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An artist easel and various other artists materials

An artists easel box and contents of materials

Lord Mountbatten of Burma, a signed photograph dated 1968 with dedication in gilt tooled Jarrolds easel frame together with related ephemera and two photographs

A modern white metal-mounted photograph frame, of traditional design with embossed decoration and lightly planished surface, 24cm x 18.5cm plush covered reverse with easel stand. Unmarked.

An Egyptian white metal photograph frame, of rectangular form with pierced foliate detail, Egyptian marks verso, 13.5cm, 78grams, damage to easel stand verso.

An modern oval silver photograph with black velvet easel back, a small circular silver photo frame with wooden easel back and an silver napkin ring

Early 20th century 8 day Goliath travelling clock Hardy Bros.Ltd, with a sterling silver hallmarked Chester year rubbed easel back case, height 11.5cm X width 10.54cm approx

Vintage folding wooden artists easel with metal tray, with remains of paint and work.

Vintage 20th century 'AM' Air Ministry map stand easel / blackboard holder, 185cm tall, with adjustable height setting.

A Birmingham silver shaped photograph frame with original oak backing and easel stand, shows damage to left side, (27.5cm x 21.5cm, centre aperture 23cm x 18cm), an Edwardian Arts and Crafts pokerwork twin photograph frame with circular apertures, missing glass, with stylised peacock design, (21cm x 29cm, frames are d 10cm) an Edwardian mahogany satinwood and ebony crossbanded rectangular frame with oval aperture, (26.5cm x 21.5cm, aperture 20cm x 15cm) with easel stand verso, and a Victorian plush double photograph frame of shaped form, with gilt mounted twin glazed frames, complete with original leather back easel stand, shows signs of use etc (26cm x 37cm, frame internal measurement 14cm x 10cm) by Lafayette of Glasgow etc (4)

A Brother Professional Labelling Machine, Canon compact photo printer, easel for enlarger, Kodak C613 printer, wireless keyboard, prestige desktop hard drive. (all untested sold for parts only)

A Masters and Dunning beechwood artist's easel. 72' high

Elizabeth II silver easel picture frame, 13cm x 9.5cm, together with two silver Alberts and a white metal chain, 86.58g approx (ex.frame)

A 19th Century walnut Rococo style picture easel with pierced pediment and further pierced and carved decoration under - minor loss to top and repair to one back support hinge - 2m high

1950's Easel Shaped Coffee Table, formica top, three turned supports. Measures 14" high x 21" long.

A Newton and Windsor artist easel. Together with a Loxley artist easel.

Brass bell, chamber stick cancel and easel with picture (4)

An oval brass photograph frame by Asprey & Son, 17cm, an easel trivet and a rush holder or taper stick

An artists easel

A silver mounted velvet framed easel mirror, 30.5 x 23cm, London 1983

A silver Art Deco easel clock, 9 x 9cm, Birmingham 1938

A 1796 silver 2 scudi piece mounted in a white-metal easel-frame in the form of a crossed sword and halberd and with Maltese Cross finial

HELEN LOUISE CONDER (1861-1946) - 'Miss Gwendolen Kershaw', portrait miniature on ivory, signed 'L. Conder' lower right (9  x 7 cm). Silver-gilt frame with maker's mark 'C&W Pt.', assayed London, 1910. The reverse glass with pasted card inscribed with the subject and artist's names: 'Louise Conder (Miss) R.M.S. - The Studio, 13 Rudall Crescent, Hampstead NW.' Fitted blue-leather and velvet-lined easel case.Provenance:Exhibited at the Royal Miniature Society 1911 Exhibition (number 81). Gwendolen Kershaw (1891-1979) married in 1918 the author Leslie Seldon Truss, who wrote his popular detective stories under the pseudonym George Selmark.Ivory Exemption Submission reference RMKTBPD3

Helen Louise Conder R.M.S (1861-1946) -  a  George V rectangular portrait miniature on ivory signed 'H L Conder' lower left (8.5 x 6.5 cm). Gilt frame. Folding easel black-leather and purple velvet lined fitted case.Ivory Exemption Submission reference RMKTBPD3

A Modern silver tri compartment framed desk set comprising central desk clock flanked by two photograph frames, on velvet easel backing, each frame chased with scrolls and foliage, hallmarked by Douglas Pell Silverware, London, 1990, 30cm long x 12cm high, the centre houses quatrz clock, white dial with Roman numerals (1) 

An Edwardian style silver framed desk clock, velvet easel backing, the frame chased with scrolls and foliage banding, surmounted vacant kidney shaped cartouche, hallmarked by Douglas Pell Silverware, London, 1992, with quatrz clock, white dial with Roman numerals,, approx 15cm wide x 16cm high  (1) 

A Modern silver framed desk clock, velvet easel backing, the frame chased with scrolls and foliage, hallmarked by Douglas Pell Silverware, London, 1990, 10cm wide x 11.5cm, with quatrz clock, white dial with Roman numerals (1) 

A pair of large easel mirrors each in a plated leaf surround, 56cm x 46cm, one A/F. (2)

A hallmarked silver rectangular easel photograph frame with embossed foliate decoration to whole, height 20cm, Sheffield 1985, Robert Carr.

