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George III (1760-1820), octagonal countermark upon Spanish Eight Reales of King Charles III (1759-88), 1785 FM, struck in Mexico City, Mexico, octagonal bust of George III from the maundy Penny die punch right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.III. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. M. 8R.F.M. mint letter with o above, weight 27.10g (Bull 1868; ESC 138; S.3766). Attractively toned, with a few tiny nicks, otherwise good very fine and an earlier host coin than usually seen. Provenance: Ex Mark Rasmussen Numismatist, Surrey, 31st May 2011. The initials F and M at the end of the reverse legend represent the names of the Mint Assayers who were Francisco Arance Cobos and Mariano Rodriguez.

George III (1760-1820), oval countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1793 IJ, struck in Lima, Peru, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. MAE. 8R.I.J., mint letter ligatured, weight 27.26g (Bull 1858; ESC 133; C&R 1069; S.3765A). Toned, coin and countermark good very fine. Provenance: Ex Spink Numismatic Circular, October 2003, MS5337A. These emergency countermarked coins were struck in relation to a crisis with the silver coinage at the end of the 18th Century where the supply of silver in commerce and for the Mint had dwindled due to the wars with France after the Revolution. From March 1797 the Bank of England therefore released stocks of its Spanish dollars each with an oval countermark valued at 4s and 9d for currency. They did not really alleviate the problem of smaller change and were issued on an off with the oval countermark until a more complex larger octagonal mark replaced them from January to May 1804, as the oval pieces were being counterfeited. Eventually the octagonal replacements were also copied widely, and the ultimate solution was to have the Soho Mint totally overstrike the Spanish Dollars with the Bank of England design. The initials I and J at the end of the reverse legend represent the names of the Mint Assayers.

George III (1760-1820), oval countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1794 FM, struck in Mexico City, Mexico, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. M. 8R. F.M., mint letter with o above, weight 27.00g (Bull 1852; ESC 129; C&R 1069; S.3765A). Attractively toned, coin and countermark good extremely fine, seldom seen this well preserved. Provenance: Ex Spink Coin Auction 113, 5th March 1996, lot 65. The initials F and M at the end of the reverse legend represent the names of the Mint Assayers who were Francisco Arance Cobos and Mariano Rodriguez.

George III (1760-1820), oval countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1794 DA, struck in Santiago, Chile, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. S. 8R. D.A., mint letter with o above, weight 26.97g (Bull 1853 R3; ESC 134; C&R 1069; S.3765A). Lightly toned, with large chisel cut intruding bottom of countermark into drapery of host coin, a possible attempt at cancellation? Otherwise host coin almost extremely fine, countermark stronger, very rare. The initials D and A at the end of the reverse legend represent the names of the Mint Assayers who were Domingo Eizaguirre and Augustin de Infante y Prado. Provenance: Ex Alan Barr Collection, Part Three, Mark Rasmussen Numismatist, Surrey, purchased 25th July 2005.

George III (1760-1820), oval countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1795 PP, struck in Postosi, Bolivia, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. PTSI. 8R. P.P., mint letters as a cypher, weight 26.96g (Bull 1855; ESC 131; C&R 1069; S.3765A). Toned, some uneven black patches on obverse in toning, a couple of pits and hairline scratches, otherwise coin and countermark very fine, scarce. Provenance: Ex Spink Numismatic Circular, October 2003, item MS5339. The initials P and P at the end of the reverse legend represent the names of the Mint Assayers who were Pedro de Mazondo and Pedro Martin de Albizu.

George III (1760-1820), octagonal countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1794 PR, struck in Potosi, Bolivia, octagonal bust of George III from the maundy Penny die punch right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA., rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. PTSI. 8R. P.R., mint letters as a cypher, weight 26.76g (Bull 1871 R; ESC 139; C&R 1069A R; S.3766). Unevenly toned, some light nicks and spots on obverse, coin and countermark very fine and rare. Provenance: Ex Rowley Butters Collection, St James Auction 9, 18th June 2008, lot 378. The initials P and R represent the names of the Mint Assayers who were Pedro de Mazondo and Raimundo de Iturriaga.

