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An early Victorian mahogany dropleaf table, on turned pillar and quadruple reeded legs with brass capped castors, 71cm h; 98 x 105cm Top slightly marked, rule joints with one or two minor old chips, structurally stable

A George III mahogany tripod table, with birdcage action and later plum pudding mahogany top with moulded rim, 70cm h; 78cm diam Old marks and scratches to top, legs undamaged but repairs where joined to pillar

A reproduction mahogany and satin wood cross banded twin pillar dining table

A Victorian mahogany twin pillar writing desk AF

A reproduction mahogany twin pillar dining table with extra leaf; and a set of four reproduction mahogany lyre back dining chairs

Two pairs of Staffordshire pottery figures, comprising a large pair of huntsmen stood before a pillar topped with the stag, 42.5cm high, together with a pair of dancers, 23cm high.

New Kingdom, Ca. 1550 BC-1069 BC.A Djed pillar amulet made from carnelian, symbolising stability in ancient Egyptian culture. It features horizontal bands on its front that crown its shaft. The Djed pillar is a key symbol in Egyptian cosmology, representing power and a connection between life and resurrection. For similar see: World Museum, Liverpool, Accession Number: M11919c. Size: L:36.2mm / W:14.6mm ; 5.44g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

Ca. 664-332 BC.A light blue glazed faience amulet representing the Harpocrates, also known as Horus the child. The god strides upon a rectangular plinth. A back pillar, which tapers slightly at the top, reached up to the middle of the head and is pierced for suspension at chest level. Horus holds his right hand to his mouth. He wears a tight cap with sidelock; he is otherwise nude. For similar see: The Brooklyn Museum, accession number: 37.1095E. Size: L:32.1mm / W:9.9mm ; 2.11g Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection.

New Kingdom, Ca. 1550-1069 BC.A stone statue of a seated figure, comprising an L-shaped base with decorative vertical striations and a panel of hieroglyphs to both faces. This piece likely belonged to a royal or divine figure, featuring a pleated kilt and arms resting on the thighs with open palms facing downwards. The reverse side of the pillar base also has hieroglyphs. Size: L:130mm / W:130mm ; 1.22kg Provenance: Property of a London Ancient Art gallery; formerly French collection, 1990s-early 2000s; from an important Paris gallery, France; Ex. private Parisian collection. This item has been checked against the Art Loss Register database.

Seven modern table lamps, including three with stepped pillar bases, one with marbled effect, all with shades (not tested) (7)

A rare Dominion lantern-shaped post or pillar mounted globeof unusual form being metal framed, with three individual milk glass panels, 7" neck.

Modell einer Balancierdampfmaschine, um 1880Niederdruck-Balancierdampfmaschine, James-Watt-Typ, 2 gußeiserne Mittelsäulen, obenliegender Laufbalken, parallellaufende Bewegung, Messingzylinder, mit Pumpe, Schwungrad Ø 27 cm, auf Holzfundament, Maße 60 x 29 x 41 cm, leichtgängig, benötigt kleinere Reparaturen. Start Price: EUR 450 Zustand: (3-/3-)Working Model of a Walking Beam Steam Engine, c. 1880Watt-type low-pressure balancing steam engine, steel and cast iron, with a cast double pillar supporting an overhead walking beam, with parallel motion, brass vertical cylinder, with pump, flywheel Ø 10 1/2 in., on wood plinth, dimensions 15 2/3 x 9 x 12 ¼ in., smooth-running, needs minor repairs. Start Price: EUR 450 Condition: (3-/3-)

HOKYUDO ITSUMIN: A FINE WOOD NETSUKE OF A KOSHINTO STONE WITH THE THREE WISE MONKEYS (SAMBIKI SARU)By Hokyudo Itsumin, signed Hokyudo Itsumin 蓬丘堂逸民to 刀Japan, Edo (Tokyo), second half of 19th centuryFinely carved as the Three Wise Monkeys (Sambiki Saru) forming a pyramid in front of a stele inscribed with the character Ko 庚. The monkeys are carved in a humorous and naturalistic manner, typical for the artist. The eyes are double inlaid in pale and dark horn. The finely stained wood bearing an attractive color, the pillar neatly polished and with a simulated grain. Natural himotoshi and signed underneath within a rectangular reserve HOKYUDO ITSUMIN to [carved by Hokuyo Itsumin].HEIGHT 4.9 cmCondition: Very good condition with minor typical wear. One inlaid eye is replaced.The character Ko 庚 on the stele refers to Koshin 庚, a Japanese folk belief influenced by Taoism, Shinto, and Buddhism. It involves the Koshin-ko event held every 60 days. Believers stay awake to prevent Sanshi from reporting their actions to the deity Tentei. The belief gained popularity among the Imperial court in the 9th century and spread through writings by Buddhist monks. Monuments called Koshinto 庚申塔 were erected across Japan and often feature the Three Wise Monkeys which are central to the Koshin belief.Auction comparison:Compare a related wood netsuke depicting a monkey trainer by Hokyudo Itsumin at Zacke, Fine Netsuke & Sagemono, 4 November 2022, Vienna, lot 53 (sold for EUR 8,450).

