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Early Victorian mahogany folding tea table standing on pillar and quadruple base

An Art Nouveau mahogany mirror back sideboard, the pierced domed top over a rectangular bevelled glass mirror with turned and fluted pillar side supports, above two frieze drawers with cupboards below, raised on bracket feet, 136cm x 53cm x 204cm.

A Crescent eight day clock with circular silvered dial and gilt metal movement, on two pillar support, under etched glass dome on marble base, with presentation inscription to Commander (E) Funge Smith from LDG Stokers and Stokers of HMS Kenye, August 1951, 31cm high

A model maker's pillar drill

A large Clarke pillar drill

DOUBLE PILLAR COFFEE TABLE

PILLAR STAND

An early 18th century and later walnut marquetry longcase clock, the eight day five ringed pillar movement with a latched centre pillar, with an inside locking plate and striking on a bell, the 11 inch brass dial signed 'Peter Wise, London' on the silvered chapter ring, the matted centre with subsidiary seconds and date aperture, ringed winding holes, winged mask and scrolled spandrels, in a case with panelled sides, the hood with a caddy top and ball finials, the whole inlaid with scrolled marquetry, the trunk door with two panels of hunting scenes, the lower panel beneath the glass lenticle decorated with shepherds, now with a later ebonised plinth, 239cm high. Peter Wise, Cheapside, London, free of the Clockmaker's Company 1693, made master in 1725-41. Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke. Sold in these rooms 30th July 2014, lot 180.

A pair of diamond stud earrings, each round brilliant cut diamond, approx 0.75ct, quarter claw set, total estimated diamond weight approx 1.5ct, white metal body and pillar, unmarked, 1.8g gross (2)

A pair of sapphire and diamond drop earrings, central tear drop blue sapphire, surrounded by thirteen round cut diamonds, single stone diamond divider, suspended from a conforming smaller inverted ear fitting, total estimated sapphire weight approx 1.90ct, total estimated diamond weight approx 0.75ct, unmarked yellow and white metal frame and pillar, 3.8g gross

An Empire design ormolu-mounted table centrepiece, circular cut glass bowl supported by a kneeling putto, turned ebonised pillar, square base, 36cm high, 28cm diam, elements 19th century

A George III Revival mahogany lazy Susan, quite plain, dished circular rotating top, turned pillar and base, 58cm diam, early 20th century

An Anglo-Indian specimen wood and porcupine quill occasional table, the square top with exotic timber segments centred by a roundel, dotted border, canted four-pillar columns quart base, paw feet, 53cm high, 30cm wide, c.1880

Edmund Appley at Charing Cross, a late 17th century ebonised basket-top bracket clock: the eight-day duration, double-fusee, five-pillar movement having a verge escapement, striking the hours on a bell and repeating the quarters at will on a nest of three bells, the backplate engraved with floral decoration and signed Edmund Appley at Charing Cross, the six and a half inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, outer Arabic five-minute numerals and meeting-arrow-head half-hour markings, the matted dial centre having a date aperture below XII o'clock, with cast-brass cherub-head spandrels to the four corners and decorative blued steel hands, with a strike/silent lever to the edge, the ebonised case with brass filigree basket work to the caddy-top, brass filigree mounts to the case front and surmounted by a brass carrying handle, height 37 cms (handle up), 33 cms (handle down).* Biography Edmund Appley was a fine maker who was born in Westmoreland and moved to London where he was apprenticed in 1670 to Jeffrey Bayley. He was free of the Clockmakers Company in 1678 where he worked in Charing Cross and died in 1688 on a visit to Edinburgh.

Richard Rooker, London, a walnut marquetry longcase clock: the eight day duration, six-pillar movement striking the hours on a bell with an inside countwheel, with a removable plate to the front-plate for adjustment of the striking train, the ten-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, outer five-minute numerals, meeting arrow-head half-hour markings and engraved either side of VI o'clock Richard Rooker, the matted dial centre with ringed winding holes, subsidiary seconds dial, date aperture with engraved surround and two subsidiary levers for to strike (strike/silent) and Winde up (to operate the shuttered winding holes), with blued steel hands and cast-brass cherub-head spandrels to the four corners, the walnut case inlaid with panelled bird-and-flower marquetry decoration to the trunk, with matching inlay to the base, hood and convex throat moulding, the flat-topped hood having barley-twist columns with giltwood capitals, and fretwork to the top frieze, the trunk with a bulls-eye glass to the centre and panelled sides, all standing on bun feet (the case with restorations), height 185 cms.*Biography Richard Rooker is recorded as working in London at King Street, West Smithfield having been apprenticed to the well known John Clowes in 1686. He was free of the Clockmakers Company in 1694 and was still known to be working in 1748 by which time he may well have been working with his son, also Richard, in Chelsea.

