We found 30663 price guide item(s) matching your search

A Model 4-Pillar Triple Expansion Vertical Reversing Marine Engine, length 32cm.

Edwardian mahogany table, the shaped circular top on pillar and tripod support, bearing an ivorine label for James Barrie, Brechin, 18in (45.8cm) diameter

A fine quality Edwardian walnut smoking cabinet, the pillar-box form case with a pierced brass gallery to top, folding pipe backs on side. A glazed panel door revealing a terracotta tobacco jar with drawer below. 6'' wide x 12'' high.

A Warco single phase bench top pillar drill

A Fobco engineers bench top pillar drill

A Champion No2 3/8th pillar drill, with electric motor drive. 62cm high

A VICTORIAN MAHOGANY CIRCULAR BREAKFAST TABLE the segmented veneered snap top on turned and bulbous central pillar carved with clover leaves, with segmented scrolls at the base on tripod splayed and moulded scroll legs, terminating in castors, 122cm (4ft) diameter.

Nye, Tunbridge Wells, a Tunbridge ware compass and thermometer mounted on an octagonal pillar with square foot, 14cm high

A. Donald, St Helens, an early 19th century mahogany and rosewood longcase clock, the hood with swanneck pediment and turned columns, the 14 inch arched painted dial with moonphase disc, seconds and calendar dials, Arabic numerals and floral spandrels, the four pillar movement with Wilson falseplate, the trunk with quarter columns and raised on a canted rectangular plinth, 220cm high

An eight day stripped oak longcase clock, the hood with swanneck pediment having a 12 inch arched lacquered brass dial signed Robb Montrose, with crown spandrels, seconds and calendar dials, and four pillar movement, case associated, 217cm high

John Thompson, London, an eight day longcase clock movement and dial, the 12 inch arched brass dial signed in the arch, with mask spandrels, seconds dial, date aperture and five pillar movement, now in a 20th century varnished wood rectangular case, 218cm high

A 19th century mahogany, rosewood and burr wood veneered longcase clock, the arched hood with shaped cresting, turned finials and barley twist columns, the trunk with conforming columns and raised on bracket feet, the 13 inch painted and convex dial signed 'Pontypridd', a male harpist to the arch and castle spandrels, seconds dial and calendar aperture, Finnemore and Son falseplate with eight day four pillar bell-striking movement, 232cm high

A VICTORIAN MAHOGANY RECTANGULAR TILT TOP DINING TABLE, on tapering facet pillar and platform base with scroll feet and castors. 54" x 43". Circa 1890.

A VICTORIAN MAHOGANY CIRCULAR PEDESTAL DINING TABLE, on facetted pillar and three scrolled legs. 48" diameter. C1875.

A Late Victorian Upholstered Side Chair, with moulded and turned show frame, arch cresting and pillar side rails on turned tapering fluted fruit legs.

A Regency design crossbanded mahogany twin pillar dining table, with canted corners and a moulded edge on turned columns and four outswept legs, one spare leaf, 9ft 4ins extended

A Regency design mahogany twin pillar dining table, with a reeded edge and rounded corners on turned columns and outswept reeded legs with brass paw feet, two spare leaves, 10ft extended

A large Georgian design mahogany 'D' end dining table, the central square section on a quadruple pillar pedestal with undertier on four outswept legs with brass ball feet, enclosing sections on square tapered legs, 9ft 11ins extended

A marble circular occasional table raised on a circular pillar.

A 19th century circular oak snap top table, on turned pillar and tripod base, 81cm diameter

A 19th century walnut snap top circular table, on carved pillar and tripod legs; and a beach stick back, elbow chair, (2)

A reproduction mahogany twin pillar dining table, with three leaves

An early 19th century mahogany drop leaf two tier dumb waiter, on turned pillar and tripod base, 113cm wide

A 19th century mahogany table base, a triform pillar and base, fitted with a late circular marble top, 101cm diameter

A group of mainly pre-war accessories - lot includes early Petrol Pumps, some have Hoses, "Pratts Motor Oil" Bin, white Telephone Kiosk (significant fatigue), Police Box and Pillar Box. Lot also includes a Dealers Empty Box, one side is marked "Hornby Trains 24 x tinplate wheels" and on the other end is marked "6 x 62S Hurricane" - generally Fair to Good lot. (11)

No.176 Austin A105 - pale grey, red roof and side flash, spun hubs, white tyres (some slight fading to parts of side flashes and one front screen pillar) - otherwise Excellent Plus.

