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A late 19th Century mantel timepiece, with drum-shaped case raised upon an Art Nouveau bronze pillar set with an enamelled plaque of a lady, 30cm tall

A Regency style mahogany dining table. Early 20th century, raised on plain turned pillar supports, and quadruple outsplay feet, with three leaves, height 74cm, width (unextended) 146cm, depth 115cm.

A Regency mahogany and crossbanded breakfast table. The rectangular tilt top with rounded corners and raised on a turned pillar and four outswept reeded legs, with brass castors, height 70cm, width 132cm, depth 86cm.

A George III style burr elm pie crust tripod wine table. 19th century, raised on a mahogany wrythen turned pillar and carved claw and ball feet, height 69cm, diameter 60cm.There is wear and small losses commensurate with age and usage. Evidence of possible past repairs to the underside of the pie crust edge which has a layer of refinished 'lacquer'. The tripod supports are solid and robust with no movement in the joints. The burr elm veneer has lifted in areas but the past applied layer of 'lacquer' has stabilised the veneer. No obvious evidence of worm.

A Victorian burr walnut and inlaid half round card table. With a folding baize lined top on a stout turned and carved pillar and quadruped base, height 75.5cm, width 91cm, depth 90cm (open).

A painted Egyptianesque pillar. 20th century, with claw and ball feet, height 84cm.

An early Victorian yew veneered parquetry circular table. With a tilt top, raised on an octagonal pillar and tripod base, height 75cm, diameter 63cm.The veneer is raised a little in places with a few marks and knocks, and light losses around the edge of the top.There are a few veneer chips on the base.The top does not quite seem to lock in position with the catch, although it does sit flush.

A Regency rosewood and brass inlaid fold-top card table. Raised on a carved pillar and four hipped sabre feet, with cast brass casters, height 72.5cm, width 91.5cm, depth 45.5cm.

Robt. Henderson Scarbro (Scarborough), 19th Century 30 hour longcase clock movement, 11" break arch brass dial, engraved matted centre with date aperture, applied Roman chapter ring and spandrels, count wheel striking four ringed pillar movement, W28cm

19th Century 8 day longcase clock movement, painted 14" Roman square dial, rack striking four ringed pillar movement, W35.5cm

A traditional brass lantern clock, 19th Century in the 17th Century style, urn finial, bell, fretwork panels to three sides, the front with engraved entwined dolphins and scrolls, over a dial with black Roman numerals and inner minute track, scrolling foliage to the centre, pillar corners, peg feet, eight-day movement striking on a bell, 38cm high, 15cm wide

Langley Miniature Models, Peco, Lima, Airfix, Gilbow and similar, a boxed, carded and bagged OO Gauge/1:76 scale/HO Gauge and similar group of plastic and white metal modeling parts and accessories mainly railway scale and similar which would suit railway and road layouts to include Lima carded plastic Commercial vehicles, Lima boxed 60 0990 Container Truck Set, Langley Miniature Models bagged white metal accessories such as Modern Bus Shelter & Concrete Stops, Modern Pillar Boxes and similar along with similar. Contents all appear generally Good to Excellent in generally Good boxes/carded and bags. See photo.

Robert Austin of Challock (Kent), An 8-day, longcase clock No.140, the four pillar movement chiming on a single bell, the brass broken arch dial with applied silvered Roman chapter ring secondary dial and date aperture, the case with long trunk door. 30 cm dial width x 48 cm wide x 202 cm overall height x 24 cm deep.Robert Austen/Austin is recorded from 1730-1793, He produced a number of clocks and some are(as is this example) numbered, see page 29 of Watch and Clockmakers of the World, Complete 21st Century Edition, Loomes, Brian. The clock, I am reliably informed was working until very recently when it was no longer wound due to its owner's infirmity. It has its pendulum and corresponding pair of weights, and the movement is clean but not over-cleaned.The winding key fits both trains, the trunk door has a working key but the hood door does not, it is in the unlocked position and happily stays closed even though unlocked.

An eight day all metal cased longcased clock by James Delance of Downtown circa 1730. Five pillar movement striking upon a bell, supporting a ten inch brass calendar and seconds dial. 196cm high

A pair of narrow oak pillar type chests of six drawers, with hinged covers, height 92cm, depth 53cm, width 53cm (2).

