We found 30663 price guide item(s) matching your search

A 20th century mahogany frame pole screen in the period style having inset woolwork tapestry on adjustable pillar and triple splay legs

OCCASIONAL TABLE, with glass top and undershelf in burr walnut on pillar supports.

Reproduction yew wood twin pillar extending dining table with three leaves (109cm x 108cm - 199cm (with leaves)), and set eight Hepplewhite style dining chairs Condition Report Click here for further images, condition, auction times & delivery costs

Cherry wood extending dining table on twin pillar base (151cm x 105cm, H74cm), and set six matching dining chairs with upholstered seats Condition Report Click here for further images, condition, auction times & delivery costs

Set of eight reproduction dining chairs including two carvers; together with a reproduction twin-pillar dining table (9)

An oak and mahogany thirty hour longcase clock, signed Wm Hargraves, circa 1830, swan neck pediment, trunk door flanked by turned mahogany pilasters, recessed mahogany crossbanded plinth, 14-inch painted arched dial, four pillar movement with anchor escapement and outside countwheel striking on a bell, 229cm high 22.03.18, Case with small scuff marks in places, finials are missing, hood columns with some rubbing and flaking to the surfaces, hood door with small chips, dial with scratches and slightly discoloured to the centre, movement needs cleaning, with one weight and a pendulum.

A First World War trench art model of a brass post office pillar box engraved GR and inset with an aluminium collection time plaque, height 16.5cm

An early Victorian mahogany cased bracket clock, having an unsigned white enamel dial, single winding hole for a chain driven eight day four pillar fusee movement, having anchor escapement, case interior bears repairers label for Francis Kerby of Jersey, dated 1849, h.43cm Condition Report / Extra Information Not currently in working order.No key or pendulum.

A Large Mid-20th Century Poole Pottery Pillar Vase, approx 40 cms height  and 15 cms diameter.

Craig Underhill Contemporary Ceramic Pillar Vase, turquoise and celadon green, approx 20 cms, signed C. Underhill to base.

A Contemporary Cylindrical Stoneware Pillar Vase, impressed mark to base, approx 55 cms

A pillar drill, a router, a bench grinder etc E/T

Suffragette / Scottish Interest: An original envelope, postmarked Edinburgh, February 19 1913, defaced with ink by suffragettes in an organised attack on pillar boxes in Edinburgh (the General Post Office was state-owned and so this formed part of the wider protest against government). The envelope, addressed to a Geo. MacRobert Esq of 1 Murieston Crescent, Edinburgh, bears a contemporary newspaper clipping (pasted to verso): 'Pillar-Box Outrages in Edinburgh. An Organised Raid. 2000 Letters Damaged. The Militant Sufragettes have again been tampering with the post pillar boxes in Edinburgh, and this time there has apparently been a concerted plan, for boxes in numerous districts of the city and in Leith were attacked about the same time last night.'Provenance: George MacRobert, the recipient of the letter, was vendor's great-grandather.

A Royal Doulton 'Pillar Rose' part dinner and tea service including fourteen plates, twelve dessert bowls, three lidded tureens, teapot, coffee pot, etc.

A William IV rosewood circular top breakfast table, on pillar support and platform base 137cm diameter

An 18th century North Country 30 hour longcase clock, Hugh Lough, Penrith, the mahogany case with swanneck pediment, above 12.5inch (32cm) brass dial with painted moonphase disc to the arch, silvered chapter ring and dial centre with signed inset circular plaque, curved calendar aperture below, gilt foliate spandrels, 4 pillar bell striking movement, the trunk with short door flanked by quarter columns, the base with canted corners on ogee bracket feet 230cm high case probably associated.

A XIX Century Brass Model of a Three Pillar Beam Engine with Regulator, 6 inches long, 6 1/2 inches high, 3 inches wide. Well engineered showing signs of restoration and some later replacement parts. No obvious markings, interesting model.

VICTORIAN OIL LAMP WITH GREEN BOWL & ANTIQUE FROSTED SHADE ON CORINTHIAN PILLAR BASE

GARDEN ORNAMENT GIRL ON PILLAR

A William III walnut eight-day longcase clock William Grimes, London, circa 1695-1700 The eight-day five finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum and outside strike locking detent, the 11.25 inch square brass dial with subsidiary seconds dial, ringed winding holes and scroll border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to narrow outer track and signed W’m Grimes. Londini fecit to lower edge, with fine pierced blued steel hands and angles applied with winged cherub mask and foliate scroll cast spandrels with scroll engraved infill between, the case with ogee moulded cornice and floral trail pierced fret to frieze above glazed fixed dial surround applied with Solomonic three-quarter columns to front angles, the sides with rectangular windows and conforming quarter columns applied next to bargeboards at the rear, the trunk with convex throat moulding over 42 inch rectangular door centred with an oval lenticle and veneered with three pairs of book-matched panels within a herringbone banded surround, the sides veneered with twin herringbone bordered panels, the base with stepped ogee top moulding and conforming book-matched panel within further crossbanded surround over bun feet, 204cm (80.25ins) high. Provenance: Private collection, Hampshire (ref. C16); purchased at Sotheby’s, London, 19th December 1991 (lot 167) for £6,800 hammer. William Grimes is recorded in Loomes, Brian The Clockmakers of Britain 1286-1700 as born in Shilton, Leicestershire in 1737 and is thought to have trained under his uncle, Thomas Grimes, before moving to London by 1682 when he was made a Free Brother of the Clockmakers’ Company. William Grimes worked from Hatton Garden, London and amongst his apprentices was John Topping (1691) who subsequently became well known for his complex longcase clocks with astronomical functions. William Grimes is thought to have died in around 1705.

