Joseph Dudds, London a mid-18th Century walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute markings, the matted dial centre having a subsidiary seconds dial and date aperture with cast-brass corner spandrels and decorative blued steel hands, the arch having a round convex boss engraved with the maker's name Joseph Dudds, London with cast-brass dolphin spandrels to either side, the walnut case having a burr walnut veneer to the trunk door with castellated inlaid stringing, the hood having a break-arch top with a deep concave moulding, cast brass capitals to the fluted pillars, arched wood frets to the sides and with matching stringing inlaid to the trunk door, the base with a shaped and raised panel set to the front and standing on bracket feet, height 228cms.*Biography Joseph Dudds is recorded as working in London having been apprenticed to Richard Haughtin on the 15th of January 1723 for 7 years becoming free on the 6th of July 1730 when he was admitted as a Freeman of The Clockmakers' Company and is recorded as still working in 1770.*Notes Reference The Company of Clockmakers' Register of Apprentices 1631-1931, pub. Privately for the Clockmakers' Company 1931.
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A William IV calamander wood twin pillar dining table:, the top with rounded corners, on square section stepped pillars, quatrefoil platforms and foliate scroll feet with castors, having an additional centre leaf and additional rounded end leaves forming a breakfast table, the top 140cm (4ft 7in) x 192cm (6ft 3 1/2in) and with a centre leaf extending to 259cm (8ft 6in) - the two additional rounded ends each 12cm (4 3/4in) wide.
Six 19th century wine glasses - (1) pillar cut bucket bowl of eight facets with single blade knop to the stem, 9.7cm; (2) a slightly larger example, 10.6cm; (3) tapering baluster glass with eight facets extending down the stem, 11.4cm; (4) faceted bowl with single blade knop and stepped foot, 10.2cm; (5) faceted bell bowl with single ball knop, 10.9cm; (6) faceted bowl with baluster stem, 11cm
George III mahogany longcase clock, the broken arch hood with flanking pilasters above a figured panelled door flanked by reeded quarter pilasters on a conforming plinth base, the silvered dial with strike / silent selector to the arch, Roman numerals, subsidiary seconds and date dials, signed G. Hatch, St. Albans, the two train five pillar movement with anchor escapement striking on a bellOverall height 232cms, height with hood removed 213cms, the clock is from a Dec'd estate and has not been running in recent years. However, we have set it up and it is currently running and striking correctly. Also note crease / dent to dialHeight 231cms including finials, 220cms excluding finials
A Victorian mahogany occasional table of circular form raised on turned bobbin pillar and shaped tripod, a small oak drop leaf side table with frieze drawer raised on slender square tapered legs, a painted pine framed dressing table with serpentine overhanging front, frieze drawer, square tapered supports united by stretchers, a small Georgian style toilet mirror with skeleton frame, a good quality reproduction side cabinet in the Georgian style, label to reverse, Brights of Nettlebed, 049152, etc (6)
A small 19th century mahogany snap top occasional table of rectangular form with rounded corners raised on a simple vase shaped pillar and tripod, together with a Victorian mahogany occasional table with circular top raised on a turned pillar with disc shaped platform and scrolled feet and a small inlaid Edwardian mahogany Sutherland type drop leaf occasional table (3)
A small 19th century mahogany snap top occasional table of oval form with crossbanded detail raised on a turned pillar and scrolled tripod together with a Victorian drop leaf work/sewing table fitted with two frieze drawers with turned tapered legs, a small 19th century drop leaf Pembroke type table raised on square taper legs with brass caps and castors, an Edwardian drop leaf Sutherland type tea table and a Victorian prie-deux or nursing chair with upholstered finish, T shaped back and turned forelegs with brass caps and castors (5)
A late 18th century mahogany cased eight day long case clock by Adam Travers, London, the pagoda shaped hood with brass finials and centred with a fretwork panel above tapering reeded columns, flanking the 30cm break arch brass dial, with a silent/strike indicator above a silvered bezel applied with Roman and Arabic numerals, enclosing the subsidiary second dial and date aperture along with the makers name within chased foliate decoration, embraced by gilt metal open work spandrels, the two train five pillar movement strikes upon a saucer dish, above the slender mahogany case with flame mahogany arched door, conforming lower panel with scalloped apron and bracket feet, with two brass coated weights and pendulum, 251cm high For condition information please view this lot on our website HERE. Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com or easyliveauction.com
A Chinoiserie Thirty Hour Wall Clock, signed Brownless, Staindrop, late 18th century, flat top pediment, floral and gilt decorated borders, front of the backboard depicting a pagoda and a Oriental fisherman, 11-inch square brass dial with a silvered chapter ring signed, four pillar movement with an anchor escapement and rack striking on a bell, 85cm high see illustration From the Eric Morton Clock Collection 12.06.20 Case with minor chips to the paintwork in parts, case with minor cracks in parts, dial is slightly discoloured, hands with minor rusting marks, movement looks complete, with a weight and pendulum.