A Mahogany Eight Day Loncase Clock, Signed Thos Savage, London, Circa 1790, swan neck pediment, hood columns and trunk pilasters with stop brass fluted columns, inside trunk door with a Brian Loomes label and receipt, 12" one piece arch brass dial, with strike/silent selection in the arch, five pillar movement rack striking on a bell, 235cm highWith pendulum and two brass cased weightsClock has not been tested for its working condition 

Parkside PTBM 500 D4 bench pillar drill, boxed

A collection of tools including saws, planes, blow torches, Clarke pillar drill, oils etc

A Victorian flame mahogany chest, hidden draw to frieze above two short over three long graduated drawers, pillar moulded decoration, carved bun feet, 120cm x 124cm x 50cm

A MAHOGANY TWIN PILLAR DINING TABLE IN GEORGE III STYLE, 20TH CENTURY With two additional leaf insertions 76.5cm high, 222cm long (334cm fully extended), 149cm wide Condition Report: Marks, knocks, scratches, abrasions consistent with age and useSome wear to the polish but the timber overall a fairly uniform (dark) colour, this is the same to the leaves also, there are table clips and overall the table is solid and stableAn indentation to one of the table tops Please see additional images for visual reference to condition Condition Report Disclaimer

A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCKJ. YORK AND SON, LONDON, CIRCA 1770The five pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with Arabic give minutes to outer track, with scroll pierced steel hands and twin-bird-and-urn-cast spandrels to angles, the arch with silvered Strike/Silent selection disc signed J. York & Son, London to circumference flanked by dolphin cast mounts, in a figured mahogany case with concave-sided 'pagoda' superstructure fronted with a shaped foliate pierced fret over break-arch cavetto cornice and brass stop-fluted columns flanking the hinged glazed dial aperture, the sides with rectangular glazed windows and conforming quarter columns set against bargeboards at the rear, the trunk with break-arch door fronted with flame figured veneers within complex mouldings flanked by brass stop-fluted canted angles, the plinth base with concave top moulding over applied mouldings forming a shaped panel to fascia, on moulded double skirt incorporating shaped apron to lower margin.228cm (89.75ins) high, 49.5cm (19.5ins) wide, 25.5cm (10ins) deep. A Joseph Wadham York is recorded in Baillie Watchmakers & Clockmakers of the World as working in London 1742-69. His son, Thomas, was apprenticed in 1770 and is probably the same maker who is noted as working from Shoe Lane 1799-1804. Condition Report: Movement is complete and in sound original condition. The escape wheel and pallets are 19th century service replacements; the warning wheel to the strike train has been re-pinioned. The clock will almost certainly run in its present slightly dirty/neglected condition however a gentle clean and service is required. The dial is in good original condition with overall discolouration/tarnishing to the silvering; the engraving to the arch disc is a little rubbed form previous silvering. The movement retains its original seatboard which rests on notched-out cheek uprights of the case - this arrangement appears original hence it is most probable that the movement and dial are original to the case.The case is generally in very good original unrestored condition, The upper section of the superstructure has at one point been cut-off (sawn along the lower edge of the fret) but then re-applied; the top finial is missing. The backboard has a butt-joint down the centre which has now become unstuck and there is a vertical section of moulding missing from the plinth fascia (left hand edge). Otherwise faults to the case are limited to historic bumps, scuffs (including a filled scuff to right hand sde), chips, bruises and historic localised shrinkage including the trunk door which has a slight warp.Clock has pendulum, two weights, a winder and a case key. Condition Report Disclaimer

A Georgian mahogany Pillar Table with single piece dished top on baluster column and tripod base 25in Dia. Repair to edge of top. Ink stains. Base appears to have been stripped and lacks patina.