George III (1760-1820), octagonal countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1797 IJ, struck in Lima, Peru, octagonal bust of George III from the maundy Penny die punch right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. MAE. 8R.I.J., mint letter ligatured, weight 26.98g (Bull 1872 R3; ESC 140A; C&R 1069A R; S.3766). Attractively toned, one short hairline scratch in obverse field, a couple of nicks, some light adjustment marks on drapery, otherwise coin and countermark good very fine and very rare. Provenance: Ex B.A. Seaby Ltd, Coin and Medal Bulletin, February 1984, item G93. Ex Noble Numismatics Auction 92, 24th November 2009, lot 3227. Ex A. H. Baldwin, Fixed Price List, Summer 2011, BM058. The initials I and J at the end of the reverse legend represent the names of the Mint Assayers.

George III (1760-1820), octagonal countermark upon Spanish Eight Reales of King Charles IIII (1788-1808), 1798 FM, struck in Mexico City, Mexico, octagonal bust of George III from the maundy Penny die punch right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLVS.IIII. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. M. 8R.F.M. mint letter with o above, weight 27.01g (Bull 1868; ESC 138; C&R 1069A R2; S.3766). Attractively toned, old toned scratch on head of host coin, otherwise a very pleasing example, practically extremely fine. The initials F and M at the end of the reverse legend represent the names of the Mint Assayers who were Francisco Arance Cobos and Mariano Rodriguez. Provenance: Purchased from Grantham Coins at the Cumberland Coin Fair, 14th September 1995.

George III (1760-1820), octagonal countermark upon Spanish Four Reales of King Charles III (1759-88), 1780 PR, struck in Potosi, Bolivia, octagonal bust of George III from the maundy Penny die punch right at centre of obverse, bust of Spanish King laureate and draped right, date below with stop either side, legend and toothed border surrounding, CAROLVS.III. DEI. GRATIA., rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. PTSI. 4R. P.R., mint letters as a cypher, weight 13.33g (Bull 1891 R4; ESC -; S.3767A). Toned, countermark a little weak at rear from being a glancing blow of the hammer, otherwise good very fine, host coin very fine and extremely rare. Provenance: Ex Glendining, 9th December 1992, lot 667. Ex W. J. Noble Collection of tokens, part I, Noble Numismatics, Auction 58B, 7-8th July 1998, lot 1514. Ex St James Auction 18, 27th September 2011, lot 276. These emergency countermarked coins were struck in relation to a crisis with the silver coinage at the end of the 18th Century where the supply of silver in commerce and for the Mint had dwindled due to the wars with France after the Revolution. From March 1797 the Bank of England therefore released stocks of its Spanish dollars each with an oval countermark valued at 4s and 9d for currency. They did not really alleviate the problem of smaller change and were issued on an off with the oval countermark until a more complex larger octagonal mark replaced them from January to May 1804, as the oval pieces were being counterfeited. Eventually the octagonal replacements were also copied widely, and the ultimate solution was to have the Soho Mint totally overstrike the Spanish Dollars with the Bank of England design. The initials P and R at the end of the reverse legend represent the names of the Mint Assayers who were Pedro de Mazondo and Raimundo de Iturriaga.

George III (1760-1820), oval countermark upon Spanish Eight Reales of King Charles III (1759-88), 1776 JR, struck in Potosi, Bolivia, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below with stop either side, legend and toothed border surrounding, CAROLVS.III. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. PTSI. 4R. J.R., mint letters as a cypher, weight 13.41g (Bull 1880 R2; ESC 611; S.3767). Toned, hairline scratch across obverse, coin about very fine, countermark good very fine, rare. Provenance: Ex Colin Adams, Collection of Halfcrowns, Spink Coin Auction 177, 1st December 2005, lot 561. The initials P and P at the end of the reverse legend represent the names of the Mint Assayers who were Jose De Bargas Flores and Raimundo de Yturriago.

George III (1760-1820), oval countermark upon Spanish Four Reales of King Charles III (1759-88), 1778 DA, struck in Santiago, Chile, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below with stop either side, legend and toothed border surrounding, CAROLVS.III. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. S. 4R. D.A., mint letter with o above, weight 13.47g (Bull 1878 R5; ESC 611; S.3767). Toned, host coin very fine, reverse better, countermark good very fine and extremely rare. Provenance: Ex Barry Pritchard Collection of Halfcrowns, Baldwin Auction 57, 23rd September 2008, lot 557. The initials D and A at the end of the reverse legend represent the names of the Mint Assayers who were Domingo Eizaguirre and Augustin de Infante y Prado.

