We found 30666 price guide item(s) matching your search

A George III oak cased long case automaton clock, circa 1780, 11 inch brass arched dial with black Roman numerals, half hour markers, minute track and five minute numerals, matte centre with date aperture, subsidiary seconds and signed name plaque engraved 'Willm Sayer Devizes', applied spandrels, the arch with painted roundel of a bearded 'Old Man Time' whose eyes move back and forth with the beat of the clock, twin train four pillar 8 day movement chiming on a bell, the hood with broken swan neck pediment and cast brass roundels with urn surmount, reed columns flanking the glazed hood door, the case later profusely carved with floral friezes, borders and decorative roundels, arched full length trunk door, raised on shaped bracket feet, with two weights, pendulum and winder, 45 by 21 by 214cm high.

A pair of 18ct yellow gold 'Target' Earrings, the centres set half cultured pearl, pillar and clip fitting, marked 750, 1in (2.5cm) wide, approx total weight 18.1g (2)

Bulgari; A B.zero 1 pair of half hoop Earrings, in white and yellow gold marked 750, set with two rows of diamond points, both side signed 'Bvlgari', pillar and clip fastenings, approx total weight 15.3g.

A pair of circular 18ct yellow gold Earrings, the centre set with four small emeralds, and with four white gold bars, each set with a small diamond point, marked on the pillar 750.

A pair of 18ct yellow gold half sphere Earrings, with textured surface, pillar and clip fittings, 6g.

A pair of Pendant Earrings, formed of an open drop all diamond set, with a central suspended sapphire drop, the pillar with diamond set finial, all mounted in white metal.

A pair of 14k yellow gold circular Earrings, the centres set with a half cultured pearl within a border of emeralds and four diamonds, pillar and clip fittings (2)

A pair of ruby set dome Earrings, each with seven ruby's gypsy set in unmarked yellow metal, pillar and clip fittings (2)

A pair of stylish circular 18ct yellow gold Earrings, formed of multicoloured enamels forming an ammonite swirl, with small ruby centre, pillar and clip fitting, signed on the reverse 'Bagues', together with matching pendant (3)

A Pair of Nicoletta Catellani Earrings, in 18ct yellow and white gold, formed of three graduated scrolls, mounted with three calibre cut blue and pink stones with two calibre cut diamonds on the bottom scroll, pillar and clip fitting (2)

A George III style mahogany twin pillar extending dining table, on six downswept supports, with a pair of extra leaves, 114cm wide x 182cm long x 302cm long extended.

A Regency style mahogany triple pillar extending dining table on ten downswept supports, two extra leaves 99cm wide x 215cm long x 350cm fully extended.

A Regency style mahogany twin pillar dining table, with an additional leaf, 187 x 100cm fully extended

An oak and mahogany eight day longcase clock, swan neck pediment, mahogany crossbanded trunk door, 13-inch painted arched Roman numeral dial inscribed W.Wain Alfreton, seconds dial and date aperture, corners painted with pink roses and the arch depicting a lady holding a lyre, four pillar movement with attached Walker & Hughes falseplate, anchor escapement and rack striking on a bell, possibly a later case, 213cm high 03.09.18, Pediment with chips and cracks to the veneers, hood door with a small hole to the bottom edge, door with small cracks and chips to veneers, case sides and plinth with small cracks, trunk door escutcheon is damaged, later skirting/feet, dial is rubbed in parts and with scratches, painted dial surfaces have been re-touched in parts, possibly a later case, with pendulum and two weights.

A Victorian walnut oval loo table on central pillar support

A brass pillar reading lamp and a steel fire grate (2)

A Victorian Veritas oil lamp with cranberry shade, brass reservoir, ornate cast four pillar base stamped Rd 250115, 71cm tall

A 19th Century miniature chest of four drawers with pillar detail and quarter veneered embellishment, one handle a/f, 19.5cm x 26cm x 16cm

A GEORGIAN STYLE MAHOGANY JUPE STYLE CIRCULAR DINING TABLE with five curved leaves above a four pillar column base joined by a curved stretcher, and on brass capped feet and castors, 74cm high x 214cm diameter (including leaves) Condition Report: Available upon request

Martineau [Harriet]: Martineau's Complete Guide to the English Lakes, 1855, pub. John Garnett, Windermere, with fold-out map coloured geologically by John Ruthven, 233pp plus local advertisements, contemporary gilt tooled red boards; plus Climbing Guides to the English Lake District, published by The Fell and Rock Climbing Club of the English Lake District - Pillar Rock and Neighbourhood, Scafell Group, Great Gable Borrowdale Buttermere, Dow Crag Langdale, The Gables Yewbarrow Buckbarrow, Great Langdale Area, Buttermere and Newlands Area (various editions) and seven copies of A. Wainwright's Lakeland Fells.