A Victorian oak revolving centre table, circa 1870, carved with a border of oak leaves and acorns to the dished circular top and tripod base, the frieze carved with trailing flowering branches interspaced by projecting thistles and leaves, and three scrolled brackets and a stiff leaf carved pillar, 61cm diameter x 72cm high.Illustrated

A George III style carved mahogany torchere, early 20th century, the dished circular top on a reeded, turned and fluted pillar and wheatear carved tripod base, with claw and ball feet, 135cm high.

A Regency mahogany ebony banded breakfast table, with hinged drop leaves, two end drawers, on a ropetwist pillar and moulded quadripartite base, 107cm wide x 60cm deep x 72.5cm high.

A Victorian walnut card table, circa 1860, the hinged swivel burr veneered fold over top of serpentine outline, on a carved and turned pillar and foliate carved downswept quadripartite base and castors, 92cm wide x 46cm deep x 73cm high.

A reproduction George III style mahogany rosewood crossbanded boxwood and ebony strung dining room suite, by Martin J Dodge, Wincanton, Somerset, circa 1980, comprising: a serpentine fronted sideboard with a drawer flanked by two cupboards on square tapering legs, 144cm wide x 56cm deep x 94cm high, and an oval top breakfast table, with a turned pillar and quadripartite base, 99cm wide x 137cm long x 72cm high (2).

A Victorian walnut stick stand, the circular top with three divisions, on a ring and baluster turned pillar, on a socle, 56cm high, a silvered brass table bell, and a late Victorian rectangular oak box (3).

Small, originally silver plated, oval section, four bottle cruet stand with pillar moulded bottles on ball feet.(B.P. 24% incl. VAT)

Pair of brass pillar fireside companion stands with matching brass and steel fire irons.(B.P. 24% incl. VAT)

A cast composition stone three sectional garden table of circular form raised on a fluted pillar and stepped octagonal base, 3ft in diameter approx, together with a low further composition stone garden bench with curved slab seat raised on a pair of associated supports with lions mask detail

A contemporary but Victorian style stripped pine breakfast table of circular form with moulded outline raised on a central vase shaped pillar and quadruped together with a set of four Windsor beechwood fiddle back chairs

A Georgian oak snap top occasional table of circular form raised on turned vase shaped pillar and swept tripod, 76 cm diameter, together with a 19th century mahogany side cupboard enclosed by a pair of square moulded panel doors over a long drawer and turned supports (converted commode)

A Victorian mahogany loo table of circular form with moulded outline raised on an inverted octagonal pillar, shaped tricorn platform and bun feet with integral castors, the top 100 cm diameter approx, to seat four

A 19th century mahogany twin pillar extending dining table with single additional leaf, 100cm wide x 200cm long approx, together with a collection of six (4+2) Edwardian mahogany dining chairs in the Chippendale manner, the splats with carved and pierced detail and upholstered seats and two further chairs

A Georgian oak snap top table raised on a vase shaped pillar and tripod, 76cm diameter

A mid-19th century rosewood ladies sewing table, the rising lid revealing a fitted and buttoned satin interior, raised on a tapering octagonal pillar and platform base

A late 18th century mahogany longcase clock, Robert Clark of London, the 12 inch dial with arcaded Roman and Arabic chapter ring, including seconds dial and calendar aperture, the last arch with painted moon motif, the weight driven five pillar two train movement with anchor escapement and rack strike on a bell, case, dial and movement associated, 7ft 4in.

An 18th century and later mahogany longcase clock, Carter of Uxbridge, the inlaid case with fluted quarter columns, the signed 12 inch dial with subsidiary calendar, strike / silent and seconds dial, engraved with foliate scrolls to the arch, the five pillar two train weight drive movement with anchor escapement and rack strike on a bell, 7ft 8.5in.

Hungary Ibusz Original vintage travel poster for Hungary - Ungarn som Ferieland (holiday in Hungary). Fun and colourful image of a child in traditional costume playing behind a decorated wood pillar with an outline of an old city on the horizon and a little bird on the top, the text above and below with the logo of the Hungarian Tourist Agency, IBUSZ (founded 1902) attached on a paper tag. Very good condition, light staining on margin, light foxing on margin, light creasing on margin. Country:Hungary Year:1930s, Designer: Marianne Lechner, Size (cm): (cm)94.5x61.

