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A Scottish inlaid mahogany eight day longcase clock circa 1815 the four pillar rack and bell striking movement with white painted 13in Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre and signed ‘W. Mason Dunse’ to lower edge of the chapter ring with polychrome floral painted spandrels and scene of shepherdess tending her flock to arch the swan neck pedimented case with fluted pilasters to hood above shaped trunk door centred with an oval cartouche decorated with a vase of flowers within line borders and flanked by fluted quarter columns on plinth base with central fan inlay and bracket feet 206cm high.

An oak thirty hour longcase clock with moonphase circa 1730 the four pillar outside countwheel bell striking movement with 12.25in square brass dial with moonphase and arched calendar aperture to the matted centre within an applied Roman numeral chapter ring with foliate half hour markers Arabic five minutes and signed ‘R. Midgley Halifax’ to the lower edge the angles with castle gateway pattern cast spandrels in a swan neck pedimented case with turned pilasters to hood above shaped top door flanked by quarter colums to trunk on plinth base with raised panel front and bracket feet movement and dial associated to the distressed case 212cm high. Richard Midgley is recorded in Baillie G H ‘Watchmakers and Clockmakers of the World’ as working in Halifax circa 1720-40.

A mahogany crossbanded oak eight day longcase clock the five pillar (centre latched) rack and bell striking movement with 12in square brass dial with calendar aperture subsidiary seconds dial and ringed winding holes to the matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘Josh Alsop London’ to lower edge the angles with Indian mask cast spandrels the later case with cavetto cornice and slender columns to hood above rectangular trunk door and conforming plinth base Movement and dial circa 1710 case late 18th century 197cm high. Joshua Alsop is recorded in Baillie G H ‘Watchmakers and Clockmakers of the World’ as working in London 1689 to circa 1710.

A rare thirty hour hooded wall clock movement and dial circa 1740 the four pillar countwheel bell striking movement with 6in brass break-arch dial with matted centre and applied Roman numeral chapter ring with diamond half hour markers the angles with mask and scroll cast spandrels beneath circular boss signed ‘Isa’c Nickals Wells’ to arch between Indian mask and scroll cast mounts.. Isaac Nickals is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working circa 1750.

A Scottish George III mahogany eight day longcase clock late 18th century the five pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with subsidiary seconds dial calendar aperture and signed ‘Geo. Morison Aberdeen’ to the foliate scroll engraved centre within a Roman numeral silvered chapter ring with Arabic five minutes the angles with rococo scroll cast spandrels beneath strike/silent ring flanked by conforming mounts to arch the break-arch top case with broken pediment and integral hood pilasters above break-arch trunk door and crossbanded plinth base with bracket feet 206cm high.

A George III figured mahogany eight day longcase clock late 18th century the five pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and calendar aperture to the foliate scroll and winged hour-glass engraved centre within a silvered Roman numeral chapter ring with Arabic five minutes with foliate scroll cast spandrels beneath silvered boss signed ‘Rich: Howard Brentford’ between conforming mounts to arch the case with break-arch pediment above brass stop fluted pilasters to hood and break-arch trunk door flanked by conforming quarter colums on shaped panel fronted plinth base 206cm high. A Richard Howard of New Brentford is recorded in Britten F J ‘Old Clocks and Watches and their makers’ as being apprenticed to Daniel Delander in 1718.

A dark green lacquered eight day longcase clock with moonphase the four pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre within floral painted spandrels beneath rolling moon to arch in a pagoda pedimented case with integral pilasters to hood above break arch trunk door gilt decorated with figural chinoiseries on conforming plinth base the distressed case circa 1760 movement and dial early 19th century 228cm high.

An inlaid figured mahogany eight day longcase clock circa 1820 the four pillar rack and bell striking movement with white painted 13.5in Roman numeral break-arch dial with subsidiary seconds and calendar dials to centre gilt conch shell cartouche decorated spandrels to angles and polychrome oval vignette entitled ‘Hope’ to arch the swan neck pedimented case with rectangular pilasters to to hood above panel inlaid door flanked by quarter columns over short panel to trunk on conforming inlaid plinth base with later bracket feet 222cm high.

A George III oak thirty hour longcase clock the four pillar countwheel bell striking movement with 9.75in square brass dial with arched calendar aperture to the matted centre within a Roman numeral chapter ring with arabic five minutes and bearing signature ‘Whitehurst Derby’ to lower edge the angles with foliate scroll cast spandrels the case with moulded cornice above integral hood pilasters and break-arch trunk door on plinth base with moulded skirt 185cm high.

