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A late Victorian silver mounted rectangular easel mirror, with monogram applique, Drew & Sons, London, 1900, 35.5cm.

An artist easel Swedish made by Falstaffli

A pair of home made adjustable lighting stands which can be fixed to a table using the G clasp together with a wooden folding easel (3). These are perfect for use at antiques fairs and can help light up a stall. Easy to use.

A late 19th century continental porcelain oval easel Mirror, the frame applied with roses and surmounted by cherubs, blue Sitzendorf mark, 13in (33cm) high x 10¼in (26cm) wide.

A WWI military issue 8 day pilots watch mark IVa no 757R Elliott Ltd housed in a watch case with easel back, 7cm diameter, some wear to dial, ticks but stops, with rust to hands, will need some restoration

Talens pine tripod artist's easel

An Elizabeth II Silver-Mounted Dressing-Table Mirror, by David Shaw Silverware Ltd., London, 1989, shaped oblong and with easel back, the sides stamped in high relief with putto among foliage scrolls and flowers, with heart-shaped mirror, 45cm high

A beech easel

A white metal easel-back mirror with Argento 925 label

Original Paintings x 4. Artist are R.D Taylor, Wendy Hewitt and one unknown. Artist palettes x 10, Large Easel, also small one a/f. Henry vacuum cleaner, bread bin and novelty glass walking stick.(3).

A metal picture display easel. 62' high

Churchill (Sir Winston Spencer) & T. E. Lawrence.- Coote (Capt. M. H.) A Collection of material relating to Churchill and Lawrence, including printed books by and about them, loose photographs, photograph albums, and a typed diary, v.s., v.d., 1920-1968 (qty)⁂ Archive includes: (1). Photograph album of the Middle East, with shots of Ismalia, Suez, Alexandra, Bethlehem and Jaffa, 96 black & white or sepia photographs mounted on 24 leaves, each c.60 x 105mm, most captioned by hand, including 2 loosely inserted, original cloth, lightly rubbed, 4to, c.1920.(2). Photograph album of the Churchills travelling round Egypt and the Middle East, including captioned photographs of 'Winston painting outside Cairo', 'Mrs Churchill mounting a camel, WSC watching anxiously', 'WSC making a speech at British military cemetery, Easter 1921', 'Col Lawrence & Gertrude Bell', 31 black & white or sepia photographs on 9 leaves, each c.60 x 105mm, most captioned by hand, including a copy of the Bell/Lawrence photograph (laid down on endpaper, see (6.) & (7.)), original cloth, very lightly rubbed, 4to, c.1920. (3). Syndicated Photograph of Churchill, Gertrude Bell, T. E. Lawrence, and M. H. Coote, and others, on camels in front of the Great Pyramids and the Sphynx, 172 x 229mm, handling creases, 1921. (4). Coote (Capt. Maxwell H.) Typescript diary on Coote's experiences with Churchill during the Cairo conference, 52 pp. on recto only, occasional minor corrections in ink, ink ownership signature to front endpapers, bookplate of Coote's wife to pastedown, original cloth, gilt, very lightly rubbed at extremities, 4to, 1921. (5). Coote (Capt. Maxwell H.) Flying Logbook, printed pages with manuscript insertions, 50pp., 2 typewritten combat reports loosely inserted, original wrappers bound in, contemporary half calf, gilt; and 2 other logbooks, 8vo. (6). Collection of loose photographs or negatives, including: Winston Churchill painting on easel in Cairo; portrait of Gertrude Bell and T. E. Lawrence sitting together, views of Gaza and reception at the government house in Gaza, printed photographs or original negatives, 160 x 120mm or smaller; and 2 others, v.s., v.d.The second is believed to be the only photograph of Lawrence and Bell together, taken by Coote. (7). Lawrence (A. W., editor) T. E. Lawrence by His Friends, original cloth, spine gilt, 8vo. Includes published photograph of Bell and Lawrence together, taken by Coote, with his manuscript note below: "this photo (the only one of T.E. and Gertrude), taken by M. H. C.".(8). Churchill (Sir Winston Spencer) Painting as a Pastime, photograph of Churchill painting laid down to endpapers, 1948 § Garnett (David, editor) The Essential T. E. Lawrence, 1951; Lawrence (T. E.) Seven Pillars of Wisdom, newspaper cutting laid down to endpapers, 1935, ownership inscription of Coote to endpapers, original cloth, lightly rubbed or occasional stain; and 4 others, by or about Churchill and Lawrence, 4to & 8vo (7)(9). Manuscript poem "Cootebye to Yatesbury", illustrations in pen, spotting and browning, c.370 x 265mm, framed (chipped and rubbed). ⁂ An excellent collection of material relating to Winston Churchill and T. E. Lawrence in the Middle East. Maxwell Henry Coote (Wing Commander, 1895-1920) joined the Royal Field Artillery and saw service at Gallipoli in 1915, later transferring to the Royal Flying Corps. After the war he served as Churchill's aide de camp at the Cairo Peace Conference in 1921. The diary records his experiences with Churchill and his meetings with Lawrence throughout the Conference, documenting his time guiding the members of the party around the area. It includes novel insights as "Col. Lawrence has also joined our party tonight...he is most awfully nice to talk to, so quiet and unassuming and no 'side' whatsoever"; "I had breakfast about 9 o'clock. It is one great thing about Winston that he never gets up early"; "[Winston] took me out with him when he went off painting: we went to the most wonderful old Derwish monastery...I don't ever remember having seen anyone painting in oils before...he was quite amusing to watch and very typical in the way he slapped on paint and scraped it all off again, but he is very clever and has a great eye for colour...". The Conference was a series of meetings by British officials for examining and discussing Middle Eastern problems and to frame a common policy, which conclusively approved a plan for giving control over two large pieces of the former Turkish territories that Britain controlled to princes in the Hashemite family. The collection provides a fascinating insight into the workings and practicalities through this pivotal diplomatic event of Churchill, Lawrence and Bell, three of the most influential of the 39 delegates gathered in Cairo for the conference.