ROYAL DOULTON; four porcelain figures comprising HN2937 'Gail', height 19.5cm, HN3605 'First Performance', HN3394 'Sweet Dreams', and HN3390 'Thank You', together with a Coalport Ladies of Fashion 'Vicky', and a plaster figure of a cherub on a pillar (6).

A bone-handled four-pillar rack and pinion corkscrew, together with a bone-handled hook and a hallmarked silver bookmark in the form of a tag, with tassel, Harrison Brothers & Howson Ltd, Birmingham 2000, approx. 0.37ozt, boxed (3).Condition Report: - The corkscrew handle is quite badly chipped and has some cracks and discolouration. Some rusting and pitting to the metalwork.

A George III mahogany architect's desk, possibly Scottish, the hinged top with ratchet support and adjustable book rest, a candle slide to both sides, the pull-out front frieze section with green baize writing surface which slides to reveal fitted compartments and drawers, the chamfered legs with internal turned pillar supports on brass castors82 x 91 x 61cm closedIn good original condition, One of the moulded "stays"on the top surface has been replaced.Some minor marking to the top surface and one deep historic scratch. Historic repair to the base of one of the legs.The expanding action has caused some rubbing in places but this consistent with use.please see further images for illustration

A provincial mahogany and oak longcase clock by Bowen, Alfreton, 19th century, the swanneck pediment over painted 33cm (13inch) dial with castle and rocking ship automaton scene to the arch, 8 day 4 pillar movement, upon a panel plinth base221cm highProvenance:Property of the late Gabriela GrilloDial glass cracked on left sideCheeks part re-enforced Split seat boardCurrently ticking and strikingAppears to strike correctly, dial sits a little low in the aperture Case most likley an old marriage to movementDial with minor scratches Lacking feet

A Record pillar drill with stand and accessories.

A DECORATIVE CAST IRON PILLAR STAND

AN AJAX PRECISION PILLAR DRILL

Egypt Djed Pillar , ceramic blue glazed, late periode between 600-300 B.C.E 3 cm long The hammer price will go directly to the social help of the Caritas of Vienna, Provenance; estate found Erzdiozese Wien.

Metal trolley mounted with grinder and pillar drill and a heavy duty vice. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P

Power devil PDW5010 375w pillar drill. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P

Walker-Turner company SB150303 pillar drill. Not available for in-house P&P

GEORGES LENFANT FOR O.J PERRIN: A COLLECTIBLE BI-COLOURED GOLD BRACELET, CIRCA 1970Composed of a series of alternating bi-coloured textured gold links, in 18K white and yellow gold, signed O.J Perrin, with maker's mark 'GL' for Georges Lenfant, French assay marks, length 18.7cmNestled in the heart of Paris at the historic Place Vendôme, O.J. Perrin has long been recognized as a premier destination for exquisite jewellery. Since its founding in 1961, the brand has attracted a diverse clientele of celebrities, politicians, and discerning collectors from around the globe, such as Charles Aznavour and Mireille Mathieu. With a deep commitment to timeless sophistication and modern elegance, O.J. Perrin’s collections epitomize the very essence of Parisian luxury.The Maison’s signature pieces are informed by an exceptional understanding of contemporary design; defined by their graceful lines, each piece is a seamless blend of modern innovation with a classic aesthetic. Whether creating original pieces or reimagining cherished heirlooms, O.J. Perrin has become renowned for its ability to personalize jewellery to reflect the individuality of its clients. This bespoke approach has helped elevate O.J. Perrin pieces into a symbol of exclusivity in the world of fine jewellery.This dedication to craftsmanship and artistry echoes the legacies of other prominent Parisian jewellers, such as Georges Lenfant, whose story also began near the iconic Place Vendôme. Born into the world of French jewellery design, Georges Lenfant quickly mastered his trade, undertaking apprenticeships and studying jewellery design in both Paris and abroad. In 1900, he established his own workshop at 47 rue des Petits-Champs, just minutes away from the jewellery houses of Place Vendôme and Rue de la Paix. By 1903, his exceptional work was already recognized, earning him a listing in the Revue de la Bijouterie, Joaillerie, Orfevrerie.Lenfant’s designs, celebrated for their creative brilliance and flawless execution, attracted attention from the leading jewellery houses of the day, including OJ Perrin, Cartier, Mellerio dits Meller, and Van Cleef & Arpels. Determined to establish his own identity, Georges created a maker's mark in 1909, ensuring his pieces stood apart.In the period following World War II, Georges Lenfant continued to innovate, expanding further with the acquisition of Verger Frères. This partnership led to an exciting collaboration with Vacheron Constantin, producing exquisite timepieces and jewellery, including designs for Hermès. Jacques, who succeeded his father in the 1960s, infused the brand with a renewed focus on goldsmithing, creating beautifully textured pieces that celebrated the versatility of gold. One of his signature designs was the interlocking chain motif, which resulted in over 3,000 unique pieces, now considered some of the most iconic works of the Georges Lenfant legacy.Much like O.J. Perrin, a pillar of Parisian luxury under the direction of Ralph Aljord, Georges Lenfant has built a lasting legacy in the world of fine jewellery. The two houses have collaborated in the past, creating exquisite pieces that combine elegant details with innovative design. These creations perfectly exemplify a commitment to exceptional craftsmanship, personalized design, and the seamless blending of timeless elegance with contemporary flair. Condition Report: French assay marks + maker's mark located on the tongue of clasp - signature OJ Perrin located on the other end of claspClasp with safety catch, closes securelyMinor signs of wear, overall in good conditionTotal gross weight approx. 98.7g

