We found 30666 price guide item(s) matching your search

A Regency style mahogany twin pillar dining table. 3ft 6 ins wide, 8ft long max.

A Victorian mahogany piano stool with circular woolwork rise and fall seat, baluster and carved pillar, trefoil base with bun feet.

A Victorian mahogany games table with moulded oval top inset with a chequer board, turned pillar and carved tripod base.

A Georgian and later mahogany supper table with circular tilt top, turned pillar and three outsplay legs. 29" diam.

A 19thC carved mahogany candle stand with circular moulded top, turned and fluted pillar, acanthus carved outsplay legs. 33"high.

A Victorian mahogany torchere with carved candytwist pillar.

A Chinoiserie and green lacquer grandmother clock with Pagoda and turned pillar hood having pineapple finials, full length trunk door, and ogee feet, the brass dial having applied amorini spandrels, 'tempest fugit' rondel to arch, silvered chapter ring with numeral numerals, the centre engraved with rococo scrolls over three mast sailing ship, 8 day movement striking on a gong 74" high.

An attractive canvas covered cartridge case painted pillar box red and complete with Royal coat of arms to front and leather carrying strap

Silver water jug, maker JR, Glasgow 1909, with a hinged cover; and a silver pillar box sugar caster, Chester marks (2)

Brass mounted Corinthian column oil lamp, the spiral glass pillar on brass stepped base and with brass capital, converted for electricity, 19in (48cm) high

Victorian sandstone pillar or sun dial stand, of octagonal form on stepped base, 48in (122cm) high

Inlaid rosewood turnover games table, the rectangular top with central figured rosewood rectangular panel surrounded by floral marquetry inlay over a scroll carved frieze above fluted urn shaped pillar supported on scroll carved quadripartite base section ending in brass castors, 36in (91.5cm) wide

Victorian oak library reading stand, the adjustable hinged reading surface with inset hinged writing slope and fitted with book rests supported on turned pillar with rise and fall mechanism upon shaped base section fitted with brass and wooden castors

A BRASS AND MARBLE FRENCH MANTEL CLOCK the eight day movement strikes the hours and half hours on a bell and stamped on the backplate with the maker’s name ‘S. Marti, Medaille d’Or, Paris, 1900’ along with the serial number ‘114’, with a white porcelain dial with black Arabic hour numerals and coloured swags of flowers painted between the numerals, blued steel hands and a cast brass bezel, with a figure of a sailor boy in bronze, leaning against a pillar in which the movement sits, all standing on a pink veined marble plinth, height 33cm.

AN EARLY 19TH CENTURY MAHOGANY CIRCULAR BREAKFAST TABLE the segmented flame veneered snap top raised on a turned central pillar and trefoil platform with reeded and ball shaped feet, terminating in castors, 122cm (4ft) diameter.

George III fruitwood bracket clock the broken arch case with top handle and side grilles (feet lacking), twin fusee five pillar movement striking on a bell, slightly engraved back plate, on holdfast, white painted face with strike/silent to the arch, London maker illegible, replacement hands. Height 41cms (pendulum, no keys)

A three piece silver cruet set, Birmingham 1926 comprising pillar box pepperette engraved for 'St John Ambulance, 1916-1927', oval salt and covered mustard pot in presentation case, a Georgian silver salt spoon and a mustard spoon, Birmingham 1926

A mahogany twin pillar dining table, the rectangular top with stringing to the cross-banded border, with two extra leaves, reeded edges, the vase turned stems on reeded splay legs to brass sabots on castors. 3ft. 10in. x 8ft. 10in. (117cm. x 269.5cm.)

A VICTORIAN WALNUT TRIPOD POLE SCREEN, the adjustable four sided serpentine panel with woolwork fox hunting scene, glazed, the gadroon moulded vase turned pillar on foliate moulded cabriole legs with scroll feet. Width 21".

A VICTORIAN MAHOGANY TRIPOD CENTRE TABLE, the circular moulded tip up top on a baluster turned pillar terminating in three scroll moulded cabriole legs with castors. Diameter 41".

AN EARLY 20TH CENTURY INLAID MAHOGANY TRIPOD TABLE, the circular fixed dished top with central fan inlay, on a vase turned pillar terminating in three cabriole legs. Diameter 16".

A RELIEF CARVED BURMESE or SIAMESE TABLE, the circular top with central dragon within a border of elephants, peacocks and floral motifs, the central pillar on three pierce and relief carved legs in the form of dragons, on hoof feet. Diameter 24".

