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Silver rectangular easel back photograph frame, plain polished form, makers Carr's of Sheffield Ltd, Sheffield 1998, dimensions approx 31.5cm x 26cm

A Vintage Winsor & Newton folding artist's easel

A vintage coat rack and table top easel.

Silver Mounted Heart Shaped Picture Frame. London 1990, Douglas Pell SilverwareDecorated frame decorationHeight 16 cmsCondition report: Silver fine. Easel sound but backing becoming detached behind velvet on easel stand (see pics)

A quantity of watches, to include a WWII Unitas military pocket watch, with broad arrow mark to the case back, marked G.S.T.P. L9037, calibre no. 259, with a leather case with easel, a Buler mechanical strap watch, a Swiss De Luxe mechanical strap watch, and an 8 day folding travel clock (4)Condition report: Watches currently running. No guarantee as to timekeeping or continued running.Clock not running.

Two vintage 20th century Liberty of London photo frames. The photo frames covered with liberty pattern fabric with circular photograph cutout with easel stand to the back. Impressed makers mark to the back.

An amboyna wood table-top easel, and a modern pine folding easel, table-top height 60cm (2)

A collection of four sterling silver picture frames. Three F&W small rectangular silver photo frames with peter rabbit motifs along with an arched cushion framed wooden backed silver easel photo frame. All hallmarked. H.26 W.21

PEAKE MERVYN: (1911-1968) English writer, artist, poet & illustrator. A fine A.L.S., Merve, two pages, 8vo, Sark, Channel Islands, 14th May 1934 ('May 14th? 1934 (Monday anyway)'), to his friend Helene Bruce ('Lanie dear'). Peake writes a social letter, commenting on his recent activities and mentioning mutual friends, in part, 'I wonder where this letter will find you. Maybe still in Ebury Street…..The island is magical now. The flowers are like living cataracts of pure colour. Yesterday I spent the whole day painting in a warm valley. The sunlight was terrific, making the grass, trees and flowers and especially the gorse almost dizzily brilliant. Oh Lord, the sunlight on the gorse is almost cruel in its unrelenting intensity. I took easel & paints, canvasses, lunch and everything down in a wheelbarrow. It was wonderful. The trees, at least some of them, are only just coming into leaf and make a faint pink blurr (sic) against the sky - like a cloud at sunset, and their boles ivory white in the glare. I cannot help constantly remembering about picking the flowers in the garden with you - not our garden. It was all so incredibly lovely. Oh, I do want to see you again. Sark would be heaven, if we could wander about the cliff tops and among the trees and discuss things. The people I know here are all swell in their way but I perhaps feel a trifle apart and could never get on with them as I do with you. Next Saturday the Gallery is opening for the first of the summer shows they are holding here. It is going to be good I think - better than the London one anyway for our work has changed a lot since last summer and autumn. Is there any chance of you coming over here and then returning with me for Leslie's wedding…….Please forgive the last disintegrated letter I sent you. God, it was lovely having you to see me off at Waterloo. If you find you can come almost immediately give me a wire if you like…..Well Lanie - au revoir pour le moment. Write soon and send good news if you can…..I'd love you to see this place in the spring - besides of course the rather absurd and wholly unaccountable wish to see you myself. Lots of love Lanie…'. A scarce letter of good content. Some extremely minor, light creasing and a couple of small tears to the edges of some folds, otherwise VG   Peake's early career in the 1930s was as a painter in London, although he lived on Sark for a time, first moving there in 1932. Eric Drake, his former teacher, was setting up an artists' colony on the island and in 1934 Peake exhibited with the Sark artists both in the Sark Gallery built by Drake and at the Cooling Galleries in London, and in 1935 he exhibited at the Royal Academy and at the Leger Galleries in London.

An early 20th Century Edwardian silver fronted photo frame having a bevelled glass heart shaped mirror to the centre. The frame having scrolled foliates on a blue velvet background. Hallmarked Chester 1905, makers marks for Henry Matthews. Measures 35 x 31cm. Easel to verso. 

