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Collection of shotgun wad cutters, designed to be used in a pillar drill in the following calibres, 4 bore 1.052, 6 bore .938, .746, .736, x 2, .689, .683, .533 .500, also a collection of felt wads.

A Sealey pillar drill, an ABAC air compressor, and a 4 shelf wheeled storage unit

Royal Doulton dinner service of ninety-one pieces, in the Pillar Rose pattern. Not available for in-house P&P

Victorian demi lune fold over card table with inlaid burr walnut top on a four pillar base. Open the top has dimensions of 99cm by 89cm and a height of 75cm 

A modern novelty silver inkwell,maker's mark worn, Birmingham 1970,in the form of a pillar box, hinged cover with a gadrooned, to the interior a glass inkwell, gilt crowned royal initials, inscribed 'A nos bons amis du Crédit du Nord en témoignage de notre gratitude pour l'aimable concourse qu'ils nous ont prêté sans réserve à l'occasion de la grève des postiers britanniques en 1971. Midland Bank, Londres', height 17.6cm, approx. weight 14.2oz.Provenance: A Private Collection.

A Victorian novelty gilt metal combination pillar box,by P & F Schafer, 22 Piccadilly, London circa 1880,pillar post box form, a stamp compartment to the hinged enamel top, the hinged top reveals a candlestick with a spring interior base, the front opens to reveal a swivelling candlestick and a card compartment, to the interior side of the door is a matchstick slot and striker, the base swings open to reveal an inkwell, height 17.3cm. Provenance: A Private Collection.

An Edwardian silver money box, by Saunders & Shepard, Birmingham 1902,pillar box form, the hinged cover with a clasp attachment to the front and a pierced slot to the top, felt lined interior, and a later silver heart-shaped lock with the maker's mark L.C, London 1980, height 10cm, total approx. weight 2.8oz. (2)Provenance: A Private Collection.

A silver novelty stamp dispenser,by S Blanckensee & Son Ltd, Chester 1933,in the form of a pillar box, engraved 'GR Post Office', a pull-off base with an interior roller, height 10.1cm, approx. weight 4.8oz.Provenance: A Private Collection.

A Victorian oak pillar letterbox,unmarked, circa 1880, circular form, brass flap engraved 'Letters', a hinged door with a glazed panel displaying letter and parcel rates and a leather interior, with a pull-out drawer, height 40cm.Provenance: A Private Collection.

James Deakin & Sons - An early 20th century circa 1930s silver plate candelabra / candle stick holder. Having a tapering central column for pillar candle, three arm branch candle stick holder with pierce / scroll work. On a triangular form base with foliate acorn feet.35cm height approx -

A carved hardwood pillar depicting elephants, height 126 cm

A Regency mahogany wall clock, 19th century, by Robert Molyneux & Sons, London, the silvered 9-inch dial with Roman numerals, outer minute divisions and blued-steel spade and pointer hands, the five-pillar movement with single gut fusee, the brass-inlaid case with cast bezel, side opening, and further door to the base,17cm wide13cm deep45cm highCondition ReportSurface wear and tarnish to face. Some cracks, breaks, losses and repairs to case. Keys lacking, so we are unable to test the movement and would recommend inspection by a professional. The hands appear to be original. Please see the additional images. No pendulum present.

A pillar box red chest of four drawers with yellow handles for a child's bedroom along with a child's desk with an inset well and a hinged writing slope above a storage compartment on bracket supports. H.97 W.100 D.45cm (chest) H.71 W.61 D.52cm (desk)

An early Victorian mahogany circular tilt top breakfast table, on a pillar and flat quadruple platform base, diameter 120cm, height 74cm. Condition - good

A Nu-tool CH10 model maker’s pillar drill, height 58.5cm. Condition fair, some surface rust.

A 20TH CENTURY BRASS STANDARD LAMP, with a foliate pillar, triple rams head, three scrolled supports, with paw feet, raised on scrolled feet, height to fitting 155cm, condition report: untested, overall good condition

A Warco variable speed mini model-making lathe; together with a pillar drill; and related accessories

An oak and mahogany long case clock, early 19th century, having a signed and painted 12 inch square dial, subsidiary seconds dial, rolling date dial, twin winding holes for a brass 8-day four pillar weight driven movement, striking on a bell, the case with crossbanded panel door, height 196cm

A quantity of glassware to include: a cut crystal lamp, paperweights, 19th century pillar mold blown flint glass, knife rests etc and a glass ship in a dome.

