We found 30666 price guide item(s) matching your search

A Victorian walnut work box with a drawer above a basket on twin pillar supports, needs some restoration but reasonably good

A 19th century fold over card table on twin pillar supports and quatrefoil base, 72cm tall x 92cm wide good colour and patina, some repairs to base

Victorian mahogany tilt top pillar table with square top

A triple pillar mahogany extending dining table in George III style, rectangular with rounded corners, on quadruped swept legs with brass caps and castors, 367cm long, 127cm wide, 74cm high: together with two extra leaves (nb currently blanketed in the cellar) each 61.5cm long 

A William IV mahogany patent-action three tier dumb waiter, the circular tiers flattening into one, on a bulbous pillar and tri-concave base with submerged brass castors, 66cm diameter. Maximum height 98 cm £120-180 

A quantity of china including Franconia six place setting teaset to include teapot and jug (teapot lid and jug a/f), part set of Doulton ''Pillar Rose'' teaware, etc.

A mixed woods octagonal occasional Table standing on a turned pillar and three splay feet, 20 1/4'' diameter x 28 1/4'' high.

A circular Oak occasional Table standing on turned pillar with three splay feet, 22'' diameter x 27'' high.

A circular mixed woods occasional Table standing on a turned pillar and with three fretworked splay feet, 19 3/4'' diameter x 27 1/4'' high.

A black lacquered oval snap-top occasional Table, the top featuring an arrangement of naturalistic flowers in a vase with a bird's nest adjacent, raised on a turned pillar and with a domed base.

A late 18th Century Louis XVI grande-sonnerie striking Pendule d'Officier mantel / carriage clock with pull trip-repeat and alarm attributed to Robert & Courvoisier, La Chaux-de-Fonds. The circular four pillar movement with chain fusee and verge escapement regulated by sprung three-arm monometallic balance with rack-and-pinion regulation to the going train, the hour and quarter striking trains driven by a single spring barrel striking the full hour on a bell followed by ting-tang notation for the quarters on a second smaller bell every quarter hour, the alarm with standing barrel wound via a line and pulley and sounding on the smaller bell, the backplate fitted with six-spoke balance bridge, adjacent regulation dial and full visible quarter and hour strikework, the 4.25 inch circular convex white enamel dial with vertical Arabic numerals, faceted minute and hour hands, steel alarm setting hand and Arabic quarter hours within the outer minute track set behind hinged milled convex glazed cast gilt brass bezel, the case with hinged handle formed as a looped snake consuming its own tail over concave-sided hipped superstructure applied with laurel wreath and oak leaf cast mounts to front and back and engraved with panels of fruiting plants over stepped shoulders to sides, the front with acanthus cast infill to lower quadrants and the sides with fluted banner panels over generous laurel rosettes, the rear matching the front but centred with a lattice pieced sound fret, on four turned feet, Measures approx; 19cm high excluding handle. No key some wear to enamel near winding holes.The partnership between Louis Courvoisier (1758-1832) and his father-in-law Captain Louis-Benjamin Robert (1732-1781) was established in 1781. In 1787 Robert died leaving his share of the business in control of his widow, Charlotte. This arrangement continued until 1811 when Louis Courvoisier took his son, Frederic Alexander took in his son to form 'Courvoisier et Cie'.The current lot is a fine textbook example of an early design of pendule portative termed 'Pendule d'Officier'. Although this form of portable timepiece originated during the 1780's they apparently became popular during the period of the Napoleonic wars, particularly amongst the officer class, hence the term 'Pendule d'Officier'. The firm of Robert and Courvoisier were the leading makers of this type of portable timepiece during this period.

Thomas Donald Plenderleith (1921-1995) - West Pentire Fields - A large 20th Century oil on board landscape scene painting depicting a large field of poppies and other blossoming flowers with arrangement of small stones, rocks and bush with off centre pillar bellow a blue cloudy sky. Signed by artist to lower left corner. Label to verso. Set to a gilt painted frame. Measures approx; 71cm x 82cm.