George III (1760-1820), oval countermark upon Spanish Four Reales of King Charles III (1759-88), 1789 FM, struck in Mexico City, Mexico, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below with stop either side, legend and toothed border surrounding, CAROLVS.III. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. M. 4R. F.M., mint letter with o above, weight 13.45g (Bull 1877; ESC 611; S.3767). Toned, host coin very fine, countermark extremely fine, a pleasing piece. Provenance: Ex Colin Adams, Collection of Halfcrowns, Spink Coin Auction 177, 1st December 2005, lot 571. The initials F and M at the end of the reverse legend represent the names of the Mint Assayers who were Francisco Arance Cobos and Mariano Rodriguez.

George III (1760-1820), oval countermark upon Spanish Four Reales of King Charles IIII (1788-1808), 1790 IJ, struck in Lima, Peru, small oval hallmark of George III right at centre of obverse, bust of Spanish King laureate and draped right, date below, legend and toothed border surrounding, CAROLUS.IV. DEI. GRATIA, rev. crowned quartered shield of arms, pillar with ribbon incuse motto either side PLUS VLTRA, legend surrounding, .HISPAN. ET IND. REX. MAE. 4R.I.J., mint letter ligatured, weight 13.36g (Bull 1881 R2; ESC 611; S.3767). Toned, flan flaw on reverse near edge, otherwise coin and countermark good very fine and rare. Provenance: Ex Davissons, Cold Spring, Minnesota, Auction 10, 30th April 1998, lot 266. Ex Colin Adams, Collection of Halfcrowns, Spink Coin Auction 177, 1st December 2005, lot 572. The initials I and J at the end of the reverse legend represent the names of the Mint Assayers.

Elizabeth I (1558-1603), fine gold Sovereign of thirty shillings, sixth issue (1583-1600), full facing robed figure of Queen seated on large throne, lis headed pillar either side, throne back of pellets in hatching, five pellets up each side of throne back, portcullis below Queen, tressure and beaded border surrounding, Latin legend and outer beaded border on both sides, initial mark tun (1592-95), ELIZABETH. D; G; ANG FRA; ET. HIB; REGINA., rev. quartered shield at centre of ornate rose, beaded circle surrounding, A'. DNO; FACTV; EST. ISTVD ET. EST. MIRAB; OCVL'. NRS, weight 15.54g (B&C 2, A26; Schneider 783; N.2003; S.2529). A decent full round well-struck coin with a red tinged tone, just a slight hint of weakness in parts of legend both sides, otherwise almost extremely fine, very rare this well preserved. The fine gold Sovereign of Elizabeth I was a highly respected coin at the time, and was famed in the acting world of the time of William Shakespeare, as the coin of choice to be honoured with should the Queen attend a performance personally. Traditionally the Queen would honour the playwright and the star of the show with her favour reflected in the presenting of a fine gold Sovereign. We have such evidence of this in the will of the Gentleman Actor Augustine Phillips of Mortlake Surrey who was one of the first to rise to such a social status in his profession. From his will dated 13th May 1605 we can see fine gold Sovereign presented described thus "I give and bequeath to my fellow William Shakespeare a XXXs piece in gould, To my fellow Henry Condell one other xxxs piece in gould." Such a coin of honour being highly revered and not to be spent in the lifetime of the recipient. The usage of mint mark tun can be dated exactly from the survival of pyx trial records to the 1st February 1592 till 10th June 1693 for the fine gold issues like the Sovereign though it was used for longer on the crown gold issues. It is estimated some £12,000 worth of fine gold coins were struck for this mark which includes the gold Angel and its fractions, and this figure is the second smallest output of fine gold after the crosslet mint mark used in the earlier second issue of 1561-65. Survivors of this mint mark are therefore very rare.