A George III inlaid mahogany oak longcase clock with full length door, the hood with moulded cornice and reeded pillar supports containing an 8 day movement with 13in white enamel square dial with Roman numerals, the spandrels painted with flowers, 85in high.

A Carriage Clock, the enamel dial with Roman numerals and subsidiary alarm dial, in a four pillar brass case, 14 cm

A Victorian five light candelabrum, with corinthian capitals and gadrooned nozzles, on stop fluted pillar and stepped square foot, 48cm h, by Mappin & Webb, Sheffield 1894, loaded. In very good overall condition with apparently no damage or repairs the marks also good

A pair of George III Derbyshire alabaster columns, the turned vase finial on a square capital and reeded tapering pillar with conforming stepped square plinth, 41cm h. Minor losses, breaks and old repairs but in generally good original condition. No professional restoration

A Liberty & Co pewter timepiece, of plain pillar form with rounded sides and enamel dial with copper chapter ring and plated hands, fitted French timepiece, 11cm h, stamped 0760, c1905 . Some localised areas of corrosion to the case, particularly around the door, the hinge broken, the movement original and apparently complete, no serious damage or scratches and no restoration. This example would benefit from some superficial cleaning

A pair of Edward VII brass electric table lamps, the slender baluster pillar on a domed and stepped hexagonal foot, 60cm h, lead weighted . The lacquer with which the lamps have been coated is badly worn, one retains the base of the original fitment stamped PATENT, no damage

A Victorian walnut teapoy, the flared circular top with fitted interior and a pair of tea canisters, on leaf carved and matted bell shaped pillar and three scrolling legs, with brass paw castors, 73cm h, 46cm diam . Lid slightly warped, stained and repolished but no serious faults to the rest of the object, the interior in fine condition

A Victorian walnut piano stool, in buttoned maroon leather cloth, on turned pillar and three legs with incised lines, 50cm h . In good condition

A George III circular mahogany tripod table, with baluster pillar, 72cm h, 94cm diam . In fine original condition, the top with a few stains and marks

A Victorian papier mache table, the shaped oval and mother o'pearl inlaid top painted with flowers in a gilt seaweed borde,r on knopped and tapered pillar and circular base, 68cm h; 61 x 50cm . The varnish to the top with extensive craqueleur and some small localised loss to the painted decoration. Old worm damage to the upper part of the pillar

A George II mahogany tripod bureau, with sloping back and lid revealing the architectural fitted interior, a drawer below, on turned pillar and carved and scrolling legs with claw-and-ball feet, 100cm h; 60 x 61cm. In overall good condition with a few old marks and minor faults; a made-up piece incorporating George II period elements, but attractive and unusual

A Derby group of "Music', the classical young woman playing the flute and wearing a puce flowered turquoise chiton, a tambourine and scroll resting on a marbled pillar to her side and with two putti in attendance, on a sprigged rocky green mound, 26cm h, William Duesbury & Co incised 217, patch marks, c1780 . Some typical firing cracks in the base and another in the upper part of the leg of the principal figure, some old discoloured restoration to the young woman's hands and the upper part of the body of the reclining child. One bell missing from the edge of the tambourine, an extending firing crack near the base of the pillar, the standing child's right arm broken and partially re-built but now heavily discoloured. No "professional' restoration

A 19th century North country mahogany eight day longcase clock, the swan neck pediment above an arch glazed door enclosing a 14 inch arched painted dial with moon phase, figural painted spandrels and secondary seconds and date dials, with four pillar bell striking movement flanked with spiral moulded columns above an arcaded trunk door flanked with similarly moulded uprights, standing on a plinth base with bracket feet and a shaped apron, 280cm high

An early 19th century French bronze and ormolu mounted pillar clock, the enamel dial with decorative bezel, marked 'Angevin ˆ Paris', with silk suspension countwheel movement, the black patinated urn-topped pedestal case entwined with fruiting vine, upon a canted base with still leaf and beaded bands, 37cm high

HARDY BROS. 'UNIQUA' FLY REEL, three pillar, ribbed brass foot, ebonite handle, in alloy shoe with telephone latch, 8cms diameter, circa 1920's.

PERTH STYLE SALMON FLY REEL, four pillar cage, brass winding plate, ebonite rim and back plate, large brass foot, twin ebony replacement handles, 9 cms diameter, circa 1840.

ALLCOCK'S BRASS FLY REEL, three pillar cage, horn handle to curved crank arm, 6 cms diameter; Hearn Brass wind fly reel, with black ebonite handle, circa 1910, (2).

