We found 30753 price guide item(s) matching your search

Vintage freestanding artists easel

Vintage Pine Picture Easel

Copper Art Nouveau Style Easel Back Photograph Frame, 17cms high

A vintage artist easel and a vintage paint tin.

An easel and a camera tripod.

A Venetian glass dressing table mirror, with easel style support verso, H24cm. Click here to view further images, condition reports, sale times & delivery costs for this lot.

Oak Framed Oval Wall Mirror, two others, Gamages of Holburn easel. (4)

A late 19th century French boulle pocket watch case, the hinged cover revealing an easel back watch stand, 8.5 x 7cm; together with another carved walnut folding example, 8.5cm long. (2)

CONTINENTAL SILVER CASED POCKET WATCH IN SILVER MOUNTED STANDthe white enamel dial marked 'Kendal & Dent London', with Roman numerals and subsidiary seconds dial, the case marked 0.935, the silver mounted stand/case with fold out easel support to the reverse, Birmingham hallmarks for 1910

A modern beech 'A' frame artist's easel, 56cm wide x 177cm high.

Hunt Slonem (American/Louisiana, b. 1951) , Sculptural Paint Remnant from the Artist's Easel, dried oil paint, unsigned, w. 7 3/4 in.; together with a handwritten note from the artist . Provenance: Gift of the artist . Condition: Surface dirt, marks, accretions and losses

IIrene Lees 'I'm Nobody, Who Are You?' From the poem by Emily Dickinson, 2021 Continuous Line Drawing In Black Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My whole practice is about drawing, which is such a wonderfully expressive tool that I use to portray what I see, what I am thinking, and what I feel. For me drawings are one of the most instant and fascinating ways of "thinking" visually. Drawing is a discipline through which a breadth of ideas, processes and parameters can be generated. I use drawing as a tool for investigating ideas, a record of knowledge, and a reflector of experience, in fact it shows me how to think.   Education   2002 Diploma Art and Design - Distinction-Weston Super Mare 2005 BA Hons: Drawing and Applied Arts UWE   Exhibitions/Awards 2006 Society of Women Artists   2003-2019 Yearly exhibited in UK and abroad 2005.   2007 Jerwood Drawing Prize London. 2007 Jerwood Drawing Prize Bristol. 2006 London Art Fair.2006.2009.2010 Royal Academy of Arts Summer Exhibition SWA 2006 - 2019. Solo Exhibition: Full Circle 2009 London Full Circle 2009 Coutts Bank London 2018 Gallery Different, London. Candida Stevens 2015-2019 2018 Fine Art Award SWA London. 2017 Special Fine Art Award, SWA 2012 London. London Art Co. Drawing Award SWA. 2013 Frank Herring and Son Easel Award (Drawing) SWA 2005 Cliff Moss Memorial Prize UWE 2006 Martini Prize, Cheltenham Art Festival. Candida Stevens Gallery, Chichester Petronilla Silver, Wills Lane Gallery"Deeds Not Words".   About the postcard artworks   Researched Hand Written Text on the Suffragette Movement "Under Lock and Key" Researched Text on Domestic Violence "The Shadow of Your Smile" Nazanin Zighari Ratcliffe "Researched Text on the History behind Nazanin Zighari's imprisonment in Iran "I'm Nobody" Continuous line drawing. from the poem by Emily Dickins, which suggests that the true "somebody" is really the "nobody"?  