A Quality Early Victorian Walnut credenza with a raised mirrored back with gilded pillar supports above glazed doors with glazed bowed glass ends in very good original condition.158cm long height 135cm 48cm deep.

Henry Bone R.A. (British, 1755-1834)Sir Henry Sidney (1529–1586), standing before green drapery, a marble pillar to his left, wearing black stockings and dark brown breeches slashed to reveal black, black embroidered doublet with ermine trim to the shoulder, white collar and cuffs, ermine waistcoat, black hat with red and gold embroidered trim and large black plume, gold collar of the Order of the Garter, black belt and sword belt with gold clasps, his decorated sword hilt at his right hip, his right hand upon his hip, his left hand resting on the base of the plinth and holding a piece of green material trimmed with gold . Enamel on copper, signed on the obverse HBone., inscribed on the counter-enamel Henry Sydney, Educated with Edward VI in the/ third Yr of his reign he Knighted him & made/ him first Gentleman of his Bed Chamber - Sent/ Sent afr to France - Edward died in his arms.-/ Sent to Ireland by 2. Mary - Made Lord Justice -/ Queen Elizabeth in 1564 made him a Knight/ of the Garter - Lord President of Wales - Deputy/ of Ireland, (which Offices he held at the same time)/ Ambafr to France, Scotland &c &c Died May 1586/ aged 57 years.-/ On the Original picture,/ Sir Henry Sydney Ano dni 1573. 20 die Tulli die/ nativitatis & ætatis suce 44.-/ London/ July-1823/ Painted by Henry Bone RA Enamel-painter/ to His Majesty & Enl. painter to His R.H. the/ Duke of York &c &c - after the Original/ in the Collection of the Earl of Egremont/ Petworth - Sussex.-, gilt-metal mount engraved ENAMEL. HBONE. R.A., gilded composition frame. Rectangular, 212mm (8 3/8in) highFootnotes:Provenance:Bonhams, London, 23 November 2011, lot 6Henry Sidney was an English soldier, diplomat, and courtier, known for his significant contributions during the Elizabethan era. He was born into a prominent family, the son of Sir Henry Sidney and Lady Mary Dudley, and the brother of the celebrated poet Sir Philip Sidney. Henry was appointed as the English ambassador to the Netherlands, where he worked on maintaining alliances and navigating the complex political landscape of Europe.Another version of the present enamel is in the collection at Kingston Lacey, Dorset (NT 1250543) and the original painting is at Petworth House (PET/P/498). Bone's preparatory drawing, squared in ink for transfer and inscribed Sr Henry Sydney after the Original/ in the Collection of the Earl of Egremont and annotated in pencil Nov 1822, is in the collection of the National Portrait Gallery (NPG D17113).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Henry Bone R.A. (British, 1755-1834)Robert Milligan, seated before a red curtain and pillar background, wearing a brown jacket with yellow waistcoat and white stock, his hair en queue . Enamel of copper, signed, dated and inscribed on the counter-enamel Robert Milligan Esq., Born at Dumfries NB. 19 Aug 1746. Died at Rosslyn Hampstead, Middx, 21st May 1809. Painted by Henry Bone R.A. Enamel painter in ordinary to His Majesty and Enamel painter to HR.H The Prince Regent, after the original by Abbot, gilt metal easel frame stamped H.J. Hatfield and Sons Ltd., London.. Rectangular, 133mm (5 1/4in) highFootnotes:Provenance:Purchased from Ellison Fine Art, October 23, 2006Robert Milligan (c.1749-1809) was a wealthy merchant and ship owner whose family had extensive sugar plantations in Jamaica. He left Jamaica