We found 30650 price guide item(s) matching your search

An elaborate 20thC photograph frame, with pillar supports, carved with a bow, 28cm high, and a coward comfort form shoe stretcher.

Royal Doulton large double-faced character jug of Samson and Delilah (D6787) is a hand-painted ceramic jug that uniquely features both biblical figures, with Samson on one side and Delilah on the other. The handle incorporates a crumbling pillar, symbolizing betrayal. Marked with the Royal Doulton backstamp.Artist: Stanley J. TaylorIssued: 1987Dimensions: 7"HCountry of Origin: EnglandCondition: Age related wear.

A 19th century oak pillar table with snap-top, on tripod support. 29" diam.

A George III and later mahogany triple pillar ‘D’ end dining table, the top with three leaves, raised on three turned columns and sabre legs, height 76cm, extended length 297cm, depth 108cm (alterations, later top).

PITCH PINE LECTERN, on turned pillar and tripod base139cm high

An early 20th century French figural pillar clock in the form of a spelter maiden holding aloft the drum shaped clock 69.5cm h x 18cm w A/F Location: If there is no condition report shown, please request

A quantity of various doll's house garden items to include pillar box, letter box front, garden pots, barrow, spade, fork, hoe, saw, ladder, etc, a collection of Model Village Miniatures furniture kits, unmade and a bag of Angie Scarr "Make your Own" sliced fruit including lime, kiwi, orange, etc.

A reproduction mahogany library table in the Regency manner, the top with tooled and gilded leather insert, over three frieze drawers, opposite dummy drawers, on twin fluted end pillar supports, united by a flattened shaped stretcher, on splayed square tapered legs to brass caps and castors, 152 cm wide x 92 cm deep x 77 cm high

JESSIE MARION KING (1875-1949) COLLECTION OF ORIGINAL PRINTING BLOCKS, CIRCA 1910 AND LATER comprising a GROUP OF ZINC BLOCKS, to include Kirkcudbright, a Royal Burgh, in three parts, 22cm x 12cm, with spine title, along with an original copy of Kirkcudbright, a Royal Burgh; Good Greeting 1949, in five parts, 3 at 14cm x 10cm and two smaller (for the card interior) From the Green Gate (symbol) Kirkcudbright; Ernest A Taylor: NeuGaelTach bookplate, 14cm x 6cm; Horseman at the Gate, in two parts, 7.8cm x 8cm; Ex Libris: Mary Elizabeth Reid bookplate, 10.4cm x 5.2cm; and Dandelions, from Budding Life, along with an original copy of Budding Life; a GROUP OF COPPER BLOCKS, to include an illustration of Spenser’s ‘The Faerie Queen’ And in the midst thereof a pillar placed…etc., 13.5cm x 8.5cm;  and illustration of Shelley’s ‘The Wild West Wind’, Sister of the Spring, 13cm x 8cm; an illustration of Morris’s ‘King Arthur’s Tomb’ For Lancelot’s red-golden hair would play, 14.3cm x 9.5cm; a GROUP OF ELECTROTYPE BLOCKS, to include Dead Babe, 19.5cm x 9cm; Sam Mavor bookplate, 7.4cm x 7.4cm; Spirit of the Woods, 11cm x 9cm; Couple by the Rocks, 14cm x 13.5cm; and three further electrotype blocks, one showing an image by Charles Rennie Mackintosh, two unidentified; a GROUP OF CARVED WOOD BLOCKS, to include Jessie M King/ The (with Green Gate symbol), 11cm x 3.7cm; a seal with carved symbol of a rose, 6cm long; Cottages in a Landscape, 8.2cm x 9cm; a crow, 7cm x 6cm; and an image of an agricultural roller, 6cm x 11cm; and a group of LINOCUTS, by Merle Taylor, E.A. Taylor and Jessie M. King, largest 15.5cm x 10.5cm (35) Provenance: Jessie Marion King and Ernest Archibald TaylorBy descent to their daughter Merle TaylorEstate of Merle Taylor

A George III style mahogany two pillar dining table having a reeded border, raised on swept legs including two extra leaves, length 244cm

THREE ITEMS TO INCLUDE A FERM PILLAR DRILL, AN HITACHI ANGLE GRINDER AND AN IOUTDOOR LIGHT

A Spanish porcelain figure group in the style of Lladro, modelled as a seated ballerina holding a rose beside a pillar, on an oak stepped base, 30cm high.