Irene Lees Under Lock And Key, 2021 Hand Written Government Facts of Researched Text on Domestic Violence in Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My whole practice is about drawing, which is such a wonderfully expressive tool that I use to portray what I see, what I am thinking, and what I feel. For me drawings are one of the most instant and fascinating ways of "thinking" visually. Drawing is a discipline through which a breadth of ideas, processes and parameters can be generated. I use drawing as a tool for investigating ideas, a record of knowledge, and a reflector of experience, in fact it shows me how to think.   Education   2002 Diploma Art and Design - Distinction-Weston Super Mare 2005 BA Hons: Drawing and Applied Arts UWE   Exhibitions/Awards 2006 Society of Women Artists   2003-2019 Yearly exhibited in UK and abroad 2005.   2007 Jerwood Drawing Prize London. 2007 Jerwood Drawing Prize Bristol. 2006 London Art Fair.2006.2009.2010 Royal Academy of Arts Summer Exhibition SWA 2006 - 2019. Solo Exhibition: Full Circle 2009 London Full Circle 2009 Coutts Bank London 2018 Gallery Different, London. Candida Stevens 2015-2019 2018 Fine Art Award SWA London. 2017 Special Fine Art Award, SWA 2012 London. London Art Co. Drawing Award SWA. 2013 Frank Herring and Son Easel Award (Drawing) SWA 2005 Cliff Moss Memorial Prize UWE 2006 Martini Prize, Cheltenham Art Festival. Candida Stevens Gallery, Chichester Petronilla Silver, Wills Lane Gallery"Deeds Not Words".   About the postcard artworks   Researched Hand Written Text on the Suffragette Movement "Under Lock and Key" Researched Text on Domestic Violence "The Shadow of Your Smile" Nazanin Zighari Ratcliffe "Researched Text on the History behind Nazanin Zighari's imprisonment in Iran "I'm Nobody" Continuous line drawing. from the poem by Emily Dickins, which suggests that the true "somebody" is really the "nobody"?  

Irene Lees The Shadow of Your Smile, 2021 Researches Text on the Unlawful Imprisonment in Iran of Nazanim Zighari Ratcliffe Identifying the Background Information Written in Pen on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) My whole practice is about drawing, which is such a wonderfully expressive tool that I use to portray what I see, what I am thinking, and what I feel. For me drawings are one of the most instant and fascinating ways of "thinking" visually. Drawing is a discipline through which a breadth of ideas, processes and parameters can be generated. I use drawing as a tool for investigating ideas, a record of knowledge, and a reflector of experience, in fact it shows me how to think.   Education   2002 Diploma Art and Design - Distinction-Weston Super Mare 2005 BA Hons: Drawing and Applied Arts UWE   Exhibitions/Awards 2006 Society of Women Artists   2003-2019 Yearly exhibited in UK and abroad 2005.   2007 Jerwood Drawing Prize London. 2007 Jerwood Drawing Prize Bristol. 2006 London Art Fair.2006.2009.2010 Royal Academy of Arts Summer Exhibition SWA 2006 - 2019. Solo Exhibition: Full Circle 2009 London Full Circle 2009 Coutts Bank London 2018 Gallery Different, London. Candida Stevens 2015-2019 2018 Fine Art Award SWA London. 2017 Special Fine Art Award, SWA 2012 London. London Art Co. Drawing Award SWA. 2013 Frank Herring and Son Easel Award (Drawing) SWA 2005 Cliff Moss Memorial Prize UWE 2006 Martini Prize, Cheltenham Art Festival. Candida Stevens Gallery, Chichester Petronilla Silver, Wills Lane Gallery"Deeds Not Words".   About the postcard artworks   Researched Hand Written Text on the Suffragette Movement "Under Lock and Key" Researched Text on Domestic Violence "The Shadow of Your Smile" Nazanin Zighari Ratcliffe "Researched Text on the History behind Nazanin Zighari's imprisonment in Iran "I'm Nobody" Continuous line drawing. from the poem by Emily Dickins, which suggests that the true "somebody" is really the "nobody"?  

A collection of brass and copper to include: pair of candlesticks, corkscrew, chamberstick, desk photo easel holder; letter holders, ink stand, pounce pot and jardinieres / vases (Q)

A late Victorian cartouche shaped easel back japanned mirror, on scroll legs 

A SUPERB WINSOR AND NEWTON PORTABLE ARTISTS EASEL TO INCLUDE OIL PAINTS, BRUSHES ETC

A FRAMED CARVED PORTRAIT CAMEO PLAQUE DEPICTING THE THREE GRACES, the cameo of octagonal form, in velvet mount fitted in an easel back frame, cameo Dia. 6 cm, frame approx H 10.5 cm, W 9 cm, D 2 cmCondition Report:The cameo cannot be removed from the mount

A fancy easel shaped photo frame with embossed decoration 6 inches high Birmingham 1899

