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A GEORGE II MAHOGANY TRIPOD SUPPER TABLECIRCA 1750The circular top above a 'gun barrel' turned pillar, the tripod base with outswept legs terminating in paw and ball feet71cm high, the top 101cm diameterCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The top with various old marks and stains and overall an unevenness to the colour, the base a more uniform colour overall, there are also scuffs and marks to the leading edgesThe lock mechanism appears to be original, and holds securely at time of reportOverall solid and stableThe roller castors concealed beneath the feet are almost certainly original Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Theodore Alexander - A Large quality Georgian style mahogany twin pillar extending dining table, the quarter sawn veneered rectangular top with mahogany band and ebonised string inlay raised on two turned columns, each leading to four splayed supports terminating in brass cup castors, with one leaf and makers mark, H75cm, D122cm, L337cm (no bolts to secure top to base)
A collection of Victorian and later large size Staffordshire portrait figures including King and Queen of Prussia, Victoria and Duke of Clarence etc (12)Gentleman stood next to a fluted pillar with several cracks, Shakespear with glazed chips to the nose, figure group of a lady and gent, heavily cracked to the reverse, King of Prussia with a large flat chip to the rear of the base, heavy crazing throughout, some minor staining and firing cracks
A 19th century inlaid mahogany triple pillar dining table, with three additional leaves (a.f.), 325cm by 124cm by 72cmTwo ends and leaf with some fading, the remaining two leaves with losses to the inlay and some warping, table rails replaced (alterations), legs with heavy wear, legs possibly associated.
Early 19th century Parisian pillar clock, dial inscribed Henri Marc, Paris, with an unenclosed drum movement raised on a circular fluted white marble column and square base, white enamel dial with Roman numerals, minute track and steel trefoil hands within a foliate cast brass bezel, twin barrel movement with a silk suspension, striking the hours and half hours on a silvered bell. With pendulum and keyDimensions: Height: 31cm Length/Width: 13cm Depth/Diameter: 13cm
Victorian walnut games table, shaped fold-over and swivel top with chess, cribbage and backgammon boards, single drawer with divisions over sliding well, turned twin pillar base joined by turned stretcher, acanthus carved splayed supports with brass and ceramic castorsDimensions: Height: 72cm Length/Width: 61cm Depth/Diameter: 40cm
Victorian figured walnut stretcher table, oval drop leaf top with moulded edge and book matched veneers, on twin turned pillar supports carved with foliate, joined by turned and carved stretcher, scroll and leaf carved splayed supports, gate-leg action base with turned supports, brass and ceramic castors Dimensions: Height: 71cm Length/Width: 90cm Depth/Diameter: 105cm
Jas Shoolbred & Co. - late Victorian walnut centre table, moulded top with four drop leaves, on turned cluster column pillar supports joined by undertier, the undertier of square concave form with fretwork gallery, splayed bracket feet with mould, stamped underneath Dimensions: Height: 68cm Length/Width: 47cm Depth/Diameter: 47cm
French ormolu two train pillar clock, the 3.5" white chapter ring signed Grignon-Meusnier á Paris and enclosing a skeletonised centre, the movement back plate also signed and stamped no. 3071, with outside countwheel and striking on a bell, supported upon an ornate ormolu rococo style stand and circular stepped base, under a glass dome, 12.5" high overall (pendulum and key)
Good and unusual English mahogany triple fusee bracket clock with calendar, the 7" painted arched dial signed Tomlin, London to the centre over a subsidiary calendar dial, the six pillar movement chiming the quarters on eight bells and the hours on a larger bell, the engraved back plate also signed and with three winding arbours and locking pendulum, within a rounded arched stepped case surmounted by a carrying handle, 20" high (pendulum and keys)
Fine English flame mahogany three train longcase clock with 6-pillar movement, the 12" brass arched dial signed James Bullock, London to the centre, with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the movement with deadbeat escapement and maintaining power striking the quarters on two bells and the hours on another, the case with long rounded arched door and the hood surmounted by a moulded rounded arched cornice with caddy top and brass ball finial, 90" high (pendulum, no weights)
French ormolu figural two train mantel clock, the 2.75" gilt chapter ring enclosing an engine turned centre, signed Steffenoni, Paris, also signed on the movement backplate and stamped Guyerdet, no. 2556, with silk suspension, outside countwheel and striking on a bell, inset into a rounded arched pillar surmounted by a seated robed figure playing a flute, upon a stepped base with cast egg and dart border, 15.75" high (no pendulum)
An unusual pair of sheet brass ejector ships' candlesticks, circa 1800-20 Each with a plain pillar stem, drip-tray, and weighted collared conical base, (2) The sand in the base of each candlestick was designed to add weight for stability for use on a sailing vessel. Height 21cm This model of candlestick is usual only found in tole ware One of the sticks with soldered repairs to the sconce and under the pan.Please note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com