An Edwardian Mahogany mantel or table clock the arch case with pillar ornamentation with a brass dial and two subsidiary silver dials the brass movement striking on a double gong with pendulum. Height 36cm

Ralph Banks, Plymouth Dock, a mahogany Regency triple pad-top bracket clock having an eight-day duration, five-pillar double fusee movement with anchor escapement striking the hours on a bell with pull hour repeat, with the eight-inch painted convex dial having black Roman numerals, blued steel running loops hands and indistinctly signed R. Banks, Plymouth Dock, the mahogany case with brass-bound triple-pad to the top, brass fishscale frets to the sides and below the dial, brass ball feet and surmounted by a cast-brass handle, height 42cm, handle down. Note: Ralph Banks is recorded as working in Catherine Street, Plymouth Dock, Devon from at least December 1782 when he married Rebecca Palmer Collings at Stoke Damarel church. He 'bought-in' many of his good quality clocks and watches, mainly from London with his suppliers including John Thwaites. A silver watch signed for Banks was reported lost in January 1795. By 1812 the business was recorded under the name Rebecca Banks with the address given as Fore Street, Dock. Reference: Clive N. Ponsford Devon Clocks & Clockmakers Pub: David & Charles 1985.

Istobal Max 2500kg 2 pillar car lift. At a separate location in the Louth area, viewing by appointment

A Collection of Various Vintage Sundries to Comprise Pillar Clock Base with Painted Face (For Spares), Oak Biscuit Barrel, Look and Learn Magazines, Scissors etc

A Collection of Various Metalwares to Comprise Late 19th/Early 20th Century Copper Kettle, Brass Saucepan, Relief Magazine Rack, West German Pillar Clock etc

▲ Edward Bawden RA (1903-1989) 'The Palace of Westminster' (MG 068)linocut in colours, inscribed with title and numbered 'Artist's proof 41/75'image 51 x 65.5cmCondition ReportFramed: 79 x 92.5cmUnsigned. Cockling. A little time staining and discolouration to the margins. Staining/ watermarks to the lower and left margins. A little possible ink transfer to the glass at the base of the pillar in the bottom left. Not viewed out of glazed frame.

A Draper pillar drill and a Draper bench grinder

A mahogany and cross banded reproduction twin pillar dining table and six Chippendale style dining chairs, four standards, two elbows

A composite stone pillar, topped with octagonal sundial. On square base. Height: 80cm.

An early 20th century German musical Vienna wall clock, inscribed "Junghans" on the dial with Roman numerals, featuring a musical movement with a pendulum, no key, size W21 x D14 x H55cm. Running, missing one small pillar at bottom left.

A POWER CRAFT ZJ-4116 QA1 PILLAR DRILL, total height 60cm, a machine vice, a drill bit set and a Plasplugs drill sharpener (both PAT pass and working) (4)

A 19th century mahogany 'birdcage' table, the circular tilt-top on four pillar platform mount, turned gun barrel column and triform supports, repairs, a/f, 60 cm diam x 70 cm high

A pair of Goodmans Dimension 8 60 watt white lacquered pillar speakers, to/w a Pioneer PL-110 turntable, Sony 530S amplifier, S570 ES tuner and various LPs - mostly classical and easy listening

A Victorian oil lamp with a cranberry glass bow and brass pillar, complete with chimney, together with a crystal cut glass lamp with dome top, and splatter ruffled vases, amongst other wares. (2 boxes)

Brass Desk Lamp and Pillar Candle Wall Lantern, model ducks, George Courtney Lyttleton History of England Vol 2, 1806, etc:- One Box.