A large easel, made of wood. 60 x 62,5 x 153

CAROLINE VON DER EMBDE (ATTR.) 1812 Kassel - 1867 Hamburg Selbst(?)bildnis der Künstlerin in jungen Jahren Öl auf Leinwand (doubl.). 95 x 77 cm (R. 105 x 87 cm). Min. besch., rest. Rahmen. Die Dargestellte blickt versonnen zur Linken, in den Händen hält sie Malstock und Malerpalette sowie vermutlich einen Spiegel. Die im Hintergrund auf einer Staffelei platzierte Leinwand lässt demnach vermuten, dass es sich bei dem hier gezeigten Werk um ein Selbstporträt handelt. Der Vergleich mit einem späten Bildnis aus der Sammlung der Kasseler Neuen Galerie zeigt große Ähnlichkeit mit der Künstlerin Caroline von der Embde (1812-1867), der älteren Tochter des dort ansässigen Genre- und Portraitmalers August von der Embde (1780-1862), festgehalten als selbstbewusste Frau in jungen Jahren. Der realistische Stil und die malerische Qualität des biedermeierlichen Gemäldes kommen insbesondere in der kunstvollen Behandlung des Stoffes und der vielfältigen Wiedergabe der Pflanzen zum Ausdruck. Vgl. Neue Galerie, Kassel: Caroline von der Embde, Selbstbildnis 1855, Inv.Nr. 1875/1635 CAROLINE VON DER EMBDE (ATTR.) 1812 Kassel - 1867 Hamburg Self(?)-portrait of the artist in early years Oil on canvas (relined). 95 x 77 cm (F. 105 x 87 cm). Min. damaged, rest. Frame. The portrayed woman glances pensively to the left, holding mahlstick and painter`s palette in her hands as well as what seems to be a mirror. A canvas placed on an easel in the backround thus indicates the painting to be a self portrait. The comparison with a later image in the collection of Neue Galerie Kassel illustrates geat resemblance with the artist Caroline von der Embde (1812-1867), elder daughter of the local genre and portrait painter August von der Embde (1780-1862), pictured as confident woman at a young age. Cf. Neue Galerie, Kassel: Caroline von der Embde, Self-portrait 1855, Inv.no. 1875/1635

Advertising, Huntley & Palmers - an early 20th century novelty rounded rectangular pictorial biscuit tin, the lift off lid removes to form an easel backed mirror, the sides printed with scenes of classical figures, 7.5cm high, 16.5cm wide, 10cm deep, c.1914

Advertising, Price’s Candle Co – a late 19th/early 20th century rectangular pictorial showcard, depicting a mother and daughter looking at a painting on easel lit by candlelight, “Price’s Candles Gold Medal Palmitine, Mother’s Portrait, Price’s Patent Candle Company Limited. London, Liverpool & Manchester”, printers Bemrose & Sons Derby, 47cm x 38cm, unframed

A LATE 19TH CENTURY GILT GESSO PORTRAIT MINIATURE FRAME, the border moulded with trailing vines, berries and fluted pilasters, sight aperture 13.5 x 10cm; in outer glazed easel show case, labelled for W. Forshaw, Oxford,29.5 x 25.5cm overall

A signed and inscribed half-length sepia photograph of King Ferdinand I of Bulgaria (1861-1948), inscribed to the mount 'To Dear Mr Gregory Matthews, with feelings of admiration and gratitude, Ferdinand R,' 30x23cm in gilt-tooled brown leather easel frame by J.C. Vickery, Regent St.

A signed three-quarter-length monochrome photograph of Prince George, 2nd Duke of Cambridge (1819 ' 1904) in full military dress, a member of the British Royal Family and grandson of King George III, first cousin of Queen Victoria. The Duke was an army officer by profession and served as Commander-in-Chief of the British Army from 1856 to 1895 becoming Field Marshal in 1862, 29x17cm in leather cushion easel frame by A. Webster of Piccadilly

Princess Victoria / Queen Victoria (Alexandrina Victoria (May 1819 ' January 1901). 'Hagar Ishmael in the desert,' inscribed bottom right 'Victoria' and dated 'Aug 14th 1834,' pencil on card, 204x173mm, inscribed to the reverse regarding the intended recipient, and together with letters from The Royal Collection Trust confirming the the drawing to be one of four copies by the young princess, in glazed rouge Morocco leather easel frame with velvet mount and giltwood slip,

A silver miniature easel with a Scottish theme with a central thistle in amber glass, together with a tortoiseshell compact A/F having a central gold coloured motif and a small mid 20th century Looping travel clock in leather case Location: RWM

A mixed lot to include a spinning chair, an octagonal table, a twin handled tray and a picture frame in the form of a butler holding a tray with a small easel on top together with an oak linenfold two door cabinet

A PAIR OF VICTORIAN SILVER EASEL PHOTOGRAPH FRAMES. Chester 1898.