A collection of porcelain figures dating from the 18th Century to include a Derby figure of Andromache Weeping Over The Ashes of Hector, decorated in coloured enamels, and picked out in gilt, on canted rectangular base, small Meissen manner figurine depicting a young boy playing a musical instrument, A Derby figure of John Milton, c1780, holding in his left hand a text from Paradise Lost, the pillar below moulded in relief with related scene, on cut cornered gilt base and another. Tallest measures approx; 26cm tall. Some minor age related wear present, firing faults to base of Andromache.

Joseph Lorenzl (1892-1950) - An early 20th Century Austrian  Art Deco silvered and cold painted bronze / patinated metal figural table lighter / match striker. The figure modelled as a young girl wearing top and long trousers with painted floral details. The base of stepped form with gadrooned edge and pillar to verso with removeable striker. Usage wear present and loss to the striker. Cast signature and marked to bottom ANR Made In Austria. Measures approx; 21cm tall.

An early 19th Century Regency period mahogany and specimen wood inlaid tilt top occasional table / wine table. Comprises a rectangular top with rounded corners set with a central burl walnut, rosewood & satinwood octagonal motif. The base a central stepped octagonal pillar with tilt top metal mechanism to underside raised over a quadruped base with bun feet. Measures approx; 72cm x 76cm x 57cm.

VICTORIAN INLAID WALNUT SEWING TABLE,with fitted interior and a pillar with cabriole supports, 49cm wide

A Bradson cast iron pillar drill.

A 19th century brass four pillar eight day twin fusee movement striking on a bell (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An oak topped wine table, set on turned pillar and tripod base

A late Chinese carved and stained hardwood lamp standard with dragon decoration to pillar and circular base

A reproduction marbled top wine table with brass border, set on turned pillar and tripod base

An antique mahogany tall pedestal wine table, set on turned pillar and tripod base - sold with a lower reproduction example

A 1.42m mahogany tilt-top pedestal dining table, set on ring turned pillar and quadruple splayed legs with brass lion paw caps and casters - for restoration

FDCs 2001 (8 October) 150th Anniversary of the Pillar Box, Mercury Silk FDC with post box lane Abingdon H/S

Draper pillar drill, Black & Decker router and other power tools

A collection of vintage Post Office pillar box money boxes, along with other vintage money boxes

Two Major Wear 'Deadman Dressage' 100% wool, formal hats in black with feather adornment and pillar box red,. both size M, internal circumference 57cm together with a vintage black Best London trilby hat A/F, 57cm internal circumferenceCondition: Slight wear, no damage or stains to Dressage hats. Wear to the interior felt of the trilby and the peach satin lining requires attention with a felt marked nameLocation: RWB

A Large Georgian style Dolls House ‘Renouf’ by Anglesey Dolls Houses, the façade with steps to front door with fan light and pillar supported porch with balcony above, glazed framed windows on three storeys and Welsh slate roof with three gable dormer windows and a widows walk, the removable front walk way revealing four windows to basement, the front opens in two wings to six rooms, hallway and landing on three floors, all room with wallpapers, flooring and curtains, roof hinges upwards to reveal three attic rooms with furniture and basement opens to three rooms with furnishings, the house is fully electrified, height 61” (155cm), width 47 ¼” (120cm) depth including front walkway 21 ¼” (54cm): (condition: excellent overall condition, front wings not closing securely and needs attention). The ‘Renouf’ house was first exhibited at the London Dolls House Festival in May 1997 and subsequently featured in ‘International Dolls’ House News’, Vol 26, No.7, July 1997 and ‘The Dolls’ House Magazine’ issues 3 and 4. Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct

Mason, Kendal. An early 19thC longcase clock, the arched dial painted with a lady with a book, above floral spandrels, with eight day, four pillar movement, in mahogany case with bracket feet, 208cm high.

J. Wilson, Bourn. An early 19thC longcase clock, the square dial with engraved silver chapter ring and date and second aperture, with eight day, four pillar movement in oak case with a plinth, 197cm high.

A mid 19thC longcase clock, the arched dial painted with rural scenes and Roman numerals, with an eight day four pillar movement, in an oak and mahogany cross banded case, 227cm high.

Val. Downs, Louth. A 19thC longcase clock, the arched dial painted with flowers and with Roman numerals, eight day four pillar movement, in an oak case, 108cm high overall.