1920s silver plated electric table lamp with dolphin supports, another in the form of a classical female and pair Georgian brass pillar candlesticks on square bases (3)

A mid-19th Century Smith and Beck lacquered brass 'Number One Stand' Compound Monocular Microscope, serial no. 2425, with eyepiece, 1½in. objective with can and lieberkuhn, circular mechanical polarising stage and condenser engraved to perimeter of stage 40 - 0 - 180 degrees, on flat tripod base with twin-pillar trunnion, circa 1854, 490mm high, overall G, but body-tube separated from limb and mostly tarnished

A 19th Century R & J Beck lacquered brass 'Large Best or No. 1' Compound Binocular Microscope, serial no. 6637, with pair of eyepieces, Wenham prism, circular mechanical polarising stage and condenser engraved to perimeter of stage 40 - 0 - 180 degrees, on flat tripod base with twin-pillar trunnion, in mahogany case, 498mm high, F-G, lacks objectives, chest of accessories and micrometer fine focusing wheel; Beck's production records show that this instrument was received back from the workshop on 14th February 1873 and sold to G Gowland

A mid-19th Century Marratt lacquered brass Compound Monocular Microscope, with eyepiece, signed 'Marratt, 63 King William Str., London Bridge', with stage forceps and condenser, on single pillar support with tripod base, 390mm high, F

A late 19th Century brass 2in Refracting Telescope, with pillar stand, with folding cabriole iron tripod stand, 800mm long, P, in wooden case

Thomas Wheeler, London. A late 17th century burr elm longcase clock, the 10 inch dial with silvered chapter ring and signed at the base, subsidiary seconds dial and dated aperture, cherub head spandrels, the five pillar eight day movement with external locking plate striking on a bell, the case with formerly rising flat topped hood with spiral turned pilasters, the rectangular trunk door with lenticle glass, the crossbanded base with bun feet, H.6ft 6.25in.

A set of four Victorian silver wrythen pillar candlesticks, with engraved crest, on square bases, Martin, Hall & Co, London 1891(3) & 1892(1), weighted, 26.4cm.

An early 20th century 18ct gold charm bracelet, hung with twenty seven assorted mainly 9ct gold charms, including spade guinea, old telephone, crossed tennis rackets, pillar box, Torah case, spinning fob and tiger's eye quartz and the three wise monkey's.

An early 20th century French oak overmantle mirror, with carved crest, reeded pillar supports, having bevelled plate, 138 x 83cm

A pair of early 20th century bronze three branch, four light candelabra, with three pillar column supports, scrolling branches, on tri-form base and scroll feet, H.46cm (2)

Three c.1910 cast iron German Gebrüder Bing live steam accessories including a lathe, a grinder & a pillar drill. Provenance: From Hollywood House

A Regency style mahogany two pillar extending dining table, the top 10ft x 4ft 6in, fully extended 300cm. fully extended

Arts & Crafts period octagonal dining table on four turned pillar supports (D122cm, H73cm), and set four oak dining chairs carved with floral motifs, upholstered in William Morris type fabric Condition Report Click here for further images, condition, auction times & delivery costs

Set six Victorian mahogany shaped back dining chairs with upholstered seats on cabriole supports and a reproduction mahogany extending dining table on single pillar base with three splayed legs (H73cm, 92cm x 100cm - 146cm (extended)) Condition Report Click here for further images, condition, auction times & delivery costs

Regency style mahogany twin pillar dining table, on moulded splayed supports with claw cups and castors, additional leaf (H77cm, 216cm x 100cm (with leaf)), and six Chippendale style chairs with upholstered drop in seat Condition Report Click here for further images, condition, auction times & delivery costs

Cherry wood extending dining table on twin pillar base (151cm x 105cm, H74cm), and set six matching dining chairs with upholstered seats Condition Report Click here for further images, condition, auction times & delivery costs

NuTool DIY13 5-speed pillar drill, H57cm Condition Report Click here for further images, condition, auction times & delivery costs

A mahogany reproduction twin pillar dining table

A treen sewing mate in the form of a decorated domed pillar, the internal containing thread reels and a silver thimble.

An Oak Eight Day Longcase Clock, caddied pediment, arched trunk door with a later lenticle, 12-inch square brass dial with chapter ring signed Richard Richardson, seconds dial and date aperture, dial with engraved borders, four pillar movement with anchor escapement and inside countwheel striking on a bell, later case, 234cm high 03.09.18, Later finial, two finials are missing, later caddy, small losses to the front fret work, case has been cleaned, plinth has been re-built, inside trunk door with later added new securing strips of wood, new pieces of wood has been to both sides of the case to lift the dial and movement into position, later case, silvered dials are discoloured in parts, seconds hand is missing, later seatboard, no pendulum and with two weights.