A Power Craft pillar drill

Alfred Lyndhurst Pocock (1882 - 1962), an opal carving, bust of an Art Nouveau beauty, evocative of speed and zephyr, rectangular rock crystal pillar, unsigned, 12cm high

A George III mahogany twin-pillar dining table, rounded rectangular top with one additional leaf, each pedestal with a tilting top, turned columns, sabre legs, brass capped casters, 73.5cm high, 137cm extending to 185.5cm long, 113.5cm wide

Nutcrackers - an 18th century fruitwood lever-action nut cracker, tipstaff shaped central pillar turned grips, 17.5cm long

A large early Victorian mahogany tripod polescreen, the rectangular banner worked in raised and cushioned woolwork with a parrot, turned pillar, cabriole legs, 143cm high, 67cm wide, c.1840

A 19th century giltwood, gesso and bird’s eye maple pedal harp, Sebastian & Pierre Eraro’s Patent No. 6446, 18 Gt Marlborough Strt London, the pillar in the Gothic Revival taste with a choir of angels, 178cm high, 92cm wide

A Neoclassical marble statuary pedestal, canted square top, turned pillar, octagonal base, 93cm high, the plateau 20.5cm square

A Victorian rosewood tripod wine table, dished shaped circular top, spirally turned pillar, cabriole legs, 71cm high, 47cm wide, c.1860

A 19th century mahogany pole screen, the later chinoiserie banner painted in the Chinese taste, spirally turned pillar, cabriole legs carved with trailing bell husks, 150cm high, the banner 58cm wide

Alfred Lyndhurst Pocock (1882 - 1962), an aquamarine carving, fragmentary classical head, cylindrical pillar, signed, 5.5cm high; another, amethyst (2)

Interior Design - a substantial hardwood Solomonic column, acanthus capital, the helical pillar interwoven with fruiting vine, turned socle, stepped near-square base, 217.5cm high, the base 53cm x 54cm

A pair of diamond and cultured pearl cluster earrings, central white cultured pearl surrounded by sixteen round brilliant cut diamonds, total estimated diamnd weight approx 0.64ct, ywllow and white metal mount and pillar, stamped 14k, 12mm diameter, 5.3g gross (2)

Alfred Lyndhurst Pocock (1882 - 1962), an opalescent stone carving, the head of an Art Nouveau beauty, 4cm high, banded agate display pillar, 8.5cm high overall

An Art Nouveau brass telescopic floor lamp, the pillar with turned disc, circular base with three whiplash buttresses, raising to 180cm high under fitting, c.1910

Alfred Lyndhurst Pocock (1882 - 1962), a chalcedony carving, of a ram, unsigned, 5cm long; a green stone carving, the head of a woman, 5.5cm long; another, square onyx pillar, 12.5cm high (3)

A George V silver standing cup and cover, after an early model, flat chased with flowering scrolling leafy stems, knopped finial and pillar, 29.5cm high, Heming & Co Ltd, London 1924, 514g

Alfred Lyndhurst Pocock (1882 - 1962), a wooden carving, Lot's wife, turned to a pillar of salt, unsigned, 14.5cm long; a page turner, carved in the Art Nouveau taste, the handle as the head of a stork, ruby eyes, 31.5cm long; a book mark (3)

A 19th century painted, ebonised and parcel-gilt tripod wine table, the oval top decorated with a patera and bands of flowers, turned pillar carved with lotus, scroll legs, bun feet, 69cm high, 51.5cm wide, 39cm deep

Alfred Lyndhurst Pocock (1882 - 1962), a hardwood carving, Lots wife, turned to a pillar of salt, 11cm long, signed, dated 1957

Alfred Lyndhurst Pocock (1882 - 1962), a mineral carving, possibly turquoise of amazonite, of a bearded man, facetted rock crystal pillar, 12cm high

A pair of Thomas 'Gnomeman' Whittaker oak side chairs, 1950s, each with a panelled backrest over a slatted seat, the top of the backrests with a band of ogee moulding, raised on chamfered pillar supports joined at the base with stretchers, both signed with a gnome in relief, 45cm wide 44cm deep 84cm high, seat 46cm high (2) Condition ReportBoth chairs have chipe to the front left legs.The joints are slightly loose.Some stains and water spots to the seats and frames.Further photos added to show these. 

