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Clarke CDP5DD pillar drill (This item is PAT tested - 5 day warranty from date of sale) Condition Report Click here for further images, condition, auction times & delivery costs

A William IV Mahogany Triple Pillar Dining Table, 2nd quarter 19th century, of rounded rectangular form with plain frieze, raised on column supports with carved socles and quadripartite bases with scrolled toes and recessed castors, 342cm by 122cm by 76cm 

An Oak Eight Day Longcase Clock, signed Henry Brownbill, Leeds, circa 1780, broken arch pediment, fluted columns, mahogany crossbanded trunk door flanked by inset fluted pilasters, inside trunk door with a Brian Loomes retail label, 13-inch arched brass dial with a silvered Roman and Arabic chapter ring, dial centre with subsidiary seconds, date aperture and finely engraved with scroll work and a central seascape scene depicting a mermaid beside a galleon, rolling moonphase in the arch and signed above, four pillar movement with an anchor escapement and rack striking on a bell, 227cm high see illustration 24.02.17, Pediment with small chips to the edges in parts, front corner of the hood with a chip, plinth with scratches in parts, movement with the rack spring missing, otherwise the movement looks complete.

A Mahogany Triple Pillar Dining Table, 20th century, in George III style, of rounded rectangular form with reeded edge, three additional leaves, raised on gun barrel turned supports with four cabriole legs with brass capped toes and castors, 366cm by 127cm by 75cm

A Good George III Mahogany Eight Day Longcase Clock, signed Robert Holland, London, circa 1760, pagoda pediment, stop brass fluted columns, pierced side frets, nicely figured trunk door with a moulded border, 12-inch arched brass dial with a silvered Roman and Arabic chapter ring, subsidiary seconds, date aperture, the arch with a silvered disc signed, five pillar movement with an anchor escapement and rack striking on a bell, 249cm high see illustration 24.02.17, Pediment sound frets with damage and some pieces lacking in parts, finials are missing, case is slightly faded in parts, minor dents and minor chips to the edges in parts, trunk door with minor bowing to the top and bottom sides, chapter ring with minor discolouring marks, later seatboard, movement is complete.

A grey Selenite faceted pillar with two lateral spurs. 1.6 kg, 43cm (17"). From a historic ‘Victorian Museum’ collection; from the stock of Gregory, Bottley & Lloyd (1981-2014); formerly with Gregory, Bottley & Co. (1932-1981) and previously with J. R. Gregory & Co. (1898-1932); originally in the collection of the famous James Reynolds Gregory (1858-1898"). This item is part of a historic collection of fossils and minerals which has recently been reviewed by leading geological expert Dr. Ronald Bonewitz. [No Reserve] Very fine condition.

A very large clear quartz pillar with lateral spurs, a beautiful specimen. 4.4 kg, 28.5cm (11 1/4"). From a historic ‘Victorian Museum’ collection; from the stock of Gregory, Bottley & Lloyd (1981-2014); formerly with Gregory, Bottley & Co. (1932-1981) and previously with J. R. Gregory & Co. (1898-1932); originally in the collection of the famous James Reynolds Gregory (1858-1898"). This item is part of a historic collection of fossils and minerals which has recently been reviewed by leading geological expert Dr. Ronald Bonewitz. [No Reserve] Extremely fine condition.

Gilt frame over mantle pillar mirror with swag decoration

A Georgian style carved mahogany triple pillar extending dining table with two extra leaves, 20th Century Rectangular top with rounded corners and gadrooned borders, above the three acanthus carved columns, each column raised on three foliate carved down swept supports terminating on claw and ball feet, approx 288x123cm fully extended, together with a set of eight similar dining chairs, comprising two carvers and six singles in the Chippendale taste with foliate carved lattice splat backs, above front acanthus carved cabriole legs terminating on claw and ball feet. CONDITION REPORT: fixed twist clips present, it is a triple pillar table

G.B. Stamps. A collection of over one hundred and thirty decimal machin stitched and folded counter books, from 1971 Pillar Box series, Postal Uniform series to £5 orange 1982, often duplicated with right and laft sided versions, in an S.G. booklet album.