'GOTHIC' PAINTED, GILTWOOD, AND BRASS MOUNTED CONCERT HARP, JACOB AND JAMES ERAT, LONDON EARLY 19TH double action with 43 strings, in simulated satinwood with stencil decoration, the fluted pillar with winged caryatids on the capital, the brass neck plate engraved 'I & I ERAT/ PATENT HARP MANUFACTURES/ 23 Berners Strt London No. 1875(165cm high)Provenance: The Estate of the Late Lord David Douglas-Hamilton

REGENCY STYLE MAHOGANY THREE PILLAR DINING TABLE 19TH CENTURY with two D ends and centre section on turned baluster columns, on reeded outswept legs ending in brass caps and castors; with four leaf inserts(454cm long, 73cm high, 123cm deep)

Vintage car badges: Morris Standard 8 Car Bonnet emblems (5) including: a chrome and enamel Standard 8 badge, two union jack mascot badges, a Morris 1500 mascot insert and a Standard 8 Bonnet mascot which needs some restoration. Vintage Austin Mini 7 Mk1 1960 Plastic car badge, could use some tlc but an excellent original badge for the Mini collector. Ford Cortina Mk3 1970-73 GXL Rear Pillar (roof) Badge, This is the correct type, made of plastic, this type is the silver version which is much rarer than the one with gold trim. Good for the Ford specialist. 1956 Ford Popular 103E Bonnet Badge, chromed. British Coventry Climax 1950/60s Chrome and Enamel car badge, the badge marked J.F. Ray Ltd., B'ham. Humber 1950/60s Script Chromed Car Badge, missing one of the rear attachment pins. An excellent lot.

A sterling silver sugar shaker of pillar form with loop handle, Sheffield 1934 by Thomas Bradbury & Son, 178g.  10.3cm high. 6.6 cm diameter at the base

A 19th century blue-painted hall mirror with pillar column supports

A 19th Century mahogany Pembroke breakfast table, with one frieze and one faux drawer, raised on a waisted stepped square form pillar base, with quadripartite scroll supports and outswept legs, terminating in brass caps and castors, 96cms wide x 114cms (extended), 67cms high.

An Edwardian inlaid mahogany bracket clock, the domed architectural case with pillar supports, 41cms high; together with a brass-bound miniature Chinese chest. (2)

A 20th Century stone composite garden ornament, modelled as a figure of a nude lady upon a pillar base, 104cms high overall.

A 20th Century stone composite birdbath, the circular bowl over a baluster pillar support decorated with leaves, over a hexagonal base, 60cms high; together with a smaller stone composite birdbath, 34cms high. (2)

An Edwardian china display inlaid mahogany cabinet vitrine having a flared pediment top with inlaid floral detailing. The cabinet having a central pillar with floral swags, astragal glazed doors opening to reveal a shelved interior raised on upright supports. Measures Approx 155cm H x 106cm W x 34cm D

A 19th Century Victorian octagonal mahogany ladies pedestal work/occasional table. The table having a pull up hinged lid opening to reveal a sectional interior compartment. Raised on a pillar support with carved knees and scrolled feet. Measures approx 77cm H x 46cm Diameter

A larger-than-life bronze eagle, including a 6-meter high steel pillar. second half of the 20th century. Please note that this statue must be picked up on location.H.: 220 x B: 350 cm.

An Ercol extending dining table on central pillar base; and four matching stick back dining chairs with swan motif, three standards one elbow

Yehoshafat's Tomb Absalom Pillar 1981-1982oil on burlap159 x 127 cm (62 5/8 x 50 in.)unframedsigned and dated lower right; inventory number and titled twice (label and stretcher)CONDITIONThe painting is in very good condition. A minor loss visible to the upper center left edge. Wear to the burlap, most notably the corners, not affecting the integrity of the painting. Inspection under UV light shows minor reworking by the artist.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.

