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SMALL BRASS EASEL BACK STAND CONTAINING A POCKET WATCH MOVEMENT

A Mappin oval enamel and brass easel timepiece, 12 cms wide.

A brass and marble mounted diptych easel frame and a brass and agate mounted easel photo frame, largest24.5 cms wide x 32 cms high.

* PETER FOYLE, IN THE SHADE oil on canvas, signed, titled verso image size 36cm x 46cm, overall size 49cm x 59cm Framed. Note: Peter graduated from St. Martin’s School of Art in London in 1986 when he was a finalist in the prestigious ‘Readers Digest Young Illustrators Award.’ After graduating, he practised as a freelance artist and illustrator until 1990 when he and his wife opened the Framework Gallery in Troon in Ayrshire. Peter shows his work in several galleries and exhibitions in Scotland and also recently in China. In recent years he has won several awards including the Royal College of Surgeons and Physicians Award at the Royal Glasgow Institute. Peter was brought up in Dorset where, as a teenager, he could be seen cycling around the country lanes with his easel and paints strapped to his bicycle as he sought out interesting subjects to paint “en plein air.” He won a few awards and sold a number of paintings and completed several commissions while still at school. Much of Peter’s work now depicts the sparkling light of Venice and the sun-dappled cafes of Provence but he is also inspired by the Scottish Coast where they live. Cityscapes of Glasgow and Edinburgh as well as rural landscapes and harbours are all subjects he enjoys painting. Still Life painting has also been a source of inspiration, especially during the recent covid lockdowns. Whereas some artists concentrate on one subject throughout their painting career, Peter prefers to paint whatever gives him a sense of visual excitement, usually because of a special quality of light. He paints almost entirely in oil on Belgian linen but occasionally produces watercolours, especially as sketches when travelling.

Artist’s easel 

A Daler and Rowney Artist's easel and another.

A modern oval easel backed silvered framed mirror, a/f, and composite silver finish wall bracket. Mirror glass, 29.5cm x 22.5cm

Lefranc Folding Easel, Winsor & Newton example. (2).

A wooden adjustable artist's easel

A silver photograph frame, Birmingham 1928, 22 x 17cm, an engraved frame, Birmingham 1911, lacking easel and another Birmingham 1910 A/F

A large assemblage artist easel made from antique furniture, height approx 360cm

A Hallmarked Silver and Enamel Mounted Cut Glass Scent Bottle, (damage), a novelty whale on agate slice, a dainty easel back oval photograph frame with bow surmount, Florence Nightingale bookmark, oval pill box stamped "925", a hallmarked silver ARP button hole badge, hardstone handled knife etc.

Silver charm bracelet including teapot, caravan, clock, viking boat and easel and a silver coin braceletCondition Report:Approx 69.15gm gross

Artist's easel table

Assorted metalware to include an Eastern pierced ball ornament, table easel, scales, etc., 50cm high and smaller

A brass fender, with scroll decoration in the Art Nouveau style, together with a brass easel, a kettle stand and foreside tools

A pair of G Keller Paris barometer and thermometer, the barometer dial marked Holosteric, both mounted in mahogany frames with easel supports and ribbon decoration, 5.5ins x 4.75ins

A mantle clock, decorated with ships and dice to the corners, with easel support

A silver mounted dressing table mirror, decorated with cherubs, with velvet covered back and easel support, stamped Sterling Silver

LPL C7700 Pro colour enlarger for medium format and 35mm, extremely large collection of darkroom equipment, including safe lights, developing tanks, enlarging easel, proof printer, Rodenstock 50mm F2.8 enlarger lens, various developing trays, etc (Qty)

C20th small table top easel with overtop hinged lamp, H40cm

Box containing wooden artist easel artists box with paints plus a contemporary desk lamp

A 1.86m high modern painted wrought iron framed decorative dressing mirror with elliptical plate and applied foliate decoration, set on an easel stand

A vintage gilt framed oval mirror with adapted easel back

Ostade (Adriaen Jansz. van, 1610-1685). The Painter at his Easel, circa 1667, etching on fine laid paper with a Grapes watermark (Godefroy watermark 24), a fine impression of the 9th state or later (of twelve), in very good condition apart from some discolouration, plate size 23.8 x 17.3 cm (9 3/8 x 6 3/4 ins), sheet size 24.3 x 17.8 cm (9 5/8 x 7 ins), together with Cornelis Visscher (1629-1658), The Hurdy Gurdy Player after A. van Ostade, circa 1649-58, etching and engraving, a very good, black and evenly printed impression, presumably the fourth (final) state from Basan’s Recueil, with extra hatchings to the right of the righthand boy’s neck, with narrow margins at left and right, otherwise with a thread margin or trimmed on the platemark, in very good condition, sheet size 37.8 x 32 cm (14 7/8 x 12 1/2 ins)QTY: (2)NOTE:Literature: Hollstein, Godefroy 32 and Hollstein 51 respectively.