An oak eight day longcase clock with penny moon the four pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with subsidiary seconds dial calendar aperture and applied ringed winding holes to the matted centre within an applied Roman numeral chapter ring with foliate half hour markers Arabic five minutes and bearing signature ‘Presbury Chester’ to the lower edge the angles with mask and scroll pattern spandrels with penny moon within ring calibrated for the lunar month flanked by dolphin cast mounts to arch in a swan neck pedimented case with blind fret infil and Corinthian pilasters to hood above break arch trunk door and plinth base composite 214cm high.

A marquetry eight day longcase clock the five pillar rack and bell striking movement with 12in square brass dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and signed ‘Will’m Mayhew Wood-bridge’ to the lower edge with foliate scroll cast spandrels to angles the case with moulded cornice and blind fret frieze above integral pilasters to hood and rectangulr trunk door profusely inlaid with cherub inhabited foliate scrolls on a mahogany ground the plinth and sides with conforming decoration case movement and dial circa 1770 marquetry later 212cm high.

A George III inlaid mahogany eight day longcase clock circa 1775 the five pillar rack and bell striking movement with 12in brass break-arch Roman numeral dial with recessed subsidiary seconds dial calendar aperture and signed ‘John Turner London’ to an applied arched plate to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate cast spandrels to angles the arch with strike/silent ring between conforming mounts the case with pagoda pediment and fretwork arched frieze above brass stop-fluted Corintian pilasters to hood with break-arch trunk door and fan inlaid upper angles betreen conforming quarter columns to trunk on shaped panel fronted plinth base with fan inlaid angles 235cm high overall. John Turner is recorded in Baillie G H ‘Watchmakers & Clockmakers of the world’ as working circa 1782.

A Queen Anne black lacquer month going longcase clock circa 1710 the five finned pillar outside countwheel bell striking movement with five-wheel trains and 12in square brass dial with subsidiary seconds dial engraved calendar aperture and ringed winding holes to the matted centre within an applied Roman numeral chapter ring with stylised sword hilt half hour markers Arabic five minutes and signed ‘Jona. Rant London’ to lower edge the case with moulded cornice and integral pilasters to hood above long trunk door gilt decorated with figural Chinoiseries around a glazed lenticle on plinth base 224cm high.. Jonathan Rant is recorded in Baillie G H ‘Watchmakers & Clockmakers of the World’ as working 1687-1725.

An oak eight day longcase clock with moonphase early 18th century the four finned pillar movement with internal countwheel strike and 12in brass herringbone border engraved break-arch dial with subsidiary seconds dial ringed winding holes and calendar aperture to the matted centre within an applied brass Roman numeral chapter ring with fleur de lys half hour markers Arabic five minutes and signed ‘Richard Parkinson Richmond’ to lower edge with Indian mask and foliate scroll cast spandrels beneath penny moon and arched sector calibrated for the lunar month flanked by dolphin mounts to arch in a break-arch top case with broken pediment and Corinthian pilasters to hood above shaped top trunk door and raised panel fronted plinth base 222cm high.

William Webster a fine figured mahogany eight day longcase clock with deadbeat escapement circa 1760 the five pillar rack and bell striking movement with deadbeat escapement and 12in brass break-arch dial with slender subsidiary seconds ring calendar aperture and signed ‘William Webster Exchange Alley London’ to the matted centre within silvered Roman numeral chapter ring with Arabic five minutes and unusual mask and scroll cast spandrels to angles the arch with silvered strike/silent ring flanked by dolphin cast mounts the case with pagoda pediment and brass flambeau finials above brass stop fluted pilasters to hood with solid flame figured break-arch door to trunk on raised panel fronted plinth base 243cm high.. William Webster senior was journeyman to Thomas Tompion who after his master’s death worked from Exchange Alley until he died in 1737 the business was continued by his son also called William until his death in 1776.

A dial timepiece the four pillar single fusee movement stamped ‘Tame Side No. 6202’ to backplate with 12in white painted Roman numeral dial within moulded oak surround fronting a mahogany salt box type case with side door and pendulum inspection flap to the curved base the rear stamped ‘W.C. & P.R.’ for the Weston Clevedon and Portishead Railway composite 40cm diameter.