A vintage wooden child's blackboard easel together with a wooden shove ha'penny board.

Silver and enamel photo frame, easel back, approx 20 x 15 cms. 

A Vintage stained pine adjustable artist's easel, W53cm

A Daler-Rowley table-top easel, an Italian beech table-top easel, and 2 others (4)

Mixed furniture to include a two drawer serpentine fronted side table, reproduction mahogany Canterbury with base drawer, on brass casters, Italian Sorrento musical table, a wooden artists easel and a retro wire magazine holderLocation: RWF+SR

A Wedgwood china cup and saucer, a 19th century cup and saucer and a late 19th century German porcelain easel mirror decorated with cherubs and encrusted with flowersLocation 5:1

A contemporary basket; a pine stilton trough; two shepherds sticks; a brass easel; etc

AN EASEL BACKED ONYX FRAMED PLAQUE OF THE LAST SUPPER TOGETHER WITH A BRONZE EFFECT CRUCIFIX MARKED SEICNEUR PRIEZ POUR NOUS

A Large Silver Watch Stand,hallmarked Birmingham 1906, arts & crafts hammered finish, leather body with easel stand, velvet and silk lined, 12cm high, watch face aperture 6cm

A Large Silver Watch Stand,hallmarked London 1905, arts & crafts hammered finish, leather body with easel stand, velvet and silk lined, 11cm high, watch face aperture 6cm

A Silver Watch Stand,hallmarked Birmingham 1904, red Morocco leather body with easel stand, velvet and silk lined, 8.1cm high, watch face aperture 4.5cm

A George V hallmarked silver mounted easel back photograph frame of oval form, Birmingham 1921, height 14cm, and a further easel back photograph frame, height 18.5cm (2).Additional InformationThe larger frame with wear and rubbing to the marks, numerous knocks and wear to the decoration. Wear to the maker's marks and easel backs on each are slightly loose. 

RBB; an Elizabeth II hallmarked silver mounted quartz mantel clock, the circular dial set with Roman numerals, with easel back, London 1990, 11.5 x 10cm.Additional InformationRunning but no guarantee of working order. Some scratches, knocks and general wear. The glass is somewhat loose within the fitting.