A Mahogany Thirty Hour Longcase Clock, signed F.Walker, Maryport, early 19th century, swan neck pediment, triple arched trunk door flanked by inset fluted acorn columns, 14-inch arch painted dial, two dials for seconds and date, arch with rolling moonphase aperture, four pillar movement with attached falseplate stamped Finnemore, anchor escapement with outside countwheel striking on a bell, 236cm high see illustration From the Eric Morton Clock Collection 20.03.20 Hood door with small cracks, trunk door is slightly bowed, dial with small scratches and small crazing marks, dial is slightly discoloured in parts, with pendulum, pendulum suspension spring is missing, with one weight.
A Green Chinoiserie Eight Day Longcase Clock, signed Jno Coates, Tetbury, circa 1750, caddied pediment, side viewing windows, Oriental painted scenes depicting pagodas, figures, animals and foliage, 12-inch arch brass dial, dial centre signed on a plaque, date aperture, recessed seconds dial, four seasons spandrels, arch with strike/silent, slow/fast sectors and a central rocking ''Moueo Et Profictor'' automata, four pillar movement with an anchor escapement and rack striking on a later gong, 241cm high see illustration From the Eric Morton Clock Collection 20.03.20 Painted surfaces are rubbed and faded in parts, paint is missing in parts, case needs restoring, dial is dirty, movement is dirty and needs cleaning, converted from striking on a bell to a gong, with two weights and a pendulum.
A Thirty Hour Single-Handed Longcase Clock, signed Sam Ogden, Benwell, 18th century, painted pine case with flat top pediment, arched trunk door, 10-1/4-inch square brass dial with a silvered chapter ring signed, dial centre with ringed decoration, date aperture, lunar ''penny'' moon aperture, single hand, crown and cherub spandrels, four pillar movement with an anchor escapement and outside countwheel striking on a bell, (later case), 188cm high see illustration From the Eric Morton Clock Collection 23.03.20 Later case, painted surfaces are rubbed in parts, plinth with cracks, dial is dirty in parts, movement looks complete, with pendulum and one weight.
A Mahogany Eight Day Longcase Clock, signed Jno Walker, Newcastle, late 18th century, pierced swan neck pediment, later floral and urn painted trunk door and base, 12-inch arch brass dial, dial centre engraved with floral and scroll decoration, seconds dial and date aperture, silvered disc in the arch for strike/silent selection and signed, four pillar movement with an anchor escapement and rack striking on a bell, 224cm high see illustration From the Eric Morton Clock Collection 11.06.20 Top pierced pediment has been later added, top left hand side of the swan neck pediment needs securing into position, top detail frieze moulding blocks are missing in parts, case with small cracks in parts, left hand side of the base needs securing and restoration, front of the base moulding and the right hand foot are missing, strike/silent dial is slightly discoloured, movement looks complete, with two weights and a pendulum.
A Chinoiserie Eight Day Longcase Clock, signed Thos Carter, Bp Auckland, circa 1730, flat top pediment, side viewing windows, Oriental painted scenes depicting pagodas, figures, foliage and birds, 12-1/4-inch arched brass dial with chapter ring signed, dial centre with scroll engraving, ringed winding holes, date aperture, seconds dial, arch with lunar dial/aperture, five pillar movement with an anchor escapement and inside countwheel striking on a bell, later 18th century case, 220cm high see illustration From the Eric Morton Clock Collection19.03.20 Later case with chips in parts to the gesso, painted scenes are discoloured and faded, scuff marks and scratches, case needs restoration, dial is dirty and discoloured, movement is dirty, with two weights and a pendulum.