Victorian mahogany four tier open wall rack with turned side pillar supports and scroll work to top shelf, 65cm wide

Early 19th Century mahogany and inlaid break and serpentine front sideboard with two bow end and three frieze drawers, the upper stage back with two panel slides and brass four pillar curtain rail, the whole on six square tapered legs with spade feet, 2m

A Victorian mahogany snooker scoreboard, bearing label 'John Taylor and Son, Billiard Table Makers, Edinburgh', 107cm wide, 41cm high; together with a Victorian oak revolving billiard cue stand, the column turned pillar on a stepped circular base, 118cm high (2). Provenance; Property of The Drambuie Liqueur Company.

A Regency green painted and gilt decorated circular occasional table, later decorated in the 20th century, the tooled leather lined top within a gadrooned edge, the waisted triform pillar with scroll decoration, the concave platform base with claw feet and concealed castors. 68cm diameter, 73cm high.

AN EARLY 19TH CENTURY DUTCH MAHOGANY BOMBe CYLINDER BUREAU the interior fitted a central cupboard with pillar compartments and stepped drawers enclosed by a fall front, inlay decoration and three long drawers below with later turned knobs on bracket feet, 44" wide

AN ABSTRACT BRONZE SCULPTURE MODE WOMAN seated on a pillar washing her hair. 9.5 ins high overall

AN ABSTRACT BRONZE SCULPTURE OF A FIGURE seated on a pillar. Lions head seal mark. 6.25 ins high

A PAIR OF WILLIAM IV/EARLY VICTORIAN GILDED BRASS CANDLESTICKS, each having a removeable sconce decorated with four heads, the pillar with a cast dragon within scroll and flower designs, on a scroll and shell base. 25.5cm (10in) high. (2)

A PAIR OF ROYAL WORCESTER BLUSH CANDLESTICKS each having a beaded square sconce over a plain pillar decorated with garlands, the inverted square base with rams heads and swags, date code for 1891. 21cm high (8.25in), (2).

A white marble cased mantel clock, of pillar base form, the dial with gilt Roman numerals and hands, the movement striking in a bell, with a pendulum and key.

A George III oak long case clock, the 31cm square brass dial with Roman numerals, Arabic minute chapter, subsidiary seconds dial, anchor escapement four pillar movement striking on a bell, pierced steel hands, inscribed John Day, Wakefield, brass spandrels, the hood with swan neck cresting, shaped rectangular door to waist, flanked by turned quadrants, moulded base, 200cm high, c.1790 John Day is recorded working in 1770 and died in 1801

A Victorian figured walnut oval breakfast table, the quartered top inlaid in marquetry with birds, urns and scrolls, tilting on panelled pillar, acanthus capped cabriole legs, brass casters, 98cm diam, c.1870

A George IV rounded rectangular rosewood and brass inlaid sofa table, the top with a pair of hinged drop leaves above two recessed frieze drawers, blind to verso, on a lyre pillar, incurved rectangular base with outsplayed S-scroll legs, the whole inlaid with stylised bell flower brass marquetry and stringing, 143cm wide, 71cm high, c.1825

A William IV mahogany rounded rectangular tea table, the folding and swivelling top over a deep shaped apron, tapering faceted pillar, lotus socle, incurved quatrefoil base, bun feet, 92cm wide, 73cm high, c.1835

A fine 19th century French rosewood work table, the serpentine and canted rectangular top inlaid with mother-of-pearl, abalone and brass with flowerheads and scrolls, the interior with compartments, on carved C-scroll supports, acanthus carved pillar, downswept legs, trefoil feet, 49cm wide, 76cm high, c.1880

A late George III mahogany canted rectangular tripod occasional table, with reeded edge, on a turned vasular reeded pillar, reeded outswept legs, 65cm wide, 67cm high, c.1810

A silver cigarette box, monogrammed; a pair of silver dwarf pillar candlesticks; and sundry other items.

An Edwardian silver-framed easel toilet mirror, the shaped bevelled plate in repousse-embossed foliate frame, Chester 1904, maker's JD and WD, H 43.5cm; an Edwardian silver pillar candlestick; and five other items.