A Red Japanned Eight Day Longcase Clock, pagoda pediment, red lacquered gilt decorated case with oriental scenes throughout, 12-inch arched brass dial, seconds dial and date aperture, arch with signed plaque Wm Turnbull, Newcastle, four pillar movement with an anchor escapement and rack striking on a bell, later case, 243cm high03.09.18, Case with cracks, chips and scratches in parts, case has been cleaned and restored, decoration has been re-painted, later finials, one finial is broken and one is missing, wooden blocks have been added to the side cheeks to lift the dial and movement into position, later case, dial is discoloured, movement needs cleaning, with pendulum and one weight.

An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment, mahogany crossbanded trunk door, 13-inch painted arched Roman numeral dial inscribed W.Wain Alfreton, seconds dial and date aperture, corners painted with pink roses and the arch depicting a lady holding a lyre, four pillar movement with attached Walker & Hughes falseplate, anchor escapement and rack striking on a bell, possibly a later case, 213cm high 03.09.18, Pediment with chips and cracks to the veneers, hood door with a small hole to the bottom edge, door with small cracks and chips to veneers, case sides and plinth with small cracks, trunk door escutcheon is damaged, later skirting/feet, dial is rubbed in parts and with scratches, painted dial surfaces have been re-touched in parts, possibly a later case, with pendulum and two weights.

An Oak Eight Day Longcase Clock, flat top pediment, arched trunk door, 12-inch arched brass dial with chapter ring signed Wm Coulton York, seconds dial, date dial in the arch, four pillar movement with an anchor escapement and rack striking on a bell, possibly later case, 224cm high 03.09.18, Hood with chips to the edges and chips to the friezes, metal mounts are discoloured, plinth with cracks and chips to edges, backboard with later added wood strips, later hour hand, dial is discoloured, movement is dirty, movement dial foot pins are missing, possibly later case, later seatboard, with pendulum and two weights.

An Unusual Tunbridge Ware Style Inlaid Eight Day Longcase Clock, carved pediment, 13-inch painted circular Roman numeral dial inscribed Todd Glasgow, seconds and date dials, four pillar movement with anchor escapement and rack striking on a bell, later dial, 218cm high 03.09.18, Case with small cracks and small dents to veneers, case slightly faded in parts, dial markers are faded and rubbed in parts, dial edges with paint chipped in parts, top two dial feet have been bent to fit into the movement holes, later dial, movement needs cleaning, with pendulum and two weights.

A Mahogany Longcase Clock with combined Wheel Barometer and Thermometer, arched pediment, brass capped reeded columns, trunk door set with an 8-inch silvered dial mercury wheel barometer and an inset thermometer box, flanked by inlay stringing and reeded borders, 12-inch one piece silvered dial signed Jas Paterson, Banff, seconds and date dials, flower engraved borders, four pillar movement with an anchor escapement and rack striking on a bell, later case, 217cm high 03.09.18, The later case has been polished, bottom right hand side of the hood with small chips, trunk door with one small crack between the barometer and the thermometer, bottom side of the trunk door is bowed, plinth with small chips and small dent marks, dial is discoloured and small crazing cracks, movement is clean, with pendulum and two weights.

A Mahogany Eight Day Longcase Clock, signed Jn Smith, Congleton, circa 1820, flat top pediment, case with inlaid stringing and shell inlay, 14-inch square painted dial with Arabic numerals, seconds dial and date aperture, four pillar movement with an attached Finnemore falseplate, anchor escapement and rack striking on a bell, 208cm high 03.09.18, Case has been polished, outer edges of the hood door with chips, some chips and mouldings missing to the top front and sides of the plinth, later feet, dial with one chip, dial markers are faded and rubbed in parts, seconds dial has been re-touched, movement needs cleaning, with pendulum and two weights.

A Regency Mahogany Pillar End Writing Table, early 19th century, with a leather writing surface above one real and one sham drawer, on reeded sabre legs with brass capped toes and castors, 71cm by 46cm by 75cm

Edward Horace Thompson (1879-1949) ''Ennerdale Lake with Bowness Knott, the Pillar & Lion Crags'' ''***, Derwentwater & Bassenthwaite with Skiddaw from the Crags at Loder'' Each signed, with inscribed labels verso (the second partially missing), watercolour, 17.5cm by 25cm (2) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

A pair of 19th Century Continental pillar carvings "Le Prince No'r & Le Roi Jean, 39cm tall

APPRENTICE CHEST OF DRAWERS, in the form of a pillar chest

SET OF TWELVE MAHOGANY DINING CHAIRScomprising ten single and two carvers, with shaped and beaded top rails above a geometric pillar back with shaped drop in seats below, standing on tapering front supports (12)

Reproduction mahogany Georgian design twin pillar dining table fitted one insertion, raised on reeded splayed supports fitted castors Condition:

Two carpenter's tool boxes; tools including a Paramo No.10 plane; Spear and Jackson hand saws; fret saw; pad saws; screwdrivers; Black and Decker pillar stand etc.

