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ËœSEED PEARL AND TURQUOISE PORTRAIT MINIATURE LOCKET, CIRCA 1910 painted with a young boy on an ivory oval surrounded by a border of alternate pearls and turquoises, glazed reverse, in original velvet easel display case; together with a pearl ring, 1880s, the five pearls (untested) with diamond points inbetween on a scroll gallery, size N (2)
A VICTORIAN SILVER BOER WAR PATRIOTIC PHOTOGRAPH FRAME, JAMES DEAKIN & SONS OF BIRMINGHAM, CHESTER, 1900 stamped with a vacant cartouche below draped flags flanked by veldtland scenes of an artilleryman firing a 12-pounder gun of the Naval Brigade and another firing a Gatlin gun above further vignettes of martial trophies, soldiers holding flags and a group of British and Imperial troops, P.O.D.R. No.35555 for 1900, later wood easel back frame 22.5cm high
AN EDWARDIAN SILVER PHOTOGRAPH FRAME, LAWRENCE EMANUEL, BIRMINGHAM, 1908 inverted shield shaped, stamped with openwork stylised scrolling leafage, the leaves later decorated with shaded blue and green enamel paints, later wood easel back, retailer's stamp DESPREZ / BRISTOL for Charles Desprez of Park Street frame 22cm high
IMPERIAL: AN AUSTRIAN GOLD PHOTOGRAPH FRAME, UNMARKED, PROBABLY VIENNA, CIRCA 1917 rectangular, with bead and rail borders, surmounted by the diamond-set cypher of Emperor Charles of Austria-Hungary, the initial K on a blue guilloché enamel ground, the crown with red enamel, with diamond-set flowerhead and foliate spandrels to the corners, on small feet of openwork chevron design, the reverse with silver-gilt easel strut, hinged suspension ring, inner frame and nuts and washers 30.3cm high Charles I of Austria and IV of Hungary (1887-1922) was the last of the Hapsburg emperors. He is also remembered as Blessed Charles of Austria following his beatification in 2004. Succeeding to the throne in November 1916, his subsequent secret attempts to sue for peace in vain and his empire crumbling under demands for 'Self-Determination', he was forced to relinquish his thrones in December 1918. He went with his family to Switzerland, but following two attempts in 1921 to reclaim the Hungarian throne, was exiled to Madeira, dying there of pneumonia on 1 April 1922. Anatole France stated: "Emperor Karl is the only decent man to come out of the war in a leadership position, yet he was a saint and no one listened to him. He sincerely wanted peace, and therefore was despised by the whole world. It was a wonderful chance that was lost."
A late Victorian silver photograph frame by William Devenport, Birmingham, 1897, shaped oblong with incurved sides and base, chased with angel heads amidst clouds, scrolls and foliage, wooden easel back, 21 cm. high Silver front ion good order, no holes or bruises, wood back has a crack to strut and red leather backing that once covered wood is entirely perished, red velvet interior has a stain that would be hidden when photo is in frame
An Art Nouveau silver coloured metal framed mirror, modelled with a maiden under a flowering tree with blossom and stylised spandrels, easel back, stamped marks to the back of one foot, overall 36cm x 26cm Condition Report: Lot 76:I cannot make out the mark, there is a B then a symbol then another letter or number combination. The mirror is not silver but plated. The plating is worn particularly to the raised areas. There is a mark bottom centre that looks like an old repair. Back board is worn.
TM King George VI and Queen Elizabeth - pair signed Royal Presentation portrait photographs, circa 1950, by Dorothy Wilding, of The King in Naval uniform, signed 'George R.I.' and The Queen in a ostrich feather-trimmed dress wearing a pearl necklace and diamond brooch, signed 'Elizabeth R', both in original blue Morocco leather easel frames, with gilt crowned Royal ciphers, 25cm x 17.5cm CONDITION REPORT Both are in good original condition, the easel is a little loose on the King frame and totally loose but present on the Queen frame
Early 20th century silver photograph frame of rectangular form, with pierced Art Nouveau-style floral decoration, central cartouche with engraved monogram, bevelled mirror plate and easel back (London Import marks London 1912), Goldsmiths & Silversmiths Co., 31.5cm overall height CONDITION REPORT General condition quite good - visible damage as follows - top right hand corner has been repaired. Bottom right hand corner repaired near fixing screw. Lower left side of cartouche has been repaired. Bottom left hand corner of frame near mirror plate has been repaired. Top left hand corner of frame near mirror plate has been repaired. Mirror plate has some scratching. Velvet backing is dirty and worn. Back is very dirty and damaged. Exterior dimensions of silver frame are 23.5cm across, 28.3cm height and 31.5cm overall height including cartouche
A pair of Victorian silver salt cellars, indecipherable maker's mark, Birmingham, 1893, each fluted boat-shaped body on a spreading pedestal foot, loaded; two salt spoons, various makers, Birmingham, 1905 & 1908; and a silver-mounted easel back photo frame, indecipherable marks, of shaped rectangular form, with scrolling foliage border and vacant cartouche (5)
Edward VII Art Nouveau design silver easel watch case having blue and green mottled enamel stylised foliate decoration, makers Synyer & Beddoes, Birmingham 1901, 13cm high, containing a nickel plated cased Goliath top wind pocket watch, the white enamel dial with Roman and Arabic numerals and with subsidiary seconds dial Condition: Green velvet interior is somewhat worn, watch is not working - **General condition consistent with age

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30757 item(s)/page