A Danish oak dining suite,1960s, designed by Niels-Otto Møller (1920-1982), comprising:a pair of 'Model 56' armchairs, each with a curved back and armrests over a woven paper cord seat, branded to the inside of the frame 'J.L Møller Model Made in Denmark',58cm wide51cm deep76cm high, seat 44cm high,a set of four 'Model 75' dining chairs, each with a curved backrest over a woven paper cord seat, raised on tapering supports, branded to the inside of the frame 'J. L Møller Model Made in Denmark', 51cm wide45cm deep75cm high, seat 44cm high, andan extending dining table, the round top raised on a cruciform pillar support, with two extending leaves, 119cm diameter229cm wide extended70cm high (7)Condition ReportWith some staining to the paper cord throughout. The frames somewhat faded in areas. The paper cord with some minor damage to two of the dining chairs. The frames with scuffs and marks commensurate with age and use. Branded to the inside of the frame. Additional images uploaded

19TH CENTURY STAFFORDSHIRE FLATBACK GROUPS, lady by pillar with bird, 21cms H, clock group, 31cms H, couple beneath arch, 15.5cms H, and othersProvenance: private collection Conwy

Smaller Hornby 0 Gauge and Dinky Lineside Figures and Accessories (qty), including AA box, motorcycle combination and 2 patrolmen, postbox and postman, various tinplate platform machines and Fire pillar, 20+ assorted figures, cast metal horse and cart by F G Taylor, together with various Hornby loco lamps, carriage roof boards (17) and clips, 4 corridor connectors, various platform poster boards (some in original packets), paper adverts and other items, mostly G (qty)

An octagonal pillar pottery tile, Multan, Western Punjab, 19th century, with repeating rising and hanging cobalt and turquoise blue cusped palmettes, on white ground, hollow, height: 30.5 cm., 12.6 cm. diam.Condition Report: The octagonal tile's borders are slightly dented and fritted resulting in some glaze losses. Scattered minimal losses to the surface. Good condition overall.

Resin pillar form plant stand, H: 62 cm. Not available for in-house P&P

Antique pillar drill

DEMI LUNE-PFEILERSCHRÄNKCHEN Süddeutschland, um 1830, Nussbaum furniert, bombierte Korpus auf Sockel, parallel zum Korpus verlaufende Platte, HxBxT: 88/73/36 cm. Rest.| DEMI LUNE PILLAR CABINETSouthern Germany, c. 1830, walnut veneer, cambered corpus on plinth, top running parallel to the corpus, HxWxD: 88/73/36 cm. Rest.

Mid-20th century gilt metal standard lamp, telescopic stem with scroll cast pillar supports on splayed tripod base, paw cast feet

George III mahogany twin pillar extending dining table, two ends with rectangular tops on turned columns with splayed and reed moulded supports, with additional leaf, brass cups and castors Dimensions: Height: 73cm  Length/Width: 207cm  Depth/Diameter: 112cm

An oak brass dial longcase clock with five pillar movement, seconds and calendar dials also strike/silent mechanism by Charles Lunan of Aberdeen. Listed in Baillies's watch & Clockmakers of the world as clockmaker between 1760 -1816 Circa 1780 pendulum, weights and clock key

A rosewood sewing table on hexagonal pillar support - height 75cm, width 52cm

A Victorian style cast iron post box on pillar - height 107cm

An Axminster tools pillar drill

Wilesco, D141 workshop comprising of fuel tablet fired boiler on plinth with flywheel driving line shaft to power, table saw, grinder, reciprocating saw and pillar drill, very little use, sold in the original box

A tray of Dinky Toys pre and post-war diecast and accessories, with examples including No. 12B Air Mail Pillar Box, No. 798 Express Passenger Train Set, 2x No. 786 Dunlop Tyre Rack, a selection of various Motorcycles, including a pre-war RAC Motorcyclist & RAC Hut, and others

Suffragettes. 1913 (Apr. 17) Cover posted in London franked 1d, from Earls Court to Villiers Street, Strand, a little oil or fire damage at lower right corner, endorsed "Result of Suffragette 'pillar-box' outrage". Also 1915-16 envelopes with embossed flaps showing a lady holding the scales of justice and "SUFFRAGII JUS" within a green circle (2), and a 1916 cover to USA from the National League for Opposing Woman Suffrage, all franked 1d. An unusual group, the damaged cover scarce. (4). Photo on Page 34.

Mid-19th century KPM Porcelain chocolate cup, Berlin, pillar form with slightly everted rim, patera loop handle, raised on three gilt-paw feet, painted with a classical scene, approx 9.5 cms h.  -

Mid-19th century KPM porcelain chocolate cup, Berlin, pillar form with a slightly everted rim, patera loop handle, raised on three gilt-paw feet, painted with a classical scene, approx 9.5 cms h.  -

An interesting and rarely offered accessory mascot, date stamped, featuring a quality accessory mascot of a girl vaulting a road pillar, wearing a hat and boots approx 13cms. Provenance: ex- Dan Smith collection.  -