(John) Bryson, Dalkeith, early 19th Century flame mahogany 8 day longcase clock, signed 13" painted break arch Roman dial with subsidiary date and seconds dials, the arch painted with two deer in rural scene, inlaid trunk with 1/4 fluted pilasters, apron frieze on bracket feet, two train four pillar rack striking movement on a bell, painted pendulum bob, oval weights, H216cm

A concrete lion's head/pillar top, 13" tall.

Two large clay drain components/pillar caps.

A heavy pair of clay of pot stands/pillar capitals, 16" high (each comprising two sections).

Austin A40 Somerset "B" pillar door-posts and Austin A50/55 Cambridge "B" pillar door-posts and home-fashioned stainless steel and other panels.

A brass sundial on concrete pillar.

Göran Wärff for Kosta Boda, a mid Century Scandinavian Sunflower candle holder, organic pillared flowerhead form, height 18cm, together with a Lotus candleholder, five petalled flower head on clear pillar stand, height 17cm, and two smaller examples. (4)

Göran Wärff for Kosta Boda, a mid Century Scandinavian glass Rurik textured candleholder, of pillar form, height 14.5cm, a pillar candlestand, a smaller candleholder and a circular shallow bowl, diameter 12cm, together with a pair of plain glass candle holders with bubble included rolled glass collar, height 12cm. (6)

John Liddell of Morpeth, a George III mahogany tavern wall clock with, a piece painted Roman dial, the four pillar eight-day movement chiming the hours on a single bell the trunk with lancet arched door. 48 cm wide x 28 cm deep x 180 cm in height.John Liddell is recorded as working in Morpeth (Northumberland) between 1758-1820, see page 484, Watchmakers & Clockmakers of the World (CTCE) Loomes, Brian. Some scuffs and wear to the case and hood throughout, commensurate with age. No major structural issues present. Not tested as working.

Vintage American Arts & Crafts decorative ceramic column segment or pillar part, late 19th to early 20th century. With floral motifs and cobalt blue glaze along the fluted, scalloped form.Provenance: From the Collection of T.B. Walker. Proceeds benefit the Archie D. & Bertha Walker Foundation.The collection of T.B. Walker (American, 1840-1928) reflects his visionary passion for the arts and dedication to preserving diverse cultural heritages. A pioneering Minneapolis businessman and philanthropist, Walker assembled an eclectic range of decorative art objects that showcase fine craftsmanship and unique artistic traditions from around the globe. These works exemplify aesthetic beauty and serve as a testament to Walker's role as a trailblazer in art collecting and philanthropy during the late 19th and early 20th centuries, ultimately inspiring the establishment of the Walker Art Center.Height: 9 1/2 in x diameter: 10 1/2 in.Condition: Wear throughout commensurate with age and use. Chips, crazing, and some losses to the glaze throughout, especially along highpoints of the object such as the floral form decorations.

Daniel Quare, No. 95, circa 1710With silvered plates engraved on one side with English weather indications, the reverse in French, the gilt-metal arched hood with central finial flanked by two Vernier adjustment finials with engraving to the sides within wheatear borders, mounted above a swivel suspension bracket numbered 95 to the underside, the box section similarly engraved and signed twice: on one side 'Invented/& made/by D: Quare/LONDON', the other side 'Faits/Portatifs/par D.Quare/A LONDRES', the ivory pillar divided into four sections by gilt-brass collets, the lower collet with the engraved band supporting four folding feet headed with leaves and putti masks above lambrequins, the underside of the cistern with a plate engraved with foliate scrolls and the initials F and E.Height 36 3/4 in (93.3 cm)Sold together with New York State Department of Environmental Conservation License (ECL), with authorization to sell Interstate and Intrastate, expiration date of May 15, 2025. Qty: (1)Percival D. Griffiths, Esq.J. S. Sykes, Esq.Mrs. J. S. Sykes, sold Sotheby's, London, July 15, 1966, lot 74.Bought from R. A. Lee, London, August 3, 1966.Christie's London, The Samuel Messer Collection of English Furniture, Clocks and Barometers, December 5, 1991, lot 13.Purchased by the consignor at the above sale.P. Macquoid and R. Edwards, The Dictionary of English Furniture, 1st ed., 1924, vol. 1, p. 14, fig. 10, and rev. ed., London, 1954, vol. 1, p. 30, fig. 10.R. W. Symonds, English Furniture from Charles II to George II, London, 1929, p. 303, fig. 257.R. W. Symonds, Masterpieces of English Furniture and Clocks, London, 1940, pp. 160-65, figs. 122, 125-26Country Life, September 1, 1966, p. 491, fig. 4,N. Goodison, English Barometers and their Makers, 1680-1860, 1969, pp. 192-201.Daniel Quare (1647-1724) manufactured barometers of exceptional quality during the late 17th and early 18th centuries. His patent for a portable cistern pillar barometer in 1695 featured a narrowed bore concealing an elongated glass tube reducing the risk of breaks and spillages. His inclusion of a leather bag or cover placed over the cistern allowed for these items to travel safely and garnered acclaim by the Patent Office as, ‘without spilling one drop of the quicksilver or letting any air into the tube.’ The demand for barometers remained strong across Europe, with other known examples of Quare's barometers displaying French and German indications, underscoring his significant presence in the European market.Similar examples sold at auction include: a Queen Anne walnut portable pillar barometer, Christie’s, London, 23 May 2013, lot 1123; an ebonised and parcel-gilt pillar barometer, Christie's, London, 27 May 2010, lot 18; an ebonised, parcel-gilt and ivory-mounted siphon barometer (No. 60) Christie's, London, The Roger Warner Collection, 20 January 2009, lot 355; a Queen Anne ebonised and ivory-mounted syphon barometer (No. 59), Christie's, London, 11 December 2002, Lot 78; a walnut double-sided barometer (No. 38), Sotheby's, London, The Ronald A. Lee Collection, 28 November 2001, lot 109; an ivory double-side pillar barometer, Sotheby's, London, December 4, 2012, lot 373.

