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A gilt brass strut clock, in the style of Thomas Cole, late 19th/early 20th century, the rectangular floral engraved silvered dial with blued steel fleur-de-lys hands, numbered 505, rectangular scrolling floral engraved case, surmounted by an undulating pierced crest and suspension loop, the plain back with easel strut and winding hatch door for a Swiss eight day movement, lacking the turnbuckle foot, 13 x 10 x 2.5cm. Cole started numbering all of his clocks at 500 in about 1846/47 and ended at about 1900 in 1864. See "Carriage Clocks" by Charles Allix, pages 238/241 and "Thomas Cole & Victorian Clock-Making," by J. B. Hawkins, for more information. The clock winds, sets and is ticking, although we cannot guarantee its fully functional.We are happy the movement is original to the case, we have found others with the same movement
George V silver presentation ink stand, of square tapering form with canted corners, with a pen rest, the hinged cover monogrammed and dated "22nd Nov. 1933", Birmingham, 1930, (maker's mark indistinct, W.12cm, and a silver mounted timepiece, with an easel back, Chester, (maker's and date marks indistinct), H.16.8cm, weighable 149grs, (both a/f). (2)
A stunning Jay Strongwater circular frame featuring intricate enamel work in green and gold hues, adorned with jeweled accents in various colors. The piece showcases a brass-toned metal construction with a pierced floral design in the center. The back is marked "Jay Strongwater" and features a sturdy easel-style stand. Measuring 3.5"H, this decorative frame highlights the renowned craftsmanship and luxurious aesthetic for which Jay Strongwater is celebrated.Dimensions: See DescriptionCondition: Age related wear.
§ Bernard Kim (1942-), Performers, a pair of stylised bronze masks of singers, mounted to an ebonised plinth base, signed and dated (19)96 to the bronze, 49cm high overall; together with another modern bronze study of an artist at his easel, mounted to ebonised plinth base, signed with monogram and inscribed 'Bronze Art Editions' to bronze, 42cm high overall (2)Both bronzes in good condition.
A Chinoiserie desk clock, early 20th century, of octagonal form, the borders decorated in gilt and red with cranes in flight, clouds, figures and pagodas, the face similarly decorated with a maiden before a pagoda, with Roman numeral dial and easel back21cm highSome crazing and light blistering to the clock face, some rubbing, flaking and losses to the decorated rim, mechanical movement with no key present, appears to run when wound - not monitored for time keeping.
Edwardian and later silver to include an Art Nouveau silver faced desk clockvarious dates, makersfirst a Chester, 1909, James Deakin & Sons, embossed with sinuous sprouting tendril, a pair of American Art Nouveau bonbon dishes, Birmingham import marks, Gorham Manufacturing Co, pierced and embossed with flowers, an engine turned watch stand with strut support, an Edwardian spot hammered oval photograph frame with easel support, a pair of small circular photograph frames and another (qty)first height 12.5cm., weighable silver approx. 3.42oztCondition: desk clock winds ticks and runs however no guarantee can be offered as to the full working order. Other items with occasional knocks commensurate with age
A collection of silver to include photograph frames and other items various dates, makers marksto include a rectangular easel back photograph frame with feature hallmarks, Sheffield, 2001, Mappin & Webb, a smaller photograph frame, A Tiffany & Co. rectangular pin tray engraved C & E 1974 an engine turned Kigu, powder compact, a cased set of coffee spoons with harlequin guilloche enamel bowls and bean terminals, etc., (qty)first height 20.6 cm., weighable silver approx. 7.59oztCondition: frames, tiffany pin tray and compacts. The enamel bowls of the coffee spoons with some nibbles. The salt and mustard pot wit blacking
Two modern silver photograph frames and other itemsvarious dates, makerscomprising an Art Nouveau style photograph frame with easel support, Sheffield, 1995, Carr's, an oval photograph frame, a pair of napkin rings, an apostle top coffee spoon and a French silver plated fox knife rest, (6)first height 21cm., weight approx. 2.29oztCondition: Commensurate with age.
AN EDWARDIAN TORTOISE SHELL AND SILVER MOUNTED STANDISH,London 1906, with raised wirework borders, fitted with silver capped clear glass inkbottles, pen stand and vacant shield-shape crest reserve, 25cm wide; Together with a tortoise shell and silver easel backed photograph frame, 19cm high, 21cm wide (2)
An Art Deco period Movado travelling / purse clock, the outer case with snake skin covers openeing to reveal a silvered dial with luminous Arabic numerals and subsidiary seconds dial, 29mm case, with hinged easel stand, stamped to reverse ‘Patent Swiss Made 140/ADO, 7.7cm extended, 5.2cm closed.
TWO SILVER AND TORTOISESHELL PHOTO FRAMES, the first a late Victorian heart shape frame with a silver floral pattern, fitted with a silver easel, hallmarked 'Mitchell Bosley & Co' Birmingham 1892, approximate height 15cm x width 13.5cm, the second in the form of a leaf, hallmarked 'Henry Stuart Brown' London 1896, approximate height 14.5cm x width 13cm (condition report: general light wear in keeping with age, would benefit from a gentle clean and polish)
African Carvers painted and carved Hoopoe Special Edition 50/500, a Smiths mahogany cased wall-mounted barometer and thermometer, an artists easel, a Japanese 8mm editor viewer, a carved and painted totem pole made in Canada, a small quantity of costume jewellery and other items (1 box plus)

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30753 item(s)/page