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A vintage beech artist's easel.

A collection of small silver and plated items in including a pair of boat form silver pedestal salts London 1891 by The Gold and Silversmiths company. Together with other items including easel picture frames, swan pin dish, rectangular salts, cast silver grape scissors and other items. 22 ozt gross weight of weighable silver.

A 19th century French gilt bronze and champlêvé enamel easel dressing table mirror, the shaped circular frame decorated with scrolling stylised flowers and foliage, 30.5cm wide

A 19th century wooden miniature easel 27cm H (right side is damaged and partially unattached); together with a 19th century pencil drawing of a mother and child 16cm x 12cm (2)

An Elizabeth II silver rounded rectangular easel photograph frame, the aperture 19.5cm x 14.5cm, Sheffield 2000

A Victorian style silver easel photograph frame, the aperture 9.5cm x 13.5cm, Sheffield 1997, boxed

A zinc bath, W. 59cm, together with a small artists easel and an artists two drawer chest.

VINTAGE ARTIST EASEL, by Roberson & Co

ARTIST EASEL, a vintage stained pine artist easel, 76" high

ART NOUVEAU SILVER PHOTO FRAME, circular easel support 6" frame, Birmingham 1904

SILVER PHOTO FRAME, Edwardian HM silver easel photo frame with ornate floral embossed decoration, Sheffield, possibly 1903, makers Walker & Hall, 8.5" height

ARTIST EASEL, a stained pine artist easel, 69 " height

MINIATURE SILVER PHOTO FRAME, easel photo frame rectangular form, 9cm, also a silver "Birthday book" with silver face, with floral and foliate decoration

A FRENCH GILT BRASS AND MOSAIC DESK CLOCK C.1900 the brass eight day movement with a platform lever escapement, the backplate stamped 'C R 33 Made in France', the circular enamel dial with Arabic numerals and painted with floral swags, with a millefiori case and an easel back 14.4cm high

λ A FRENCH PORTRAIT MINIATURE OF EMPRESS JOSEPHINE DE BEAUHARNAIS AFTER FRANCOIS GERARD (FRENCH 1770-1837), LATE 19TH CENTURY painted on ivory, signed 'Castelle', in an Empire style frame, with an eagle surmount and an easel back 8.2 x 6.2cm

ART NOUVEAU PHOTO FRAMES, 2 graduated Poppy design silver square photo frames with easel support, 6" height, Birmingham 1905

A George V silver mounted photograph frame by Synyer & Beddoes, Birmingham 1920, of rectangular form with curved corners and embossed floral border, hardwood back and easel, 18cm x 13.5cm, together with a further silver mounted photograph frame by Kitney & Co, London 2000, 28.5cm x 13.5cm (2) CONDITION REPORT:The portrait frame shows a small dent to the top right corner, and several smaller dents to the side and bottom.  There is some tarnishing around the nails in the sides, and the easel stand is somewhat loose.  The landscape frame shows some minor distortion to the polished front service.  There are also fine surface scratches, some tarnishing and the odd small dent across the silver surface. 

A pair of Victorian silver photograph frames by William Comyns, London 1894, of arched rectangular form with pierced figural, birds and putti in a foliate surround, surmounted by a heart-shaped cartouche, glazed central aperture with green silk lining, hardwood easel stand, each 22.8cm high (at fault)CR; Please note: The easel backs are thought to be later then the frames themselves - they appear to have been made to fit the frame dimensions, however do not sit properly in the frame brackets. The easels are slim and slightly too small, meaning the glass/silk lining (which are also thought to be later) 'rattle' slightly in their settings and the frames are not very stable when they stand, slipping frequently.The frames themselves are in good order. Some areas of slight thinning around the edges, some minor misshaping, general scratching and wear. No obvious areas of splitting, repair or major damage to the frames.The frame brackets are split around the edges, and quite misshapen in places - some repair may be required. Please see pictures for further illustration.Glass in both examples in good order, some chips and nibbles around the edges, but no cracks or damage visible in the aperture of the frame. Silk lining in good order, some fraying around the edges, but the silk visible in the aperture in in good order.

