We found 30663 price guide item(s) matching your search

A 19th Century mahogany crossbanded longcase clock with 30hr movement, painted dial by Pegg Ashby enclosed by a reeded pillar hood over shaped long trunk door, on canted plinth base, height 204cm.

A 19th century carved mahogany side table, rounded rectangular top, the twin pillar base carved with barley twist and spiralling Acanthus leaves, 75.5cm high x 105.5cm wide x 57cm deep.

A George III/IV mahogany zograscope, turned pillar and base, outlined with barber-pole stringing, 67cm high, c.1820.

A 19TH CENTURY MAHOGANY SCHOOL CLOCK. the dial signed W.R. Bullen, Norwich, four pillar brass movement with wire driven single fusee and anchor escapement, with pendulum and case key, width 37cm. *CR Movement untested, case in good overall condition.

AN 18TH CENTURY STYLE MAHOGANY TWIN PILLAR EXTENDING DINING TABLEWith gadrooned border, on dual carved tripod supports, resting on paw feet, two include two extra leaves, 115cm wide; 204cm long; 306cm long fully extendedCondition report; This table is held together with clips (picture attached), there are only three clips. We believe this to be mahogany veneered. The table at full extension does not appear to bow. Light scratches to the top would benefit from a polish, some small splits to the wood, a small area where the veneer has bubbled. Deeper scratches to the ball feet consistent with use. 

Bradson cast iron pillar drill 

A 20thC African tribal carved pillar, of four sections formed as many figures, with elaborate hair and clothing, on turned point stems, terminating on a carved round base, 85cm high.

John Peterkin, London a mahogany brass inlaid Regency bracket clock the eight-day duration, chain double-fusee five-pillar movement striking the hours on a bell with the backplate engraved with decorative border and maker's name John Peterkin, London, the round white painted convex dial having black Roman numerals, decorative blued-steel hands and with repeat maker's signature, the steeple-shaped mahogany case having turned brass pillars to the edges, ebonised and brass-inlaid decoration and standing on brass ball feet, height 45cm.Note: John Peterkin is recorded as working in London from circa 1811 until circa 1840.

British School, early 19th Century -Studies of dead robin and kingfisher -Pair of watercolours with pencil underdrawings -Each 18 x 23cm - 24 x 28cm framed -Both similarly inscribed to the lower margin: 'This drawing was made by Richard Pillar (?) a fair lad of ... Pomeroy who was an apprentice of Wm Hannaford - Bookseller, Totnes in 1807, and given by him ...... from a Painting by Wright' (2)

A Regency mahogany reading table, the adjustable rachetted rectangular superstructure fitted with a ledge on a square pillar and curved x-frame stepped base, with short tapered legs, brass cappings and castors, the superstructure 71.5cm x 47cm.

Swann & Millicon - An unusual Victorian mahogany and brass metamorphic music stand, the circular top revolving to form a duet stand with hinged ledges, on a central pillar and two curved flanking supports and tripod splayed base with pendant husks, bearing a brass plaque Swann & Millican Patent scroll and band movement.

Benjamin James, London an oak longcase clock the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings and Arabic five-minute outer numerals, the matted centre with ringed winding holes, subsidiary seconds dial and decorative engraving to the date aperture, with cast-brass crown and cherub spandrels to the four corners, the arch with a silvered boss engraved with the maker's name Benjamin James, London, the oak case with break-arch top to the trunk door and fluted pillars to the hood, height 220cm.Notes: Benjamin James is recorded as working in London in circa 1730.Reference: Watch and Clockmakers of the World, Brian Loomes, N.A.G. Press 1988.

James Greene, London a mahogany pagoda top longcase clock having an eight-day duration, five-pillar movement striking the hours on a bell, with a pair of brass bound weights, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer markings, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the makers name James Greene, London, with cast-brass c-scroll spandrels to the four corners, the arch with a silvered boss with a hand setting to allow for strike/silent, the mahogany case with brass inset to the fluted hood columns, flame finials to the pagoda top and a raised panel to the base, all standing on a double plinth, height 236cm.Notes: James Greene is recorded as having been apprenticed in 1736 and then working in London from 1747 until at least 1777. He is possibly the son of James Greene who was himself apprenticed to Henry Jones in 1678.Reference: Watch & Clockmakers of the World, Brian Loomes, Pub. N.A.G. Press 2006.