AN 18th.C.30 HOUR LONGCASE CLOCK WITH 28cms BRASS DIAL, SUBSIDARY SILVERED PENNY MOON PHASE, LUNAR DATE AND DATE, UNUSUALLY WITH A FOUR PILLAR AND RACK STRIKE BRASS MOVEMENT. THE DIAL SIGNED ROBERT POWLEY APPLEBY. c.1770-1790.

C. Reichert - Polished Brass VIII Bennogasse Monocular Microscope. c.1880 - 1900, Signed on the Foot - C. Reichert and on The Tube. No 10890. Features Double Mirror, Swiveling Condenser with Iris Diaphragm, Ebonite Stage, Rack and Pinion, Coarse Adjustment, Milled Head, Screw Fine Adjustment to The Pillar, Double Nose Piece, Locular, 2 Objectives - Height 11 Inches, In Fitted Case with Matching Number. Comes with Original Carrying Box

A modern cream and gilt painted ten drawer pillar chest, 40.5cm wide. 

A mid 20thC Georgian inspired coffee table, the shaped top with three tooled hide panels, over two with central drawers and a pair of facsimiles on the reverse, flanked by open ends, raised on pillar supports, splayed legs and casters 21''h 42''w S

George IV mahogany snap top breakfast table, the top with satinwood banding, standing on a turned pillar and carved and reeded quadripartite base with brass terminals and castors Condition:

Carved giltwood torchère or lamp standard having a carved and reeded pillar and standing on a circular base Condition:

Victorian rosewood polescreen, the panel with needlepoint decoration depicting the head of a stag, turned pillar and circular base with scroll terminals Condition:

Victorian oil lamp having a pink glass reservoir with painted floral decoration, brass bell shaped pillar and standing on a black glazed pottery base, having a white glass globular shade Condition:

A William and Mary walnut and marquetry eight-day longcase clock, John Clowes, London, circa 1690, the five finned-pillar outside countwheel bell striking movement with 12 inch square gilt brass dial with foliate scroll engraved and chamfered calendar aperture, ringed winding holes and silvered subsidiary seconds dial to the matted centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes and stylised sword hilt half hour markers, within cherub and foliate scroll cast spandrels, signed 'John Clowes, near Covt. Gardi' to lower chapter ring, in a case with stepped cornice and pokerwork and fretwork frieze on later plain turned pilasters over a convex throat, the trunk with rectangular door with central circular lenticle and inlaid with three floral and foliate marquetry panels and marquetry borders, on a later rectangular plinth base with conforming decoration, 85¼in. (216.5cm.) high, some restoration. * John Clowes is recorded as working in London 1673-1713. See 'The Early Clockmakers of Great Britain' by Brian Loomes.

A polished sardonyx miniature pillar clock for reconstruction)

A GEORGE III MAHOGANY BRACKET CLOCK, the break arch Roman dial signed Jonathan Moore & Sons, Clerkenwell, London with strike/silent to the arch, the five pillar twin chain fusee movement with anchor escapement, pull repeat mechanism, shouldered plates and pendulum hold fast, the break arch single pad top case with four brass ball finials over side handles and fish scale frets, brass stop flute quarter columns upon ogee bracket feet, 41cm high

A SET OF REPRODUCTION MAHOGANY FOUR TREAD LIBRARY STEPS with turned pillar, 125cm high

A Burmantofts Faience Anglo-Persian Pillar vase by Leonard King, pattern D.652, painted with a frieze of eagle and serpents in blue, turquoise, green and aubergine on a white ground, the neck with carnation flowers, impressed marks, painted LK monogram, 35cm. high Provenance A private collection of Burmantofts Faience Pottery.

A Burmantofts Faience Anglo-Persian Pillar vase by Leonard King, D.647, painted with winged and crowned heraldic lions, in blue, turquoise, green and aubergine on a white ground, the neck with stylised flowers, impressed marks, painted monogram, minor glaze loss to top rim, 35.5cm. high Provenance A private collection of Burmantofts Faience Pottery.

A longcase clock, the modern walnut case with rising hood, the 10¼in brass dial inscribed 'John Wise, London' with five-pillar movement, and a pair of brass weights,189cm high

A George III mahogany eight-day longcase clock,by Henry Bidole, London, the arched brass dial with a strike/silent dial over a silvered chapter ring, seconds dial, calendar aperture and name plate, supporting a striking five-pillar movement, the pagoda hood and case with stop fluted columns,dial 11in case 139cm high

MIG welder, pillar drill etc.

A Victorian round rosewood occasional table on central carved pillar with intricate carved edging to top 60cm diameter

Georgian circular mahogany occasional table on gun barrel pillar and tripod base 32" diameter

A circular Georgian mahogany occasional table on pillar and tripod base, 21.5" diameter

An early Victorian mahogany and rosewood banded folding top card table on pillar and platform back with paw feet, 3'0 wide

A 19thC mahogany, oak and inlaid country longcase clock, the 31cm wide arched dial with Roman numerals, subsidiary second hand date aperture, with painted spandrels raised, with a eight day, four pillar movement, in a shaped trunk door with diamond inlay, on a plain base, the whole surmounted by brass orbs, 210cm high