Ca. 200-300 AD A pair of beautiful, life-size marble statues of nude children representing Harpocrates, the god of silence and secrecy, each represented elegantly standing on a plinth - one hand resting on a pillar surmounted by a pot, the other arm holding a cornucopia. The oval face framed by long, wavy hair, lotus flower to the top of the head. The gods are depicted with a youthful face, the roundness of his features exemplifying the child-like quality. He is depicted with a rounded chin and large, deep-set, almond eyes. See Daremberg & Saglio, Dictionnaire des Antiquités Grecques et Romaines, Paris, 1873-1917; see Jashemski, W.J., The gardens of Pompeii: Herculaneum and the villas destroyed by Vesuvius, II volumes, New York, 1979. Size: L:Set of 2; 665mm/690mm / W:260mm/280mm ; 18.6kg/21kg Provenance: From a private French collection; acquired from Helios Ancient Art, London, UK, in 1990; formerly forming part of a West Sussex estate, acquired between 1960s-1970s; accompanied by an archaeological expertise by Dr Raffaele D’Amato and a geological scholarly report no.TL5370 by Dr Ronald Bonewitz; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10574-172347.

Late Period, 30th Dynasty, Ca. 332 BC A vibrantly coloured shabti in stylised mummiform pose, moulded in a light-blue, glazed faience, wearing a tripartite wig and divine, braided beard. The chest with folded arms, clenching a pick and hoe. A band of hieroglyphic text running vertically down to the trapezoidal base, the reverse with a dorsal pillar, representing the backbone of Osiris, symbolising stability and longevity. For similar see: The Shabti Collections, volume 6, Janes, G, Pl. M13882, pg 442. Size: L:147mm / W:42mm ; With stand: 410g Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent.

Late Period, 27th - 30th Dynasty, Ca. 525-332 BC This green-glazed moulded figure is mummiform in representation, wearing a plain, tripartite wig with narrow, front lappets, and a broad-plaited, divine beard. The face is well modelled with clear features. The arms are crossed above the waist, the hands emerging from a shroud. The body with a T-shaped column of text. The figure stands upon a trapezoidal base, and is supported by a dorsal pillar, a symbol of stability and longevity. Size: L:132mm / W:35mm ; With stand: 120g Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent.

Late Period, Ca. 664-332 BC A vibrant blue faience amulet of Thoth, depicted with a human body and the head of an ibis, in a striding position, his left foot forward, his arms held to his sides. He is wearing a short pleated kilt. On an integral base, with a back pillar pierced for suspension. For similar see: W. M. Flinders Petrie, Amulets, Illustrated by the Egyptian Collection in University College, London (London, Constable, 1914). Size: L:36mm / W:7.5mm ; 3g Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent.

Late Period, Ca. 664-332 BC A finely modelled amulet of Sekhmet, the lioness-headed goddess of war, military strategy, and healing. Covered in apple-green glaze, Sekhmet presents in a striding pose with her left leg forward while wearing an ankle-length, sheath dress. Her arms are draped to her sides, while her short-cut mane drapes across the tops of her shoulders. Almond-shaped eyes, a condensed snout, perky ears, and a furrowed brow comprised her protruding visage, and her head is surmounted by a sun disc with a frontal uraeus cobra. A suspension hole is situated in the middle of the dorsal pillar to enable this figure to be worn as a pendant. Size: L:43.7mm / W:10mm ; 2.52g Provenance: From a London private family collection, formerly acquired on the UK art market in the 1960s - 1970s; then passed by descent.

Balancier-Dampfmaschine Stuart, um 1980 Stuart Turner Ltd., England. Mit gußeiserner Mittelsäule, obenliegender Laufbalken, parallel laufende Steuerung nach Watt, mahagonibeplankter Zylinder, Ø 4 cm, Schwungrad mit Speichen Ø 18 cm, hergestellt aus poliertem Stahl, Gußeisen und Messing. Start Price: EUR 450 Zustand: (2/2)Stuart Walking Beam Model Steam Engine, c. 1980 Stuart Turner Ltd., England. Polished steel, cast iron and brass, with a cast single center pillar supporting an overhead balancing beam complete with Watt's parallel linkage, mahogany-planked single cylinder, Ø 1 ½ in., spoked 7 in. flywheel. Start Price: EUR 450 Condition: (2/2)