An Art Nouveau hallmarked silver rectangular easel photograph frame decorated with poppies, with a similar foliate embossed example, heights 22cm, latter damaged, Birmingham 1903 and 1898 respectively, A/F. (2)

A parcel lot of assorted silver plated items to include a pair of candlesticks, a toast rack, an easel clock, a carving knife and fork etc.

A pair of hallmarked silver rectangular easel photograph frames with internal beaded borders, height 18cm, Sheffield 2002. (2)

A barbola mirror, of circular form with a bevelled edge, the frame with white painted flowers on an easel stand, together with a mahogany table top display cabinet with a glazed lid. H.59 W.37 D.5cm. (largest)

A mixed lot to include records Top of the Poppers Sing and Play The Beatles Golden Hits, Abba Greatest Hits, Jack Jones Make It with You, pictures to include two Arthur Sarnoff prints, oil painting of a boat, a modern folding artists easel and other itemsLocation: RAM

A modern embossed silver frame in the Art Nouveau style on an easel back, Birmingham 2000, silversmith's marks RH Location:

Two early 20th century silver photograph frames, one oval in shape standing on ball feet and easel back, stamped Sterling to edge, the other shaped rectangular form with strut easel back, Birmingham 1928, marks for Robert Pringle & Sons Location:

Child's chair, easel and Victorian mirror

An Elizabeth II silver framed table clock, by Kitney and Co London, with stencilled 9cm wide back plate and easel back.

A pair of enamelled sterling silver easel frames, relief decorated in the Art Nouveau manner, each 15 x 19 cm, interior dimensions 9 x 13 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

A small Edwardian silver easel photograph frame, Birmingham 1902; a Continental silver oval photograph frame, apparently unmarked (2)

An Elizabeth II silver circular easel photograph frame, 14cm diam, Birmingham 1996

A silver easel desk clock, 9cm high, Sheffield 1997

An Elizabeth II silver rectangular easel photograph frame, 15cm high, Sheffield 1997

Early 20th century silver framed easel picture frame. London hallmarks. 22x17cm approx. (B.P. 21% + VAT)

A SMALL PARCEL OF SILVER, including a boxed pie slice with silver Kings pattern handle, unboxed cheese knife and cake knife in the same pattern, makers HB (probably Harrison Brothers), Sheffield 1966, 1979 and 1985, a boxed Clarks 125th Birthday Year (1825-1950) preserve spoon, makers Goldsmiths & Silversmiths Co, London 1950, an Edwardian cased silver thimble, Birmingham 1904, two other thimbles stamped Sterling Silver, a George V rectangular easel back photograph frame, repoussé Neo-classical style decoration, makers Alexander Clark & Co Ltd, Birmingham 1923, inner dimensions 14cm x 9.5cm, an Elizabeth II circular easel back photograph frame, makers William Adams Ltd, Birmingham 1977, inner diameter 8.3cm, etc (Parcel) (Condition Report: the posy vase, candlestick and bonbon dish are all damaged, the box for the pie slice has staining, the interior of the rectangular frame has staining, thimbles are a bit dinted, most other items in useable condition)

A CASED GEORGE V SILVER TWIN HANDLED PORRIDGE BOWL OF HEPTADECAGONAL SHAPE, on a stepped circular foot, makers William Neale & Son Ltd, Birmingham 1927, 4.81ozt, 150 grams, missing spoon from the case, together with a cased pair of George V silver servers, makers James Dixon & Sons Ltd, Sheffield 1921, 1.98ozt, 61.6 grams, and a rectangular easel backed photograph frame, stamped 925 STERLING, inner dimensions 17.5cm x 12.6cm, lacks glass (3) (Condition Report: the case for the porridge bowl has wear to the back corners, the bowl has several minor dents and the top rim looks misshapen, the servers are ok, the frame has some shallow dents to the top edge)