in 1779 to establish himself in London, where he headed a group of powerful businessmen who planned and built West India Docks, which was to have a monopoly on the import into London of West Indian produce such as sugar, rum and coffee for a period of 21 years. The Docks' foundation stone was laid in July 1800, when Milligan was Deputy Chairman of the West India Dock Company - his strong connections with the political establishment of the day were evident from those attending the ceremony, the stone being laid by Lord Chancellor Lord Loughborough and Prime Minister William Pitt the Younger as well as Company chairman George Hibbert and himself. A statue of Milligan by sculptor Richard Westmacott stands in front of the Museum in Docklands on West India Quay. Bone's preparatory drawing, squared in ink for transfer and inscribed Mr Milligan after Abbot/ for Miss M. Feby 1810 is in the collection of the National Portrait Gallery (NPG D17643). It is assumed that the original painting was by Lemuel Francis Abbott, most famous for his portraits of Admiral Lord Nelson.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A GEORGE III MAHOGANY TRIPLE PEDESTAL EXTENDING DINING TABLE CIRCA 1800 With two additional leaf insertions 74.5cm high, 360cm long, 127cm wide Condition Report: Size breakdown: each leaf adds 58cm to the length of the table; each rounded end pillar section is just under 79cm long; the central pillar section is 86cm long. Without the two additional leaf insertions the three pillar table is 243cm long.Overall there are some scratches, marks, knocks, cracks along the grain of the timber and abrasions consistent with age and use.There are some observations and restorations: some filled holes to the underside of the loose leaves; there are brass clip fittings of two dates to the underside of the table top sections; there are later wood supports to the underside of the top; pedestal stencilled '1' is missing the brass handle to the two brass catches - this does not affect the catches engaging but means two hands are needed to release the catches when tilting the top; there is a slight tilt to one end pedestal top so that it is not as flat as the other end joint (a folded old Christmas card wedge has been inserted under that end of the top!); the table base is solid and robust with the usual small movement to the top that is seen with tables of this design.There is evidence of old worm to the rectangular supports between the top and the pedestals.The table top has subtle areas of colour variation in part due to fading and a lively grain and figuring.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer

A VICTORIAN OAK MINIATURE PILLAR LETTER OR POST BOX IN THE MANNER OF LEUCHARS & SON, LONDON, CIRCA 1880 50.5cm high, base 26.3cm diameter Provenance: Mark's Club, London, July 2016 The Estate of a deceased Gentleman. A copy of the receipt will be made available to the successful purchaser. Condition Report: Wear from use and with restorations. Lacks base. Lacks handles to drawer and with repairs to one side of drawer front. Supplied with a key which does not operate lock but is for convenience of opening door. Later leather and lining to interior and signs of some later blocks. Some wear and bruising to exposed edges. Would greatly benefit from new base and overhaul/restoration. With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

A metal ammunition crate filled with workshop tools. Noting hand operated pillar drills, hammers and set squares, plus a metal box filled with door handles and hinges etc.

