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A PERFORMANCE POWER PILLAR DRILL

A 19th century mahogany hall mirror with pillar supports, height 105 cm

A 19th century mahogany hall mirror with pillar supports, height 131 cm

TAPIS DE COLONNE EN LAINE À DÉCOR DE DRAGON À CINQ GRIFFESXIXe siècleA WOOL 'FIVE-CLAWED DRAGON' PILLAR CARPET 19th centuryWoven to the centre with a large blue-scaled serpentine five-clawed dragon amongst cloud scrolls, above a Buddhist lion seated on rockwork amongst foaming waves and a lishui band to the lower edge. 222cm (87 3/8in) x 91cm (35 3/4in).Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) 十九世紀 水波雲龍紋柱毯來源：巴黎Robert Rousset（1901-1981）舊藏巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com

RARE et GRAND TAPIS DE COLONNE À DÉCOR DE DRAGON PORTANT UNE INSCRIPTIONFin de la dynastie Qing (1820-1911)A RARE AND LARGE WOOL INSCRIBED 'DRAGON' PILLAR CARPETLate Qing Dynasty (1820-1911)Finely decorated with a sinuous side-facing five-clawed dragon riding the heaven amidst the Eight Buddhist Emblems and colourful ruyi-clouds, all above the mythical mountain and a lishui border, and below the Mongolian inscription. 430cm (169 2/8in) long x 118cm (46 1/2in) wide.Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) 清晚期 龍紋柱毯來源：巴黎Robert Rousset（1901-1981）舊藏巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com

A Startright Mercury MkII pillar drill on stand with clamp

A LARGE COLLECTION OF TOOLS AND ATTATCHMENTS to include router bases, pillar drill/drill press stand, and a tray of clamps and straps etc.

Early 20th century oak dining table, circular extending top with telescopic action, on four pillar base with x-framed platform, turned feetDimensions: Height: 72cm  Length/Width: 177cm  Depth/Diameter: 131cm

A Thwaites Victorian brass A-frame five pillar clock movement, being chain driven fusee with anchor escapement, signed to the backplate, h.20cmNo number apparent, but impressed I. Thwaites.

An early 19th century wall clock dial and movement, the Roman white enamel convex dial with glass and brass bezel, dia.26.5cm, having four-pillar wire driven fusee movement with anchor escapement (lacking case)

A late Victorian ebonised four tier whatnot, width 54cmFeels flimsy because pillar supports are not properly secured. Would benefit from slight restoration.

A 19th century Rosewood and Mahogany flap over Tea Table having a tapering turned pillar, the circular platform base raised on four scroll feet, 36'' x 17 3/4'' extending to 36'' square approx. and 29'' high.

A Sealey pillar drill.

A Draper pillar drill.

REGENCY ROSEWOOD & MAHOGANY SOFA TABLE, the top crossbanded top with rounded corners and ebonised moulded edge, above drawer and dummy opposed by similar, brass ring handles, on cable twist pillar and four scroll supports, to concave sided platform and inverted swept legs, brass caps and castors, 72.5 h x 116 w x 63cms dProvenance: contents of Machen House, Lower Machen in the County Borough of CaerphillyComments: restorations, handles replaced.

LATE GEORGE III MAHOGANY TRIPLE PEDESTAL DINING TABLE, reeded edge with rounded corners, turned pillar supports with swept legs with brass caps and castors, 71 h x 268 w x 135cms dProvenance: contents of Machen House, Lower Machen in the County Borough of CaerphillyComments: restorationsProvenance:Save

LATE 19TH CENTURY EBONISED WALNUT, PORCELAIN & GILT METAL CREDENZA, of serpentine outline, applied with Sevres-style porcelain plaques in gilt metal frames, glazed side cupboards, central panelled doors between turned pillars, raised on toupie feet, 181 x 46 x 109cms hComments: both pillar capitals split and loose, one door beaded metal mouldings damaged but present, minor scuffs and splits.

Weber Gearbox lift pillar, blue.TO BE COLLECTED FROM ROSS-ON-WYE, Call for details - 01981240140.

Weber Gearbox lift pillar, red.TO BE COLLECTED FROM ROSS-ON-WYE, Call for details - 01981240140.

Screw pillar jack and handle.TO BE COLLECTED FROM ROSS-ON-WYE, Call for details - 01981240140.