Große Modell einer Balancier-Dampfmaschine, um 1880 England; gußeiserne Mittelsäule, obenliegender Laufbalken, parallel laufende Bewegung, mahagonibeplankter Zylinder, Ø 6,8 cm, Schwungrad mit Speichen Ø 42 cm, Geschwindigkeitsregler nicht komplett, hergestellt aus Stahl und Gußeisen, gußeiserner Unterbau auf Holzsockel montiert, Gesamtmaße 75 x 31 x 58 cm. Start Price: EUR 600 Zustand: (3/3)Large Walking Beam Model Steam Engine, c. 1880 England, steel and cast iron, with a cast single center pillar supporting an overhead walking beam, with parallel motion, brass-bound mahogany-lagged single cylinder, Ø 2 2/3 in., spoked 16 1/2 in. flywheel, rod-driven feed pump, cast bedplate on wood base, overall 29 ½ x 12 1/5 x 22 4/5 in., governor incomplete. Start Price: EUR 600 Condition: (3/3)

Balancier-Dampfmaschine von Stuart Stuart Turner Ltd., England. Polierte Stahl-, Gußmetall- und Messingkonstruktion, mit gußeiserner Mittelsäule, obenliegender Laufbalken, parallel laufende Bewegung, mahagonibeplankter Zylinder, Ø 4 cm, Schwungrad mit Speichen Ø 17,5 cm, gußeiserner Unterbau auf Holzsockel montiert, Gesamtmaße 39 x 21,5 x 29 cm. Start Price: EUR 280 Zustand: (2/2)Stuart Walking Beam Model Steam Engine Stuart Turner Ltd., England. Polished steel, cast iron and brass, cast single center pillar supporting an overhead walking beam, with parallel motion, mahogany-planked single cylinder, Ø 1 ½ in., spoked 6 9/10 in. flywheel, cast bedplate on wood base, 15 2/5 x 8 ½ x 11 ½ in. Start Price: EUR 280 Condition: (2/2)

Modell einer stehenden Einzylinder-Bockdampfmaschine, um 1920 Messing, 4 Säulen, kathedralenförmiger Aufbau, nach oben aus dem Zylinder austretende Kolbenstange, auf seitlicher Schiene gleitender Kreuzkopf, Exzenter mit Stange zur Schiebersteuerung, Zylinder Ø 2 cm, Schwungrad mit Speichen Ø 17 cm, Messing-Unterbau auf Holzsockel montiert, Gesamtmaße 28 x 23 x 34 cm. Start Price: EUR 280 Zustand: (2-3/2-3)Working Model of a Single-Cylinder Overcrank Steam Engine, c. 1920 Brass construction, quadruple-pillar cathedral-shaped frame, cylinder with vertical piston rod, crosshead-guide power transmission to the crankshaft in plain bearing, eccentric rod slide valve control, cylinder Ø 3/4 in., spoked 6 3/4 in. flywheel, brass bedplate on wood base, 11 x 9 x 13 1/3 in. Start Price: EUR 280 Condition: (2-3/2-3)

Skulpturensäule Cremefarbener, rotbraun gemaserter Marmor. Über quadratischer Sockelplatte und profilierter Basis zylinderförmiger Schaft als Träger für korrespondierendes Kapitell und entsprechende Deckplatte. H. 92,5 cm. 22,5 cm x 22,5 cm.An Italian marble pillar.Italien. 20. Jh.

Skulpturensäule Cremeweißer, in unterschiedlichen Grüntönen gemaserter Marmor. Über quadratischer Plinthe profilierte Basis als Träger für zylinderförmigen, kannelierten Säulenschaft. H. 101 cm.An Italian marble pillar.Italien.

Skulpturensäule Cremeweißer, in unterschiedlichen Grüntönen gemaserter Marmor. Über quadratischer Plinthe profilierte Basis als Träger für zylinderförmigen, kannelierten Säulenschaft. H. 101 cm.An Italian marble pillar.Italien.

A brass four-pillar carriage time piece, the white enamel dial with Roman numerals, signed 'Dent Pall Mall London', 11cms high.

An embossed brass desk stand with letter rack, inkwell detail and a pair of Victorian pillar form candlesticks (3)