A LATE VICTORIAN OAK ARTIST'S EASEL CIRCA 1890 Height and angle adjustable 67.5cm wide, 75.5cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Height and angle mechanism operates well but could benefit from oiling to help run smoother. The turning handle to the mechanism is slightly bent out of shape.Some additional knocks and 'pitting' to base. Slight movement within frame but easel is stable overall. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A George IV silver photograph frame, oak easel stand back, Birmingham 1931, 26.5cm x 21.5cm; silver topped cut glass dressing table scent bottle etc (4)

Victorian hallmarked silver photograph frame, to suit 6 x 4 inch photo, with pierced decoration, bevelled glass and easel back, Birmingham 1899, maker Henry Matthews

Modern hallmarked silver photograph frame to suit 10 x 8 inch photo, with velvet easel back, London 2006, maker Kitney & Co

Modern hallmarked silver miniature double photograph frame with velvet easel back, London 1990, maker Keyford Frames Ltd, width 9cm

Hallmarked silver mounted circular photograph frame with easel back, diameter 10cm, boxed hallmarked silver handled King's pattern knives, silver plated wine coaster and a quantity of various silver plated cutlery etc

Modern hallmarked silver photograph frame to suit 6 x 4 inch photo, with blue velvet easel back, together with a hallmarked silver circular photograph frame with easel back, diameter 11cm

George V hallmarked silver photograph frame to suit 9 x 7 inch photo, with stained wood easel back, Birmingham 1929, maker William Devenport

Large silver photograph frame to suit 11 x 8 inch photo, marked sterling, with easel back

Football League Division Two Championship medal plaque awarded to a Bolton Wanderers player in season 1977-78,9ct. gold, Birmingham,1977, by Vaughton & Sons Ltd., gold plaque set within a square wooden easel form, flanked by flaming columns, inscribed DIVISION II CHAMPIONS 1977-78, 75mm. square, overall 95 by 90mm., in original fitted case, the exterior lid gilt tooled THE FOOTBALL LEAGUE, interior lid with makers label in gilt The original recipient of this medal is unknown. Bolton Wanderers were promoted as champions to Division One with a total of 58 points.

F.A. Charity Shield plaque Leeds United v Liverpool, played at Wembley, 8th August 1992,silver, London,1992, by Mappin & Webb Ltd., of octagonal form, the black bakelite easel inscribed TENNENT'S F.A. CHARITY SHIELD LEEDS UNITED V LIVERPOOL AT WEMBLEY STADIUM ON SATURDAY 8TH AUGUST 1992, with applied silver circular plaque bearing FA three lion shield and inscribed FOOTBALL ASSOCIATION CHARITY SHIELD,   diameter of silver plaque 9cm., overall 13 by 13cm., in original box with gilt lettering TENNENT'S F.A. CHARITY SHIELDThe original recipient of this plaque is unknown. Furthermore it is not known if this is a winner's or runners-up presentation. Leeds United defeated Liverpool 4-3.

VANITY CASE, late Victorian leather cased vanity set with mother of pearl detail and thimble, together with gilt foliate scroll surround easel mirror

PORTRAIT MINIATURE, Young Child in jewelled and ornate cast easel frame, 9" x 7"

A HALLMARKED SILVER EASEL BACK PHOTO FRAME - BIRMINGHAM 1907. H 26.75 cm

A VINTAGE PORTABLE ARTISTS EASEL, height when closed, 56 cm, width when closed 24 cm

WINDSOR & NEWTON BOXED EASEL SET

SILVER & TORTOISE SHELL POCKET WATCH STAND - Birmingham 1918, Maker Horton & Allday, the case back with easel stand, 9.75 x 9cms and British and overseas vintage/later coinage collection with a modern white metal domed top trinket box

A George V silver easel photograph frame with engine turned decoration, Horton & Allday, Birmingham 1915, height 22cm.

An enamelled white metal square bedside timepiece painted with a wooded lake scene, with easel support, 3½” wide; a silver rectangular photograph frame, 7¾” x 5¾”, Birmingham 1923; & an engine-turned ditto, 5” x 4”, Birmingham 1938

A 19th century mahogany travelling mirror of rectangular form, with adjustable easel support, & enclosed by pair of hinged covers; 13” wide x 2” high x 17” long (16” high with mirror up).

A set of three easel form late Victorian silver menu holders, by M. & Co., pierced and embossed with cupids and flowers. 10 cm high, Birmingham 1901.

A silver mounted desk clock and a gold plated Waltham pocket watch. CONDITION REPORT: The desk clock is in very good condition. There are no issues with the silverwork or the easel back. The movement is coarse. It is not currently ticking. It will at least need a battery. The Waltham pocket watch winds and is ticking away. The pointers adjust. The case has numerous surface scratches and small dints but closes as it should. The watch glass is a little scratched ad marked. The dial is in generally good order with no issues.

A silver photograph frame, with easel back, 1996, maker Carrs of Sheffield, frame outer dimensions 18.5 cm x 13.5 cm. CONDITION REPORT: This frame is in very good condition. There is only a very slight impressed mark to the left hand outer part of the frame which is probably too small to photograph.