A small Scheppach pillar Drill with clamp vice, working at ti.me of testing

A pair of George III Paktong candlesticksunmarked Of typical column form, cast, topped with Corinthian capital and removable shaped-square drip-pan, fluted pillar on a stepped square base with gadroon borders, the monogram 'AC' inscribed to one side, height 28cm. (2)Footnotes:Property of a private collector.A similar pair is illustrated in Keith Pinn, Paktong: The Chinese Alloy in Europe 1680-1820, (Suffolk: Antique Collectors Club, 1999), p.99, plate 59.Paktong is an alloy that can trace its roots in China to the 4th century AD, created by the process of combining copper, nickel and zinc. The name is derived from the Chinese 'baitong', meaning 'white copper'. In Ming-Qing China, it was widely used for making every day domestic items such as water pipes for smoking, bowls, dishes, ink boxes, and so on. In the late 17th century, it was frequently exported to Europe where it became fashionable for decorative domestic wares. English makers, such as Matthew Boulton, saw the potential for making candlesticks and other goods from paktong as the metal could be cast, took a high polish and was slow to tarnish. The imported alloy was therefore used by silversmiths and by Birmingham brass manufacturers to imitate silverware. A page from one of Boulton's books from the Soho factory in 1769 lists twenty-two 'subjects into which it (paktong) may be manufactured'. Once called 'Tutenag' or 'Chinese white copper' it is believed that English and European makers were experimenting with the alloy as early as the opening decades of the eighteenth century. However most surviving paktong is from the 1760-1780 period. Candlesticks are often found in paktong, but other items were also created from the versatile alloy. Robert Adam designed paktong fire grates for Syon House and a 1782 inventory of Osterley Park House records the fire grate, fender and fire irons as paktong. Paktong died out as a product for high fashion candlesticks and other objects in the late 18th Century, when Sheffield plate emerged as a cheaper alternative.Also refer to Chao Huang, Metallurgical knowledge transfer from Asia to Europe: Retrospect of Chinese paktong and its influence on Sweden and Austria, accessed via https://doi.org/10.4000/artefact.1996For further information on this lot please visit Bonhams.com

A silver stud / jewel boxmaker's mark T.F & Co, London 1928Rectangular form, the hinged cover with a geometric cube design, engine-turned sides with pillar corners, material lined interior, length 15cm.For further information on this lot please visit Bonhams.com

A NUTOOL MULTIPLE SANDER TOGETHER WITH A NUTOOL NTG6 BENCH GRINDER AND A NUTOOL 5 SPEED PILLAR DRILL

A vintage Precitools pillar drill

A large Victorian claret jug of pedestal form with star cut decoration and frosted finish with matching goblet - sold with a smaller claret jug with engraved ivy leaf decoration and a Georgian helmet form jug with slice and pillar cutting (a/f to handle)

A 70cm diameter mahogany pedestal table, set on turned pillar and tripod base

A 92cm diameter antique oak pedestal tilt-top table, set on turned pillar and tripod base

An adapted late Georgian mahogany pedestal wine table with later ornate pillar support

A 92cm late Georgian mahogany fold-over swivel-top card table with canted corners, set on turned pillar and quadruple reeded legs with brass lion paw caps and casters - baise missing

A 1.42m 19th Century mahogany tilt-top table with rounded oblong top, set on turned pillar and quadruple splayed legs with lion paw terminals and brass casters

A Victorian oak nightstand with central bevelled oval swing mirror and flanking folding candle holders, over a platform with single frieze drawer, set on a turned pillar with spindle decoration, set on quatrefoil base

A 1.2m reproduction mahogany and ebony strung oval topped coffee table, set on turned pillar and quadruple splayed legs with lion paw caps and casters

A good Regency style extending mahogany dining table having one extra leaf: unusually wide satinwood crossbanding above two pillar supports with turned columns and four square tapering reeded legs terminating in brass cap castors (305cm leaf in x 117cm wide x 73cm high)

A George III period extending mahogany dining table having one extra leaf: the reeded edge top above two gun-barrel supports, each with tripod base with downswept tapering legs terminating in elongated pad feet (186 cm leaves in x 114 cm wide)Condition Report: There are four clips. The top has been re-polished at some stage. There are some scratches, ink and water marks commensurate with age. The middle leaf is prevalently darker through less usage. The two pillar supports appear OK, the colour is good. There is some scuffing and knocks to the ends of the elongated pad feet commensurate with age. One of the supports has a 8cm vertical split where the legs is joined and appear a little faded. The piece may well have been stored in a barn or outbuilding (some mould on the underside is apparent). Would benefit from a re-polish.

