We found 30753 price guide item(s) matching your search

AN INDIAN SCHOOL INTERIOR VIEW OF A MOGUL PALACE ON IVORY, late 19th Century, set into a carved hardwood easel frame, miniature 5cm x 6cm

AN INDIAN SCHOOL MINIATURE VIEW OF QUTB MINAR ON IVORY, late 19th Century, set into a carved hardwood easel frame, miniature 4cm x 5cm

AN ART NOUVEAU BRONZED EASEL LOOKING GLASS, dated 1906, decorated in high relief with a maiden collecting flowers within a border of trailing tendril foliage, height 50cm

An early 20th Century gilded composition circular dressing table mirror, the berried laurel leaf surround with a tied ribbon apron, on an easel support, diameter approx 59cm.

A 20th Century silvered cast metal easel stand of foliate scroll form.

A 19th century gilt easel, 162cm high

A late 19th/early 20th Century Chinese silver photograph frame decorated in relief with a bird, butterfly and prunus, on an easel stand, hallmarks for Woshing of Shanghai, height approx 9cm, together with a pair of Chinese silver specimen vases.

A 19th Century Holy Land mother-of-pearl and olive nativity scene, the arched niche containing carved relief figures, titled `Nativitas D.N.J.C`, within an elaborately carved and pierced frame of scrolls and foliage, cornered with foliate medallion roundels, the surmount inscribed `Alleluja`, the apron `Str De Bethléem`, on a metal easel stand, height approx 37cm (minor faults).

XIXth Century Mahogany Kneehole Desk, having easel writing surface above drawers and raised on turned legs

Chinese export ivory easel picture frame with bird and flower decoration to the frame, the front with hinged pierced and carved dragon panels, 13 x 8cm

AN EDWARD VII SILVER HEART-SHAPED EASEL MIRROR, by Henry Matthews, Chester 1906, with a bevel glass, the frame engraved with floral sprays and ribband bows, within a raised scroll rim, the back lined in faded velvet, 39cm high x 29.5cm wide. See illustration

A LATE VICTORIAN SILVER FRAMED EASEL MIRROR, by William Comyns, London 1899, the circular bevel glass with in a plain cushion frame, supported on a bracket foot, the back lined in blue velvet, 32cm high. See illustration

An Edwardian mahogany gallery easel, circa 1910, shaped rectangular frame interspersed with carved scroll and pierced trellis decoration, hinged strut support, stylised pad feet, 195cm high, 70cm wide

A collection of twelve various circular Brass easel back Frames, of circular form

A large Edward VII Silver mounted easel back Dressing Table Mirror, of rectangular form, the applied mount of pierced “C” scroll, floral and foliate form, centred to the top with a monogrammed cartouche and enclosing a rectangular bevelled looking glass, to a fabric mounted body with easel back and later wall mounting, height 22 ½”, width 15 ¼”

A late 19th Century Ivory Watch Stand, modelled in the form of an easel backed horseshoe, with central button mounting (lacking one nail head), height 2 ¾”

A gilt brass strutt Timepiece, the pierced and engraved frame with floral and foliate detail, to a beaded oval bezel, to an engine turned mask with Roman chapter ring and outside minute track (lacking hands), to a Pocket Watch movement (case lacking, easel back), height 5”

HM Queen Elizabeth II - a fine presentation black and white photograph of Her Majesty, seated on a wall with Prince Phillip and young Prince Charles and Princess Anne, with corgi at feet, signed - Elizabeth R and Philip 1954, contained in original gilt tooled white leather Harrods frame with easel back, 27.5cm x 22cm overall Further images and condition reports are available at www.reemandansie.com

TRH The Prince and Princess of Wales - fine Royal presentation signed colour photograph, depicting the Prince and Princess with their two young sons in a garden - signed and dated Charles and Diana 1989, in original gilt tooled green leather frame with Prince of Wales cipher to domed top and easel back, 24cm x 18cm overall Further images and condition reports are available at www.reemandansie.com

HRH Princess Alice Duchess of Gloucester - signed black and white presentation portrait photograph of the Princess wearing a diamond tiara and necklace, Royal Family Orders and decorations - signed and dated Alice 1948, in original leather frame with gilt tooled crowned A monogram to top and easel back, 24cm x 19cm Further images and condition reports are available at www.reemandansie.com

Claude St Marc - miniature portrait on ivory of a lady in blue bonnet and dress in gilt metal easel frame with ribbon cresting and easel back, 100cm x 75cm overall Further images and condition reports are available at www.reemandansie.com