An Art Nouveau silver and enamel photograph frame, Synyer & Beddoes, Birmingham 1904, of shaped square form with silver tendril mount and blue enamelled flowers, circular glazed aperture to centre, easel stand, 15.5cm x 15cmCR; Overall fair. The silver mount is coming away from the wooden back in places (see pictures for most notable areas.)  There is some thinning and splitting to the edge of the silver mount, but largely it is in good order. Mount has some light denting, scratching and wear commensurate with age and use. There is moderate to heavy wear on the enamel of the flowers, mostly concentrated on the high points. Wooden back is in good order, with some scratching, wear and tear commensurate with age and use. Glazed aperture in good order, no cracks, losses or repair. 

An Edwardian watercolour on ivory portrait miniature, early 20th century, depicting a young girl with a blue ribbon in her hair, in gilt painted wooden easel frame, 8.6cm x 6.8cm overall, with a gilt metal and black lacquered trinket box, early 20th century, the sprung cover with cast and chased floral motifs, inset with central porcelain panel depicting a courting couple, 9cm W x 7.5cm D x 1cm H Trevanion Auctioneers & Valuers do not ship items containing ivory outside the EU. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.

An Austrian portrait miniature on porcelain, 19th century, depicting a young child with lace collar, pencilled '394', '88' and retailer's label for Charles H. Schuh of Interlaken verso, in chip carved oval easel frame, 7.5cm high overall (frame at fault)

A quantity of Halcyon Days enamel boxes including an oval plaque depicting the fable of the cock and the fox, number 71/100, a Royal Yacht Britannia limited edition box, an easel back clock, a paperweight, a pin cushion etc.

A large easel with adjustable picture rest and carved and foliate decoration, 198cm high

A modern pietra dura panel by Ugolini, with easel style back, 20.5cm x 9.5cm

Early George V Silver mounted dressing table mirror of vertical rectangular form, with embossed and pierced floral decoration, over a green velvet back ground, bevelled mirror plate and easel back (Birmingham 1911). Syner & Beddoes, 46cm overall height.

A Late 19th/Early 20th Century Continental Brass Pierced Easel Backed Picture Frame, Two Doors with Porcelain Panels Decorated with Cattle in Pond and Horses with Lumber (Latter AF) Opening to reveal Four Oval Frames, Each 14cms By 10.5cms, Pierced Frame 32cms Wide and 25cms High

Two Gilt Metal Easel backed Photo Frames and a Small Gilt Metal Easel Stand, 25cms High

A Cheval mirror, together with a large adjustable Artist's easel and one other

A Victorian silver framed easel-back dressing table mirror, by William Comyns, London, 1887, of heart shape, with an openwork frame incorporating knights and scrolling foliage, a shield-shaped cartouche to the terminal engraved with a monogram and the date 1886, approximately 30cms high.

TWO BOXES ARTIST PAINT AND OTHER SUPPLIES PLUS A FOLDING ALUMINIUM EASEL

OVAL PLASTERWORK FRAMED DRESSING TABLE MIRROR WITH EASEL BACK, 44CM HIGH

A Cartier traveling alarm clock on an Easel gilt metal stand oval dial manual wind seen working and in original box. Serial number 7509 11520

TWO EARLY 20TH CENTURY SILVER PHOTOGRAPH FRAMES, both of a similar design with arched top, one with engraved monogram within a laurel wreath and crown crest, hallmarks for Charles S Green & Co Ltd, Birmingham 1917 and Walker & Hall, Birmingham 1915, lengths approximately 290mm, total gross weight 965 grams, 31ozt (condition report: both heavily tarnished, both wooden frames with silver fronts, one with a detached easel back piece, the other easel back piece missing, both with some noticeable surface scratches)

A FOLDING BEECH ARTISTS EASEL

LIGHTING ACCESSORIES, ETC, to include a cut glass oil lamp base, ceramic and gilt metal lamp bases, glass lamp shades, gilt metal candle sticks and a brass easel back picture stand

An early 20th century mahogany easel. H-150cm.

A large Edwardian repousse silver mounted easel mirror with pierced scrolling border, Henry Matthews, Birmingham, 1901, 48.7cm (mount loose).

A beech artist's easel

job lot furniture- bookshelf, cabinet, easel and fold down table

EASEL, French style giltwood, adjustable 192cm H x 60cm.