A large and impressive three-pillar early 19th century mahogany dining table with two extra leaves: each pillar with gun-barrel-style stem and two end pillars on three downswept square tapering legs terminating in brass lion's paw castors, the middle pillar on four downswept square tapering legs, together with brass clips (127 cm wide x 328 cm (leaves in)

Rene Lalique - A group of three scent bottles to include a small factice Je Reviens for Worth designed circa 1929, of stepped cylindrical form with pillar moulded body in dark blue below matched turquoise blue stopper, relief moulded mark, another similar example with a silver top and a Eau de Cologne Sou de Paris bottle of arched form in cobalt blue with silver top and original paper label, relief marks, height 11cm. (3)

Rene Lalique - A group of six drinking glasses, to include a Bambou example with a round bowl above a stepped pillar stem, signed, three Pavot shot glasses with stylised relief petal decoration and black enamel decoration the base and two Molsheim wine glasses with flared trumpet bowls, signed, tallest height 14.5cm, S/D. (6)

A PAIR OF 19TH CENTURY MAHOGANY FOUR TIER WALL SHELVES, the four shelves united by turned Roman-style pillar supports, each wall shelf measuring 74 x 63 x 16.5 cm

A GEORGE III MAHOGANY TILT-TOP BIRDCAGE TABLE, the tilting circular one piece top set atop a turned pillar raised on three down swept legs, 117 (closed)/70 (open) x 68 cm diameter

A RECONSTITUTED STONE BUST OF ZEUS ON CORINTHIAN STYLE PILLAR, good weathered aappearance, the pillar splits into sections, total height 130 cm

A reconstituted stone bird bath, the circular bath on a cylindrical pillar and square plinth base, 93cm high (at fault), along with three lead bird figures

James Kimich, Dunstable. A 19thC longcase clock, the square dial painted with flowers, etc., with subsidiary aperture, thirty hour four pillar movement, in figured mahogany case, 220cm high.

A Regency style mahogany extending dining two pillar dining table, the rectangular top with rounded corners and a reeded edge, on turned columns and slayed legs, 73cm high, 210cm wide, 106cm deep.

A mahogany two pillar dining table in Regency style, the rectangular top with a cross banded border, each support with a turned column and reeded splayed tripod base and brass castors, two loose leaves, the top 271cm x 124cm.

A Royal Doulton "Pillar Rose" part dinner service; a Susie Cooper set of 6 coffee cups and saucers; etc.

A ebonised wooden pillar stand with turned detailed, squared base, felt column. (some loss and warping to top) height 108cm

A mahogany pedestal desk with three drawers to each pillar and under desk, with leather top (slight damage) 122 x 65cm

A FRENCH 19TH CENTURY CIRCULAR CENTRE TABLE, with glass top within a moulded rim raised on patinated bronze and parcel gilt winged figure supports and having a turned leaf embellished centre pillar on a concave triangular platform base. 102cm diameter, 79cm high.Condition Report: Will fit glass of 87cm diameter Max size is 92.5cmProbably late 20th centuryThe base is made from bronze

A GEORGE III MAHOGANY CIRCULAR SUPPER TABLE, the revolving plain top on a bird-cage action and raised on turned centre pillar with tripod supports. 75.5cm diameter, 72cm highCondition Report: 72cm high

A GEORGE III PIE CRUST WINE TABLE, the top raised on turned and fluted centre pillar, and fluted tripod base. the top 40cm diameter, 69.5cm high