A Mahogany Eight Day Longcase Clock, signed John Hamilton, Glasgow, late 18th century and later, pierced fret work pediment, twisted columns, side sound frets, moulded trunk door flanked by Corinthian capped pilasters, 13-1/4-inch arch brass dial, floral and scroll engraved centre with seconds dial and date aperture, arch with moonphase, four pillar movement with an anchor escapement and rack striking on a bell, possibly a later movement, 236cm high see illustration From the Eric Morton Clock Collection 10.06.20 Pediment fret work has been re-built, base has been re-built, case with small cracks to the sides of the trunk and base, trunk door is bowed and the door lock is missing, dial needs re-silvering, movement with no drive to operate moon disc, top left and right hand corners of the movement with two vacant holes, possibly a later movement, case possibly later, with two weights and a pendulum.
An Oak Thirty Hour Single-Handed Longcase Clock, signed W Burton, Kendal, 18th century, flat top pediment, arch trunk door, 10-inch square brass dial with the chapter ring signed, single hand, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 212cm high see illustration From the Eric Morton Clock Collection 23.03.20 Case with small chips to the edges in parts, later feet, dial is discoloured, movement is dirty, later seatboard, with pendulum and one weight.
A Thirty Hour Single-Handed Longcase Clock, signed Jno Ogden, Darlington, 18th century and later, ebonised pine case with a flat top pediment, rectangular moulded trunk door, 11-inch square brass dial with a chapter ring signed and later dated 1706, dial centre with a ''penny moon'' lunar apertures, later scroll spandrels, four pillar movement with an anchor escapement and outside countwheel striking on a bell, later case, 211cm high see illustration From the Eric Morton Clock Collection 19.03.20 Later case, case has been re-painted, case with painted surfaces worn in parts, hood door with small pieces of later wooden splices, plinth with cracks, dial is discoloured, chapter ring appears to have the date later added reading 1706, movement is dirty, with pendulum and one weight.
A Scottish Mahogany Eight Day Longcase Clock, signed Willm Dobbie, Falkirk, Number 371, circa 1780, swan neck pediment, acorn and scroll decorated trunk door, Corinthian capped inset pilasters, 13-1/4-inch arch brass dial, engraved dial centre with floral and scroll decoration, date aperture and seconds dial, arch with circular disc signed, four pillar movement with an anchor escapement and rack striking on a bell, 220cm high see illustration From the Eric Morton Clock Collection 19.03.20 Hood with detail mouldings missing in parts, small parts of the fret work is missing to the front part of the hood, backing to the frets is damaged, trunk door is slightly bowed, case is slightly faded in parts, dial is discoloured, movement needs cleaning, date disc appears to have no drive to change the date over, with two weights and a pendulum.
A Walnut Eight Day Longcase Clock, signed Jno Ogden, Darlington, 18th century, flat top pediment, 12-inch arch brass dial with a silvered chapter ring signed, seconds dial, date aperture, arch with moonphase, four pillar movement with an anchor escapement and inside countwheel striking on a bell, later case, 233cm high see illustration From the Eric Morton Clock Collection 23.03.20 Later case, case with mouldings missing and veneer missing in parts, case is stained and slightly faded in parts, dial is discoloured, one dial foot with solder repair marks, movement is dirty, calendar wheel is missing to operate calendar and moon disc, with pendulum and two weights.
A Regency Style Eight Day Longcase Clock, circa 1890, arch pediment, nicely figured trunk door flanked by fluted inset pilasters, inlaid base, 13-inch circular brass dial, dial centre engraved with a masonic scene, seconds and date dials, four pillar movement with an anchor escapement and rack striking on a bell, 200cm high see illustration 18.06.20 Hood door with small cracks, top side of the trunk door has been replaced, trunk door is slightly bowed, case with small pieces of veneer slightly lifting, case with small dents and cracks in parts, dial with small scratches and slightly discoloured, thin wooden blocks have been added to both sides of the case side cheeks beneath the seatboard, later seatboard, movement is complete, with pendulum and two weights.
A Walnut Eight Day Longcase Clock, signed Tho Taylor Junr, Holborn, London, early 18th century, flat top pediment, side viewing windows, moulded trunk door with crossbanded borders and a glass lenticle, 12-inch square brass dial with a silvered chapter ring signed, matted dial centre with ringed winding holes, date aperture, seconds dial, five pillar movement with an anchor escapement and rack striking on a bell, dial and movement early 18th century, later case, 214cm high see illustration 20.03.20 Later case, hood right hand side column with one small dent, case with surface scratches in parts and minor dents, dial with discoloured marks, movement is clean, with two weights and a pendulum.