Dinky Toys 159 Morris Oxford Saloon - Two-Tone Cerise and cream, light beige rigid hubs, silver trim - Good Plus (small chip on side door pillar) in a Good yellow and red carded picture box with correct colour spot 

Miscellaneous Victorian and later metalware, including brass candlesticks, copper saucepans, Middle Eastern pierced copper pillar, etc

A mahogany tripod table, the dished top on associated George III baluster pillar, the legs with pad feet, 62cm h, 69cm diam Old letting repairs to top

A giltwood and green painted torchere with reeded pillar, 92cm h, giltwood hanging shelves, 99 x 54cm and two similar mahogany tripod tables

A Victorian walnut and inlaid pedestal table, on spiral pillar and three volute feet, 74cm h, 65cm diam Extensive loss to inlay to decoration

A Victorian mahogany longcase regulator clock, by G J Wagstaff, London, the 11-inch silvered dial with Arabic numerals and a single hand indicating the minute divisions, with a subsidiary seconds dial, quadrant curved dial aperture, and enclosing an eight-day movement, with Harrison’s maintaining power, substantial six-pillar movement, shaped plates and dead-beat escapement, and an ebonised rod pendulum, with silvered regulation screw, the single brass weight on a five-spoke wheel, within a moulded long case with an arched door and circular windows to the sides,46cm wide24cm deep 195.5cm highProvenance: The David Morris Collection.Condition ReportGeneral knocks & wera to the case. Some splits and cosmetic repairs. The clock appears to tick when wound, however we are unable to guarantee that this represents full and complete working order and would recommend inspection by a professional.

Three Victorian 19th century slate and marble mantel clocks. Comprising of, a French J. Whitehead slate clock with carved gilt floral decoration, a C.J & Co no. A247 clock with carved floral decoration and a slate clock with red marble pillar-style accents. Largest measuring approx. 20cm x 32cm x 14.5cm.

A COLLECTION OF CURIOSITIES COLLECTED BY CAPTAIN JAMES MUDDLE TO INCLUDE HANDWRITTEN LABELS:Porphyry taken from the Ruin of the Flavian Amphitheatre at Rome.A cross made from a shell-fish caught in the Dead Sea at Jerusalem. Given to J.G. by a respectable Mamluke Interpreter, 1800.A small box of gold from Australia. Manna picked from a tree in New South Wales, by Captain Muddle, 1826Lava taken up from the base of the Isle of Strombolo when it was burning hot, June 1803.Alabaster ruins of old Alexandria.Lava from the side of the Grand Crater, taken by J.C. Dec 1802.Yellow Ochre from Van Diemens Land, 1833.Rock found among the Rubbish of theh Foundant of Pompey's Pillar, Alexandria, Egypt.Agate from the ruins of Old Alexandria.Muscle...from the Island of Sardinia.A piece of Cleopatras Needle at Alexandria, taken off by J.G. 1802 (this label does not have an associated specimen, but may match a specimen elsewhere in the lot or indeed the collection)Mosaic pavement from Pompei, taken out by J.C. Dec 1802.Pieces of the mount near our Saviours Ascension to Heaven, present from a Mameluke Interpreter,Lava takaen while burning hot from the inside of the Grand Crater of Vesuvius by J.C. Dec 1802.Pieces of coral and stone, taken off Bona Beach by R. Stephenson 1824.Shells and mosaic pavement found among the Ruins in Ancient Baix, near Naples, by J.C. Dec 1802.Parts of a Sea Egg which are very musical, brought by James (no associated specimen).Pavement of the Isle of Serapis near Naples, taken by J.C. May 1803.This article comes from Perang. It is taken from the leaf of the Pine apple and is used by the Natives of that Island as thread to sew with. Sept 30th 1838, J Muddle (no associated specimen).Alexandrian pebble.Sea weed picked up on the East Coast of Tasmania. Given to me by Mrs Edward Butler on the 29th May 1850; she told me she had forgot the name of it, but is was what shell fish deposited their spawn in and afterwarrds closed it up, and when it came to Maturity, the weed burst and the fish came out (no associated specimen).Taken from the shell of a sea egg at Ocean Island in June 1835 (no associated specimen).A fantastic handwritten label 'J.M wrote this on the 2nd of February 1835 from the ink of a flying squid. The otherside was ink taken or discharged from a flying squid circumflex on the otherside was not ink from the squid'.Petrified wood from Essex.Various items to include treen letter opener, mother of pearl letter opener, rope, a paddle, glass bottle, tribal carved nut, various minerals some with handwritten labels.James Muddle was born at Gillingham in Kent on 31 January 1785. James probably went to sea at a fairly young age and worked his way up to become a master mariner. The first record of him at sea, at the age of 25, is as the master of the small single mast sloop Boston sailing in coastal waters. In 1814, James then became master of the 356-ton ship ‘Leng’, armed with six 6-pounder guns, bound for the West Indies. The Lloyd's Register for 1820 also recorded that during that year James took over from as master of the 410 ton convict ship Lord Sidmouth. By the age of 35, James had progressed from being master of ships sailing in coastal waters to sailing to the Mediterranean and across the Atlantic, and now to the other side of the World. In 1820 it was reported that the Lord Sidmouth captain Muddle had sailed from Portsmouth on for New South Wales. After a voyage of 107 days, they arrived at Sydney in Australia on 19 February 1821, where 160 male prisoners were disembarked. James and the Lord Sidmouth also sailed to Jakarta, Calcutta, Mauritius. Upon arriving back to England in 1821, James became captain of the prison ship the ‘Andromeda’, which sailed from Leith to to Van Diemans Land and New South Wales. During the following two decades of travels in and around Australia, James will have collected many of the items in the collection. James is also known to have been captain of the ship ‘Lang’, as well as the “Mandarin’, ‘Glenbervie’ and the ‘Roseanne’. He sailed on prison ships to New Zealand and even China. James died in 1865 at the age of 80, and his collection has been passed by descent down the generations to the present owners.For more information please see the link below:https://www.muddlefamilies.info/harrietsham/22eaa.htm

