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Click here to subscribeA Tibetan Gilt Brass, Turquoise and Rock Crystal Mounted Buddhist Panel, circa 1900 or earlier, rectangular, centred by two dwarves within a mandorla surrounded by raised flowerheads, the frame with undulating foliage, sheet metal frames and easel back, 43cm by 35.5cm; and A Pair of Silvered Metal Candlesticks, with foliate decoration, 12.5cm high (2) See illustration
A Chinese Flat-Relief Carved Ivory Plaque, 19th century, of slightly rounded rectangular form, decorated with a palace pavilion and numerous female attendants amongst lotus ponds, banana, bamboo and willow trees, the reverse with four character stylised seal mark of Qianlong, 30.5cm wide, 9.5cm high, upon a scroll carved hardwood easel back stand, 18cm high overall See illustration
A Chinese Flat-Relief Carved Ivory Plaque, 19th century, of slightly rounded rectangular shape, intricately worked with an extensive palace pavilion peopled with maidens, some fishing in a lotus pond, others preparing tea, amongst contorted rocks, trees and shrubs, the reverse with four character stylised mark of Qianlong, 30.5cm wide, 12cm high, upon a scroll carved hardwood easel back stand, 21cm high overall See illustration
Chinese hardwood treasury making-up brass bound box, Republic period, attractively inlaid overall with vases and sprays of foliage in quartz, jade, ivory and coral, the hinged lid lifting to reveal an easel mirror over two swivel hinged front doors opening to reveal a fitted interior, 12.75" long
English School (circa 1790). Portrait of a gentleman, half length, 6.4cm x 5.4cm, oval, In a gilt metal oval frame; Monica MacIvor (exh. 1903-34). Portrait of a gentleman, shoulder length, Signed and dated 1927? lower right, 6.3cm x 4.8cm, oval. In a gilt metal oval frame, in a leather effect case with an easel back, a loose obituary notice inserted regarding Courtenay Merceron Adair Bruce, presumably the sitter (2)
A pair of Victorian style silver mounted frames, John Bull Ltd, London 1987, each of oval form busily embossed with scroll and foliate decoration and vacant cartouche with rococo style outswept feet and velvet easel back supports, 32cm high (2) For details of the condition of this lot please contact the auctioneer.
A Victorian style silver mounted frame, Carr`s of Sheffield Ltd, Sheffield 1984, of shaped rectangular form with embossed scroll and foliate decoration and velvet easel back support, 27cm high, together with a further Victorian style silver mounted frame, London 1982, 23cm high (2) For details of the condition of this lot please contact the auctioneer.
A silver mounted frame, PVF, London 1994, of shaped rectangular form with beaded rim and easel back support, 25cm high, together with a further silver mounted frame, London 1988, 25.5cm high and a silver gilt mounted frame, stamped `925`, both with easel back supports 20cm high (3) For details of the condition of this lot please contact the auctioneer.
A stained pine hanging plate rack, late 18th/early 19th century, moulded cornice, an arrangement of seven glass shelves with metal hooks, 108cm high, 131cm wide, 18cm deep, a Victorian patinated cast iron base, late 19th century and a green painted wood artists easel, 19th century, of ‘A’ shaped form, hinged at the top, adjustable dowel rests, 180cm high, 79cm wide
*Bernhardt (Sarah, 1844-1923). Two full-length portraits of the actress, c. 1880, albumen prints, full length showing the actress in a pale trouser suit, in the first leaning on a plinth with a bust behind her, the second leaning against an easel with a palette in hand turned obliquely to the camera, mounted as a pair on an old card mount, 14 x 9.5 cm (2)
*Desperate Dan. A vintage gelatin silver print, 1934, showing a clay model of a Wild West figure with two pistols raised, a few light wrinkles and marks, 31 x 25 cm, mounted on card and identified as Des[perate] Dan in pencil with name of the artist [Hugh] McNeill dated 1934, together with two near-identical vintage silver prints showing three clay models of children with balls of wool, slightly creased, 20 x 25.5 cm, both identified in ballpoint pen to versos, ÔCopley`s knitting model by Hugh McNeill, 1932`, plus one smaller related silver print of a clay model artist painting on an easel, a little wear to extrems., 16 x 11 cm, inscribed in pencil to verso ÔClay Modeling 1933`. These photographs are all apparently of models made by the Manchester born comic illustrator Hugh McNeill (1910-1979). McNeill worked for Kayebon Press art agency from 1927 until the end of the 1930s. He worked on the Dick Turpin strips for Knockout, but is most famously associated with D.C. Thomson`s comic book The Beano from its first issue in 1938. It was in the same year that he created ÔPansy Potter, The Strong Man`s Daughter` for The Beano`s Christmas edition. Desperate Dan was a strip drawn by Dudley D. Watkins from his first appearance in the first issue of The Dandy on 4th December 1937. The model here may well have been an early prototype for what eventually became one of the world`s best loved comic characters. (4)
A Darlington `Challenge Shield` Billiard Trophy Presented by H Pike Pease D.L.M.P. Between 1906 and 1921, the ebony shield set with a silver-plated panel embossed with figures at a billiard table, within a gilt copper cartouche of acorns and oak leaves, enclosed by fifteen silver and silver-plated annual winners shields presented to Darlington Social Clubs from 1906 to 1921, with hinged easel back and brass wall mounts, 49cm by 35cm
1971/72 Football League Division One Champion’s 9ct gold trophy – comprising a 9ct gold embossed plaque mounted on a wooden back board with easel support and engraved “Champions Division 1 – 1971-72 – John Robson – Derby County F C” - overall 4” x 4” – See lot 925 and 926 for Derby County 1968/69 Div II Championship winning season programmes, European et al. Note: In 1971 When Mackay moved to Swindon Town Brain Clough and Taylor reorganised the defence with Todd linking with McFarland at the centre of defence and Robson reinstated as the clubs first choice left back. An unbeaten opening twelve game sequence set the tone for the1971/72 season, the “Rams” eventually winning the title by one point from Leeds, Liverpool and Manchester City. Amazingly by modern standards, Derby used just sixteen players over the forty-two game league schedule. Their defence was magnificent almost throughout, returning twenty-three clean sheets and conceding three or more goals on just three occasions. John missed just one game and added a couple of important goals as well.
A silver photograph frame, by A & J Zimmerman, Birmingham 1918, the circular frame 15cm in diameter, image area 10cm in diameter, wooden back and easel; with a small silver cigarette box; a silver egg cup; a silver nail buff; a silver spool shaped napkin ring; a leather purse with silver mounts to the corners; a Continental silver coloured spoon; and a plated scissor action server
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