An artists easel

AN ART DECO GLASS SAILING SHIP NOVELY EASEL MIRROR, C1930,  WITH BEVELLED SAILS, PINK HULL AND ELECTRIC BLUE WATER, BACKED ON WOOD, 26.5 CM H Condition reportStrut original but loose, wooden back dirty. Glass undamaged

A G BARKER, EARLY 20TH CENTURY - NORTH AMERICAN INDIAN ARTIST AT HIS EASEL, SIGNED, OIL ON CANVAS, 25 X 35.5CM, UNFRAMED Condition reportOriginal unlined unrestored condition with a few small scratches; much dirt - requires a clean

A vintage artists paint box and easel.

Wooden Artists Easel

Winsor and Newton 116 Artists Easel

An artist's easel

A mixed lot comprising golf clubs, step ladders, garden tools and an easel.

A wooden clothes airer and an easel.

Collection of thirteen ornate cast brass easel photograph frames, largest 23cm by 16cm.Condition: Dusty but sound.

Chinese carved ivory easel photograph frame, having foliate frame, 12.5cm high.

1920's stylish silver mounted easel photograph frame with embossed flower corners, Birmingham 1918, overall 27.5cm by 19cm. CONDITION - Signs of wear and tear including worn embossed high stops and dents and knocks round frame

Silver mounted easel photograph frame, hallmarked Chester 1908, overall 28.5cm by 22.5cm. CONDITION - There are two pierce spots on the top of the frame where they have been filled. Also slight denting and knocks to the corners and sides.

Brassware including ornate easel photograph frame, inkstand, trivets, fire irons, etc.

A large collection of faux book spine panels, various sizes and forms, each panel with leather spines mounted in relief on wooden or board support, some with rear ledge or easel support for free standing presentation, the largest 42 x 70cm, approximately 32 in totalProvenance: Estate of the Late Jane Sumner

Victorian cast metal coppered Rococo easel frame, 28 cm high to fit a photograph 13.5 x 9 cm

A gilt framed easel back dressing table mirror of rectangular form with bevelled edge plate 41cm x47cm together with a similar pair of wall mirrors 56cm x35cm

Late 19th century school miniature portrait of a young boy in grey jacket and white collar, watercolour on card? (not removed from frame), signed with monogram JML? and dated 1895, 5.5.cm maximum in gilt metal easel frame of scrolling form

Four silver applied easel frames with blue baize backing, two 19 x 13.5cm, a further landscape example, 15 x 17.5cm and a further scrolled example embossed with cherubs, 17 x 16cm (4)

Pair of silver applied oval easel photo frames, 17 x 13cm, together with a further graduated pair of tondo frames with beaded decoration, 12cm diameter x 9.5cm diameter (4)

A good quality Eastern white metal easel picture frame, embossed with Buddhistic deities, village scenes, pagodas, etc, oak backed, internal measurement 9 x 9.5 cm

Pair of Art Nouveau cast pewter easel picture frames with Tondo recess, in the manner of WMF, 18 x 18 cm and 9 cm viewing portal (2)

A Modern "Chatsworth" Artist's Wooden Paint Box/ Easel Containing Drawing Pad and Set of Brushes, Together with an Artist's Painting Set Containing Oils, Pastels, Acrylics, Canvas Boards, Paint Brushes etc

A Set of Three Brass Framed Easel Back Photoframes, 29x22cm, 17x11.5cm and 16x9.5cm

A Collection of Various Silver Plate Items, Brass Fox, Easel Back Mirror

An Edwardian Silver Mounted Pocket Watch Easel Back Stand, Birmingham 1909, 11cm high

A Large Silver Framed Mirror with Easel Back, 44cm high

A George III mahogany boxwood strung tulipwood crossbanded rectangular tea caddy, 30.5cm wide x 17cm high and a square turquoise mosaic framed easel mirror with white paste border, 13.5cm, (3).

A set of postal scales, a white metal overlaid easel mirror, length 36.5cm, and a carved wood panel

A wooden adjustable artist's studio easel, from the studio of George Bissill (1896-1973), Four Ashes, Ashmansworth, Hampshire