There are 30666 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA pair of Chippendale-Revival walnut tripod occassional tablesEach having a one-piece piecrust edge top, a Rococo C-scroll and turned pillar, on three acanthus-carved and C-scroll legs, with tight-scroll feet, 31.5cm wide x 31.5cm deep x 62.5cm high, (12in wide x 12in deep x 24 1/2in high) (2)For further information on this lot please visit Bonhams.com
A George II black Japanned longcase clock, circa 1740Thomas Moore, Ipswich (d.1762)The flat-topped hood with an arched door and tapering columns, arched trunk door with moulded edge, the 12-inch brass dial beneath a signed roundel within an arch flanked by 'dolphin' spandrels, urn and foliage corner spandrels, Roman and Arabic chapter ring, and fleur-de-lys half-hour marks, matted centre with subsidiary seconds dial and date aperture framed by dog-tooth engraving, the five pillar movement with anchor escapement and rack striking on a bell, 51cm wide x 25.5cm deep x 211cm high, (20in wide x 10in deep x 83in high)For further information on this lot please visit Bonhams.com
A George III elm tripod table, circa 1770Unusually tall, having a dished one-piece circular fixed top, a slender vase-turned pillar and three hipped downswept legs with pad feet, 49cm wide x 49cm deep x 77cm high, (19in wide x 19in deep x 30in high)For further information on this lot please visit Bonhams.com
A pair of 18th century and later parcel-gilt and polychrome-painted floor-standing torcheres, converted to lamps, ItalianEach with a baluster-shaped acanthus-carved pillar, on a tri-form base, decorated with laurel-leaf swags, on paw feet, 95cm high (2)For further information on this lot please visit Bonhams.com
An 18th century floor-standing giltwood torchere, North ItalianWith a gadrooned socket, above a lotus-leaf carved lambrequin edge, on a bold acanthus-leaf and gadrooned-carved baluster and bulbous pillar, triangular concave-sided platform-base, 161cm high x 36cm wideFor further information on this lot please visit Bonhams.com
A William and Mary oak and ash turner's candlestand, circa 1700 and laterHaving a small boarded hexagonal and galleried top, a baluster and ball-turned pillar with pear-shaped pendant, on four splayed baluster-turned legs, 22.5cm wide x 25.5cm deep x 67.5cm high, (8 1/2in wide x 10in deep x 26 1/2in high)For further information on this lot please visit Bonhams.com
A Victorian stained-beech revolving piano stool, circa 1850Having a circular floral needlework drop-in seat, on four ball-turned tapering reeded splayed legs, and matching large central pillar joined by reeded-ball stretchers, with unusual floral and beaded brass cast feet, 37cm wide x 37cm deep x 47cm high, (14 1/2in wide x 14 1/2in deep x 18 1/2in high)For further information on this lot please visit Bonhams.com
A rare Charles II pewter candlestick, circa 1680With ribbed pillar stem, octagonal flange, drip-tray and trumpet base, the base also cast with a floral border, apparently unmarked, 7⅝in, 19.4cm highFootnotes:Provenance:The Price Glover Collection, New York.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A George III elm and ash wine table, circa 1770Having an octagonal top with applied moulded edge, a vase-turned pillar and three hipped downswept legs terminating in pad feet, 38cm wide x 37cm deep x 59.5cm high, (14 1/2in wide x 14 1/2in deep x 23in high)For further information on this lot please visit Bonhams.com
Hendrik Josef Franciscus van der Poorten (1789-1874), belgischer Tiermaler, studierte in Antwerpen bei Willem Jacob Herreyns, Maijn und De Com. Bäuerin stattet mit ihren Kindern den Schafen im Stall einen Besuch ab. Öl auf Lwd., am. Pfeiler rechts signiert u. ortsbez. ''d'anvers'', doubl., rest. u. retusch., 63 x 80 cm, ger. 82 x 97 cmHendrik Josef Franciscus van der Poorten (1789-1874), Belgian animal painter, studied in Antwerp with Willem Jacob Herreyns, Maijn and De Com. Farmer's wife with her children paying a visit to the sheep in the barn. Oil on canvas, am. Pillar right signed u. locally inscribed ''d'anvers'', doubliert, restored u. retouched, 63 x 80 cm, framed 82 x 97 cm
Telefonsäule, Mitte 20. Jh., polierter Stein und Messing mit Pseudo-Taotie-Ornament in Relief. Verchromte Wählscheibe, Messinggabel, Höhrer im alten Stil mit weißer Muschel und Griff. Ber. & best., H. 103 cmTelephone pillar, mid-20th c., polished stone and brass with pseudo taotie ornament in relief. Chromed dial, brass fork, old style receiver with white shell and handle. rubbed & bumped, h. 103 cm.