A Late XIX Century Eight-Day Mystery Clock, the bronze case cast with a young couple, he climbing on a pillar, the swing pendulum with white enamel dial with black Arabic numerals, inscribed 'Oscillator 8 Days Mobile Watch Co.', the base inscribed 'Frainier Fils éd'., 24cm high.

Early 18th century marquetry longcase clock with floral decoration, the 8 day duration 5 pillar movement striking the hours and half hours on two bells, repeat for the hours and half hours, the brass dial with silvered chapter ring, matted centre, subsidiary seconds ring, date aperture, alarm disc, brass ornate applied spandrels inscribed Step. Willmott. London, with square hood. Height 220cm. Stephen Willmott is listed in London from 1667 (apprenticed) and is recorded in the Clockmakers' Company from 1674Provenance - Removed for sale from Runnymede Park, Egham.

18th century double fusee ebonised eight day bracket clock with repeat by Joannes Mondehare, London. Brass dial with pierced spandrels, silvered chapter ring, date aperture, mock pendulum and silent/strike dial to twin train four pillar movement with anchor escapement. With full floral engraved back plate, striking on four bells, 48cm high.

Three similar Continental white metal urns, repousse foliate decorated ,upon stepped square pillar supports raised on four legs, tallest 9" high, 26.1oz t approx total (faults) (3)

A Japanese Satsuma ware vase of moon flask form, the circular body resting on a four-pillar base, h. 24 cm CONDITION REPORT: Possible restoration.

Georgian style mahogany twin pillar extending dining table with two additional leaves raised on twin tripod supports. 304cm x 114cm..

A mahogany pedestal pillar table on three tapering supports. Est. £50 - £80.

A pair of reproduction mahogany pillar tables decorated with scrolls and flowers on leaf cap feet. Est. £150 - £200.

A good Victorian walnut pillar table, the base attractively decorated with flowers and scrolls. Est. £200 - £300.

Green Onyx Standard Lamp Raised on circular base with ovoid bead sectional pillar column with gilt accents and cream pleated fabric shade. Height, 68 inches. Together with a matching table lamp.

Wedgwood Large And Impressive 1930's Fairyland Lustre Pillar Vase designed by Daisy Makeig Jones Pattern depicts the palace of Hsi Wang Mu; the Chinese fairy queen, with stair pattern to obverse, colloquially referred to by Wedgwood employees as 'The Fire Escape Vase'. Pattern number Z4968 to underside of vase, shape number 2409, height 13.75 inches, 35 cm. Firing faults throughout, please see accompanying image

A 19th century French gilt brass and silver plated repeating carriage clock, the pillar cornered case with gong striking movement numbered 1752 to the backplate, silvered platform lever escapement, with recessed dial to the rectangular surround, 15.5cm high with handle folded

A Regency mahogany longcase clock, the hood with fretwork cresting and brass ball finials, above a 12inch (30.5cm) circular painted dial signed William Webber, Powis Street, Woolwich, with subsidiary seconds and date dials to an 8 day 5 pillar movement, strike-silent lever above XII, the case with a break arch long trunk door, canted stop fluted corners with brass reeding, upon a panelled base with shaped skirting 216cm (84in) in need of some general attention. Pendulum suspension spring broken

A pair of Derby figures of Shakespeare and Milton, circa 1770, after Peter Scheemakers, Shakespeare with a scroll inscribed in gilt with verses from The Tempest, Milton resting against a classical pillar adorned with books, raised on scroll molded acanthus bases, 30cm (11.8in) high (2)

A 19th century English porcelain plaque, painted by William Corden with a portrait miniature of Marian Wood, seated, wearing a crimson dress against a classical pillar, the reverse inscribed 'Marian Wood/ painted by Wm Corden/ 51 Oxford Street/ July 1824', 15 x 12cm (6 x 4.8in)

Postcards-A collection in an album of cards on a postal theme includes Southwold Railway Pillar boxes, post vans etc an interesting range of mostly cards

A 19th century brass four pillar chain fusee clock movement 6"h x 5 1/3"w

Edward Horace Thompson (1879-1949), watercolour, "Ennerdale with Pillar and Great Gable". 35 cm x 50 cm, framed, signed (see illustration).

Edward Horace Thompson (1879-1949), watercolour "Ennerdale Lake with Bowness Knott, the Pillar and Iron Crags", 18 cm x 25 cm, framed, signed (see illustration).