A Pair of Plated Electric Table Lamps in the form of 18th Century pillar candlesticks of octagonal form with knopped stems on square inswept bases, 15ins high, and shades for sameGeneral tarnishing to the plate. No other signs of damage/loss

A late 19th century French gilt brass full pillar mantel clock, the case with bevel edged glass panels, on a plinth base, the white enamel dial with chapter ring and Roman numerals, with recessed centre revealing the bracket escapement, with twin train movement striking on a bell, with twin tube mercury pendulum, 27cms high.Condition ReportComplete with key

Viceregal School. Cuzco. Peru. 18th century."Our Lady of Mount Carmel giving her scapular to St. Augustine and St. Thomas Aquinas"Oil on canvas.128,5 x 104 cm.Magnificent painting of Our Lady of Mount Carmel, patroness of South America, giving her scapular to the patrons of two of the great orders that went to preach in the continent: St. Augustine, on the left, and St. Thomas Aquinas on the right, both Doctors of the Church.This Peruvian painting represents the Virgin of Carmel with extreme delicacy, as a crowned Queen, creating figures of remarkable beauty in a limited space, a beauty understood through the ideological assumptions of worship during the period.  This is a refined painting of well arranged chromatic richness, in a triangular composition, with quality in the composition and distribution of two subtle and expressive angels in the sky, .Crowned as Queen, and without her Son in her arms, she gives St. Augustine his scapular, a symbol of that yoke that Jesus invites us to carry, and that Mary helps to carry, a sign of Christian identity. The saint holds a book on which rests the model of a Church, objects that refer to the life of St. Augustine, as writer and philosopher, and pillar and defender of the Church. He considered the Church holy in its doctrine and sacraments, and saw the body of Christ in the work and virtues of its members. We see, on the other side, St. Thomas Aquinas, with a pen in his hand, symbol of his work as a teacher, philosopher and theologian, writer of the Summa Theologica, the Summa contra Gentiles and a great introducer of Aristotelian philosophy.Let us not forget that the Virgin of Mount Carmel is one of the most important Marian devotions in Latin America, as mother, mediator, symbol of defense against invasions and patroness of the emancipation process.The artist is extremely detailed in their brushstrokes, painting the Virgin with an empathetic and serene expression, slightly bent, bringing the mother of God closer, as she rests her eyes on the patrons of two religious orders who kneel at her feet; the saints contemplate her humbly.In short, this is a painting full of details in its figures, attributes and clothing, as well as psychology in the faces, which made them more appealing to the parishioners. It is topped with a carved and gilded period frame that echoes the stripes on the Virgin's habit and closes the scene very well.

A 19th Century Portico clock, the silvered suspended dial within marquetry inlaid classical pillar frame, decorated with acanthus leaves 'C' scrolls and Griffins centred by a lyre on plinth base, height 45cm.

A 19th Century oak longcase clock by Chas Blakeway Albrighton, the thirty hour striking movement enclosed by a glazed pillar hood over a long trunk door on canted plinth base.

A set of four 19th Century standard chairs in the Gillows style, the moulded arched pillar backs upholstered in beaded edge maroon Moroccan leather, on fluted turned legs and castors to the front. (4)