The Royal Mail/Royal Mint 2003 Pillar to Post Sterling 925 Silver Ingot and Stamp Set, of five covers and encapsulated ingots, approximately 124grams of hallmarked semi-proof silver.

Regency Walnut Occasional Round Table on Central Pillar In Turn Supported on a Tripod Shaped Base with Small Turned Finials Above Turned Bun Feet. 29.5 Inches High & 26.5 Inches Diameter - Table Top. Good Period Regency Table.

'Nutool' bench top pillar drill Condition:

Circular to wine table having chinoiserie style painted decoration on a black ground, standing on a pillar and tripod base Condition:

Victorian mahogany circular snap top breakfast table, standing on a baluster turned and fluted pillar and circular platform base with three carved scroll terminals Condition:

George III style mahogany circular top wine table having a pie-crust edge and standing on a slender turned baluster pillar and tripod base Condition:

Ionia, Ephesos AV Stater. Circa 133-88 BC. Draped bust of Artemis to right, wearing stephane, necklace of pearls and with her bow and quiver over her shoulder / Cult statue of the Artemis of Ephesos facing, a fillet hanging from each hand, deer to inner left, bee to inner right; Ε-Φ across fields. B.V. Head, 'On the chronological sequence of the coins of Ephesus', Num. Chron. 1880, p. 69, 2, and plate 5, 3 = Berlin, SM 219. 8.51g, 20mm, 12h. Very Fine. Extremely Rare, possibly only the second example known. The Hellenistic era gold coinage struck at Ephesos is extremely rare and rarely well preserved. Previously thought to have all been struck during the Mithradatic wars, this is now believed not to be the case. Some appear to be dated by the era of the Province of Asia and the dates they bear are too early for them to be Mithradatic War issues. That being said, they were not necessarily all issued at the same time, and such undated types as the present specimen could well have been issued much later. For an in depth discussion on the dating of this series cf. Gilbert K. Jenkins, 'Hellenistic gold coins of Ephesus', in Festschrift E. Akurgal, Anadolu-Anatolia 21, 1978/80, Ankara, 1987, pp. 183-8, pls. A-B. The reverse of this coin depicts the famous cult statue of Ephesian Artemis, housed in the great temple of Artemis that is considered one of the Seven Wonders of the Ancient World. The original image of the goddess was a wooden xoanon that had represented a pre-Hellenic goddess who the Greeks later equated with Artemis. This first image, which was kept decorated with jewellery, was possibly lost in a flood in the 8th or 7th century which destroyed the temple; excavations have discovered the tear-shaped amber drops of elliptical cross-section which must have dressed it. In circa 550 BC, when reconstruction of the temple was begun (partly financed by Kroisos), it was undertaken in grand style and was supposedly the first Greek temple to be built of marble. The wooden xoanon was replaced by a new ebony or grapewood statue sculpted by Enoidos, which presumably survived until the temple was again destroyed, this time by an act of arson on the part of one Herostratos. The second destruction of the temple coincided with the birth of Alexander the Great; Plutarch later noted that Artemis was too preoccupied with Alexander's delivery to save her burning temple. The form of the goddess is distinctly near-eastern in appearance; characteristics such as her legs being enclosed in a tapering pillar-like term are closely related to Egyptian and Hittite images, and the curious feature of the many protuberances on her chest (usually described as breasts or eggs) are decidedly non-Greek in origin, and indeed have defied explanation or identification for centuries, though an association with fertility seems implicit.

Dyer, Carlow, an Irish mahogany longcase clock, the break arch hood with painted circular 12inch dial, subsidiary seconds, 4 pillar 8 day movement, the case with ropetwist moulded borders, upon a plain plinth base with bracket feet, 19th century 203cm (79in) movement dusty, dial chipped, untested, a little packing to seatboard

AN EARLY VICTORIAN MAHOGANY PILLAR END SIDE TABLE, of rounded oblong form with moulded edged top, two frieze drawers, raised on faceted tapering supports, each on trestle base with scrolled feet and brass castors, 47 1/2" x 24" x 27 3/4" (Est. plus 18% premium inc. VAT)