PAIR OF GEORGIAN DESIGN TWIN DRAWER BASE BEDSIDE CABINETS, mahogany ribbed pillar support tray top bedside cabinets, brass knop handles, 19" width

A GEORGIAN MAHOGANY TRIPLE PILLAR DINING TABLE, late 18th century, of rounded oblong form, the moulded edged top with plain frieze and two separate leaves, baluster turned pillars each on four hipped and moulded sabre legs with applied roundels and brass lion paw feet and castors, 116" x 45" x 29" (Illustrated) (Est. plus 21% premium inc. VAT)

A GOOD GEORGIAN STYLE MAHOGANY APPRENTICE CHEST of two short over three long drawers with diamond escutcheon and turned wooden knobs, canted and reeded side pillar decoration and shaped lower aprons on splayed feet, 49.5 cms high, 37 cms wide, 32 cms deep, circa 1900

Andre di Gauthier (b1935) patinated bronze study of classical maiden leaning on a pillar with mask and birds etc below, signed to base and also inscribed "Societe des Bronzes", 52cms high

A good pair of early George III cast silver pillar candle sticks, the square sconces with French gadroon mounts, square double knopped columns with spiral fluted ornament, the upper knop with leaf ornament within gadroon pattern mounts, shaped square bases with conforming footrims, 11ins high, by Ebenezer Coker, London 1769 (hallmarked to underside of footrims, sconces both with makers marks), (weight 47oz)

A set of four George IV silver pillar candle sticks of "mid 18th Century" design, with turned and square knopped columns, conforming removable sconces and shaped and moulded bases with bold scroll mounts, 9ins high, by Thomas, James & Nathaniel Creswick, Sheffield 1822 (bases loaded - with rubbing at highlights), (all bearing contemporary crests of the upper torso of a bearded man carrying a club with oak leaf in his right hand)

Three Royal Copenhagen porcelain figures - Young faun riding on the back of a tortoise (888), 3.75ins high, young faun with owl playing pan pipes (2107), 6.25ins high, and young faun sitting on a pillar playing pan pipes (433), 8.5ins high (all with printed and painted marks)

A pair of late Victorian silver pillar candlesticks of Neo-Classical design, fluted sconces and fluted square tapered columns and square bases, 6.7ins high, by William Hutton & Sons Ltd, London 1897, a George V silver urn pattern sugar caster of Georgian design, 7.25ins high, Sheffield 1933, a pair of Indian silvery metal circular coasters with engraved centres and embossed rim, 5.75ins diameter, a silver 1oz Christmas ingot, and a small silver spirit flask of shaped outline, 3.5ins high, Chester 1911

An Edward VII silver circular "Monteith" pattern bowl with shaped and moulded rim and reeded band to body and footrim, 8.25ins diameter x 5.5ins high, by George Nathan & Ridley Hayes, Chester 1906 (weight 12oz - with presentation inscription), a pair of silver pillar candlesticks with bead mounts, octagonal columns and square bases, 5.5ins high, and a large quantity of other silverware, various (combined weighable silver 45oz)

A Charles II silver gilt pillar candlestick with later four-light candelabra branch, the square column formed of triple columns with moulded capitals and moulded square base, 9.25ins high (marked to three of four corners to underside - marks indistinct), the base engraved with two contemporary armorials and worded "Manvs Ivsta Mardvs", and with George III matching four-branch candelabra bracket with square sconces and moulded stems, 13.5ins high overall hallmarked London 1793 (weight 51ozs)Note: Makers mark to base - T. H. between an anchor, circa 1670-71 - See Charles J. Jackson "English Goldsmiths and their Marks", Macmillan & Co. London 1921, page 132 Provenance: Collection of John N. Price Wood (1877-1962), born Wirksworth Hall, Derbyshire, and later at Henley Hall, Bitterley, Shropshire, who served in the 12th Lancers in the Boer War, and was author of "Travel & Sport in Turkestan", published 1910

A free standing glove makers vice, wooden pillar.

Vict 4 Pillar Marble Clock

REGENCY STYLE HIGH GLOSS LACQUERED CIRCULAR EXTENDING DINING TABLE, on pillar and quartette supports with brass paw feet and castors, 3'6" diameter

Egyptian Ptolemaic Period Faience ShabtiPtolemaic Period, 4th Century BC.A bright blue faience mummiform ushabtis, wearing a tripartite wig and divine beard. The arms are held left above right on the chest. The left hand holds a pick, and the right hand a hoe modelled in relief. The blade of the pick, in particular, has a distinctive curve. The right hand also holds the cord for a basket that is carried behind the left shoulder. Each of the Ushabtis are supported by a dorsal pillar, and they stand upon a trapezoidal base. The figures have a lustrous brilliant blue glaze. Ref: See Similar: The Shabti Collections, 5, Glenn James. P 454-455. Similar to the example of Pet-Osiris, Liverpool Museum, Item number: 1973.4.77 10cm.  Provenance: Ex. Private Collection of 1920's collector Hans Moller Hansen Collection, Denmark, acquired legally in the late 1920's when visiting Egypt. Declaration of provenance:  All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.