A 24-BORE CONTINENTAL FLINTLOCK HOLSTER PISTOL, UNSIGNED, no visible serial number, French circa 1810, with slightly swamped octagonal 6in. barrel decorated on the top and upper side-flats with gilt bordered panels and arabesques (rubbed), diminutive blade fore-sight, carved standing notch rear-sight, plain radiused lock with pointed tail and moulded pan, swan-necked cock (well repaired at neck), walnut full-stock with chequered grip swelling at the flat-based iron heel, wire inlays around side-plate and along back edge, pillar front to trigger guard, turned ramrod pipes and horn-tipped ramrod.

A 54-BORE PERCUSSION FOURTH MODEL TRANTER'S PATENT REVOLVER SIGNED JAMES GIBSON, GRAHAMS TOWN, serial no. 22928T, circa 1861, with octagonal 5 7/8in. barrel, dove-tailed pillar fore-sight, scroll engraving to sided of barrel-throat, border engraved top-strap signed 'JAMES M. GIBSON GRAHAMS TOWN' (rubbed, mild pitting) with sighting notch at rear, borderline and scroll engraved solid frame (further light pitting) with borderline engraved plain five-shot cylinder, guarded trigger, spurred hammer and chequered walnut saw-handled grip with engraved shallow-domed butt-cap.

A CASED .380 (RIMFIRE) FIVE-SHOT REVOLVER SIGNED HIGHAM, WARRINGTON, serial no. 2136, No. 2136 possibly a patent use number, circa 1870, with blued octagonal 4 7/8in. barrel, dove-tailed pillar fore-sight, standing notch rear-sight to the rear of the top-strap, the borderline engraved top-strap (lightly dented) further signed 'G. HIGHAM, WARRINGTON', ejector of percussion style mounted to right side of barrel, borderline engraved solid frame (traces of colour), five-shot cylinder with rear notch locking, double action mechanism with guarded trigger and spurred hammer, swept chequered walnut grip with shallow domed heel-plate, much finish and strong traces of colour, in its oak storage case compartmented and lined in green baize, Higham parchment trade-label inside lid and complete with ammunition tray, oil bottle, cleaning rod and turn-screw. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A CASED 80-BORE PERCUSSION THIRD MODEL TRIGGER-COCKING TRANTER REVOLVER RETAILED BY PRITCHARD & SON, serial no. 9745T, circa 1856, with blued octagonal 4 5/8in. barrel (some loss to finish), dove-tailed turned pillar fore-sight, the top-strap signed 'PRITCHARD & SON', engraved band at muzzle, scroll engraving to barrel-throat, plain cylinder (traces of colour) with rope-twist border to leading edge, borderline and scroll engraved frame, chequered walnut semi-sawhandled swept one-piece grip, engraved shallow domed iron butt-cap and swinging rammer marked 'W. TRANTER'S PATENT' mounted to left of frame, retaining a good amount of original blued finish, complete with a period walnut storage case compartmented and relined in green baize and a full suite of period accessories as supplied.