A William and Mary walnut and floral marquetry inlaid longcase clock by Samuel Townson London circa 1695-1738 , the 30cm brass dial with an Arabic minute band over Roman hours, a subsidiary second hand and date aperture, cherub and crown spandrels and a five pillar movement. the case 42cm wide 24cm deep 241cm high 246cm with finials 235cm without finials Untested Includes winding key.Veneer losses, a section of wood loose on front door at top. Front door top hinge slightly loose also. Veneer cracks to sides of front door.Left side glass panel with crack to corner circa 9cm.UPDATE: The gut string is partly wound off the drum.See new photos.

A William and Mary walnut and floral marquetry inlaid longcase clock by Joseph Windmills London (c.1640 – 1724), the 30cm brass dial with an Arabic minute band over Roman hours, a subsidiary second hand and date aperture, cherub spandrels and a five pillar movement. the case 43cm wide 23cm deep 202cm high Untested, includes pendulum and weights. No keys. Few areas of veneer decoration with scratches, minor losses. Piece of hood right side detached but we have the piece.Please see new photos.

A pair of 9ct gold earrings, one missing pillar, 7g gross

A GOOD 19TH CENTURY MEISSEN PORCELAIN CLASSICAL FEMALE FIGURE standing beside a pillar with a small cupid. Cross swords mark in blue. 11" high.

A Parkside pillar drill, scroll saw, three boxes of character jugs, diecast models and a television

Matchbox Regular Wheels 57b Chevrolet Impala - Stannard Code 5 - two-tone blue body with rear silver trim & red tail lamps, pale green windows, dark blue base, 20-tread silver plastic wheels - Near Mint (chip to right hand windscreen pillar), in Excellent Plus "New Model" Type C Lesney Box printed by Pembroke Abbey. Nice example.

Matchbox Superfast 64a MG 1100 - metallic blue body, glazing held in position by unpressed rivet, ivory interior, bare metal base, hollow small diameter 5-spoke narrow wheels WITH NARROW BLACK SLOTS - Near Mint with tiny chip to drivers side windscreen pillar & tiny chip to right hand rear tail lamp, in Good Plus RARE TRANSITIONAL TYPE F3 BOX without New. Interesting wheel variation.

Matchbox Superfast 25a Ford Cortina - metallic blue bodyclear windows without roof stud, ivory interior, bare metal base, hollow small diameter 5-spoke narrow wheels - Excellent Plus with chip to drivers side windscreen pillar & front wing, in Near Mint to Mint RARE TYPE G BOX WITHOUT "NEW" TO END FLAPS.

Matchbox Superfast 55a Mercury Park Lane Police Car - white body with hood & door labels, blue roof light, ivory interior, bare metal "No.55 or 73" base, large diameter 5-spoke narrow wheels with tread pattern cast, 3 wheels are solid, 1 rear wheel hollow - Excellent to Excellent Plus with usual factory assembly marks including scratch to drivers side windscreen pillar, in Near Mint RARE TRANSITIONAL TYPE F3 BOX without New. Still a nice example.