A pair of silver dwarf pillar candlesticks; a half-reeded silver salt; five ashtrays etc

A circa 1830 mahogany longcase clock, having a scroll pediment and twin ring turned pilasters flanking painted arched dial (width 13 inches) with Roman numerals, subsidiary seconds dial and date dial signed George Steel, Chester Le Street, the arch and corners painted with hunting scenes, game and hounds, twin winding holes for a brass four pillar twin train eight day weight driven movement striking on a bell, the trunk having a shaped and crossbanded door with flame mahogany veneers, part canted corners and raised on a panelled box base on bracket feet, height 229cm

A walnut longcase clock, having an 18th Century brass arched square dial, width 12 inches, signed John Gordin, London, having brass chapter ring with Roman and Arabic numerals, cast brass corner spandrels, matted centre with subsidiary second dial and date aperture, twin winding holes for a brass five pillar eight day weight driven movement striking on a bell, the whole housed in a contemporary 18th Century style walnut and burr walnut case with panelled door and feather banded box base, height 220cm

A circa 1900 French lacquered brass carriage clock, having a swing carry handle, visible platform escapement above a plain white enamel dial with Roman numerals, twin barrel eight day four pillar movement striking on a gong, the whole raised upon bracket feet, height 14.5cm (handle down) (see lot 357 for illustration)

An early 19th Century mahogany longcase clock, the hood having a swan neck pediment and twin fluted pilasters flanking arched brass dial, width 12 inches, having cast brass corner spandrels, brass chapter ring with Roman and Arabic numerals and signed Richard Hornby, Bawtry, the matted centre with subsidiary seconds dial and rolling date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the case having arched panelled door within quarter turned fluted pilasters on a box base with shaped bracket foot, height 214cm (see lot 365 for illustration)

An early 19th Century oak and mahogany crossbanded longcase clock, having a swan neck pediment with twin ring turned pilasters flanking painted arched dial, width 14 inches, signed to the centre J Hulme, Stretford, having Roman numerals, subsidiary seconds dial and date dial, the arch painted with Mary, Joseph and baby Jesus, twin winding holes for a brass four pillar twin train eight day movement striking on a bell, the trunk with shaped and crossbanded door within ring turned pilasters, the whole raised upon a box base with canted corners on bracket feet, height 229cm (see lot 359 for illustration)

An unusual antique oak longcase clock, the hood having a cavetto cornice and twin barleytwist columns flanking brass arched dial, with 9 inches, the dial signed Thomas Cusins, London inscribed with date 1717, having silvered chapter ring with Roman and Arabic numerals, single winding hole for a brass eight day weight driven four pillar movement, the Continental case with figural carving, turned columns to an open base with spindle gallery, blind carved panel and raised on bracket feet, height 212cm (see lot 359 for illustration)

A 19th century mahogany stretcher table on twin pillar platform ends united by. a turned stretcher

A French Mantel Clock, in four pillar gilt brass case, fitted an 8 day movement, striking on a bell, with brocot escapement and mercury compensated pendulum, the chapter ring with black Roman numerals, 31 cm high

A Carriage Clock, the movement striking on a gong, in a chrome four pillar case, a drum timepiece, the movement striking on a bell, and a pair of brass candlesticks, with pierced decoration (4)

A 400 Day Clock, the 9 cm diameter dial signed PENDULE 400 JOURS PARIS, with Arabic numerals, the movement signed NB 11-2983-6, Pendule 400 Jours, Paris, Fabrication Francaise Trous d'Axes Comprimes, in a brass four pillar case, 27.5 cm high

A Miniature Carriage Timepiece, the white enamel chapter ring with black Roman numerals, in a four pillar brass case, 8 cm

A 19th Century Carriage Clock, the 5.5 cm wide enamel dial with Roman numerals, and subsidiary alarm dial, the movement striking on a gong, in a brass four pillar case engraved with floral swags, festoons and ribbon ties, 15.5 cm high

A walnut and floral marquetry longcase clock the eight-day tree-train five-pillar movement with anchor escapement striking the hour on a bell and chiming the quarters on six bells the square brass 12in dial with Roman numerals and Arabic five minute divisions and with subsidiary seconds dial the silvered chapter ring inscribed Fra. Dorrell LONDON the case with floral marquetry panels the door with lenticle the hood with spiral columns and caddy top with two flambeau urn finials 262cm high