A CASED PAIR OF 28-BORE FLINTLOCK DUELLING PISTOLS SIGNED BLAKE, LONDON, no visible serial numbers, circa 1795 and of Wogdon style, with slightly swamped laminated London proved 9in. barrels signed on the top-flats in script 'BLAKE, LONDON', engraved band at breech, applied white metal fore-sight, shallow notch rear-sights to the engraved top-tangs, borderline engraved bevel-edged locks with stepped tails and signed 'BLAKE' below the plain pans, swan-necked cocks with bolted safes (one top-jaw and screw replaced), walnut full-stocks with strongly curved bag-shaped butts chequered in the Durs fashion in dot and checkerboard style, the pommels with stylised floral carving, brass furniture including pillar fronted trigger guards with acorn finials, turned ramrod pipes and original worm-ended ramrods, complete in their maker's mahogany casing lined and compartmented in pale green felt (some staining), parchment trade-label with the '104 Gun Dock, Wapping' address and including a scissors mould, lozenge-bodied flask, loading rod and flint wallet, the case with lock closure.

AN 80-BORE PERCUSSION TRANTER'S PATENT TRIGGER-COCKING REVOLVER, serial no. 34805T, third model circa 1856, with octagonal 4 3/8in. barrel, dove-tailed turned pillar fore-sight, the top-strap unsigned, engraved band at muzzle, scroll engraving to barrel-throat, plain cylinder with rope-twist border to leading edge and faint traces of colour, borderline and scroll engraved frame, chequered walnut swept one-piece grip, iron butt-cap and swinging rammer marked 'W. TRANTER'S PATENT' mounted to left of frame, the majority retaining a strong amount of original blued finish.

AN 80-BORE PERCUSSION FOURTH MODEL TRANTER'S PATENT REVOLVER, serial no. 17646T, circa 1859, with octagonal 4 1/2in. barrel, dove-tailed pillar fore-sight, scroll engraving to sided of barrel-throat, border engraved top-strap with sighting notch, borderline and scroll engraved solid frame with borderline engraved plain five-shot cylinder, guarded trigger, spurred hammer and chequered walnut saw-handled grip with engraved shallow-domed butt-cap. * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

AN EARLY 17th CENTURY .750 ENGLISH MATCHLOCK MUSKET, circa 1610, with probably shortened 38 1/2in. two-stage barrel with moulded girdle at the intersection, dove-tail for a fore-sight behind the bevelled muzzle (sight absent), standing notch rear-sight co-joining a pillar-mounted flash-guard, deeply struck proofmark, armourer's stamp and maker's mark (possibly 'S.W.') at breech, squared solid top-tang fixed from below, rectangular iron lockplate with matching maker's stamp and match-holder engraved as a rolling cloud, hinged manual pan-cover, folded full finger-length sheet-iron trigger guard bow, plain trigger, restocked (probably in the Victorian era) in the correct fashion with a walnut full-stock with angular fish-tail butt and under-barrel ramrod (fractured and fixed in place).

A .44 (RIMFIRE) WEBLEY PATENT SOLID-FRAME REVOLVER RETAILED BY TRULOCK & HARRISS, no visible serial number, circa 1870, with round 5 7/8in. barrel, London proofs, applied pillar fore-sight, solid top-strap signed 'TRULOCK & HARRISS, DUBLIN', borderline engraved frame, six-shot plain cylinder, double action mechanism with spurred hammer and guarded trigger, swivelling paddle-shaped ejector and chequered walnut semi saw-handled walnut grips. Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament

A CASED 80-BORE PERCUSSION FOURTH MODEL TRANTER REVOLVER SIGNED CONWAY, serial no. 18425T, circa 1858, with octagonal 4 1/2in. barrel, dove-tailed turned pillar fore-sight, the top-strap signed 'THO'S CONWAY BLACKFRIARS ST. MANCHESTER', engraved band at muzzle, scroll engraving to barrel-throat, plain cylinder with rope-twist border to leading edge, borderline and scroll engraved frame, chequered walnut swept one-piece grip, iron butt-cap and swinging rammer marked 'W. TRANTER'S PATENT' mounted to left of frame, the majority retaining a good amount of original blued finish, complete with a period walnut storage case compartmented and lined in green baize, a full suite of accessories, the whole almost certainly as supplied.