A LADY'S VICTORIAN WALNUT PILLAR END DESK of kidney form, the moulded edged top with inset writing surface now with a floral pale green linen covering within a foliate marquetry surround, frieze drawer over a kneehole flanked on either side by two drawers, turned wood handles, baluster turned supports on leaf carved down curved legs with scrolled feet and china castors, 50 3/4" x 26 1/2" x 30" (Illustrated) (Est. plus 18% premium inc. VAT)

A VICTORIAN WALNUT PILLAR END WORK TABLE of rounded oblong form, moulded edged burr top with central panel and stringing, frieze drawer over sliding shaped solid basket, on baluster turned supports joined by a pole stretcher, carved downcurved legs with scrolled feet and china castors, 21" x 15 3/4" x 26 3/4" (Est. plus 18% premium inc. VAT)

A 19th century rosewood and marquetry inlaid 4 pillar portico clock,enamel dial signed Bozzo of Paris, height 51cm.

AN EARLY VICTORIAN MAHOGANY BREAKFAST TABLE, C1840 with crossbanded top on turned pillar and reeded platform, swept legs and brass castors, 70cm h; 102 x 130cm ++Several stains and gouge marks to the top, slight wear and scuff marks around the legs but complete, the top not split or warped, the action working correctly

AN ART DECO INLAID MAPLE MANTEL CLOCK, C1940 of pillar shape with brass hands, French timepiece, 23cm h, bearing Rowley Galleries label ++In good condition, movement unchecked

A 19TH CENTURY MAHOGANY SEWING TABLE, with fold-over top, single storage compartment on turned pillar support and quatrefoil base, approximate width 47cm x depth 36cm x height 73cm (key)

A Folio of assorted Prints and Etchingsby Marjorie Sherlock, Ernest Lumsden, Ramendra Nath Chakravarty, H.C. Damiens (?) and others. Subjects include A Mosque in Shrinigar, Kashmir; the Jamai Masjid, Bombay; A River-side Scene, The Iron Pillar, Delhi'; The Lake at Udaipur; and a woodcut by Jyoti; 15 1/2 x 9 in and smaller (qty)

Dinky Toys Small Quantity Of Accessories including: 42a Police Call Box, 49a Bowser petrol pump, 49b wyane petrol pump, 49c Theo petrol pump,2 x 105c 4-wheeled hand trucks, 750 Telephone box, 760 pillar box, 401 Coventy Climax lid of box only, Cresent air pump, plus 3 other makers oil bins, all in fair to excellent condition (12 items)

A 9ct gold charm bracelet, hung with twenty two assorted 9ct gold charms including binoculars, sardine tin and pillar box.

A pair of Victorian mahogany pillar chests, fitted five drawers, W.1ft 4in. D.1ft 6in. H.2ft 6in.

A Robert 'Mouseman' Thompson oak octagonal centre table, with saltire pillar and trestle feet, a mouse carved to one side of the pillar, 4ft 5in. x 4ft 5in. H.2ft 5in.

ROYAL WINTON ASCOT CHINTZ 6' PILLAR CANDLESTICKS & TRINKET BOX & COVER

A fine quality Regency style brass inlaid rosewood banded figured walnut veneered dining table, Arthur Brett, Norwich, 20th CenturyWith twin pillar and two extra leaves, approx 304x133cm fully extended. CONDITION REPORT: The table is very good quality, well built, solid, good decorative timbers, no signs of damage or restoration, just usual wear with use

The Perth Mint 2003 Golden Jubilee one ounce silver commemorative coin with case and certificate; The Perth Mint The Treasures of Australia Sapphires $1 silver 1oz coin with case and certificate 3,760 / 7,500; The Perth Mint The Australian Kookaburra 2005 series silver 1oz coin and pin with case and certificate 7,728 / 10,000; The Perth Mint 1997 Kookaburra Dragon Privy Mark silver 1oz coin with certificate and case; The Perth Mint 1997 Kookaburra Phoenix Privy Mark silver 1oz coin with certificate and case; The Perth Mint Royal Australian Mint 1732 One Johanna commemorative 2007 $1 2oz silver coin with case and certificate; Royal Australian Mint Antique Finish 1758 Pillar Dollar commemorative 2006 $1 silver coin with case and certificate

A George III mahogany circular tilt top tea table, on turned pillar and tripod cabriole base, W.86cm

A George III mahogany circular topped supper table, on turned pillar and cabriole tripod base, the underside top, stamped with monogram MD, W.95cm