Three rectangular silver mounted photo frames, each with easel back, the largest example designed with plain silver border, Birmingham, 1908, E. Mander & Son, 18.6 x 23.6cm, the smallest with engine turned border, Sheffield, 1990, D.R.&S., 15.4 x 19.9cm, the third example Sheffield, 1986, D.R.&S., 17.3 x 22.4cm (3)Please refer to department for condition report

A matched pair of silver mounted photo frames, London, 1981 and 1989, Keyford Frames and D.R&S., the foliate scroll borders decorated with putti and single vacant cartouche, both with easel backs, 15.5 x 17.5cm (2)Please refer to department for condition report

Four silver mounted photo frames, two designed with ribbon garland borders, Sheffield, 1996 and 2003, Carr's of Sheffield (14 x 17.9cm and 11.9 x 17.2cm), one with easel back deficient, the third frame with bead and shell border, Sheffield, 1998, Carr's of Sheffield, 14.1 x 17.9cm; the fourth example with gadrooned border, Sheffield, 1987, D.R. & S., 11.8 x 15.7cm (4)Please refer to department for condition report

A matched pair of silver mounted photo frames, London, 1991, Keyford Frames and RBB, both of shaped rectangular form with easel backs, the mounts repousse decorated with putti and foliate scroll motifs, 13.7 x 19.7cm (2)Please refer to department for condition report

Three silver mounted photo frames comprising: a late Victorian silver example, London, 1898, William Comyns, the lobed frame to heart-shaped photo aperture, 13.1 x 18.8cm; a rectangular example with beaded border, London, 1995, Kitney & Co., 16.3 x 21.2cm; a shaped rectangular example with floral border, Chester, 1913, possibly J & R Griffin, 16.5 x 19.5cm, with wooden back, together with an unmarked white metal mounted frame, assumed plated, repousse decorated with cherubs and scrolls, 19 x 24cm, all with easel backs (4)Please refer to department for condition report

An Edwardian silver and enamel photograph frame, in Art Nouveau style, the velvet back with easel stand, London 1903, by William Hutton and Sons, 9.5cm x 9.5cm.

A late Victorian silver-framed photograph frame, inlaid with a tortoiseshell panel, London 1900 (maker indistinct), with leather easel back, 21 cm x 11.3 cm (full dimensions), together with two silver cigarette boxes, the largest 14 cm wide.Qty: 3

A silver-framed dressing table mirror of rectangular form, the arched crest with vacant cartouche and repousse repeating flowerheads and stylised leaves enclosing a bevelled mirror plate, on a velvet backed frame with an easel stand, London 1990, Keyford Frames Ltd, overall 36cm x 27cm.

A small collection of decorative trinkets including a small Chinese silver easel photograph frame by Hungchong & Co (Canton) with pierced chrysanthemum border. Together with seven (950) silver kilt pins a silver thimble, cashew box, rosewood pot and cover and a soapstone matchbox cover. 4.7 ozt of weighable silver. 8 cm high x 5.4 cm wide the primary item.

A 19th century Sitzendorf porcelain table mirror having applied decoration featuring florals and two robed putti sat atop holding a wreath of roses. Easel to back. Measures 30cm tall.  

A Victorian-style silver-fronted photos frame with blue velvet base on an easel support, initialled, 25 h x 20 w cm and a quartz desk clock, 6.5 x 5 cm, both by Carr's of Sheffield, 1996, 2002; a cased silver anointing spoon by M.A.E., Birmingham, 1975, 16 cm; a cased silver napkin ring, Birmingham, 2001 and a Georgian child's bone-handled silver knife and fork, Birmingham 1804 (5)

