use. The FJ also incorporates oversized controls to aid drivers with gloved hands. The "Final Edition" of the FJ Cruiser went on sale in Japan on 12 September 2017. Sales of the FJ Cruiser were discontinued there on 31 January 2018.This great example of this striking looking SUV is presented in black with black interior. It comes with air conditioning, five service sheets, cruise control, central locking, park distance rear, privacy glass, alloy wheels, black colour pack, sidesteps, selectable high and low range 4X4 system. These have reached cult status amongst the SUV fraternity and always turn heads wherever they are and it is ULEZ compliant. This is no exception! Consgned by James Good STRIKING LOOKING SUV WHICH IS ULEZ COMPLIANTAIR CON, 5 SERVICE SHEETS, CRUISE CONTROL, PARK DISTANCE REAR ETC

Launched in 1970, the Triumph Stag was a luxury grand tourer. Envisioned as a luxury sports car, it was designed to compete directly with the Mercedes-Benz SL class models. All Stags were four-seater convertible coupés but for structural rigidity and to meet new American rollover standards at the time, the Stag required a B-pillar 'roll bar' hoop connected to the windscreen frame by a T-bar. A new 2.5 litre, V8 designed and developed by Triumph's Harry Webster was later enlarged to 2,997cc. Most Stags were fitted with a Borg Warner automatic gearbox although manual gearboxes with overdrive were available. Electric windows, power steering and power-assisted brakes were fitted as standard.This very nice example is presented in white with a new black hood and black interior. Its evocative sounding V8 engine is mated to an automatic gearbox and the history file contains old MoT test certificates, various receipts and old valuation certificates. The paintwork is in good condition as too is the interior. Although the odometer reading is 27,122 this cannot be verified. A true British classic sports car and with spring fast approaching, there is nothing better than taking the hood down and listening to that V8 on song! Consigned by James Good NEW BLACK HOOD FITTED GOOD OVERAL CONDITION

English - Early 20th century 8-day fusee wall clock with an 18" mahogany surround, cast brass bezel and 14" painted dial, with Roman numerals, minute track and steel spade hands, dial pinned to a four pillar chain driven fusee time piece movement. With pendulum.

Jens Von Hoffmann of South Shields - Late 19th century 8-day fusee wall clock with a mahogany dial surround and cast brass bezel, 12” painted dial, with Roman numerals, minute track and spade hands, with a four pillar timepiece chain driven fusee movement. With pendulum and key. Case with later additions.Condition Report:Case with later additions.

A longcase clock, the brass dial signed F Van Spicht, Amsterdam with a silvered chapter ring, a subsidiary second dial and date aperture, fitted an eight day movement striking on a bell, in a marquetry inlaid case, 218 cm highpreviously restored, 218 cm high, door hinges changed, door lock loose, four pillar movement, two weights, pendulum, winding key, a nice looking clock

A late 19th/early 20th century oval clock, the 9 cm diameter enamel dial signed Mandella, Camors, fitted an eight day movement, in an oval four pillar brass and marble case, 36 cm highGenerally good with a sun pendulum, and a winding key

A French carriage clock, with repeast, the silvered dial with alarm dial, in a brass four pillar case, 15 cm high

A pillar drill

Warco 2f 12 Pillar drill. 19mm capacity, on own standPOA https://www.bradleys.ltd/quotation-request-form

Spot On Morris Minor 1000, in red, comprising a red body, grey interior, a black steering wheel, and spun hubs. The model is unboxed, and is in excellent condition, with a tiny chip on the front left roof pillar.

An antique heavily carved pillar with later top, height 84.5cm

A weathered reconstituted stone pillar - height 101cm

Julian Mason (British, bn. 1971) Pillar from Haystacks signed, oil on canvas, 60cm x 60cm.

Seiko - a Diashock selfdater Sealion M88 stainless steel wristwatch, ref 6205-8000, with tonneau case, circular dial, pillar baton markers, date aperture, centre seconds, automatic 17 jewel movement, serial no 7551182, associated bracelet strap; others quartz Sports 100 alarm chronograph, 8C23-605L R/6030 etc (4)

Qty of antique crested wears inc pillar box (7cm high), Colton wear jester, Shelly, Goss, military, etc - no obvious damage

The Napoleonic Wars and the Cult of Napoleon Bonaparte - a 19th century cast arboretum plaque, Willow From St Helena, Tomb of Napoleon, 12.5cm wide; a 19th century brass desk sculpture, the Emperor stands, upon a pillar, 14.5cm high (2)

A 19th century two pillar corkscrew, turned bone handle, 19.5cm long at full extension

Attributed to Holland & Sons, a fine quality William IV rosewood writing table, brass galleried leather inset top with single frieze drawer supported by tulip carved end pillar supports, 92cm x 50cm