TABLE CANDLELIGHTS, a pair, removable glass tops on plated silvered pillar bases, 37cm H x 13cm W. (2)

A Victorian scumbled pine pillar chest, of three drawers, with cusped handles, 87cm H x 58cm W x 49cm D

A Bryant and May's tinplate vesta and go-to-bed in the form of a pillar box, with striker to base and bone nozzle to top, 6.5cm high along with two tartan examples a leather cased flat light and a further 'Lights' box from a dressing case (5)

A carriage clock, with repeat, the 5.5 cm diameter enamel dial with Roman numerals, within a brass mask with engine turned decoration, striking on a gong, in a brass four pillar case, the bottom of the door indistinctly inscribed C Farrell (?), 18 cm high, and a leather carrying case See illustration Condition report ReportNo key, leather carrying case lacks handle and is quite worn/scratched and rubbedReport by MWThe carriage clock has its original silvered escapement.

An oak three door cupboard, 194 cm wide, a set of eight George III style mahogany dining chairs, and a Regency style twin pillar dining table, inset an extra leaf (10)

A very unusual cold painted tin plate ashtray from the early 20th Century.  This vintage piece features a red pillar post box with a cat to the top being chased by a black dog. Measures 11cms high.

Unusual mahogany pillar chest of six drawers, H: 120 cm

Roman, ca. 2nd to 3rd century CE. A superb, finely cast bronze chariot attachment featuring beautiful Venus, goddess of romantic love, nude save her lovely, crescent-shaped diadem, gracefully standing in classic contrapposto, holding a garment in her left hand and a long wavy lock of hair in her right, as her elbow rests on a slender pillar. The iron-shaped form behind possesses a large attachment loop at the upper end. Brilliant artistry and gorgeous green patina! Custom stand. Size: 2.375" W x 7.125" H (6 cm x 18.1 cm); 8.25" H (21 cm) on standVenus (the Roman Aphrodite) is depicted as if she is about to take a bath or perhaps stepping out of it, with her head ever so slightly tipped to her right, an attractive coiffure parted at the center, swept back along the contours of her diadem, the long, curled locks meticulously delineated and cascading down her shoulders. Look closely and you will see that the goddess' elegant, oval face is sensitively modeled so as to present a naturalistic visage characteristic of the Hellenistic period with a rounded forehead, almond-shaped eyes, a fine browline that arches gracefully and merges with the bridge of her nose, a soft rounded chin, and bow-shaped lips. Her body and its weight-shift pose reveals the sculptor's study of anatomy, realistic proportions, and movement of the human body. Interestingly, Roman chariots were not used for warfare, but instead in triumphal processions and circuses. As a result, elaborate finials like these became de rigeur, lending a unique look to each chariot, where they were mounted on posts above each wheel. The carriage was supported by leather straps wrapped around the shaft and guided by the projecting arms. This absorbed the vibrations of the wooden wheels, making the ride smoother. Imagine the sun flashing off of the dark, polished bronze that these would have been when made! Provenance: Ex-private east coast, USA collection Condition: Normal surface wear with a few minor nicks/losses that may be casting flaws. Overall fabulous with brilliant green patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #120582

Afghanistan or northern Pakistan, Hindu Shahi dynasty, ca. 7th to 10th century CE. A carved stone relief depicting "Narasimha" - the half human and half lion fourth avatar that Vishnu becomes in order to kill the asura by the name of "Hiranyakashipu", with a flowing mane, highly decorated in two beaded necklaces of varying lengths, beaded armbands, and bracelets, and wielding a roped weapon - suggesting that this sculpture depicts the moment when the leonine faced, curly maned figure slayed the demon Hiranyakasipu! This image was created after the cult of Narasimha had assumed regal status in India under Vakataka. Custom stand. Size: 6.125" W x 10.25" H (15.6 cm x 26 cm); 11.125" H (28.3 cm) on stand.According to Hindu mythology, the god Brahma told the demon Hiranyakashipu that he was invincible and could not be killed by either a human or animal, by day or night, and that no weapon could rival his powers. However, his son Prahlada was loyal to Vishnu, despite the fact that his father threatened his life because of this. One day, the demon Naramshimha challenging Prahlada kicked a stone pillar and asked, "If your god is so omnipresent, does he exist in this pillar as well?" At this point, Vishnu emerged from the pillar in the form of the man-lion Naramsimha and fiercely killed the demon!Interestingly, these sculptures were oftentimes painted, and their polychrome finish would have added great drama and life to such icons when viewed and worshipped by devotees in a softly lit temple sanctuary - creating a palpable divine presence. Provenance: Ex-Private New Jersey collection Condition: Losses to peripheries but figure is quite vivid. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #120370