John Henning, Scottish, 1771-1851, a plaster portrait relief of Admiral Sir Pulteney Malcolm, 1768-1838, dated 1809, depicted in naval uniform, signed HENNING F 1809, in a gilt-brass oval frame surmounted with ribbon-tied bow, easel support to reverse, the portrait - 7cm high, the frame - 17.5cm high; together with Paul Martinovich, The Sea is My Element, The Eventful Life of Admiral Sir Pulteney Malcom 1768-1838, Helion & Company, 2021 (2)Note: Malcom was a notable Scottish officeer who entered the navy in 1778 and saw active service in the War of American Independence. He became a captain in 1794 and spent the later 1790s in the East, returning home in 1803. In February 1804 he took the 'Royal Sovereign' out to the Mediterranean and, after briefly commanding the 'Kent' under Nelson there, shifted early in 1805 to the 'Donegal' in which he took part in the great pre-Trafalgar chase to the West Indies. He missed Trafalgar itself, having been sent to Gibralter for water but rendered assistance in the aftermath. He remained in the 'Donegal' until 1811 and then became captain of the fleet in the 'Royal Oak' in 1812 and rear-admiral in December 1813. He was third-in-command during the Anglo-American War and in 1816-17 commanded the squadron enforcing the security around the imprisoned Napoleon at St Helena. The son of a Paisley carpenter, John Henning initially modelled profiles in wax and then began to produce portrait medallions. During his years in Glasgow his sitters included James Watt. He moved to Edinburgh in 1803 and studied at the Trustees’ Academy. In 1811 he went to London where he spent twelve years drawing the Parthenon friezes. With the help of his son, Henning later made large plaster replicas of the friezes to decorate important London buildings to mark the British victories at Trafalgar and Waterloo. He also made small plaster copies of the Raphael cartoons.Please refer to department for condition report

An Art Nouveau desk clock time piece, shaped embossed copper front, Arabic numerals, the movement marked British United Clock Co Ltd, easel stand, 20cm high, 15cm wide

A contemporary silver easel easel Ribbon & Roses photograph frame, London 1990, 21cm x 15.5cm; another smaller, Sheffield 1988 (2)

A silver oval easel photograph frame, 10.5xm z 8.5cm; others; an EPNS rectangular photograph frame (4)

Elizabeth II silver picture frame, Sheffield 1985, maker Francis Howard Ltd. of plain rectangular form, with easel back, 17cm x 22cm

A TUB OF ART ACCESSORIES TO INCLUDE EASEL, PAINTS, PENCILS ETC.

AN ARTIST'S TABLE TOP EASEL WIDTH 41.5CM, HEIGHT 36CM

Art Nouveau Liberty Style silver and enamel picture frame with stylised foliate panels enamelled in tones of blue and green on a wooden frame missing its easel support, London 1907, makers name appearing with the initials Bsh, Rd number 404508. 10x11cm approx. (B.P. 21% + VAT)Missing its easel support, very minor dinks in one or two places, 3 of the enamel panels  have some losses and chips , clear hallmarks, 

Reeves folding artist easel. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

George V silver mounted photograph frame with wooden easel back, 17cm x 13cm, Birmingham 1917, (a/f), together with a further embossed silver mounted photograph frame with wooden easel back, 18cm x 13cm, Birmingham 1900 (2)

Small pair of modern silver mounted circular photograph frames with blue velvet easel backs, 7cm diam, Sheffield 1981 by Carr's of Sheffield Ltd, and a further larger example with beaded inner, 11cm diam, Birmingham 1984 by W I Broadway & Co (3)

Edward VII large silver photograph frame of rectangular form with decorative embossed fluted design, easel back, Chester 1903, maker's mark rubbed, 32 x 27cm

George V silver mounted dressing table mirror with foliate edge, banded engine turned inner, vacant cartouche to top, bevelled glass, wooden easel back, 28cm x 22cm, Birmingham 1913 by Henry Matthews

Mixed Lot: assorted silver mounted photograph frames - arch top and wooden easel back with front holder, 17cm x 15cm, Birmingham 1905 by Deakin & Francis Ltd, rectangular with slightly arched top, 9cm x 12cm, blue velvet backs, Birmingham 1901, rectangular cushion framed with blue easel back, 11cm x 8cm, Birmingham circa 1910 (marks rubbed), bird and flower embossed of shaped square design, wooden easel back, 10cm x 9cm, Birmingham 1914, rectangular with reeded edges, leatherette easel back, 8cm x 6cm, Birmingham 1921, circular blue velvet back, 8cm diam, Chester 1913 (a/f) and oval miniature frame with hanging loop, London 1901 (7)

Temperance shield, the Order of Independent Rechabites challenge shield, circa 1925, Norfolk & Suffolk District No 26, offered by the District to the tent securing the largest number of new members each year, winners include the Coltishall tent 1930, the John Wesley tent of 1930, etc, on an oak panel with easel back, 52 x 38cm diam

Mixed Lot: set of four modern plain rectangular silver mounted photograph frames with blue velvet easel backs, 15cm x 11cm, and a matching larger example, 17cm x 12cm, Sheffield 2001 and circa, all by Carr's of Sheffield Ltd (5)

Mixed Lot: small rectangular silver mounted cigarette box with slightly domed and hinged lid bearing an elaborate monogram, 14cm x 9cm, London 1908 by William Comyns & Sons; a two-handled circular quaich with panelled decoration and crest to centre, overall width 13cm, Sheffield 1933 by Roberts & Belk, a modern hallmarked oval photograph frame with blue velvet easel back, Sheffield 1989 by Carr's of Sheffield, plus an unmarked (probably plated) circular dish with Churchill crown inset (4)

Victorian combination easel mirror photograph album with a portrait frontispiece, 42cm high.