A Royal Dux pottery figure, modelled as a gentleman in 18thC dress playing a flute, printed marks, 18cm high, together with further unnamed figure groups depicting a maiden beside a pillar, 19cm high, a male and female figure in 17thC dress, 18cm high, and a male figure playing the fiddle beside a lady, 17cm high, and a plated oil bottle, 12cm high. (AF)

An 18th century oak carved pillar/fragment, with naive huntsman, mystical beast terminal, 68.5cm high

A late 18th/early 19th century architectural fragment/pillar, carved with Gujarat temple figure, 35cm high

Cast Stone Garden Pillar and Faulty Figure

Painted Pillar Standard Lamp with Shade

Rexon Pillar Drill DP 200A

Tall Pillar Chest of 6 Drawers, 43cm W

19th century mahogany four pillar mantel clock with brass ornament, the movement signed Raingo Paris

Art Nouveau, fruit display stand, glass bowl on brass pillar base with raised nouveau designs, trade marked to base TIEL HOLLAND 1342

Set of six hallmarked silver pillar toped teaspoons in original case approximately 61.1g

Six hallmarked silver pillar toped cake forks in the original case approximately 58.1g

A J CARTER OF LONDON 19TH CENTURY MAHOGANY READING STAND, the tilting surface with a hinged book rest, the cylindrical pillar encasing a height adjusting mechanism, raised on four legs with castors, maximum height 129cm x minimum height 76cm, condition report: historical marks, scuffs, discolouration, all mechanisms appear to work, other general signs of wear and usage

A Sealey pillar or bench drill

Thebes, early Ptolemaic Period, Ca. 305 - 200 BC. An exceptional and very well-preserved basalt statue in the name of the priest Pa-khar-Khonsu. It represents the priest in a kneeling position. His hands are resting on his thighs, his torso is bare and he is wearing a loincloth with a belt. His head has a round face and is topped with a straight wig revealing the ears. At the back, the dorsal pillar is engraved with two hieroglyphic columns: "Saite formula" concerning Pa-khar-Khonsu who combined various priestly functions including the prophet of Amun in Ipet-sout, and prophet of Thebes, the Victorious, holder of power. This piece is accompanied by a high-quality modern custom-made stand. A statue bearing the same name is kept at the Oriental Museum in San José (California), Inv. 1583. Bibliography: BV Bothmer, "Egyptian sculpture of the Late Period", Brooklyn, 1960, pp. 130-131, n°102, pl. 95, fig. 255-256. Size: 340mm x 190mm; Weight: 13.15kg. Provenance: Prince collection, 1990s-2014; Ex. Pierre Berge & Associes, 14 Dec. 2009, Lot 42. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by full authentication report by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. 1069 - 332 BC.A collection of three amulets crafted from pale green faience depicting deities; the first is Khnum, the second is the djed pillar and the third is probably a fish. Each amulet is intricately carved, displaying detailed anatomical structures such as the limbs and body contours.For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, 1994.For similar see: Andrews C., Amulets of Ancient Egypt, British Museum Press, 1994.Size: 13-30mm x 5-12mm; Weight: 10g.Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. 664 - 332 BC.A Late Period Egyptian bronze figurine of Osiris, god of the underworld, seated in a mummiform pose. The effigy is seated with crossed arms holding his crook and flail, and atop his head is a tall Atef crown with ostrich feathers and a frontal uraeus cobra. The statue is leaning against a large pillar at the back. For similar see: The Metropolitan Museum of Art, Accession Number: 74.51.5584.Size: 105mm x 35mm; Weight: 120g.Provenance: Private UK collection; Ex. M. H. collection, Kensington, acquired on the UK art market in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

26th Dynasty, probably reign of Amasis, Ca. 570 - 526 BC. A bright blue faience shabti of Psamtik, God's Father, born to Seba-rekhyet. He is standing on a trapezoidal base and holds the pick, hoe and seed-sack. He has a beard with a curled tip and a striated tripartite wig that falls to the top of the back-pillar. The body has nine lines of inscription. This piece is accompanied by a custom-made stand. Cf. G. James, Shabtis. A Private View, Paris, 2002, no. 90; the author notes the very fine workmanship of ushabtis of Psamtik, as well as their bright blue glaze, which is exceptional for this period. Also see M. Paige-Gasser and A.B. Wiese, Égypte. Moments d'éternité, Geneva, 1997, no. 161A. Size: 185mm x 50mm; Weight: 320g. Provenance: Prince collection, 1990s-2014; Sotheby's NY, 08 December 2011, Lot 42. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