AN IMPORTANT IRISH YEWWOOD LIBRARY TABLE, by Arthur Jones & Co. Dublin made for the Great Exhibition 1851, at the Crystal Palace, London. 150 x 80cmThe most widely referenced and prominently illustrated Irish exhibit of the 1851 Great Exhibition at the Crystal Palace in London, was an eighteen-piece bog yew suite designed and manufactured by Arthur Jones & Sons of Dublin. The suite is described and illustrated in a four-page entry.In 1853 Jones went on to publish a more extensive catalogue of the suite, which included an additional six pieces of furniture. He entitled the catalogue: ‘Description of a suite of sculptured decorative furniture, illustrative of Irish history and antiquities, manufactured of Irish bog yew /designed and executed by Arthur J. Jones, Son, and Co. ... 135, Stephen’s Green, Dublin.’There are four known surviving pieces of this suite today. They are listed in the Official Exhibition Catalogue as follows: No.4- A Teapoy, No.17 - A sarcophagus wine-cooler, or garde-vin, No. 9- Whist Table and No.2 - An Occasional Table - Lot 428 in this sale.The teapoy was sold at auction in Adam’s in 2014; the wine cooler was bequeathed to the National Trust of Australia (NSW) by Samuel Henry Ervin[1] and remains in the S.H. Ervin Gallery in Sydney to this day; and the whist table, or card table is in the Victoria & Albert Museum in London.Jones’ entire suite is composed of a type of bogwood called ‘bog yew’. A wood that derives from ancient fallen trees or stumps that have been submerged in bog land for thousands of years. Bogwood was increasingly used by craftspeople and cabinetmakers as a deliberate reference to Ancient Ireland in their work. Jones writes in the introduction pages of his independent catalogue:“The wood employed – the bog yew tree – resembles the subject it illustrates. As the details of Irish history have been disentombed from the oblivion which conquest entails upon the records of the vanquished, the bog yew timber of ancient Ireland has been exhumed from the depths of her peat formations…” (Jones, 1853)The integration of ancient animals emblematic of Ireland is omnipresent in this suite. The inclusion of creatures such as the extinct Great Irish Deer [Megaloceros Giganteus] and the Irish wolf, injects an element of drama and theatre.The Occasional Table was carved with a ferocious animal group of the Irish wolfhound killing a wolf to the cross-stretcher. This piece of the table is sadly no longer present but can be seen in the catalogue illustrations.The important role of music and poetry in the Irish culture is also represented in the design of the suite as can be seen above the pillars of this table – central to the carved apron is a Celtic harp, and each corner, a bard’s head.The large pillar supports of the table are raised on downswept legs carved with shamrocks, roses, thistles – emblems known as the ‘Union Flowers’. The top portion of the table is representative of Ancient Ireland while the lower half carved with ‘Union Flowers’ alongside symbols of Ancient Ireland places this piece firmly within the context of the ‘United Kingdom’ which would have been Jones inclination and his intended market.Condition Report: Very good condition Noticeable time split to top Stretcher underneath has lost the animal carving (compare with original design illustrations)Small losses to the carving underneath have been overpolished to conceal lossSee additional images

A REGENCY MAHOGANY AND BRASS INLAID TILT-TOP BREAKFAST TABLE, the shaped rectangular top with crossbanded and brass inlay decoration, with reeded rim, raised on ring turned baluster centre pillar, with applied brass lotus leaf decoration to the column base, on convex platform stepped base with brass paw feet. 139 x 95cm

A GEORGE IV MAHOGANY CIRCULAR DRUM TABLE, the top with tooled green leather scriver, fitted frieze drawers with ebon handles on turned centre pillar with reeded out swept quadruped legs with brass top cap castors. 112cm diameter, 78.5cm highCondition Report: Good original condition Leather top with some light water stains and surface marks Tooling has lost some gilt decoration All drawers are good condition and tight fitting Original handles There is an old professional repair to the foot and a small timber split within the column. I have attached images.No sign of restoration to base

A VICTORIAN SPECIMEN MARBLE TOP CIRCULAR TABLE, the white ground with star pattern in alternating coloured marble enclosing a eagle seated on a tree with a cup, raised on an octagonal centre pillar with triform platform base. 61cm diameter, 76cm high

A WILLIAM IV ROSEWOOD TEAPOY OF SARCOPHAGUS SHAPE, ATTRIBUTED TO GILLOWS, the hinged lid decorated with carved fluted rim above panels carved with foliate sprays, and lion masks, raised on a turned fluted centre pillar and quadruped base with paw feet. 77cm high, 46cm wide

A pair of concrete pillar caps.

A cast iron Elizabeth II pillar post box, 188cm high overall**Please note that this lot in this auction is held offsite and may require specialist lifting equipment, therefore please ensure collection adequate arrangements are made prior to making any journey to the saleroom. Many thanks**

A cast iron George VI pillar post box, the post box 120cm high, 210cm high overall**Please note that this lot in this auction is held offsite and may require specialist lifting equipment, therefore please ensure collection adequate arrangements are made prior to making any journey to the saleroom. Many thanks**

A Victorian mahogany and line inlaid tea table, on turned pillar on quadruple leaf carved legs with brass castors, 73cm h; 45 x 91cm Old dark scratches but top not warped and structurally sound