Leuchter, Anf. 20. Jh., plated, quadratischer, gefüllter Stand, Pfeilerschaft, Tülle in Vasenform, Wandung mit Reliefdekor, ornamentale Motive und antikisierendes Portrait, H. 29,5 cmCandlestick, early 20th century, plated, square filled stand, pillar shaft, spout in vase shape, wall with relief decoration, ornamental motifs and antique portrait, h. 29,5 cm
Pfeilerschrank, Skandinavien Mitte 19. Jh., Holz schwarz gelackt und goldbronziert, 1-türiger Korpus mit verglasten Türen, ober- und unterhalb Schublade, 152 x 58 x 40 cmPillar cabinet, Scandinavia mid-19th century, wood black lacquered and gold bronzed, 1-door corpus with glazed doors, above and below drawer, 152 x 58 x 40 cm
A good Regency-style extending mahogany dining table having two extra leaves; the reeded edge top above turned turned twin pillar supports each with four down swept moulded legs terminating in brass castors (244cm leaves in (each leaf 37cm wide) x 106cm wide x 70cm high)Condition Report: Overall the condition is very good with the leaves slightly darker where stored. Has been re-polished at some stage. All six connecting clips are included. The table is supported by two long bearing stretchers. Has had restoration at some stage; minor scratches and dents commensurate with age. Pillars are OK and are of a nice dark colour, very slight kink to the top where the leaves meet the ends. A good-looking, sturdy table overall. Extended with the leaves in 244cm x 106.5cm wide
A very fine mid-19th century walnut and marquetry oval-topped tilt-top loo table; the quarter-veneered moulded top with stringing and fine arabesque-style marquetry above an elaborately carved four-pillar base with central inverted finial and four moulded downswept legs terminating in French scrolls, carved at the top with acanthus and on castors (table top 135cm x 103cm)
Black StoneIndia, 12th centuryDimensions: Height 48 cm by 23 cmWeight: 32522 gramsA rectangular stone panel with two frames, the left is wider and shows a man in an alcove of a pillar or temple. The man is wearing a short striped dhoti and a garland around the hip, armlets, necklaces, ear pendants and a conical headdress. His right hand is lifted in front of the chest holding prayer beads called mala and thumb touching ring finger. In his other hand he is holding a club or sword. His face is smiling gently. On the right, smaller frame we see a female figure with voluminous hair done up in the back, kneeling in the corner. Her face is shown in side profile and shows a distinctive nose, pointy chin, big eyes. She seems to be smiling mischievously. Above her is also an ornamental decoration. This panel of black stone was probably part of a temple.
Regency mahogany breakfast table, rectangular top with moulded edge standing on a single pillar with four outswept reeded legs with brass cup terminals and articulated casters.width 132cm (52in), depth 92cm (36in), height 72cm (28in)Condition report: Three plank top with various ring marks and what appears to be an ink stain and minor watermarks, tilt-top with understructures and patches suggesting the table top might have been taken from a Pembroke table, pedestal good.
100-300 AD. Roman period. An elaborate pair of gold earrings each comprising (from top to bottom): a faux woven hoops from which close atop a central rondel into which is set a round garnet which is surrounded by gold baubles and granulations to form a solar motif. Below the garnets hang a second geometrically organized decorative cluster comprising a pillar with three heavy gold baubles, tear drop garnets with a granulated frame, and a final multi-tiered bauble These beautiful items probably belonged to a Roman noblewoman. Excellent condition; Size: L:44mm / W:15mm ; 12.1g; Provenance: Property of a professional Ancient art and jewelry expert; previously with a London gallery; initially from a private British collection formed in the 1970s.