A Napoleonic Prisoner of War Carved Bone Working Model of a Spinning Jenny, as woman wearing a poke bonnet, red painted blouse and blue spotted long skirt attending a spinning wheel operated from cogs beneath a dais on four turned pillar uprights, concealing cogs operated by turning a crank handle, the lower rectangular "deck" on four outswept feet, {11.8cm high} (figure's left hand and other small parts lacking or loose)

A Mahogany Trunk Dial Wall Clock, signed Camerer Cuss & Co, 186 Uxbridge Rd, Shepherd's Bush W12, circa 1860, the plain case with the base having good colour, watch and clock manufactures labels positioned inside and the case back, 12 inch circular white painted dial with Roman numerals, blued spade hands, four pillar single fusee movement with anchor escapement, {51cm high}

A Mahogany Wall Timepiece, signed G.E.R, 7824, late 19th century, the mahogany case stamped four times "G.E.R", 12 inch circular white painted dial with Roman numerals, blued spade hands, four pillar single fusee movement with anchor escapement, {38cm high}

A Mahogany and Brass Inlaid Trunk Dial Wall Clock, signed Curtis, Leicester, circa 1860, the mahogany circular case with rectangular trunk with brass inlay and a glazed aperture, carved 'ears', 8 inch white painted dial with Roman numerals, four pillar movement with single train fusee, anchor escapement, the backplate stamped "W & H sch", {42cm high}

An Ebonised Striking Bracket Clock, signed Gabl. Holland, Coventry, circa 1760, the ebonised case with bell top and brass carrying handle, pierced brass sound frets to the sides and moulded plinth, 8 inch brass arched dial with silvered chapter ring, rococo spandrels, matted dial centre with mock pendulum, date aperture and signed 'Gabl. Holland Coventry' on a silvered plaque, the arch with regulation dial, strike/not strike positioned dial edge 10 o'clock position (now none active), five pillar movement with verge escapement, rack striking on bell, engraved foliate decoration to backplate, {53cm high to the hilt of the handle}

A Mahogany Eight Day Longcase Clock, circa 1840, swan neck pediment, wavy shaped trunk door upon plain base, 14 inch arched painted dial with later signature "T Lister Halifax", the arch and corners with painted rural building scenes, dial centre with subsidiary seconds and date, four pillar movement with anchor escapement and rack striking on a bell, {240cm high}

A Mahogany Eight Day Longcase Clock, signed Morley, York, the mahogany case with arched dial and a rectangular recessed plinth, 11 inch brass arched dial, chapter ring signed "Morley York", matted centre field with date aperture, aperture inscribed Tempus Fugus in the arch, four pillar movement with anchor escapement and rack striking on bell, dial and movement circa 1740, associated to case (later), {194cm high}

An Oak Thirty Hour Longcase Clock, signed Simpson, G Bridge, circa 1770, the case with stepped top pediment, mahogany crossbanded trunk door flanked by inset pilasters, the plinth with mahogany crossbanding upon bracket feet (plinth slightly shortened), 12 inch square brass dial, silvered chapter ring with inner date ring with corresponding central date hand, the engraved centre field with dummy winding holes, two cartouches inscribed with initials and signed "Simpson G Bridge", four pillar movement with anchor escapement and count wheel strike on bell, {207cm high}

An Oak Thirty Hour Longcase Clock, signed John Porthouse, Penrith, circa 1760, the case with flat top, double arched trunk door upon plain rectangular plinth 11-inch square brass dial, matted centre with date aperture and brass plaque signed "John Porthouse Penrith", four pillar movement with anchor escapement and outer countwheel striking on bell, {202cm high}

An Oak Thirty Hour Longcase Clock, signed Wm Porthouse, Penrith, circa 1750, the flat top pediment, double arched trunk door upon plain rectangular plinth (slightly shortened), 11 inch square brass dial, chapter ring with Roman and Arabic numerals and half hour marks, matted centre with date aperture and a plaque signed "Wm Porthouse Penrith", four pillar movement with anchor escapement and countwheel strike on bell, {207cm high}

An Oak and Mahogany Thirty Hour Longcase Clock, signed H Fisher, Preston, circa 1775, the flat top pediment with brass capped columns, wavy shaped trunk door with mahogany banding and inlaid around the border, flanked by mahogany veneered canted corners and a conforming plain plinth, upon bracket feet, 13 inch square brass dial with silvered chapter ring, dial centre with floral engraving, date aperture and dummy winding holes, four pillar movement with anchor escapement and outside countwheel striking on a bell, {207cm high}