Dou, GerritLeiden 1612 - 1675 Still Life with Armour, Shield, Helmet, Sword, Leather Jacket and Drum. Oil on wood. 31,7 x 46,5cm. Framed. Provenance: Private collection, Baden-Württemberg since 2003. The painting is in the RKD databank, The Hague listed under artwork no. 114826 and managed as "In the Art of the Gerrit Dou Circle". Assessment: Prof. Dr. Werner Sumowski from June 17th, 2003: "The image was previously misunderstood as a piece from a Dou-follower. Drum, shield, armour, helmet and leather jacket were copied from Dous Budapest`s painting "Standing Soldier with Weapons" still life (Sumowski, Paintings of the Rembrandt School, Landau l983 ff., I, Nr.268 with coloured tables: circa 1630).This assumption was not correct. The objects (except for one) are not all identical; also the perspectives are not the same. Only the shield indicates otherwise, which is missing the nail-like ornaments along the round and on the edge. The objects belong to a props supply. They must have been Rembrandt`s property, because the shield of the Budapest painter has appeared since 1626 in his weapon still life "Ungedeutete Historienszene" held in the Leidener Museum (Corpus I 1982, A 6 m. Abb.). These props would have been seen by Dou during his lessons in Rembrandt`s studio between 1628-1631. The student would have used them for his earlier still life: the small chest harness came from "Self Portrait on the Easel", at the time near Kisters in Kreuzlingen (Sumowski 1983ff., No.261 with ill.: circa 1629/30) before and by "Old Man Writing in his Study" by M.Hornstein, Toronto (ibid., no.267 with coloured tables: circa 1630).The new image, which matches the still life details, stems from Dou, dating back to ca. 1630. Compositionally speaking the items range in size and form and create a quasi-abstract construction. Artistically speaking there is a tonality created from the browns, blacks and especially grey tones in the refined nuances, a colourless colour in an exquisite chiaroscuro. Visible in the calculated reds and yellows of the feathers on the helmet and on the edge of the shield; in the minimal use of white to emphasize the glittering light; and the white of the tip of the sword is brought into sharp contrast. Artistically speaking, first class. The image also has contextual meaning. As does the opus in Budapest remind us of the "Allegory on the Art War". Only here there are no personifications with attributes depicted: the attributes fulfill ("Arma"). This is also found in Dou, who estimates, rarely and gives the images peculiarities. There are only two further pieces known, which are done in this way (of a later time). (Please refer to Sumowski 1983ff `no .307)."The 2011 x-ray images strongly indicate a pentimento located in the left side of the background of the painting. A large wheel is visible, presumably a wheel of a `small` front-loading cannon. A motif Dou Budapest`s dives into.

Attributed to Alfred Tidey (1808-1892): Portrait Miniature of Two Pretty Little Girls, one kneeling by and one seated in a tub chair, holding posies, a garden seen through a window beyond, inscribed on a later label verso Possibly by Alfred Tidey, watercolour on ivory, oval, 15cm by 13cm, with paper note inscribed This miniature belongs to Dorothy Layton & from 1927 (June 29) it is hers CFH West June 1927, in a folding leather two door easel back case

A Rare George III Satinwood, Tulipwood and Purpleheart Crossbanded Cabinet on Stand, circa 1780, the dentil cornice above two cupboard doors enclosing a cedar-lined satinwood and tulipwood banded drawers, the stand with a frieze drawer enclosing a hinged writing surface with ratchet easel, above grille doors and sides, raised on square tapering legs with spade feet, 83cm by 45cm by 171cm

A Pair of Art Nouveau WMF Pewter Photograph Frames, Model No.18 and 18a, the shaped sinuous frames with pierced scrollwork borders cast with maidens in flowing dresses, with easel back, stamped manufacturer`s marks to each B WMF I/0 OX, 25cm See Art Nouveau Domestic Metalwork from Wurttembergische Metallwarenfabrik 1906, Woodbridge 1995, p. 304, no.18 and 18a

A large early 19th century oil painting on canvas depicting a young artist standing at an easel wearing a frock coat and holding a palette board and brushes with a stock collar and distinctive hair style. Unframed (86cms x 120cms, as viewed canvas in poor condition)

A George V silver clad easel desk calender. Birmingham 1919 (as viewed, some damage)

A pair of brass snuffers on a stand, a glass dump weight, a cow figure, a Continental tankard `A Present from Barnet`, an easel back clock, a bronze paperweight of a dead bird and a treen box, a miniature chess board, a horn vesta and a bowl with cats

A gilt metal easel frame

A gilt framed easel mirror

A modern beechwood easel

A red tortoiseshell and brass boulle rectangular photograph frame, 20th century, with an easel back, 15cm x 19.5cm.