New Kingdom, XVIII-XIX Dynasties (Ca. 1350 - 1290 BC). A spectacular and well-preserved base fragment of a huge statue. Displaying a finely pleated kilt and carved legs. The statue depicts a pharaoh kneeling in the act of offering a ritual object to a deity, perhaps the god Atum. The craftsmanship is very detailed. A readable inscription on the rear pillar reads: "Beloved of Atum, ruler of Heliopolis". This is an exceptionally rare statue of fine quality and great provenance from one of the most intriguing periods of Egyptian history! Size: 380mm x 360mm; Weight: 47.5kg.Provenance: Prince collection, 1990s-2014; Ex. Galerie Gunter Puhze, 2002. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by full authentication report by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Late Period, Ca. 664 - 332 BC.A collection of three faience and stone amulets. The first is a faience amulet depicting a sun crown with a flat, rounded shape. The second is a standing figure of Horus with the falcon head and human body, adorned with a double crown atop his head. This amulet is set on a flat base with a supporting pillar behind, and pierced through the back. The third is a lapis lazuli deity figure in a striding pose, possibly Haroeris, with one leg extended forward, backed by a vertical pillar perforated through the centre.For similar see: The Museum of Fine Arts, Budapest, Inventory number 51.488.For similar see: The Museum of Fine Arts, Budapest, Inventory number 51.488.Size: 20-31mm x 9-20mm; Weight: 6g.Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

Ca. AD 100-300.A pair of exquisite Roman marble statues depicting the Roman god of silence, secrets and confidentiality, Harpocrates. The statues depict the god with a short, chubby body, elbow resting on a pillar in a slight contrapposto pose. The heads of the statues are near identical, with broad, flat noses, full lips and small, heavy-lidded eyes, all framed by luxurious curling locks of hair that cascade to the shoulders. There is some differentiation between the figures, as one is depicted with a pot belly and less developed pectoral muscles than the other. Harpocrates, a god of Graeco-Egyptian origin, was the the son of Isis and Osiris and was frequently represented as a chubby infant or young man with his finger to his mouth, making these examples rare variations of the type. He was assimilated into Roman religion, and the aforementioned gesture, once signifying youth, was misinterpreted by the Romans as a sign of silence (Ovid, Meta., 9.688ff).Size: 660-690mm x 250-280mm; Weight: 18kg/20.8kg. Provenance: From a private French collection; acquired from Helios Ancient Art, London, UK, in 1990; formerly forming part of a West Sussex estate, acquired between 1960s-1970s.

Make & Model:Citroen, CX 25 Date of Reg:C950KMR Colour:Gold cc:2500 MoT:2025-01-30 Fuel Type:Petrol Mileage:142875 Transmission:automatic Summary:As the CX in standard form had insufficient rear legroom to function as a chauffeur-driven limousine Citroën introduced the Prestige variant in 1976, offering an extra 10 inches of length. In 1977, the car also gained a raised roofline to improve headroom, with the roof often clothed in vinyl to denote the model's more luxurious status.This smart-looking 2499cc automatic transmission example, registered in January 1986, was in the hands of a Citroën specialist owner for 24 years. During the 1990s, it regularly picked up trophies and certificates at various Citroën Car Club events - which are still present with the car - but was taken off the road in 2008, albeit still regularly run. It was recommissioned during 2021 by marque specialist Pleaides with six new spheres, water pump, battery, temperature switch, engine oil and filter, fuel filter, air filter and spark plugs. The hydraulic pipes were also checked over. After detailing, the car went to the 2021 Citroën Car Club National Rally where it was awarded the prize for the best CX at the show.  Sold at an ACA sale in November 2021, the new owner had over £5000 of work done from 2022 to 2024 plus four Michelin TRX metric tyres (at a cost of £1300). The car is in very good condition inside and out, although the vendor notes the headlining sagging a little over the driver's seat, there's some loose fabric trim on the offside rear D-pillar inside and the air conditioning not currently functioning. The vehicle is reported to be running and driving well.Included in the history folder are the current and previous V5Cs, MoT certificates, and recent invoices, along with brochures, a copy of the front cover of Classic Car Weekly from January 2024 with the CX on the front, Haynes workshop manual and the book pack with two owner's manuals, dealership directory and a service book although the vendor states this is not from this vehicle. The recorded mileage is 142,875 miles and the MoT is valid until January 2025.