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A Meissen Easel Back Mirror, late 19th century, together with a group of other porcelain including Sitzendorf , comprising a pair of late 19th century/early 20th century figures of classical maidens on floral encrusted bases, a pair of figural floral encrusted cornucopia wall pocket, a pair of easel back mirrors (7)Meissen mirror - right hand putti with some professional restoration to the wings. Mahogany back split and the strut is fairly loose.Pair Sitzendorf figures - no restoration, minor losses to the applied work.Cornucopia - good condition, minor flakes only.Pair Sitzendorf mirrors - both pairs of putti wings restored, other minor flakes.
λ SIR GERALD FESTUS KELLY (BRITISH 1879-1972)FEMALE ARTIST, SEATED AT HER EASEL Oil on panel 26.5 x 19cm (10¼ x 7¼ in.)Provenance:Montpellier Studio, London (stock no. 157)Sandra Lummis Fine Art, London Please note measurements do not include the frame unless otherwise stated. Condition Report: Light surface dirt throughout. Light rubbing to the extreme framing edges. A white mark to the middle of the right edge across the curtain, this may be a scratch to the varnish surface. Inspection under UV reveals a thick green varnish but no obvious evidence of restoration or repair. Condition Report Disclaimer
A 1930s Art Deco chrome mantel clock, with 8 day movement, 12cm tall, together with a French brass desk clock and a Swiss bedside clock, 9cm tall. (3) The chrome clock is fully wound, ticks for a few moments and stops (needs attention) Also, three tiny screws holding the back plate are missing.The French clock winds, sets, and is ticking, tiny screws missing that attach the easel.The small easel clock is wound, ticks for a moment and stops (needs attention)
Edwardian silver mounted dressing table top mirror, of rectangular form, the frame embossed with vacant reserve, flower heads and foliate scrolls, with easel style support verso, hallmarked Henry Matthews, Birmingham 1905, overall H32cm W23cmCondition Report:General wear commensurate with age and use, including surface scratches and nicks.Silver polish residue to front. Hallmarks clear and legible.Velvet backing verso very heavily worn, and tape to base of easel support.
JOAN JOSEP THARRATS VIDAL (Girona, 1918 - Barcelona, 2001)."Nou discos". 1976.Oil on canvas.Signed in the lower right corner.Size: 81 x 100 cm; 84 x 103 cm (frame).In this painting made by Tharrats in the seventies, we can contemplate the consolidation of a language of material and informalist roots, which on this occasion stages the symbolic struggle between chaos (represented by the marble magma that emerges from the ground) and the cosmos (symbolised by the floating circles, of perfect geometry).After beginning his training in Béziers (France), in 1935 Tharrats returned to Barcelona and enrolled at the Massana School. He began his artistic activity after the Civil War, in a style that evolved from a certain initial impressionism towards a progressive abstraction, through the influences of Mondrian and Kandinsky. Co-founder of Dau al Set together with Brossa, Ponç, Cuixart and Tàpies, Tharrats made his individual debut in 1949 at the El Jardín galleries in Barcelona. From 1954 he exhibited regularly at the Sala Gaspar in Barcelona, as well as in 1955 in Stockholm and New York, in 1959 at the São Paulo Biennial, and in Venice at the Biennials of 1960 and 1964. In 1955, after the dissolution of Dau al Set, he took part in the formation of the Taüll group together with Muxart, Guinovart and his former colleagues Cuixart and Tàpies. Eleven years later, in 1966, he also founded the Asociación de Artistas Actuales. A pioneer of post-war Catalan avant-gardism, Tharrats evolved from the surrealist-influenced linear abstraction of his Dau al Set period towards an informalism of rich texture, abundant colour and free graphics. Apart from easel painting, he developed his own version of printmaking techniques ("maculatures"), and also made posters, book illustrations, murals, stained glass, mosaics, jewellery and opera scenographies. In 1983 he was awarded the Cross of Sant Jordi, and in 1994 the National Prize for Plastic Arts. That same year he was admitted to the Royal Academy of Fine Arts of Sant Jordi. His work can be found in various museums and collections around the world, such as the MoMA and the Guggenheim in New York, the Tate Gallery in London, the MACBA and the Museo Reina Sofía in Madrid.
Two modern silver photograph framesfirst Sheffield, 2002, Golden Jubilee Mark by Mappin and Webb, second London, 2000, Millenium mark by Kitney & Co, both plain rectangular design with feature hallmarks and easel strut backs, (2)First Height 21 cm.,Condition: First unused in orignal box, the other fair but tarnished
Two 19th century framed portrait miniatures, one in gilt metal frame on ivory, one in enamel frame, together with a further gilt metal frame, a similar easel, two gilt metal bows, a treen miniature hand mirror and two plaster gilt shells. Easel: 14 cm tall. (9) This lot comes with ivory exception number R5ZHQGJS
A large French brass easel timepieceearly 20th century, the dial signed Auricoste, Horloger de la Marine de l'Etat, 10, rue la Boetie Paristhe 10.5' gilt square dial with Roman numerals and lancet hands, with key wound single train movement, 28m high, 30cm wide, 16.5cm deepFootnotes:Provenance The Collection of Eric King.For further information on this lot please visit Bonhams.com
An unusual Victorian silver novelty horseshoe clockEdward H Stockwell, London 1866, also engraved Howell, James & Co to The Queen, London, numbered 5577 The horseshoe frame modelled in relief with textured hoof recess, the simulated nails set with coral cabochons, silvered and gilt engine-turned dial, with silver easel back, height 10cm.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Two Art Nouveau silver and enamel photograph framesone Elkington & Co Ltd, Birmingham 1904, and one Charles S Green & Co Ltd, Birmingham 1905The silver mounts with stylised scrolls and with panels enamelled in blues and greens, with wood easel backs, height 22cm. (2)For further information on this lot please visit Bonhams.com
A silver-mounted tortoiseshell photograph frameSanders & Mackenzie, Birmingham 1918Oval form with silver mount and wooden easel back, height 25.5cm.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Three silver and tortoiseshell photograph framesE Mander & Son, Birmingham 1902, Goldsmiths & Silversmiths Co Ltd, London 1920 and Mappin & Webb, London 1903All upright rectangular form, the first with ribbon crest, leather easel back, the second with leather easel back, the third with wood easel back, height 16cm, 15.6cm and 15.5cm. (3)This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A QUANTITY OF ARTIST MATERIALS AND EQUIPMENT ETC, to include packs of drawing / painting paper, sketching pads, blank canvases, wooden Windsor and Newton easel, unbranded metal easel and tin of Derwent watercolour pencils, together with a number of prints mounted to wooden boards and a silhouette depicting a couple watching a paddle steamer set sail, etc (2 boxes & loose)
AN EDWARDIAN OAK PICTURE EASELEarly 20th century Of typical adjustable form, 68.5cm wide x 64.5cm deep x 205.5cm high, (26 1/2in wide x 25in deep x 80 1/2in high)This lot is subject to the following lot symbols: TPTP Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For further information on this lot please visit Bonhams.com

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30753 item(s)/page