A new artists easel & collection of new canvases Collection only

Early Victorian figured mahogany dressing cabinet, the raised shell and scroll carved back lifts to reveal rectangular easel mirror with mahogany band, flat rectangular top with tooled leather inset, slide at each side with matching leather inset, full width drawer above cupboard enclosing a series of five drawers, turned front supports, panelled front, sides and backDimensions: Height: 75cm  Length/Width: 61cm  Depth/Diameter: 46cm

Mixed lot comprising an 8-day oversized pocket watch in base metal case (a/f), contained with a silver mounted easel backed desk stand, together with a further base metal cased 8-day desk clock (2)

Early 20th century Oak Towel Rail with slatted sides, 93cms high x 76cms long together with Clifford Milburn & Co Combination Folding Artist Easel Seat

Modern Folding Box Easel

A painted pine easel, a cot, a brass coal box and one other

LATE 19TH CENTURY CONTINENTAL PORCELAIN MIRROR, of oval form, the frame surmounted with cherubs and applied with foliage, with easel backed support and hanging hoop, pseudo-Augustus Rex mark, 26.5cm high Provenance: The William Mowat-Thomson Collection

LATE 19TH CENTURY CONTINENTAL PORCELAIN PORTRAIT PLAQUE OF BEATRICE CENCI,in the manner of KPM, of oval form, modelled with head turned, the reverse inscribed 'H' and with paper label inscribed '...Dresden...', 11.5cm high, in brass frame with easel supportProvenance: The William Mowat-Thomson Collection

EARLY 20TH CENTURY VENETIAN GLASS MIRROR, of oblong form, the projecting corners with etched foliate decoration, easel backed support, 27.2cm x 21cm Provenance: The William Mowat-Thomson Collection

VICTORIAN SILVER FRAMED MIRROR, maker William Comyns, London 1887, the bevelled rectangular mirror surrounded by a frame cast with scrolls, foliage, putti and a variety of beasts, with blank central shield shaped cartouche, easel backed support and hanging hook, 69cm x 52cm Provenance: The William Mowat-Thomson Collection

GEORGE VI SILVER PICTURE FRAME, maker W. J. Myatt & Co., Birmingham 1938, of shaped square form, embossed with scrolls and birds, with easel backed support, 17cm high Provenance: The William Mowat-Thomson Collection

WILLIAM ETTY (AFTER) BATHERS SURPRISED BY A SWAN Mixed method engraving, printed roundel, by E. J. Portbury, 32cm x 24cm, contained in an attractive gilt moulded table easel frame, also two oval stipple engravings of a cherub and a scholar, of sizes (3) Provenance: The William Mowat-Thomson Collection

EARLY 20TH CENTURY ORMOLU DOUBLE PICTURE FRAME, with scroll and foliate surmount, the picture apertures with putti above and flanked by game birds, the backs with easel supports, 28cm x 40cm wide Provenance: The William Mowat-Thomson Collection

GEORGE VI SILVER PHOTOGRAPH FRAME, maker Henry Matthews, Birmingham 1945, of oblong form, embossed rope twist border, easel backed support, 16.5cm x 12.2cm Provenance: The William Mowat-Thomson Collection

LATE 19TH CENTURY ORMOLU AND ENAMEL PICTURE FRAME, surmounted by ribbon cresting, with blue enamel border, the back with hanging hoop and easel support, inset later print of a gentleman, 8.5cm high, along with five other late 19th to early 20th century ormolu frames (6) Provenance: The William Mowat-Thomson Collection

ART DECO COLLAGE OF A GEISHA, modelled from butterfly wings, depicted standing on a rock, in a circular white metal frame with easel backed support, 33cm diameter Provenance: The William Mowat-Thomson Collection

Two silver easel backed photo frames

A heavy easel backed photo frame

A quantity of brass and other metal items including a cannon, shell bases, miniature easel, animals, Oriental stamp, trivet, clock etc

Late 19th / early 20th century mahogany cylinder bureau, the fitted interior with satinwood drawer, recesses and pull out desk with leather writing surfaces, the central writing surface with easel support, h120cm w121cm d76cm