Attributed to Catherine Read (1723-1778) Portrait of a girl, half length, standing leaning on a pillar wearing a blue dress, an embroidered robe and a lace bonnet Oil on canvas 71 x 59cm; 28 x 23in

A circular white dining table on metal pillar base - diameter approx 42" Condition - base good. Clean condition. No damage. few surface marks

Jos. Wilson StamforD A mid 19thC longcase clock, the arched dial painted with dead game, flowers etC, the four pillar brass movement striking a bell, in an oak and mahogany cross banded case, 213cm high

Smith, SheffielD An early 19thC longcase clock, the silvered circular dial engraved with rococo scrolls, fantastic birds, flowers etC, with an eight day four pillar movement, the dial 33cm diameter, in an oak case with swan neck pediment, reeded pillars with gilt metal Corinthian capitals, 216cm high

Cheetham & Son, Leeds. A mid 19thC longcase clock, the arched dial painted with rural scenes of fisherman, buildings, etC, an eight day, four pillar movement, the mahogany case with turned pillars, ebony stringing and canted corners on slender bracket feet, 245cm high overall.

A EINHELL SB 700 PILLAR DRILL (sd)

A WALNUT OVAL CENTRE TABLE, on pillar support and tri-form base, approximate size length 90cm x width 70cm x height 74cm

A longcase clock movement,early 18th century, the 11in square brass dial inscribed 'Wm. Grimes Londini Fecit', with ringed winding holes, date and calendar dials, the five-pillar eight-day movement with inside count wheel,together with a 30-hour birdcage movement,with 9in square brass dial (2)

A large George III-style mahogany triple-pillar dining table, the figured top over each pillar, with a turned baluster on four outswept legs, terminating in brass claw feet and castors, 350cm wide136cm deep71cm high,together with a set of ten George III-style mahogany dining chairs, with pierced splat backs (8+2)

Regency drop-dial wall clock with circular painted dial, four pillar fusee movement and pendulum in flame-mahogany case, the case 53cm high, the dial 32cm diameter CONDITION REPORT Convex dial with convex door glass (door possibly not original). No signs of woodworm to case, dial surround , doesn't fit case properly. Has signs of non-active woodworm. Movement is very dirty, no evidence it has been running recently, case is dirty and has various parts damaged or missing. Dial dirty is worn and some paintwork is coming off. Hinge is loose, hands worn. Fastening pegs not original

Victorian figured walnut pillar chest, the moulded top above four drawers with knob handles on shaped feet

A Regency style mahogany twin pillar dining table with one extra leaf and the matching set of six chairs

A PAIR OF GILT BRASS TABLE LAMPS modelled as seated amorini on a classical pillar with a rectangular marble plinth 54cm high

A REGENCY STYLE MAHOGANY D END DINING ROOM TABLE, the crossbanded top with satinwood line inlay raised on twin turned pillar supports with brass toes and castors, 75cms x 226cms x 91cms.

LIBRABY TABLE, Regency rosewood rounded rectangular with frieze drawer and twin pillar trestle supports, 89cm W x 46cm D x 73cm H.

A circa 1830 mahogany and inlaid longcase clock, having swan neck pediment above a painted arch dial signed E Radford of Hanley, dial w.14", with rolling moon dial, subsidiary seconds dial and rolling date dial, three winding holes for a three train eight day brass five pillar musical movement striking on a single gong on eight bells, h.225cm Condition Report / Extra Information With weights and pendulumSome crazing to dial, otherwise good and original.Case with minor shrinkage splits around base, otherwise case good and appears untouched.Seatboard, dial and movement all appear good and original.Moondial back and movement stamped Walker & Hughes.Cheeks rebuilt.Largely a good and untouched example.