Approximately sixty photographs, circa 1918, many of Egyptian interest, including military aircraft (some crashed), aerial reconnaissance views, and portraits, varying sizes (album); together with two carved wooden photograph frames, probably fashioned from the split tip of an aircraft propeller, one marked `Egypt 1918.19` and the other `Cairo 22.4.19`, each with easel backs, 24.5cm high.

Pierced brass miniature "easel" , 20cm high

Small and floral decorated brass easel photo frame, 20cm high

A modern artist`s easel by Winsor & Newton, height approx 62cm.

A pair of late 19th Century gilt metal chinoiserie photograph frames, each cast as a pagoda style building with balcony flanked by flowers, each fitted with an easel back, height approx 28.5cm.

Lladro porcelain figurine, young artist at her easel.

A modern silver photograph frame, oblong, moulded in relief with a golfer, aperture, 12.5cm x 7cm approx, 18cm x 14cm overall, with easel stand.

A late Victorian silver twin aperture photograph frame, by Goldsmiths & Silversmith Co. Ltd., London 1882, embossed with roses and other flowers, the heart shape frames surmounted by vacant cartouches, on an easel stand, lined in green velvet, 20cm x 26cm overall.

A late Victorian planished silver photograph frame, by Henry Matthews, Birmingham 1900, of shaped oblong form with circular aperture, on an easel stand, lined in blue velvet, 12cm x 11cm.

An Edward VII silver and blue velvet photograph frame, Birmingham 1902, the circular aperture within a blue velvet mount, enclosed by a narrow silver rim with riband cresting, with easel stand, 14cm x 14cm.

A silver easel back photograph frame, Birmingham

A pair of Chinese carved hardwood fretwork picture frames, and a pair of Japanese silver plated picture frames, each with easel support

SIR KYFFIN WILLIAMS RA complete set of nine limited edition 49/85 linocuts - entitled on Martin Tinney Gallery labels verso - 1. ‘Self Portrait’, 2. ‘Welsh Hill Farmer’, 3. ‘Horse Rider’, 4. ‘Pentre Pella, Holyhead’, 5. ‘Artist at Easel’, 6. ‘Fantasy’, 7. ‘Rhos Gryman, Anglesey’, 8. ‘Welsh Farmer Resting’ and 9. ‘Bay of Naples’, all signed with initials and all approximately 8.5 x 10.5 except one smaller

FRED UHLMAN acrylic - study of an artist’s room with statues and a painting on an easel, entitled verso ‘Interior’, (painting number 46 in a 1968 Fred Uhlman catalogue accompanying the painting), signed, 11.25 x 15.25

MISCELLANEOUS PICTURES AND PRINTS, A MIRROR AND ARTISTS COLLAPSIBLE EASEL

An Indian miniature on ivory of an Indian Prince - in ornate gilt easel frame - ivory panel 4.4x3.4cm

An Indian oval miniature painting of Moghul palace, probably on ivory - W4cm, in original carved hardwood easel frame.

Asprey interest- An Edwardian silver rectangular photograph frame, London 1902, with leather easel back, 10 x 7.5cm

An 8 day Goliath watch, Swiss keyless lever movement, in a nickel case, 63mm dia, with a leather easel backed case.

A gold plated watch, signed New Haven USA on the enamel dial, fitted in a detachable easel frame with paste brilliant bezel, and a watch stand of dolphin form on simulated marble base, 8in (20cm) h. (2)

A blue and green slate model boot on an easel type stand

An artist`s Rowney floor-standing easel

An artist`s folding easel, two embroidery frames and an adjustable back stool

A folding wooden easel

An early 20th century decorative gilt metal easel photograph frame, 38cm

An early 20th century continental silver and enamel easel thermometer, the engine turned face decorated with sunflowers around a silvered gauge.

A Victorian salon easel.

A HMS Princess Royal metal mounted tampion cover, on easel stand designed to fit at the end of a 13 1/2 inch diameter gun, provenance, owned by Henry George `Jack` Harman, who served on the Princess Royal from July 1916 - May 1919 as Chief Petty officer Gunner`s mate.