A GEORGIAN MAHOGANY TELESCOPIC SHEET MUSIC STAND, the tilting surface in the shape of a lyre, with marquetry inlay, the brass pole encased by a hexagonal pillar, raised on three splayed legs, maximum height 166cm x minimum height 105cm (condition report: the surface with previous and incomplete restoration, the frame is sturdy, other general signs of usage)

A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, with a broken arch pediment, Corinthian style pillar supports, flanking an arched glass door, that’s enclosing an 11 inch brass dial, reading W M Taylor, Bridgnorth, above a trunk door, on a box plinth, height 224cm (condition report: marks, scuffs, discolouration, splits, later plinth, two weights, one pendulum, no winding key, one missing weight, other wear and usage)

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, with twin swan neck pediment, twin Corinthian style pillar supports, flanking an arched glass door, that’s enclosing a 13 inch painted dial, depicting Arabic numerals, signature well worn but could possibly be Edward Radford of Hanley and Shelton, above a trunk door, on a box plinth (condition report: in need of restoration, due to marks, scuffs, losses, loose pieces, one winding key, one pendulum, two weights, other historical wear and usage)

▲ Godfrey Tonks (b.1948) 'Pillar of Alaró'signed 'TONKS' l.l., pastel56 x 74cmProvenance: With the Medici Gallery, London. Condition ReportFramed: 78 x 96cmNot viewed out of glazed frame but appears to be in good condition.

A Victorian cast iron hexagonal pillar box money bank.

The image of the Protection of the Most Holy Theotokos. Midthird quarter of the 19th century. Possibly Vetka. The image, especially revered in Rus`, is a centric, Novgorod composition, in which the memory of getting rid of the Slavic raid on Constantinople in the 7th century is recorded. Then the weekly veneration of the protection of the Mother of God, which grew into a religious procession, saved the city. This solemnly fixes the upper case of the icon. In the lower one, the sweet singer Roman before the emperor and the queen sings hosanna to the Mother of God and Her intercession. In the right stamp, behind the pillar - the scene of the prophetic visitation of Roman by the Mother of God. Clean and precise writing on gold depicts the outline of a temple with five domes, with a bell tower and an annex at the top. The catchy pictorial coloring, including the upcoming ones (St. Nicholas, Evdokia, Agripina and the Archangel Radeniya) is similar to the manner of the Vetka masters of the middle third quarter of the 19th century. Icon dimensions: 44x37 cm. Width: 37cm, Height: 44cm, Depth: 3.5cm, Weight: 5kg, Condition: Good, Material: Wood, gesso, gilding, tempera, ID: ID-ANTQ-7884

R. Evens of Halstead - an early 19th century oak longcase clock, having a 12" arched brass dial, signed to the chapter ring, twin winding holes for a brass eight-day four pillar movement striking on a bell, with weights and pendulum weight but not the rod, h.216cm

A carriage timepiece, the 6.5 cm wide enamel dial with Roman numerals, in a brass four pillar case, 18 cm high

A FINE GEORGIAN MAHOGANY CASED BRACKET CLOCK BY THOMAS WAGSTAFFE, LONDON, having a large six pillar triple fusee movement with verge escapement, finely engraved rear plate, regulated by a short bob pendulum with large single bell hourly strike and Whittington quarter strikes on eight bells, the silvered dial plates with aperture date ring, Roman numerals and blued steel filigree hands, above twelve numeral is strike / silent level, the mahogany case with padded top richly embellsihed with brass fretwork and panels, pineapple finials and fretwork fishcale side panels, H 51 cm, W 30 cm, D 19 cm    Condition: Mahogany case and gilded decorations appear to have been cleaned and restored. Gong train ticks on winding. Striking train appears to work fine on all quarters. Silent strike lever not working