C.J VANDER LTD; an Elizabeth II hallmarked silver footed bowl, London 1977, together with a hallmarked silver ashtray with square form with engine detail, an easel back silver mounted photograph frame, a silver handled magnifying glass, and knife, weighable 5.85ozt/181.9g (5).Additional InformationLight ware, minor scratches and tarnishing, the ashtray is heavily rubbed and dented, there is a hole in the canvas to the top right of the photograph frame.

W J MYATT & CO; a George V hallmarked silver mounted heart shaped photograph frame, Birmingham 1910, 7 x 5.8cm (af), and an Elizabeth II hallmarked silver ingot pendant suspended on chain stamped to clasp 925, weighable hallmarked silver approx 0.9ozt/30g.Additional InformationFrame heavily dented, scratches and tarnish, easel stand lost, heavy general wear, further scratches etc throughout.

KEYFOLD FRAMES LTD; an Elizabeth II hallmarked silver easel back silver mounted dressing table mirror of shaped circular form with cast scrolling details surrounding a central vacant cartouche, London 1987, height 32cm, together with a sterling silver mounted easel back dressing table mirror of shaped rectangular form, stamped 925, 34 x 29cm (2).Additional InformationMinor tarnishing, wear, very minor denting/nicks.

DEAKIN & FRANCIS; an Edwardian hallmarked silver mounted photograph frame of rectangular form, 19 x 13.5cm (af), and a white metal mounted oval photograph frame with easel back, height 19.5cm (2).Additional InformationThe silver frame has no easel back and heavily worn to the velvet. Also dents and surface wear throughout on the frame itself. No glass present. The hallmarks are legible. The white metal frame is unmarked. 

Three sterling silver mounted easel back photograph frames comprising a single example with cast floral detail surrounding a central open shell, 25 x 16cm, also a pair of examples with cast open shells and scrolling detail, 21 x 17cm, each stamped 925 (3).Additional InformationScratches, scuffs especially to the backs, very minor knocks and dents, one of the pair has a board that is slightly loose.

A pair of sterling silver easel back photograph frames of rectangular form, with cast scrolling detail, each stamped 925, 33 x 27cm, (2).Additional InformationEach bears 'Del Cuzco Plata 925 Peru' label verso, the back boards are slightly loose, very minor dents and tarnishing, one of the easel backs is loose and slightly unstable.

WHITEHILL SILVER & PLATE CO; an Elizabeth II hallmarked silver mounted easel back photograph frame with cast floral detail surrounding oval cartouches, London 1987, 18 x 13cm, together with a sterling silver mounted easel back photograph frame with cast floral detail, 13.5 x 11cm, stamped 925 (2).Additional InformationThe easel back is slightly loose on the London hallmarked silver example, general wear, knocks and scuffs.

JOSEPH GLOSTER LTD; an Edwardian VII hallmarked silver mounted easel back mantel clock, the central circular dial with Roman numerals flanked by the silver mount with floral sprays and swags, Birmingham 1909, height 17.5cm, width 135.5cm, and three hallmarked silver topped dressing table jars (4).Additional InformationAll of the silver topped jars with denting and misshapen tops. The clock is af, the central dial with losses and cracks to the enamel. The silver mount is heavily worn and there are polish holes and lifting in parts.

TRS; an Elizabeth II hallmarked silver mounted water jug with clear glass body, London 2015 (lacking cover), together with a hallmarked silver mounted easel back photograph frame and two silver dishes (4). 

A George V hallmarked silver easel back photograph frame of rectangular form, Birmingham 1920, 20 x 16cm.Additional InformationThe makers marks are rubbed, scratches, tarnishing, the easel back is slightly wobbly but overall good.

VICTORIAN SILVER EASEL MIRROR, shaped foliate framed oval bevel edged 12" mirror dated 1898

ART NOUVEAU SILVER EASEL PHOTO FRAME, Chester 1902, 8" height

CARTIER, retro oval framed easel bedroom clock, 3.5" height

3 photographic easel masks etc

An Art Deco chrome mirror, the rectangular glass mounted on a 'C' scroll mount, 31cm wide34cm high, and another easel frame, 31cm wide41cm high (2)Condition report: Both good - replacement glass and mirrors.