John Waters, London a late-17th-century longcase clock the month duration, six-pillar movement (sixth pillar removed) having latched dial pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a raised chapter ring with engraved black Roman numerals and meeting-arrowhead half-hour markings, the matted centre with engraved decoration to the date aperture and subsidiary seconds dial, with cast-brass cherub-head spandrels to the four corners, with engraved decoration to the dial edge and later blued-steel hands, signed below the chapter ring John Waters, London, the later flat-top oak case with shaped door, quarter columns to the trunk and standing on a double plinth, height 189cm.Notes: John Waters was apprenticed to John North in July 1674 but being passed over to Nicholas Beck after a few months. He became a Freeman of the Worshipful Company of Clockmakers in 1682. Amongst the apprentices he took on in his working life was John Ellicott senior, being the father of John Ellicott junior who was to become a famed and eminent maker. In 1705 John Waters was made an Assistant to the Court of the Clockmakers Company but there is no record of him recorded after 1706.

Miscellaneous tools, comprising of a cement mixer, router table, grinder, pillar drill, cut-off saw and wallpaper stripper

A George III mahogany stand, with reeded pillar and tripod, 72cm h, 30cm diam Top associated; good condition

A Victorian specimen wood and inlaid rosewood tripod table, the sixteen sided geometric patterned top with mother of pearl centred flowerhead to the middle, on spiral pillar and in-curved scroll leg, 58.5cm h; 49 x 49cm Two minor horizontal cracks to top

A Victorian walnut card table, the fold-over baize lined top in matched butterfly veneers, on carved pillar and quadruple legs, pottery castors, 75cm h; 46 x 91cm Top repolished and of good, not over shiny appearance

A REGENCY STYLE MAHOGANY TWIN-PILLAR DINING TABLE AND TEN CHAIRSof good quality, the table extending with two leaves to 106.5 x 274cm, with support bars, the chairs including two carvers with rope-twist backs

An early 20th century continental bow-front single door cabinet with pillar supports, 85 cm x 44 cm x 167 cm

A VIENNA WALNUT REGULATORBY MILLER & SOHN, WIEN, 19TH CENTURYthe brass four pillar, three train, eight day, quarterly repeating movement with a dead beat escapement, striking and chiming on two graduated gongs, on a 'Y' shaped mount stamped 'MILLER & SOHN, IN WIEN', regulated by a brass pendulum on a chromed shaft, the case with a temple pediment above a two-pane front door and sides and a tapering terminal, with brass side adjusters, with a winder and brass weight65cm high, 19cm wide, 11.4cm deep

A REGENCY STYLE MAHOGANY TWIN PILLAR EXTENDING DINING TABLEWith two extra leaves, 122cm wide; 197cm long; 295cm long extendedGood overall condition, the table top does suffer with minor old marks and scratches, no warping present to the top and is very sturdy when fully extended. Further photos of the marks to the top have been uploaded. 

A vintage belt driven band saw and a vintage hand operated pillar drill

Richard Drew, known as Zacron (British, 1943-2012) photographic print - Self portrait (as a pillar box) signed, image 25 x 16cm

Stanley Bridges metal pillar drill stand. Not available for in-house P&P

A John Ditchfielf iridescent clear art glass paperweight, of domed pillar form and decorated with swirls and abstract coloured shapes, signed to the underside and measuring 22cm high

A pair of large Italian porcelain dancer figurines, with flamboyant skirts and pillar, height approx 43cm. (2)

Hardy Bros Birmingham brass plate wind fly reels 3" and 4" reels (2) the 3" example c1895, with oval and rod in hand maker's trademarks, pillared construction, black handle, constant check, smooth foot, t/w the 4" example c1895 with oval maker's trademark, rolling pillar, pillared construction, constant check, smooth foot - both appear in good working order

Hardy Bros crank wind brass reel 2 1/2" with enclosed oval trade mark, waisted crank arm with black horn handle, constant check, 5 pillar frame, two supporting reel foot

Charles Farlow & Co Maker, 191 The Strand, London, alloy reel, 3 1/4" spool, oversize handle, 3 pillar frame with full bridge reel seat, constant check, runs well, in block leather case (unnamed), with owner's initials to side

Hendryx exposed pillar winch reel 2 1/4" spool, No 80 on reel seat with horn handle on straight arm; Hendryx exposed pillar winch reel 1 3/4" spool No 60 on reel seat, horn handle on straight arm; Angler No 1-50 winch 2 1/2" spool with counter balanced handle on serpentine arm, on/off check, in original box, looks unused; unnamed small multiplier, on/off check; unnamed brass plate wind 2 1/2" with horn handle; unnamed small alloy 2" spool (6)

C Farlow & Co 4" all brass fly reel and leather D block reel case (missing strap) fish logo stamped to smooth brass foot, 4 pillar construction, surface wear, constant check, the reel case stamped ‘Hon'ble Major F Keane'

Chas Farlow Patent Lever No 855 salmon 4" spool, large brass mounted handle, 2 screw centre with oil point, rear tensioner, 4 pillar frame with block reel seat, ‘A C' stamped on face plate, hit and miss polishing!