Registration No: VY 8502 Chassis No: 623 MOT: ExemptPowered by a water-cooled side-valve JAP V-Twin 998cc engineAero coachwork, thought to have been restored in the 1980sIn current ownership since 2018Started readily and both ran and drove well during the recent photography sessionAn ingenious concept, HFS Morgan built his first three-wheeler in 1909. Based around a tubular steel chassis frame, the design's low centre of gravity and advanced 'sliding pillar' independent front suspension endowed it with superlative roadholding. Progressively developed, the single rear-wheel-driven platform played host to a variety of JAP, Matchless, Blackburne, Anzani and Ford powerplants over the years (though, the prototype used a Peugeot unit). Fearsome competition cars, Morgan three wheelers driven by the likes of HFS himself, Clive Lones and Harold Beart acquitted themselves well on race circuits and trial stages alike (Mrs Gwenda Stewart recorded 115.66mph during a record run at Montlhery in 1930). The Aero derivative soon became a favourite among sporting motorists, and with stark bodywork, impressive power-to-weight ratio and nimble handling was capable of embarrassing far more expensive machinery. Interest in Morgans of this period has never waned and, if anything, increased in recent times - the company’s inspired decision to create a modern three-wheeler having brought the early cars to the attention of a new audience.Manufactured new in 1927, chassis number ‘928’ is powered by a 998cc JAP V-Twin side-valve, water-cooled engine, that features a total loss oil system with dashboard control, allowing a release of one drip of oil every few seconds which passes down a copper tube and into the base of one cylinder from where it lubricates the engine internals. Utilising a two-speed drive, consisting of two-chain drives to the rear wheel engaged by a dog clutch operated by a hand lever on the right side of the cockpit. The front wheels are braked by a lever in the centre of the cockpit with a ratchet ‘handbrake’, and conventional clutch pedal and rear brake operating a leather belt on the rear wheel brake drum. Understood to have been fully restored during the 1980s in the Aero coachwork in which it is presented today, the vendor acquired the Aero in May 2018 from a bereavement sale, when it had been off the road for two years due to a petrol leak under the dashboard.Since then, the vendor returned the Morgan to the road, now affectionately named ‘Frog’ and he informs that ‘VY 8502’ has run reliably and sweetly throughout his ownership. The bodywork, which is presented in Dark Green with Black wings, appears to have been built and finished to a high standard with a good paint finish and pretty detailing, and the Black interior presents nicely too. In the vendor's ownership, the rear wheel spokes have been re-tightened, and a new tyre and tube fitted. Starting readily and both running and driving well during the recent photography session, these Morgan 3 Wheelers have a unique character and are well supported by an active and enthusiastic club. For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452

Registration No: JSJ 241 Chassis No: F311484 MOT: ExemptRare French-built Lancia, 1 of just c.3,000 madePreviously part of a large private collection in which resided from 1998 - 2018Benefiting from mechanical improvement and has tours of the continent and the UK while in the vendor's ownershipA nicely presented, older restored exampleResponsible for some of the most innovative cars ever designed, Lanica has a proud engineering heritage. Introduced in 1933, the Augusta featured Lancia’s trademark sliding-pillar independent front suspension and a compact V4 engine producing 35bhp and a quoted top speed of 65mph. Manufactured in Turin and at Bonneuil-sur-Marne, Lancia’s first factory outside Italy, it was rechristened the Belna for the French market. Approximately 3,000 Belnas were made before production ceased during 1938, with all but 500 or so being saloons.Dating from 1935, this very rare French-built Lancia is finished in Navy Blue over Sky Blue with a contrasting Burgundy leather interior. Self-evidently the subject of previous restoration work, the Belna retains the 1196cc V4 engine allied to the four-speed manual transmission. Imported to the UK in 1998 and entering into a large private collection that same year, the saloon was apparently used for a variety of shows, weddings, and school graduation balls during its twenty years in the collection. Purchased by the previous owner and thoroughly recommissioned, more recently the Lancia was rewired in 2020.Acquired by the vendor in 2021, the Belna has benefitted from significant further mechanical improvement with the mechanical filter refreshed, sliding pillar suspensions overhauled, four new tyres, and new spark plugs, as well as the door catches overhauled, fitment of a hidden USB charger, and sound insulating. Completing a couple of UK tours, the vendor also embarked upon a European tour, driving to Bordeaux followed by Carcassonne, around the Pyrenees, and back to Britain. Covering around 5,000 miles in the vendor’s ownership, ‘JSJ 241’ has also won two awards in two attendances to the Lancia National Rally including in the Augusta Belna class. Chassis ‘F311484’ is offered for sale with previous tax discs and MOTs, copies of the car's manuals, and a current V5C Registration Document. For more information, please contact: Paul Cheetham paul.cheetham@handh.co.uk 07538 667452