AN 18TH/19TH CENTURY PORTRAIT MINIATURE IN GILT EASEL FRAME, LENGTH 7CM

An Art Deco Ancient Order Of Foresters Altrincham And Lymm District Juveniles presentation shield, dated 1931, the oak shield set with a cast metal relief moulded plaque depicting a winged Victory figure within a ribboned foliate border, surrounded by dated miniature shields covering the period 1931 to 1938, on hinged easel stand, 52cm x 39cm, with a selection of Foresters regalia (7) (at fault)

LUCIEN GENIN (Rouen, 1894 - Paris 1953)."Place sur le Boulevard".Gouache and charcoal on paper.Signed in the lower right corner.In good state of conservation. Moisture on the passe-partout.Size: 16 x 16 cm; 32 x 32 cm (frame).Lucien Genin studied at the School of Fine Arts in Rouen, where his teachers were Alphonse and Albert Guilloux, and later enrolled in Decorative Arts at l'École-de-Médecine. He took evening classes in sculpture, architectural composition and mathematics. He arrived in Montmartre in 1912, after a series of small trades, Maclet finally earned his living with his painting. Lucien Genin settled permanently in Montmartre at the age of twenty-five. More than a painter of Paris, Genin is a painter of Parisians, of the devouring passion that stirs all his characters in the big city. He paints them in the alleys of Montmartre, dining at night in the Place du Tertre, singing in the Lapin Agile, cars on the boulevards, spectators and street singers; he follows them on the banks of the Marne at the first rays of the sun and in the south of France in summer. In turn, he is in Nogent-sur-Marne, Marseille and Cassis, Cannes and Villefranche-sur-Mer. He was in Douarnenez in 1929 with Pierre Colle, Giovanni Leonardi and Max Jacob. He painted the port of Rosmeur at the feast of the blue nets and exhibited his painting at the Salon d'Automne in 1930. In November 1929, André Warnod wrote about his painting: "Lucien Genin depicts Paris with a sometimes hasty ardour but with a pleasant flavour of vivid colours". During these ten years, he practised a painting that was composed, colourful, sensitive, skilful, delicate, humorous and comic. A painting by Lucien Genin won the Art Institute of Chicago prize in 1932. In 1940, he took refuge in Marseilles for a few months. In 1941, the Paris City Council bought him a gouache and in 1944 René Fauchois presented his exhibition at the Bernard gallery. In 1947 he left for Cassis for the last time and exhibited at the Bernard gallery on his return. In his last years he devoted himself to painting landscapes in his room, with his easel under the window, where Robert Doisneau visited him a few weeks before his death. Lucien Genin was immortalised in 1953 in Le Vin des rue by Robert Giraud and Robert Doisneau. A retrospective exhibition was organised for him at the Galerie Seine in 1954.

An oval crystoleum of a young girl and canary, convex glass, 46cm, unframed, on modern wood easel

A 19th Century Meissen porcelain small circular dressing table mirror with two cupids atop, the easel back with blue crossed swords mark, 23cm high/see illustration CONDITION REPORT: purple-draped putti woth a restored wing, the blue-draped putti with a restored break to the outer folds of the drapery and chipped items in each hand. Scattered chipping to applied flowers and leaves around the mirror.

Harrison Fisher (1875-1937)/Portrait of an Artist at her Easel/signed and dated 1916/print, 28cm x 23cm, a portrait miniature of a lady in a Venetian style frame and an oval engraving of Venus and Cupid, 29cm x 23cm

Movado Ermeto travel watch or purse watch, in sliding leather covered case, c.1920s-1930s with folding easel support 5.5 cm (closed)

19th century gilt metal portrait relief plaque depicting Frederick I of Wuttemburg, by Galle, trade label to reverse, in glazed gilt frame, 9cm diameter, raised on miniature easel, together with Grand Tour bronze portrait plaque of Caesar, also on a stand, bronzed medallion of Quuen Caroline and a WWI German medallion. Provenance: Removed from Portland Place, London, from the Estate of historian and academic Richard Thomas Shannon (1931-2022)

A gilt frame oval dressing table mirror with a beaded edge & on an easel support, 18¼” high; together with a pair of regency style dining chairs; & a nest of two occasional tables.

A Small Double Enamelled Silver Mounted Easel Back Photo Frame, in the Art Nouveau Style, 11.5cm wide

A Vintage Wooden Winsor and Newton Artist's Easel

A large professional quality artists easel, extended H: 240 cm. Not available for in-house P&P

A silver picture frame,marked 800, with pierced foliate decoration, to a wood easel back,34 x 39.5cmCondition ReportNo damage to the pierced decoration.

Artists easel together with a quantity of various artists supplies