SPENCER & PERKINS 44 SNOW HILL, LONDON A GEORGE III FIGURED MAHOGANY AND ORMOLU MOUNTED BELL TOP BRACKET CLOCK with folding handle above pierced side frets and caryatid corners on a moulded base with brass bracket feet; the 17.5cm arched brass dial with strike/silent, silvered chapter ring and spandrels enclosing a matted centre with date aperture and signed plaques fronting an eight-day five-pillar double fusee striking movement with stop work, verge escapement and signed fully engraved backplate 62cm high handle up
JOSEPH DAVIS, LONDON AN EARLY 18TH CENTURY BURR WALNUT LONGCASE CLOCK with caddy top pediment above a glazed arched door and slender trunk with a moulded edged door on box base. The 12" brass arched dial with gilt spandrels and silvered chapter ring surrounding a matted centre with subsidiary seconds dial and calendar aperture fronting an eight-day five-pillar weight driven movement striking the hours on a bell 232cm high to top of caddy
DOLLOND, LONDON AN UNUSUAL LARGE BORE SCIENTIFIC STICK BAROMETER having a black painted brass double pillar case with large central mercury-filled glass tube, the arch signed Dollond, London with calibrated silvered dial to the right pillar and large sealed cistern to the base enclosed in an ebonised glazed outer case 132cm high
A Mahogany Eight Day Longcase Clock, signed Josh Atkins, Chippingnorton, late 18th century and later, pagoda pediment, side glass panels, stop brass fluted columns, moulded arched trunk door and matching plinth, 13-inch arch painted dial, seconds dial, date aperture, moonphase in the arch, four pillar movement with an attached falseplate stamped Osbourne, rack striking on a bell, later case, 234cm high 07.12.20 Later case, hood with dents in parts, front of the pediment with a later applied panel, trunk and trunk door with cracks, trunk door is bowed, dial is bent, hands are damaged, later seatboard, dial needs cleaning, with pendulum and two weights.
An Oak Thirty Hour Longcase Clock, signed Tho Lawson, Kighley, circa 1770, flat top pediment, eglomise painted glass panel, arched trunk door, bracket feet, 12-1/4-inch square brass dial with a silvered chapter ring signed, ''Halifax moon'' and date apertures, four pillar movement with an anchor escapement and outside countwheel striking on a bell, 207cm high 07.12.20 Case with scratches and small chips in parts, mouldings and sides with small holes and chips, hood with a small chip to the glass panel, chips to column capitals, plinth with scuff marks, dial is discoloured and with scratches, backboard with woodworm holes which are non active, movement is dirty, with pendulum and weight.
A Burr Satinwood Eight Day Longcase Clock, signed J.Ellis, Thornhill, early 19th century and later, arched pediment, arched trunk door flanked by inset pilasters, 13-inch circular painted dial with Roman numerals, seconds and date dials, four pillar movement with an anchor escapement and rack striking on a bell, later case, 206cm high 07.12.20 Later case with cracks and chips, dial with scratches and small chips, later seatboard, movement is dirty and needs cleaning, with pendulum and two weights.
A Mahogany Eight Day Longcase Clock, signed W.Young, Dundee, circa 1820, arched pediment, nicely figured case with a moulded trunk door and flanked by inset reeded pilasters, quatre form moulded plinth, bracket feet, 13-inch circular painted dial with Roman numerals, seconds and date dials, strike/not strike selection lever at 3, four pillar movement with an anchor escapement and rack striking on a bell, 205cm high 07.12.20 Case with small cracks to the hood, small cracks to the plinth front panel and small dents to the sides, dial with scratches and crazing marks, dial with minor chips in parts, movement needs cleaning, with pendulum and two weights. Clock in working order
An Oak Eight Day Longcase Clock, signed Nathaniel Brown, Manchester, circa 1770, flat top pediment, crossbanded trunk door with a matching plinth, 13-inch square brass dial, ''penny moon'' and date apertures, dial centre signed and engraved with birds, flowers and scroll decoration, four pillar movement with an anchor escapement and rack striking on a bell, 208cm high 07.12.20 Hood with a later caddy, case slightly faded in parts, later skirting and feet, dial is discoloured, movement needs cleaning, with pendulum and two weights. In working order
A Mahogany Eight Day Longcase Clock, signed Jno Cooke, Runcorn, circa 1820, swan neck pediment, wavy shaped inlaid trunk door, inlaid plinth with canted corners, 14-inch arch painted dial with Roman numerals, seconds dial and date aperture, four pillar movement with an anchor escapement and rack striking on a bell, 236cm high 07.12.20 Pediment with small chips and cracks, case slightly faded in parts, trunk door very slightly bowed, dial with scratches and crazing marks, movement looks complete, with pendulum and two weights.
An Oak Thirty Hour Longcase Clock, signed Robt Thornton, late 18th century and later, swan neck pediment, wavy shaped trunk door flanked by inset fluted pilasters, matching plinth, 12-inch arch brass dial, dial centre signed and with engraved scroll decoration, date aperture, four pillar movement with an anchor escapement and striking on a bell, later case, 222cm high 07.12.20 Later case with slight fading in parts, hood with cracks and small dents in parts, plinth with small crack to the corner of the panel, dial is discoloured, later minute hand, later seatboard and later side cheeks, movement needs cleaning, with pendulum and weight.
Loading...