A large late Victorian silver framed dressing table mirror by William Comyns, London, 1897Pierced and chased with birds, flowers, scrolls, masks and putti, the latter supporting a vacant cartouche to top, bevelled glass, easel back covered in brown silk, 59.4cm high x 41.4cm wide.

A vintage pokerwork cased timepiece. Height 19 cm, together with a tortoiseshell mounted easel backed travel clock.

Artist's adjustable easel and an oak octagonal ' Revertable ' card / tea table

Small Edwardian mahogany bureau, reproduction carved mahogany picture easel and a Victorian stained beechwood torchere

CHILDRENS TOYS AND GAMES ETC, to include a pair of Grind inline skates, size 7, assorted board games (not checked), stories on cassette tape, child's kitchen items, blackboard easel, small quantity of Lego etc, (five boxes and loose)

A 20th century two-tier table with scumbled finish, width 51cm, depth 51cm, height 68cm together with a table top adjustable easel

A PAIR OF GEORGE V SILVER PICTURE FRAMES, by Arthur & John Zimmerman, Birmingham 1921 and 1929, rectangular with oak easel backs. (2) 27cm high by 22cm wideCONDITION REPORTMarks clear and well struck. Frame on left in image (1921) with various small dings - upper left side, top centre, a few on the right side - and scratches, primarily to top left corner and bottom right, with some others elsewhere too. Bottom right corner rim slightly dented, and two small creases to outer edge of left side. All clips present on reverse of frame. Frame on right (1929) in a similar condition with some scratches and dings, a small crease to the outer left edge, and a dent to the bottom right corner. Lacking one clip to top of frame back, two clips to right hand side rather than one on each side. Light surface marks and tarnishing, and other light surface scratches to both commensurate with age and use

A GEORGE V SILVER PICTURE FRAME, by Jay, Richard Attenborough Co Ltd, Chester 1913, rectangular with arch top, oak easel back. 28cm high, 21cm wideCONDITION REPORTMarks well struck - maker's mark lightly rubbed but legible. Various small dings throughout - top left corner, lower left side, and a few across the bottom. Lacking rivet pins lower right edge and top left corner. Easel back with all clips present. Surface scratches throughout, mostly light and superficial, a couple slightly heavier, commensurate with age and use

A silver photograph frame having bird and scroll decoration and black velvet easel back, Birmingham 1904, makers mark worn approx 4.5' x 6.5'

A silver photograph frame having blue velvet easel back, London 1991, Keyford Frames Ltd, approx 7' x 5'

A wooden artists easel

An Epns oval photograph frame (22cm x 17cm) on easel stand and an Edwardian oval brass mounted portrait miniature, after Sir Joshua Reynolds (2)

Wooden Easel

Wooden adjustable easel

A 19th century campaign style vanity dressing stand, with adjustable easel mirror over a marble top and frieze drawers, raised on square legs to a pot board, overall 36 cm x 38 cm x 150 cm h

A French carved oak bedside cabinet on turned supports, 40 cm w x 36 cm d x 84 cm h to/w a Windsor & Newton vintage beech adjustable easel and a distress painted three-tier whatnot (3)

A silver heart shaped photo frame with easel back, hallmarked for Sheffield 1992 by Carr's of Sheffield Ltd

A silver easel backed picture frame, hallmarked for Birmingham 1925 by W J Myatt & Co AF (Approx 16 cm x 10.5cm)

VINTAGE FISHING RODS , A REEL AND AN ARTISTS EASEL.

Artists Paint Brushes, gouache paints, Windsor Newton artists paints, Windsor Newton storage chest, etc, small artists easel.

A silver mounted easel pocket watch holder, Birmingham Birmingham 1907, with 1913 presentation, opening to reveal a goliath pocket watchWatch main spring is broken, balance wheel is fine, case has several dents as per photos and the back of the case is in poor condition

METAL PICTURE EASEL,with leaf decoration, 157cm high

Continental porcelain figure of a Lady with easel, German 

An Edwardian Goliath pocket watch, within a silver and leather easel back case by William Comyns & Sons, London 1901

A Georgian candle box with marquetry inlay and oval shell patera, shaped top, 43cm long; together with an 18th century dressing table mirror, inlay banding and shaped top, fitted with a later easel back, 37.5x24.5cm

An artists lay figure, on stand, 33cm high together with travelling easel and box

A Hallmarked Silver Mounted Rectangular Photograph Frame, London 1917, of plain design with tied ribbon detail, on wooden easel back (hinge damage), overall height 27.3cm.