A good Regency mahogany and brass inlaid twin pillar dining table:, bordered with lines and with anthemion motif panels, the rectangular tops with a beaded edge and rounded corners, the shaped moulded frieze with carved rosettes, on shaped square section moulded and reeded twin column supports quatrefoil platforms and quadruple reeded splayed legs, headed with carved flowerhead rosettes, terminating in brass foliate cappings and castors - the top 128cm (4ft 2 1/4in) x 126cm (4ft 1 1/2in) and with two additional leaves extending to 242cm ( 7ft 11 1/4in)

A mahogany D-end twin pillar dining table in the Regency taste:, the snap tops with a moulded edge on turned columns and tripod splayed bases, terminating in brass cappings and castors, - the top 145cm (4ft 9in) x 172cm (5ft 7 3/4in.)

A late 19th century mahogany D-end three pillar dining table in the Regency taste:, the top with a reeded edge on turned and reeded columns, the centre section on quadruple reeded splayed legs, the D-end sections on tripod reeded splayed legs terminating in brass lion's claw cappings and castors - the top 107cm (3ft 6in) x 213.5cm (7ft) and without additional leaf extending to 238.5cm (7ft 10in).

A George IV mahogany breakfast table, the circular tilt-top with a wide black palmwood banding, the frieze and concave sided platform base with coromandelwood crossbandings, the ring turned gun barrel and baluster pillar with a lobed and fluted collar, on scrolled feet, 128cm diameter.

A William IV rosewood breakfast table, the circular tilt-top, on an octagonal tapering pillar with carved collar, the concave sided platform base on scroll carved feet and castors, 135cm diameter.

A Victorian silver trumpet-shaped vase with blue glass liner, a pair of silver dwarf pillar candlesticks 

A mahogany twin pillar table, with one leaf, W.160cm

A Regency style mahogany twin pillar dining table, with one leaf, W.107cm

A VICTORIAN INLAID MAHOGANY CIRCULAR BREAKFAST TABLE, the top with radial veneers and centred by a star, having beaded rim and raised on hexagonal baluster centre pillar and tripod base on paw feet. 138cm diameter

A FRENCH EARLY 19TH CENTURY BURR WALNUT AND MAHOGANY CIRCULAR DINING TABLE, the top centred with a star burst and radial veneer, within an ormolu bellflower and bead border, raised on turned centre pillar decorated with an applied gilt brass collar on a platform base and scroll quadruped supports with cast brass toe caps. 161cm diameter; together with a covered MDF two part circular table top, raised on four cylindrical brass legs

A GEORGE IV INLAID ROSEWOOD CIRCULAR BREAKFAST TABLE, decorated with brass stringing and scrolls, raised on turned centre pillar and outswept quadruped legs with brass toe caps and castors. 48cm diameter

A GEORGE III MAHOGANY CIRCULAR SUPPER TABLE, the plain top raised above a bird cage, snap top on a leaf turned centre pillar tripod, leaf carved knees on claw and ball feet. 75.5cm diameter x 69.5cm high

TABLE CANDLE LIGHTS, a set of four, removable glass tops on plated silvered pillar bases, 37cm H x 14cm W. (4)

PILLAR TABLE, Art Deco fossil marble square specimen inset chess top and stepped column, 44cm x 44cm x 72cm H.

A mahogany twin pillar dining table with two additional leaves

A reproduction mahogany twin pillar dining table in George III style, of rounded rectangular form, raised on gun barrel legs with four reeded splayed legs with brass caps and castors

A 19th Century mahogany swing mirror with octagonal pillar supports.

Victorian inlaid walnut oval loo table, tilt top, on four pillar carved base, 135cm x 100cm, H71cm Condition Report Click here for further images, condition, auction times & delivery costs

A late 19th/early 20th century small painted pine rocking horse on a twin pillar stand, h. 81 cm CONDITION REPORT: In need of restoration.