A FINE AND RARE WILLIAM AND MARY BLACK JAPANNED CABINET ON GILTWOOD STANDIN THE MANNER OF THOMAS PELLETIER, C.1690-1700the original cresting carved with flowers, scrolls and flaming finials and centred with a female mask above an engraved gilt brass mounted black lacquer cabinet decorated in gilt with chinoiserie scenes of Chinese figures with pavilions, trees and flowers, with a pair of doors enclosing an arrangement of twelve drawers similarly decorated and fitted with brass ring handles, the inside of the doors with birds amidst trees, the sides with birds and flowers, the stand carved with leaves, flowers and with a further mask, the 'X' stretcher with five vase stands213cm high, 102.5cm wide, 53.5cm deepCatalogue NoteThe present cabinet on stand is finely decorated to imitate the precious Chinese and Japanese lacquer wares shipped into Europe in the 17th century by the East India Trading Companies. It is rare to find a cabinet with its original cresting as relatively few survive. For a related cabinet on stand with original carved cresting see Christie's, The Ann & Gordon Getty Collection: Volume 3, English and European Furniture, Porcelain and Silver, 22nd October 2022, lot 353, which sold for $176,400 (including premium). For a discussion of lacquer, japanned and 'bantamwork' cabinets see Adam Bowett, 'English Furniture 1660-1714, p.144-169 and for a cabinet with a similar carved stand with ‘pillar’ legs pl.5:33. See also Ralph Edwards, 'The Dictionary of English Furniture', vol.1, p.177, fig. 24 for a related cabinet on stand.The Pelletier family of carvers and gilders left France in the early 1680s, probably to escape persecution as Huguenots, and settled in Amsterdam. By 1682 Jean Pelletier was established in London and by the end of the decade his two sons René and Thomas had joined him. Their introduction to royal service was due to the patronage of the francophile Duke of Montagu, the courtier responsible, as Master of the Great Wardrobe, for the furnishing of all royal palaces. The Pelletiers drew heavily on the engraved designs of Jean Le Pautre (1618-82) and his son Pierre (1660-1744). For works by the Pelletier family of carvers see a side table in the Grand Entrance and Marble Hall at Buckingham Palace, RCIN 600 and a pair of Japanese cabinets on stands, RCIN 35485.

A large collection of assorted proof and other coinage and medallions, including Pillar to Post medallions, London 2012 five pound coins, Trafalgar five pound coins, various uncirculated coins, etc (qty).

Group of drinking glasses including two facon de Venise wine glasses in sizes, tallest 18cm high (footrim chip to larger), each with conical bowl, annular and spirally moulded knop on spreading foot, a wine glass with conical deceptive bowl, annular baluster knop and spreading foot, a 19th century wine glass with tapering conical bowl, annular knop on spreading foot, a 19th century pillar-cut cylindrical decanter and stopper with faceted stopper, triple ring neck and panel cut cylindrical body, 23cm high and a Georgian-style candlestick with opaque and airtwist stem on domed foot (6)  From the collection of Professor Jonathan Brostoff  Condition Report Light surface scratches, accretions. Decanter with chip to rim, nibbles and small chips to body and base. Chips to stopper. Tallest glass with chip to foot. General wear and tear.

Late 19th/early 20th century stained wooden pillar clock, the four tapering columns supporting the gilt metal mount, the engine-turned dial having roman numeral hour markers, movement stamped 1521, inlaid marquetry florettes throughout, 51cm high (damaged) 

A Powercraft pillar drill.

A five speed bench pillar drill.

A 'PERFORMANCE' PILLAR DRILL, A GRINDERof the same make, both mounted on a metal-framed bench, fitted with a Record vice, and a vintage 'Wolf' grinder/buffer and a hand drill, the bench 121cm wide

Wreck coin Roland Morris collection. A Mexican Pillar dollar 8 Reales 1740 probably from the Hollandia wreck, 26.79g.