Translated Egyptian faience shabti for Sa-Aset Late Dynastic Period, C. 664 - 525 BC. A detailed shabti for the king's acquaintance and Shaven Priest Sa-Aset. The indication ''King's Acquaintance'' was an official title; in the Old Kingdom it indicated that the bearer of the title had access to the Royal palace, but in later years the title, like so many others, had become purely honorary. The words 'Shaven Priest' are a priestly title. Sa-Aset is wearing a tripartite wig and has a plaited beard. He is holding the usual agricultural implements in his hands, executed in relief, A seed back is showing on the back, slung over his proper left shoulder. The shabti has a back pillar and plinth. There are six lines of deeply incuse and therefore clearly readable hieroglyphs across the front of the body, and the inscription is continued down the back pillar. 9.8cm. Ex. Private Collection, Greg Manning Galleries, New Jersey, 22nd January - 26th February 1996. Previous US private collection, 1970's.

Egyptian Bright Faience Shabti,Late Period C. 664 - 332 BC.An Egyptian Late Period faience shabti figure with clear details across the facial area and pillar column with hieroglyphs. Size: 10.4cm.  Provenance: Ex. Private Collection of 1920's collector Hans Moller Hansen Collection, Denmark, acquired legally in the late 1920's when visiting Egypt. Declaration of provenance:  All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.

Egyptian Stone Triad PlaqueLate Period, C. 525 BC.A hardstone plaque depicting the Osirian triad, Nephthys, Horus and Isis, standing side by side, on an integral plinth against a back pillar, each goddess wearing a tightly-fitted sheath and headdress with her attribute, each one of the divine child’s handEX.Ex. Private Collection David Harris, Chesterfield.Acquired through decent from his Grandmother at the age of 7.Mrs Lenthall (1880-1963) purchased many antiquities from local auctions in the Chesterfield region. She also worked for the famous Robinson Industrialist in Chesterfield who gifted her objects over a period of time. These objects were thought to have been acquired in Egypt by the Robinson family in the 1920's.

Egyptian Bichrome Glazed Faience Shabti FigurePtolemaic Period, C. 300 BC.A vibrant ushabti in dark and light blue faience. Standing mummiform figure waiting to do the work of the newly deceased. Hands holding crook and flail, false beard and central pillar down back. 10.2cm.  Provenance: Ex. Private Collection of 1920's collector Hans Moller Hansen Collection, Denmark, acquired legally in the late 1920's when visiting Egypt. Declaration of provenance:  All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.

Egyptian Ptolemaic Period Faience ShabtiC. 4th Century BC.A bright blue faience mummiform ushabtis, wearing a tripartite wig and divine beard. The arms are held left above right on the chest. The left hand holds a pick, and the right hand a hoe modelled in relief. The blade of the pick, in particular, has a distinctive curve. The right hand also holds the cord for a basket that is carried behind the left shoulder. Each of the Ushabtis are supported by a dorsal pillar, and they stand upon a trapezoidal base. The figures have a lustrous brilliant blue glaze. Ref: See Similar: The Shabti Collections, 5, Glenn James. P 454-455. Similar to the example of Pet-Osiris, Liverpool Museum, Item number: 1973.4.77. 10.1cm. Declaration of provenance:  All provenance details are supplied by the vendor (consignor) – Hansons Auctioneers and Valuers supply a Certificate of Authenticity with all antiquities sold showing authenticity. Provenance and known details recorded on this.

An early 18th century ebonised longcase clock by Isaac Goddard, London, the moulded and glazed hood with caddy top above a blind fretwork frieze and straight columns, 12" square brass dial with engraved wheatear border, applied silvered chapter ring, cast brass cherub & crown spandrels, Roman numerals with Arabic minute band, the finely matted centre with ringed winding squares and ringed, decorated date aperture and subsidiary seconds dial, the 8-day twin-train five-pillar movement with internal countwheel striking on bell, anchor escapement, the movement united by knopped and ring-turned pillars; above an ebonised trunk with lenticle glass, on a rectangular plinth base, case with restorations, complete with two brass cased weights and pendulum, 87"/ 221cm tall. (Loomes lists Isaac Goddard in London 1684 - 1699) Est £800 - £1000

VICTORIAN ROSEWOOD GAMES TABLE, of octagonal form and inlaid with chess/draughts board, on a turned pillar with scrolling tripod legs, 48cm wide, 72cm high