A Mahogany Eight Day Longcase Clock, signed Jos Lloyd, Wigan, circa 1810, swan neck pediment, fluted columns, tripe well figured triple arched trunk door flanked by fluted columns, 15-inch arch painted dial signed, dial centre with seconds and date dials, dial centre with a landscape painted picture depicting a lady holding a wreath of flowers and sheep beneath a tree, arch painted with Admiral Lord Nelson flanked by thistles, four pillar movement with attached falseplate stamped R Hipkiss, anchor escapement with rack striking on a bell, 223cm high see illustration 20.03.20 Case is slightly faded in parts, hood door is bowed, hood door glass is cracked, hood with a small piece of veneer missing, dial markers are rubbed in parts and the painted surfaces with small chips, dial numerals are faded, dial with crazing marks, movement is complete, with two weights and a pendulum.
A George III Style Mahogany Four-Pillar Dining Table, comprising two D end sections and two rectangular middle sections, on gun barrel turned supports with four reeded legs with brass capped toes and castors, 19th century with alterations, 378cm extended by 122cm by 74cm . Table top good quality timber and uniform colour. Various scratches, some scuffs/bruises around the reeded edge. Later bearers fitted to underside. First D end section with alteration marks visible around the brass brackets. Losses to decoration around legs with various scuffs. D end 2 in similar condition. Later bearers. Alteration marks around brass brackets. Scuffs and water marks around legs. Middle section with later support bearers. Alteration marks in each corner around the brass brackets. Scuffs and fading around legs. Other section: one of brass clasps underneath, the handle has been broken off. Later support bearers. Alteration marks on the corner of table top where the brackets are mounted. Some fading and losses to decoration on the legs around the bases. 100220
After Samuel Frederick Brocas (1792 - 1847) Rare Complete Set of Brocas Prints Brocas (Samuel) 1792-1847, Coloured Engravings: An important and complete Suite of 12 impressive and attractive Views of Dublin scenes include: (a) View of Castle Chapel; (b) View of Royal Exchange, Dame St.; (c) View of Castle Gate & Royal Exchange; (d) View of Lying in Hospital & Rutland Square; (e) View of Bank of Ireland, College Green; (f) View of the Post Office & Nelson's Pillar, Sackville St.; (g) View of the Corn Exchange Drury Quay & Custom House; (h) View of the Four Courts looking down on the River Liffey; (i) College Green; (j) View of the Custom House, from the River Liffey; (k) View of Carlisle Bridge; (l) View of Trinity College from Westmorland St.; each with artists name and sculpted by H. Brocas., published c. 1818 - 1824 by J. Le Petit, 20 Capel St., Dublin, coloured aquatints, each approx. 29cms x 44cms (11 1/2" x 17 1/2"), in uniform gilt frames. (12)
A rare second half of the 18th century French ormolu musical mantel clockNoel Baltazar a ParisThe elaborate case surmounted by a classical urn festooned in laurel swags over an oak wreath framing the dial, set on an architectural base with festooned Ionic pilasters, foliate finials and a rocky base, the open lattice-framed side panels allowing the sound out through silk backing, on a shaped base and conforming ebonised wood plinth on lions paw feet, centred by the seated figure of a cherub playing the harp, the signed 3.5 inch white enamel dial with outer Arabic five minutes enclosing a minute band and Roman hours, with fancy pierced and engraved hands, the circular clock movement with extended plates to accommodate the twin barrels united by five turned tapering knopped pillars, signed in full, with anchor escapement and silk suspension, the outside countwheel with hand engraved numerals and striking on a bell, the separate chain fusee musical movement set below and activated via a push rod. The musical movement with shaped rectangular plates united by turned pillars and playing a run of twelve bells and nineteen hammers set horizontally in the base. Ticking, striking and playing a tune. Sold with a silk suspension brass pendulum. 50cms (19 1/2ins) high. (2)Footnotes:Noel Baltazar was working in Paris until about 1775. He was part of an extensive family of horologists and an exceptional fifteen-note organ clock is described by Arthur Ord-Hume in 'The Musical Clock', Mayfield Books, p277, with thin plates and a 'distinctive form of pillar'.For further information on this lot please visit Bonhams.com
A Charles Barr yew wood dining room suite comprising Regency style twin pillar dining table, eight Regency style bar back dining chair frames (two with arms), a three section china display cabinet, 157 cm wide x 213 cm high x 40 cm deep and a side cabinet with two drawers over two cupboard doors and an occasional table CONDITION REPORTS size of side cabinet H88xW100xD42 The size of the table is extended 210 long x100widex 75high. and unextended 160longx100widex75high
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