A 20thC pewter pillar candlestick with enamelled peacock feather design to base, fully marked for A R Wentworth of Sheffield, 9.5cm high

A Foley China Beaker Commemorating the Glorious Defence and Relief of Mafeking, May 17th 1900 and Major General Baden-Powell "The Pillar of People's Hope"; together with a Foley bone china Commemorative loving cup for the 1953 Coronation (both cracked). (2)

Victorian carved mahogany framed square top stool standing on a turned pillar and tripod base Condition:

Burmese heavily carved hardwood octagonal top table, the top having a shaped apron, standing on a turned baluster pillar and carved tripod base with figural decoration depicting birds Condition:

19th Century boxwood inlaid and figured walnut banded breakfront credenza fitted central door decorated with an urn of flowers flanked by a brass mounted pillar and a bowed glazed door to either side, standing on turned supports Condition:

Victorian mahogany rectangular fold over top card table, standing on a splayed octagonal pillar and quadripartite platform base with reeded bun feet Condition:

Late 19th/early 20th Century pillar top street lantern Condition:

A garden sundial with brass plate on reconstituted circular stone pillar, height 99cm.

*ITALIAN SCHOOL (20TH CENTURY) SHIPPING IN THE BAY OF NAPLES bodycolour together with "Pompey's Pillar", "The Gymnasium near the Canopic gate of Alexandria" aquatints after I Mayer various sizes framed (3)

A 1960s retro Arkana tulip circular single pillar white dining table with six matching swivel chairs and occasional table

A REXON BENCH PILLAR DRILL

MARBLE TOP BRASS PILLAR TABLE. H45CM

PILLARE DRILL & PILLAR DRILL STAND

DOULTON PILLAR ROSE DINNER WARE. APPROX. 20 PIECES AND SOME GLASSES

Old pillar telephone

Rally 240v pillar drill on stand

OROLOGIO DA TASCA INGLESE A CHIAVETTA, FIRMATO GANTHONY, PERIODO GIORGIO III Cassa a due corpi in oro 18K, carrure godronata, fondello lavorato a guilloché, collarino sferico e pendente circolare.  Quadrante in smalto bianco a carica frontale, numerazione romana per le ore. Lancette a pera dorate. Meccanica a fusée firmata "Ganthony Lombard Street London N. 2126", carica a conoide, scappamento a verga, coq traforato e inciso, colonnini modanati. Diametro Ø: 43 mm  Note: quadrello di carica del conoide con tracce di ruggine.  - ENGLISH KEY-WINDING POCKET WATCH, SIGNED GANTHONY, GEORGE III Two body 18K gold case, knurled band, engine turned back, spherical pendant and bow. White enamel dial, front wind up, Roman hour numerals and outer minute track. Gilt “pear” hands. Movement signed "Ganthony Lombard Street London N. 2126”, fusee, verge escapement, pierced and engraved cock, molded pillar. Diameter Ø: 43 mm  Note: square winding arbor with traces of rust. € 400

A gilt brass cased carriage clock, early 20th century, with white enamel dial and engraved plate, flanked by pillar supports and enclosing a single train movement, 12cm high (key).

A Power Craft 500W pillar drill boxed

An oak and walnut longcase clock containing late 18th Century movement by Hayler of Chatham, the 12ins arched silvered dial with Roman numerals and with subsidiary seconds dial and calendar dial to centre and with strike/silent dial to arch, to the eight day two train five pillar movement striking on a bell, contained in modern oak case, swept caddy top with fretted centre panel, turned, fluted and brass stopped pillars, the arched trunk door veneered in figured walnut and flanked by quartered, fluted and brass stopped quarter columns and the base with raised astragal mouldings, inset with figured walnut veneer panel and moulded double plinth base, 91ins high (glass to door cracked - side moulding off but present) Note: William Hayler recorded working Chatham circa 1765-1851. In view of long working dates possibly two men of the same name, maybe father and son.

An 18th Century mahogany longcase clock by John Silke of Elmsted, the 12ins arched brass dial with wide chapter ring with Roman and Arabic numerals, matted dial centre with recessed subsidiary seconds dial and date aperture, the arch now with rocking figure of Father Time and worded "Tempus Fugit", to the eight day two train five pillar movement striking on a bell, contained in mahogany case with shaped cresting and later brass ball and eagle finials above moulded cornice and with plain turned pillars to hood, shaped front door, the base with raised astragal panel and on twin moulded plinth base, 91ins high Note: John Silke II recoreded working Elmsted circa 1760- circa 1779 and subsequently Stowting and Hythe

A 1920s oak brass arch dial grandmother clock, with four pillar movement, 167cm high

A Regency style mahogany and line inlaid twin pillar dining table

A late 18th century oak longcase clock having square pillar hood containing painted dial by Hargreaves, Settle, with 30 hour movement on shaped crossband trunk and square base on later feet

An early 20th century oak granddaughter clock having square pillar containing circular silvered dial on beaded trunk and square base

A late 18th century oak longcase clock having swan neck and pillar hood containing painted face and 30 hour movement on shaped pillar and inlay trunk on square base and bracket feet