Garden accessories, painting easel, tools, etc.

A SMALL PARCEL OF 19TH AND 20TH CENTURY SILVER, comprising a late Victorian scissor case with hanging loop to the hinged top, foliate scroll repousse decorated and chased, maker George Unite, Birmingham 1875, two Edwardian bon bon dishes of oval form, pierced foliate repousse decoration, Sheffield 1903 and 1905, a William IV folding fruit knife with mother of pearl handle, maker Alexander Hunt, Sheffield 1837, an Edwardian silver mounted leather easel back fob watch stand containing a defective Continental white metal pocket watch, together with a mother of pearl and white metal whistle, a small white metal whistle, a white metal needle case of flattened oval form with engraved design and initials, a Victorian bone bodkin case, a white metal defective propelling pencil, fitted with hardstone seal end and adjustable calendar, a small white metal propelling pencil, another with paste inset to the top and a base metal bodkin case fitted with a Stanhope titled 'Memories of Southport', gross weight of weighable silver 1.84ozt, 56.9 grams (14) (Condition report: the fob watch is defective, as is the calendar propelling pencil, other items are generally in useable, fair to good condition)

AN EARLY 19TH CENTURY MAHOGANY AND GILT BRASS BANDED GENTLEMAN'S DRESSING BOX OF RECTANGULAR FORM, the flush fitting carrying handle set into the cartouche to the top of the hinged lid and engraved 'H.H. Williamson GREENWAY BANK', the interior of the lid with tooled red leather stationery compartment opening to reveal a rosewood framed easel back shaving mirror, the interior fitted with silver plated and glass jars and bottles, steel boot pulls / button hook, two paper packets titled 'SUPERIOR GOLD BEATERS SKIN' and 'SUPERIOR LONDON GENUINE COURT PLAISTER', an Imperial Criterion Strop and three wooden backed brushes, width 32.7cm x depth 22cm x height 12.5cm (Hugh Henshall Williamson Esq of Greenway Bank , Staffordshire 1783-1867 was High Sherriff of Staffordshire in 1834) (Condition report: the lock is stamped with a crowned GR and crowned PATENT, the gilt brass corner mounts have blackened, one of the wire tray handles is loose, the two glass boxes with the pierced covers are both badly chipped around the rim)

A LATE 19TH CENTURY FRENCH MINIATURE ORMOLU CARTEL CLOCK, enamel 4cm dial with Roman and Arabic numerals, hinged rear cover enclosing key wind mechanism with detent escapement, height 19.5cm, with double ended key, together with an early 20th century oval easel back mantel clock, the gilt metal rope twist surround on an oval frame with foliate gilt metal mounts, the circular silvered 6.5cm dial with Roman numerals, key wind mechanism, height 21cm, no key (2 + 1 key) (Condition report: the cartel clock has an area of darker repainting to the dial between 7 and 8, clock winds and runs, the onyx clock would benefit from a clean, no key to wind up but it starts ticking for a few seconds and stops)

AN EDWARDIAN SILVER MOUNTED EASEL BACK MIRROR, embossed with a ribbon over a vacant cartouche, pierced foliate scroll decoration over a worn fabric ground, bevel edge mirror, the worn blue fabric back stamped in gilt for Mappin & Webb, silver hallmarked for Henry Matthews, Birmingham 1902, mirror plate 28cm x 16.5cm and frame 39cm x 24.5cm (Condition report: the right hand side loop of the ribbon has lifted from the backing, silver polish has collected in a few areas and there is a small amount of polishing through, the fabric at the back is worn, the easel ribbon is broken so the mirror cannot stand unsupported)

A SMALL PARCEL OF EARLY 20TH CENTURY SILVER ITEMS, comprising a late Victorian rectangular vesta case, Birmingham 1900, a rectangular cigarette case in poor condition, Birmingham 1908, a George V silver purse, engine turned decoration and initialled, tan leather lining, suspended on a chain, Birmingham 1912, a George V easel back photograph frame, inner dimensions 13cm x 8cm, Birmingham 1913, a silver handled button hook and a George V easel backed pocket watch frame, engine turned decoration, maker Henry Matthews, Birmingham 1913, containing a silver plated 8 day pocket watch, the enamel dial marked 'Raymond Keith 189A Brompton Rd, S.W.', gross weight of vesta and cigarette case 3.3ozt, 102.5 grams (6) (Condition report: all pieces heavily tarnished, photo frame has dints as does the purse and pocket watch frame, but all items are in useable condition)