A Victorian mahogany centre table. The rounded square top with slim drop leaves above a skirt with drawer to each side. The whole raised to a square pillar above a quatrefoil base set with large acanthus capped hairy claw feet concealing brass castors, measures 43" square

A pair of Victorian brass single bed ends, the pair having a scroll design with applied acanthus leaf detail within pillar and ball finial frames, together with brass stretchers

A pair of Victorian brass single bed ends, the pair having a scroll design with applied acanthus leaf detail within pillar and ball finial frames, together with bar stretchers

A good Edwardian mahogany crossbanded two tier dumb waiter inlaid with swags and urns on twin pillar ends and turned supports

A Scottish George III ebonised eight-day bracket clock, circa 1765, the five-pillar twin fusee rack and bell striking movement with verge escapement and foliate engraved backplate, the 7 inch brass break-arch dial with calendar aperture to the matted centre within Roman numeral chapter ring with Arabic minutes and foliate cast spandrel mounted corners, the arch with Strike/Silent dial flanked by conforming foliate mounts beneath arched name plaque 'Hugh Gordon, Aberdeen', the bell-top case with brass carrying handle over circular and concave topped rectangular glazed panel sides and brass lined front door, on plinth base, slight faults to case and movement, 46cm high excluding handle.

A collection of crested ware, including pillar box, labrador, cheese dish, figure of Prince Albert and other, (approximately 70 pieces).

An early 19th Century 8 day Longcase Clock, Jas Scott of Selkirk, the square hood with overhanging cornice to an arched door flanked by gilt metal mounted Corinthian columns, over a long arched trunk door and plinth base (later carved), the 13" dial with painted rural cottage scene to the arch and floral spandrels to a Roman chapter ring enclosing subsidiary seconds and date sector with pierced hands to a four pillar movement with anchor escapement and strike on a bell (associated), height 85"

Jacobean-design oak oval gateleg table, slim tapering pillar supports, 33" length, 12"width.

Edwardian mahogany twin pillar kneehole desk, of 9 graduated drawers, requiring restoration, 47" width.

Victorian mahogany octagonal faceted pillar piano stool, needlework top.

Garden: A codestone bird bath, circular topped on single pillar support.

A GEORGE IV ROSEWOOD RECTANGULAR SOFA TABLE with drop ends, crossbanded top, fitted two drawers on twin pillar columns and scroll supports, 49" wide.

A FRENCH ONYX AND GILTMETAL MOUNTED CIRCULAR OCCASIONAL TABLE decorated edge and on triple pillar support and circular base terminating in claw feet, 16" diameter.

Victorian mahogany tilt top breakfast table, the rectangular top with moulded edge on a baluster pillar and quadripartite base section ending in ceramic castors, 53 1/2in (306cm) wide

Reproduction dumb waiter, formed as three graduated circular tiers on a pillar and tripod base

An early Victorian walnut polescreen, the shield shaped banner with pierced cresting and enclosing a floral beadwork panel, the baluster pillar on a recurving tripod base, 160cm high

John Beeckman, Pall Mall, London. An ebony veneered striking table clock, circa 1700, the twin train fusee five pillar movement with verge escapement, striking on a bell with pull repeat (lacking), count wheel attached to engraved back plate bearing inscription John Beeckman in ye Pall Mall, silvered chapter ring with Roman numerals on brass dial with cherub mask spandrels, and similar inscription, date aperture, the rectangular case with pierced scrolling panel to door, pierced and cast gilt brass cushion cresting with hinged handle, flaming urn finals to corners, plinth base with bun feet, 37cm high.

A late 18th century Dutch burr walnut bombe bureau, the fall front revealing a stepped and fitted interior with central cupboard flanked by pillar and arch drawers with pigeonholes and shaped drawers over well with sliding cover revealing secret compartments, the bombe body with with three drawers flanked by hinged spring release quarter columns enclosing four concealed drawers, over shaped and carved apron and hairy paw feet, brass handles and lock plates, 124cm wide, 113cm high, 67cm deep

A 19TH CENTURY EMPIRE MAHOGANY DRESSING TABLE MIRROR with pillar supports, fitted 2 drawers, 18" wide, 32" high (see part illustration)

A VIENNA WALNUT REGULATOR WALL CLOCK with carved cornice, pillar supports and arched glazed panelled door, 48" high

A VICTORIAN MAHOGANY RECTANGULAR TOP OCCASIONAL TABLE with triple turned pillar to a tripod base. 2ft wide.