A limed oak artist's easel,in the Heal's style, with an adjustable mechanism,64cm wide66cm deep184cm highCondition report: A small chip to the top of the the easel - label on the back reads ' F.Sage & Co. Ltd., London'.Frame is slightly loose. Three additional images uploaded.

An Elizabeth II silver easel photograph frame, maker P H Vogel & Co, Sheffield, 1991: of rectangular outline, 28.5 x 23.5cm

A modern silver photograph frame, by Keyford Frames Limited, Birmingham 1981, shaped upright rectangular form, embossed with a lady picking apples, velvet easel back, height 15.4cm.

A silver and pink enamel photograph frame, by Sanders & Mackenzie, Birmingham 1979, upright rectangular form, the enamel on an engine-turned base, wooden easel back, height 23.8cm.

A silver and pink enamel photograph frame, by S M Levi Ltd, Birmingham 1932, upright rectangular form, the enamel on an engine-turned base, with a rectangular vacant cartouche, wooden easel back, height 13cm.

An Edwardian silver photograph frame, by Henry Charles Freeman, Birmingham 1904, shaped oval form, embossed with flowers and a dragonfly, wooden easel back, height 31cm.

An Edwardian silver photograph frame, by Gourdel Vales & Co, Birmingham 1904, shaped upright rectangular form, embossed with birds and foliate decoration, wooden easel back, height 32cm

A late-Victorian cast silver photograph frame, by Gibson and Langman, London 1894, shaped upright rectangular form, pierced and chased with birds, beasts, masks and foliate scroll decoration, with a vacant cartouche, lacking easel strut, height 19cm.

A silver and blue enamel photograph frame, by Sanders & Mackenzie, Birmingham 1915, upright rectangular form, the enamel on a scroll engine-turned base, wooden easel back, height 17.7cm.

A George III Scottish silver Celtic-point pattern soup ladle, by Robert Gray, Edinburgh 1799, circular bowl, the terminal with a crest, plus a George III silver Old English pattern soup ladle, by William Sumner, London 1786, circular bowl, plus an Edwardian silver dressing table mirror, by Walker and Hall, Sheffield 1902, circular form, embossed foliate scroll decoration on a matted background, velvet easel back, diameter 27cm, and a George III silver Old English pattern sifting spoon, London 1870, approx. weighable 12.6oz. (4)

A large late-Victorian silver-gilt easel mirror, apparently unmarked, circa 1890, upright shaped rectangular form, pierced and embossed foliate scroll decoration, the central cartouche initialled, but later mounted with a cherub holding a trumpet, velvet easel back, length 113.5cm. Provenance: sold by direction of the executors of the late Sylvia Quance. From the collection of Gordon W Quance. purchased from Graham Fothergill, Bournemouth, 26th July 1964.

An Elizabeth II silver easel photograph frame, maker Carrs of Sheffield, Sheffield, 1990: of rectangular outline, 18.5 x 13.5cm, together with an oval silver photograph frame, 16.5 x 12.5cm. (2).

A fold up artist easel

An adjustable artists easel

Four boxes of miscellaneous. Includes Amstrad stereo, Maling, Boldmere easel etc.

A LATE 19TH CENTURY DECORATIVE TIMEPIECE, CERAMIC TABLE LAMPS AND VASES, comprising a small easel back clock with gilt metal and velvet case, the back of the movement stamped 'The British United Clock Co Ltd', height 18cm, a Jonathan Cox 'Farmers Nightmare' pattern pottery table lamp, a.f, height to fitting 37.5cm, a Cinqe Ports Pottery Ltd hand painted table lamp, another ceramic based table lamp, a Studio Pottery lamp vase with impressed decoration, unwired/fitted, a copy of an antique ewer, inscribed to the base 'No 157 ? Museum Heraclion 1800BC Exact copy', height 29cm and a Studio Pottery vase, cracked to the underside, three lamps not PAT tested (7)

An Edwardian silver mounted easel mirror, with oval plate, James Deakin & Sons, Birmingham, 1908, 29.8cm.

G. McConnell, Artist Working at Easel, watercolour (23cm x 34cm)

Large artist easel

A Victorian turned wood framed easel back mirror, probably boxwood, 22cm high x 18cm wide