A George III oak longcase clock the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the 12in arched brass dial with silvered chapter ring with Roman numerals and Arabic five-minute divisions encompassing a subsidiary seconds dial date aperture and shaped plaque inscribed Geo: Maynard Long Melford the arch with strike/silent dial foliate spandrels the plain case with arched door the pagoda pediment surmounted with three ball and spike finials 240cm high See G. H. Baillie Watchmakers & Clockmakers of the World (1974) where a George Maynard of Melford is listed second half 18th century

An eight-day longcase clock movement and dial circa 1790 the five pillar rack and bell striking movement with 12in single sheet brass break-arch Roman numeral dial with seconds and calendar dials to centre with Arabic five minutes and signed Budgen Croydon to the chapter ring with 'strike/silent’ dial to arch 41.5cm high See G.H. Baillie Watchmakers & Clockmakers of the World (9th Ed. 1974) where a William Budgen is recorded working 1750-1824

An eight-day longcase clock movement and dial with moonphase circa 1770 the five pillar rack and bell striking movement with 12in single sheet brass break-arch Roman numeral dial with recessed seconds dial calendar aperture and signed John Watts Canterbury to the foliate engraved centre with scroll engraved spandrels with moonphase to arch 41.5cm high See G.H. Baillie Watchmakers & Clockmakers of the World (9th Ed. 1974) where John Watts is recorded working 1751-75

A thirty hour longcase clock movement and dial circa 1770 the four pillar outside countwheel bell striking movement with 12in square brass dial with seconds dial arched calendar aperture to the landscape engraved centre the arcaded Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes inscribed George Miles HORTON with scroll-cast spandrels

A walnut longcase clock mid 18th century the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the 12in brass arched dial with silvered chapter ring with Roman numerals Arabic five-minute divisions subsidiary seconds dial and date aperture within masked and foliate spandrels the arch with a silvered boss inscribed Jere Quelch London the hood with flat pediment and domed door with brass capped plain pilasters the trunk with a domed top door 230cm high (some shrinkage cracks to the case See Britten’s Old Clocks and Watches (9th ed. 1982) where a Jeremiah Quelch is listed 1735-54

A George III yew longcase clock the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the brass 10in square dial with silvered chapter ring with Roman numerals Arabic five-minute divisions the foliate engraved centre inscribed Willm. Bafsett MAYFIELD the hood with flat pediment and plain turned pilasters the trunk with rectangular door with lenticle 193cm high (some shrinkage cracks to the case See Britten’s Old Clocks and Watches (9th ed. 1982) where a William Bassett is listed circa 1790

An ormolu bronze and marble fusee library timepiece the four pillar circular single fusee movement with anchor escapement and signed F. BAETENS LONDON to front plate with Roman numeral enamel dial set into a drum with eagle surmount flaked by two putti on stepped marble base applied with foliate festoons and a central satyr mask 19th century

An ebonised bracket clock with pull quarter repeat the five pillar twin fusee movement with rise/fall regulation pull repeat on six bells later anchor escapement and backplate engraved with classical maiden within foliate scrolls the 7in brass break-arch dial with false bob aperture and silvered plaque signed Geo. Somersall LONDON to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and subsidiary 'strike/silent’ and regulation dial to upper angles with female mask spandrels to lower angles and silvered calendar ring to arch now in a break-arch top ebonised case 37cm high excluding handle the movement and dial George II the case late 18th century See G.H. Baillie Watchmakers & Clockmakers of the World (9th Ed. 1974) where George Somersall is listed as working 1708-52

A George III Admiral Lord Nelson commemorative bracket clock circa 1805 the five pillar twin-fusee bell striking movement with anchor escapement and trip repeat the backplate signed Jno Chambley Woolverhampton (sic) within a foliate cartouche the 7in painted Arabic numeral break-arch dial similarly signed to the centre with Four Continents spandrels and the arch with a scene of Britannia mourning at the tomb of our hero the brass-mounted triple-pad top break-arch case with carrying handle over fish-scale side frets and brass bracket feet 41cm high excluding handle See G.H. Baillie Watchmakers & Clockmakers of the World (9th Ed. 1974) where John Chambley of Wolverhapton is listed 1780-95

A pair of gilt and patinated bronze candelabra in French Empire style 19th century each stem modelled as a robed lady holding a leaf and berry bar aloft supporting the twin leafy lights the figures standing on one foot on a sphere on tapered pillar and square plinth 42cm high

A Set of 19th Century brass Pillar Postal Scales

An antique oak Pillar Table with circular top on turned column and tripod base, 3ft