A rare brass mounted and ebony table clock, the movement by Henry Jones, London, circa 1685 and later The six latched and finned pillar bell striking movement with verge escapement regulated by a short bob pendulum and incomplete pull quarter-repeat mechanism, the foliate scroll and tulip engraved backplate signed ‘Henry Jones, in the Temple’ to centre, a 6.5 inch square brass dial with matted centre, silvered Roman numeral chapter ring with short fleur-de-lys half hour markers and Arabic five minutes within the narrow outer minute track, pierced steel hands and winged cherub mask brass spandrels. The ebony veneered caddy case with hinged floral handle and foliate cast and pierced oval mount, moulded and glazed front door applied with gilt foliate scroll escutcheons to jambs, the sides with conforming rectangular windows beneath lozenge-shaped sound frets, the rear with further rectangular glazed door set within the frame of the case, the base with shallow ogee moulded skirt over squab feet, 30.5cm (12ins) high, with a fine 17th century scroll pierced and engraved winding key, 34cm high, 23.5cm wide, 15.5cm deep Henry Jones (1634-1694) is an important maker. He was apprenticed to Edward East August 165, gaining his Freedom of the Clockmakers' Company in July 1663. It was not until 1772 that Jones set up on his own in the Inner Temple, London, having previously worked as a journeyman to Edward East. By 1775 he is recorded as 'in Inner Temple Lane' prior to being appointed as an Assistant of the Clockmakers' Company the following year, and was made a Warden in 1687 and served as Master of the Company in 1691. The engraving to the backplate of this Lot closely compares to the only known table clock by Peter Knibb. See Lee, Ronald A. ‘The Knibb Family, Clockmakers’, p. 129, pl. 139 - Stock Ref:11775-127
A French Flintlock Powder-TesterSigned E. Parquer Fecit, Dated 18(?)6Of pistol form, with large indicator wheel signed and dated on one side and numbered from '1' to '14' on the other, mounted on a pillar carrying an indicator point on one side, operating against a large spring with thumb-lever, and with circular anvil fitting against the top of the brass chimney above the touch-hole, plain sharply-pointed tang, flat bevelled lock with brass pan and pierced cock, figured full stock with rounded butt, trigger-plate with pointed finial, and exposed trigger; together with another of similar form, 19th century, with figured stock, and earlier steel mounts including engraved spurred pommel and side-plate pierced with foliage involving figures and a serpent's head (some wear and rust patination) (2)30.2 cm. and 30 cm.Footnotes:ProvenanceThe first sold in these Rooms, Fine Antique Arms and Armour from the Henk L. Visser Collection, 28 November 2007, lot 76Literature The First G. De Vries and B.J. Martins, The Visser Collection, vol. 1, part 4, cat. no. 1033, pp. 792-793Probably intended for military useFor further information on this lot please visit Bonhams.com
ANTIQUE FIREARMS The Mantons: Gunmakers, d.w., London, 1967, together with The Manton Supplement, d.w., Wiltshire, 1978: Forsyth & Co.: Patent Gunmakers, d.w., London, 1969; Great British Gunmakers 1740-1790, d.w., 1975; British Gunmakers Their Trade Cards, Cases & Equipment 1760-1860, d.w., Wiltshire, 1980; British Gunmakers Messrs Griffin & Tow And W. Bailes 1740-1790, d.w., Norwich, 1989; Great British Gunmakers 1540-1740, d.w., no. 177 of 750 copies, Norwich, 1984 - BACK (D.H.L.): Great British Gunmakers The Mantons 1782-1878, d.w., Norwich, 1993 - UNSWORTH (L. PATRICK): The Early Purdeys, d.w., London, 1996 - NEAL (W. KEITH): Spanish Guns And Pistols, d.w., London, 1955 - LAVIN (JAMES D.): A History Of Spanish Firearms, d.w., London, 1965 - BLACKMORE (HOWARD L.): British Military Firearms 1650-1850, d.w., London, 1961; Guns And Rifles Of The World, d.w., London, 1965; Royal Sporting Guns At Windsor, d.w, in slip-case, London, 1968; English Pistols, signed by the author, London, 1985 - ROADS (C.H.): The British Soldier's Firearm, 1850 - 1864..., including a signed letter by the author and another from Howard Blackmore regarding a 'Pillar Breech Experimental Rifle Pattern similar to Minié', d.w., London, 1964 - LENK (TORSTEN): The Flintlock: its origin and development, d.w., 1965 - JACKSON (HERBERT J.) & WHITELAW (CHARLES E.): European Hand Firearms..., London, 1923 - GEORGE (J.N.): English Pistols and Revolvers d.w., 1938; English Guns and Rifles, d.w., 1947 - BAXTER (D.R.): Superimposed Load Firearms 1360-1860, no. 31 of 500 copies signed by the author, d.w., 1966 - ATKINSON (JOHN A.): Duelling Pistols..., d.w., 1978 - WINANT (LEWIS): Firearms Curiosa, d.w., 1956; Early Percussion Firearms..., d.w., 1959 - KENNARD (A.N.): French Pistols and Sporting Guns, signed by De Witt Bailey to Bill, d.w., 1972 - KEMPERS (R.T.W.): Eprouvettes..., d.w.., 1998 - and twenty-two other publications relating to firearms including BEDFORD (CLAY P.) & GRANCSAY (STEPHEN V.): Early Firearms Of Great Britain And Ireland, The Metropolitan Museum Of Art, 1971 (49)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A collection of four Nao porcelain figurines,late 20th century, modelled as a female clown with a guitar leaning against a pillar, a seated acrobat in a jacquard costume holding a cat, a rearing goose, and a cat, all marked with factory marks to the underneath, largest 43cm high (4)Some minor scuffing to the bases of all. The cat with some rubbed manufacturer's marks. Figure holding a cat with a chipped ear.

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30663 item(s)/page