A Good Oak Thirty Hour Longcase Clock, signed Barber, Winster, No.828, 1768, the broken-arch pediment with inlaid decoration, wavy trunk door flanked by inset reeded pilasters, the plain plinth with angled corners, 12 inch square brass dial with chapter ring signed "Barber, Winster", centre field with two apertures for date and lunar scale, four pillar movement with anchor escapement and with countwheel strike on bell, signed "Barber" and numbered 828 on the movement front plate, {212cm high}

A Mahogany Inlaid Eight Day Longcase Clock, the pagoda pediment with inlaid top and brass capped fluted columns, arched trunk door with an oval flame veneer and flanked by canted corners, rectangular inlaid plinth, 12 inch white painted arched dial indistinctly signed, dial with Roman numerals, subsidiary seconds and date aperture, rural painted scenes to the corners and the arch, four pillar movement with falseplate stamped "Wilson", anchor escapement with rack striking on bell, dial and movement associated to case, {239cm high}

A Mahogany Eight Day Longcase Clock, signed John Jefferson, Gt Driffield, pagoda pediment with three finials, the arched trunk door flanked by canted corners, plain rectangular plinth, 14 inch convex shaped dial with Roman numerals, centre field with subsidiary seconds, date aperture and signed "John Jefferson Gt Driffield", floral decoration to the corners and a landscape scene in the arch, four pillar movement with falseplate stamped "Finnemore & Son", anchor escapement and rack striking on bell, dial and movement associated to case, {219cm high}

A Mahogany Eight Day Longcase Clock, signed Thos Lees, Bury, circa 1810, case with swan neck pediment, the arched trunk door of good colour, plinth with inlaid canted corners and flame veneer, 14 inch painted arched dial with Roman and Arabic numerals, corners decorated with flowers, dial centre with subsidiary seconds, the arch with moon disc, four pillar movement with falseplate attached stamped "Wm Whitaker", anchor escapement, rack striking on bell, {232cm high}

An Oak and Mahogany Eight Day Longcase Clock, signed ?Bell, Garstang, circa 1830, the case with swan-neck pediment, turned columns, the arched mahogany cross banded door flanked by reeded pilasters, mahogany cross banded plinth with canted corners, 14 inch arched white painted dial, dial centre with date aperture, subsidiary seconds and indistinctly signed "?Bell Garstang", flower decoration to the corners, rolling moon disc in the arch, four pillar movement with false plate stamped "Wilkes & Son Birmingham", anchor escapement with rack striking on bell, {223cm high}

A Mahogany Eight Day Longcase Clock, signed Allsop, London, circa 1780, case with pagoda pediment, stop-fluted hood pillars, broken-arch trunk door with good colour, panelled plinth upon shaped apron, 12 inch arched brass dial with Roman and Arabic chapter ring, centre field signed "Allsop London", subsidiary seconds and date aperture, the arch with non-active strike/silent dial, four pillar movement with anchor escapement and internal countwheel strike on bell, dial and movement associated to case, {244cm high}

A George III Mahogany Longcase Clock, signed Barnard Bayley, London, circa 1780, the pagoda hood with reeded columns, break arched trunk door with moulded frame, rectangular moulded plinth, 12 inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre field with seconds and date aperture, arched silvered plaque signed "Barnard Bayley London", the arch with engraved silvered plaque upon strike/silent selection, five pillar movement with anchor escapement and rack striking on a bell, {235cm high}

A Regency Mahogany Longcase Clock in the Egyptian Revival Taste, signed Thoms Leach, Lime St, circa 1815, the arched hood with gilt-brass capped cluster columns to the door, pierced sound frets to the sides, the trunk with arched door and flanked by chamfered angles topped by gilt-brass Pharaonic bust mounts and ending in gilt-brass feet, the plinth with raised panel and upon stepped plinth, 12 inch circular white painted dial with Roman numerals and signed "Thoms Leach Lime St", two subsidiary dials for seconds and date, five pillar movement with anchor escapement and rack striking on a bell, {206cm high} .

A Walnut and Floral Marquetry Longcase Clock, signed Rob Sadler, London, circa 1705, the pediment with spiral turned columns and with floral marquetry to the front, rectangular trunk door inlaid with bird and floral marquetry within D ended panels and centred by a lenticle, re-built plinth with marquetry and on later bun feet, 11 inch square brass dial with silvered chapter ring signed "Rob Sadler London", matted centre with subsidiary seconds, ringed winding holes and decorated calendar aperture, five pillar movement with anchor escapement and internal countwheel strike on later bell, {216 cm high}

A Regency Mahogany and "Ebony" Strung Pembroke Table, the round-cornered top over a frieze drawer and sham drawer opposite, on a turned pillar and four hipped sabre legs with brass caps and castors, {73cm by 54cm by 97cm}