A VERY GOOD LATE REGENCY MAHOGANY CIRCULAR SWIVEL TOP DRUM AND LIBRARY TABLE with inset leather top, alternate drawers and dummy drawer on a circular pillar ending in quadruple curving legs with brass castors. 3ft 4ins diameter.

A VICTORIAN MAHOGANY CIRCULAR TRIPOD TABLE, the plain top over a turned pillar to three curved legs. 2ft 9ins wide.

An early 19th century mahogany cased twin fusee drop dial wall clock with convex dial marked in Roman numerals and bearing the name George Yonge Strand London, the five pillar movement chiming on a coil gong. George Yonge is recorded in G H Baillie as working between 1776 and 1815 and is noted as a fine maker

A continental Art Deco walnut and oak rectangular library table, fitted with a leather inset writing surface, fitted two moulded frieze drawers below, raised on a pair of geometric pillar supports, 230cm (90 1/2in)

A George III oak tavern clock, having a large painted circular dial (dia. 24inches) with Roman numerals, twin steel hands, single winding hole for a brass eight day four pillar weight driven movement, the trunk having a raised plain panel door, height 143cm

An early 19th Century mahogany longcase clock, the hood having three gilt finials above turned pilasters flanking plain white enamel arched dial (width 12 inches), having Roman numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the trunk having arched door above a box base on bracket feet, height 215cm

A 19th Century mahogany circular dial wall clock, having a painted dial with Roman numerals, blue steel hands, brass bezel and a single winding hole for a brass four pillar chain driven single fusee movement, diameter 46cm (18 inches)

An early 19th Century mahogany longcase clock, the arched hood having twin ring turned and slender reeded pilasters flanking a painted arched dial (width 13 inches)signed 'Feltham of Harleston' with gilded chapter ring, having Arabic numerals, subsidiary seconds dial and date dial, the corners and arch painted with a variety of shells, twin winding holes for a brass eight day four pillar twin train weight driven movement striking on a bell, the trunk having an arched panelled door with ebony stringing within canted reeded corners to a box base with crossbanding and raised on bracket feet, height 223cm

An early 19th Century oak longcase clock, having a painted arched dial (width 12 inches) flanked by twin turned pilasters, painted Roman numerals, corner floral sprays, subsidiary seconds dial signed to the centre 'William Kirk, Stowmarket', twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the arched panelled door within quarter turned pilasters above a box base and all raised on bracket feet, height 223cm

A circa 1900 French lacquered brass carriage clock, having swing carry handle, white enamel circular dial with Arabic numerals, push button hour repeat (repeat mechanism not working), visible platform escapement, twin barrel four pillar movement, height 16cm (hand down)

A George III oak longcase clock, having an arched hood above twin three-quarter turned reeded pilasters flanking arched brass dial (width 12 inches), having Tempest Fugit rocking automaton to the arch, Roman and Arabic numerals, the face engraved with a classical figure scene, lilies and flowers, subsidiary seconds dial and date aperture, signed 'Richard Reed, Chelmsford', twin winding holes for a brass five pillar eight day weight driven movement striking on a bell, the trunk having an arched panelled door, raised on a box base with plinth, height 217cm

A pair of Wedgwood tri-colour tapering cylindrical pillar vases, late 19th century, the pale jasper bodies applied with reeded columns and paw feet and lion's mask and ring handle terminals, joined with a continuous band of ivy intertwined with ribbon and rose garlands below lilac and white cartouches, depicting classical figures and putto, impressed 'Wedgwood, England' 7.25" high (2)

A George III ebonised bracket clock, circa 1790, with domed hood above an arch ribbed glazed door enclosing a 7" arched brass dial with matted centre, silvered chapter ring with roman numerals, closed pendulum aperture and tablet marked 'Thomas Pym, London' pierced foliate and mask spandrels, subsidiary seconds dial in the arch with oriental head spandrels, glazed sides, single fusee movement with anchor escapement, glazed rear door enclosing a four pillar movement with arched top corners on ebonised plinth, distressed, 17" high