Great Britain, a collection of Elizabeth II mint stamps, many in blocks of four and eight, housed in a clear view album; together with various other stamp albums, some lacking contents; various mint stamp sets to include Pillar to Post, Football Heroes, Merchant Navy, Gerry Anderson etc

A circular Satinwood snap-top Dining/Centre Table standing on a hexagonal tapering pillar with three splay feet, 41 3/4" diameter x 26 1/2" high approx.

An Oak rectangular topped Occasional Table standing on a turned pillar with three splay feet, 17" x 23".

A Satinwood Torchere having a turned and lightwood strung pillar and three splay feet, the top 10 3/4" diameter x 39" high.

A Satinwood circular occasional Table standing on a turned pillar with three splay feet, 29 3/8" high x 19 3/4"'' diameter.

A Mahogany snap-top circular Occasional Table standing on a turned and fluted shaped pillar with three elegant carved detail legs, 26 1/4" diameter x 25 3/4" high.

A William IV Mahogany & Rosewood snap-top circular Dining Table having contrasting burrwood banding to the top and raised on a triangular pillar with a platform base and ormolu scroll feet, 50 1/2" diameter x 29 1/8" high.

Carved wooden rocking horse, painted in dapple brown with glass eyes, fitted with tan leather saddle and stirrups, on oak trestle base with turned pillar supports Dimensions: Height: 121cm  Length/Width: 136cm Condition Report:General signs of age and use: scratching, scuffs, dents etc. Chipping to the ears.

Victorian figured walnut card table, moulded rectangular fold-over swivel top with baize-lined interior, on twin turned pillar supports carved with stylised foliate motifs, united by turned stretcher, on splayed shaped feet with scrolled carved terminals, brass and ceramic castors Dimensions: Height: 76cm  Length/Width: 92cm  Depth/Diameter: 44cm

An early 19th Century mahogany twin pillar D-end dining table, with leaf, approx 247cm long x 132.5cm wide x 735cm high  Provenance: John McMaster, High Street, Brasted Kent, 2nd February 1974  ❧ from the Dining Room at Brachefield

A nineteenth century mahogany pillar Pembroke table fitted one draw on platform base top 46cm x 71cm extended

Glossy figure of a fancy woman flaring out her dress next to a decorative pillar. Lladro backstamp. Artist: Vicente MartinezIssued: 1985-2001Dimensions: 6"L x 4.3"W x 13.25"HManufacturer: LladroCountry of Origin: SpainCondition: Age related wear.

George III oak-cased 8-day brass dial longcase clock, the 12-inch break-arched brass dial (circa 1790-1800) having a silver chapter ring with Roman hours and Arabic minutes framing a matted centre with silvered subsidiary seconds dial over arched signature strip 'J. & C. Payne London' and terrestrial calendar square, within rococo spandrels beneath silvered Strike / Silent ring to the arch, the knopped five-pillar movement striking on a bell, the associated earlier provincial oak case with arched cresting over moulded long door (locked) on stepped base, 220cm high, sold with two weights, crank winding handle, door key and pendulum

M M HENDERSON, BIRD ON PILLAR embroidery panel, initialled and dated '91mounted, framed and under glassoverall size 42cm x 22cm

Two beautiful silver candlesticks, 900/000, with a hexagonal base and pillar, provided with a round light.. 11,5x11,5x30cm. Total approx. 877 grams. In good condition.

Silver candlestick, 835/000, and a small bonbon basket, 925/000. Candlestick on a round base with a conical pillar and fillet edges. ø8.5x17cm. Small dents along the edge, And a small silver bonbon basket, 925/000, on a round base with a contoured folded edge with sawn floral decoration. And an openwork handle. MT.: unclear, Chester, England. 9x11x11cm. Total approx. 224 grams, candlestick has a filled base.

A George III contemporary forgery counterstruck Carolus IV of Spain pillar dollar emergency coin 1791, together with an Edward I hammered penny and an Edward II hammered penny, both London Mint.

Five Royal mail pillar to post sterling silver ingot and stamp setLocation: cabIf there is no condition report shown, please request

Large wavy glass pillar bowl

Stanley Bridges metal pillar drill stand. Not available for in-house P&P

An early 20th centutry Arts & Crafts oak pedestal side occasional table in the manner of Liberty of London. The table having an octagonal top on pillar supports with crossed stretcher to base.63 x 53 x 53

A collection of three 19th century brass church alter tripod pillar candlesticks. Ecclesiastical gothic manner with spike / drip tray to top, central reeded column on a tripod three foot supports. With hairy paw feet, foliate and detail.73 cm Height

Draper 16" fretsaw together with Wickes pillar drill,Performance Power 150mm bench grinder & 50mm Sander, Ponceuse Triangulaire, Black & decker grinder and wood planer

Mahogany Wine Table on Spiral Fluted Pillar

Fluted Pillar Standard Lamp with Shade

Brass Dolphin Pillar Balance Scales

Hexagonal Pillar Standard Lamp