A walnut, mahogany, satinwood and banded pedestal table, first half 19th century, the segmented octagonal top crossbanded in rosewood and ebony and boxwood strung, with diamond and triangular inlaid border and frieze, the octagonal tapering pillar with boxwood and ebony bandings, the octagonal platform base with diamond and triangular inlaid borders, on brass ball feet, 54cm across x 69cm high. Provenance: James Lees-Milne. Thence by descent. Illustrated

A George III style mahogany pedestal table, the circular tilt-top, on a vase turned pillar and tripod base with pointed pad feet, 53cm diameter, 74cm high.

A Victorian mahogany pedestal table, circa 1860, the moulded circular top, on a turned pillar and scrolled tripod base, 45cm diameter, 73cm high.

A Dutch ebonised walnut and satinwood bucket, first half 19th century, with ribbed sides, on a turned pillar and spreading circular base, with ball feet, brass liner and swing handle, 30cm diameter x 43cm high.

A George III walnut and yew wood centre table, the gun barrel turned pillar, on a tripod base headed by lappets, on pad feet, the octagonal feather chevron banded tilt top, with a central segmented flowerhead roundel alternating in burr walnut and rosewood, with a yew wood starburst and bordered with yew wood and mahogany panels banded in boxwood, 97cm across x 71cm high. Illustrated

An early 20th century mahogany circular three tier folding cake stand, 24cm deep x 86cm high and a reproduction mahogany wine table, in early 19th century style, with dished circular top, on a turned pillar and concave sided platform base, 29cm diameter x 55cm high (2).

An early Victorian rosewood piano stool, the adjustable circular cane panel seat on a turned and cylindrical tapering pillar, palmette carved scrolled and moulded quadripartite base, 37cm diameter, 47cm high.

A George III mahogany tea table, the circular tilt-top on a vase turned pillar, the tripod base with pointed pad feet, 82cm deep x 69cm high.

AN ENGLISH JAPANNED EIGHT DAY LONGCASE CLOCK, FRANCIS ECK NORTHAMPTON, C1780 the breakarched brass dial with foliate engraved, silvered centre, date aperture and subsidiary seconds dial, STRIKE/SILENT to the arch, with rococo spandrels and five pillar movement in black and gilt chinoiserie case with swept pediment, 233cm h, with brass sleeved weights and pendulum++Movement and dial original to one another but dirty, apparently complete. Cheeks of case with some addition but not apparently extended or reduced. Case decoration very dirty and chipped. Old horizontal split in base but not reduced in height. Back of trunk original

AN ENGLISH JAPANNED EIGHT DAY LONGCASE CLOCK, EDWARD CLARKE LONDON, MID 18TH C the breakarched dial with matted centre, date aperture and subsidiary seconds dial, having five pillar movement, the painted arch with rocking ship, the case decorated with chinoiseries, swept pediment and three quarter pilasters to the hood, 232cm h excluding finials, with lead weights and a pendulum++Movement with later seatboard, cheeks not packed and apparently dial/movement original to case. Case with some old damage and repair. Extensive flaking of decoration to sides of trunk, base not reduced and set on a later ebonised low plinth

A GEORGE IV MAHOGANY WHATNOT, C1830 with mushroom finials and fitted with a drawer, on turned feet with brass castors, 128cm h; 44 x 50cm++Repair to split on top and glued split in top of one front pillar, not repolished, encrused with old dirt and polish

A WILLIAM IV ROSEWOOD BREAKFAST TABLE, C1830 with lappeted pillar, platform and carved paw feet, 73cm h, 151cm diam ++Good unrestored condition, the base faded; minor losses

A MAHOGANY THREE PILLAR DINING TABLE, 20TH C with leaves, 72cm h; 106 x 293cm++In good secondhand condition, well cared for