Pair of Metal Pillar Table Lamps

19th Century Mahogany Fold Over Games Table on Central Pillar and Platform Base, 92x46cm, 73cm h

A Victorian mahogany octagonal tilt top tripod table, on turned pillar, 72cm h; 72 x 61cm Scuffs and scratches consistent with age and use otherwise good solid condition

A Victorian rosewood games table, on tapering hexagonal pillar and pedestal base, 78cm h and a contemporary rosewood games table, spiral turned pillar and tripod base, 74cm h Pedestal table with some movement in pillar, shrinkage split and warping to hinged top, losses to veneerTripod table with some fading, otherwise solid

A Victorian mahogany tripod table, turned pillar with oval gallery top, 79cm h; 81 x 56cm Top surface with shrinkage crack, repair to gallery, split to pillar

An English creamware veilleuse, early 19th c, a fluted pillar candlestick and a Wedgwood comport, 32cm h and smaller, impressed mark or unmarked (3) Comport and candlestick with small chip to foot, veilleuse in good condition

A prize winning eight day carriage clock by Lionel Blowes, with 2inch silvered dial with Roman numerals and minute track, the single train movement within four bevelled glass case with rectangular viewing glass to top, in travelling case, 12cm high, and a prize winning four pillar clock, by Lionel Blowes, the 5.5inch dial with Roman numerals and minute track, on ebonised base terminating on gilt bun feet, complete with purpose built case, 41.5cm high, together with certificates from The Workshipful Company of Clockmakers (5) Provenance: The estate of the late Lionel Blowes. Lionel Blowes was a: Liveryman of the Worshipful Company of Clockmakers, a Fellow of the British Horological Institute and a Vice President of the British Watch and Clockmakers' Guild. Condition ReportWITH KEY - Carriage clock. WITH KEY AND PENDULUM - Four pillar clock.

A William and Mary-style mahogany longcase clock of recent manufacture, the rising hood with stepped and moulded top, with barley twist columns and glazed side panels, above a crossbanded trunk with conforming base on bun feet, the brass dial signed, with cherub spandrels, silvered chapter ring and subsidary dial, the mattered centre with shutter close winding hole, with four pillar weight driven movement, 34.5cm wide 21cm deep 184cm highProvenace: The estate of the late Lionel Blowes. Condition ReportCOMPLETE WITH PENDULUM, WEIGHT AND CRANK KEY. Untested. One barley twist column loose. No damage to loose spindle. Minor nibbles and scuffs but overall in good order. Please see additional images. single train, 8 day movement with anchor escapement. dial 8 inches.

HM SILVER CANDLESTICKS INSCRIBED - PRESENTED TO MR PILLAR - 508 GRAMS APPROX

A Regency style jardinière stand with 4 reeded column pillar support, 20th century, 30cm in diameter x 92cm tall

A large cast iron pillar or table base, approx 33cm W x 82cm H

A vintage weathered garden sundial and bird bath with moss, figures to pillar, 50cm in diameter x 87cm tall

An antique mahogany tripod table with turned pillar and shaped top, approx 60cm x 60cm x 75cm

An Oriental designed standard lamp with carved pillar, no electrical fittings, 160cm tall

A Georgian mahogany tilt topped table on turned pillar with splayed 3 leg base, 50cm in diameter x 72cm tall

A reproduction mahogany twin pillar extending dining table, extended 300cm, two spare leaves, depth 91cm, height 72cm. Condition - good

AN EARLY 20TH CENTURY WALNUT MIRROR BACK SIDEBOARD, the raised back with a central bevelled mirror plate, flanked by carved panels, turned spindles, Corinthian pillar style supports, atop a base with two drawers, flanked by two cupboard doors, raised on large feet, length 190cm x depth 62cm x height 155cm x height of base 99cm, condition report: very heavy so appropriate transport is necessary, missing the top of the raised back, historical marks, scuffs, veneer bubbling and lifting, other signs of wear and usage