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☐ A MATCHED PAIR OF EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAMES, BIRMINGHAM, 1902/07 each relief mount with stylised fruits and foliage centred at the top by a flowerhead later decorated in blue and green enamel paint, with bevelled glazing, the shaped oak backs with easel struts, one Reynolds & Westwood, Birmingham, 1902, one Nathan & Hayes of Birmingham, Chester, 1907, 35cm long
☐ A PAIR OF EDWARDIAN SILVER-MOUNTED PHOTOGRAPH FRAMES, J. AITKIN & SON, BIRMINGHAM, 1904 each arched and shaped relief mount with to one side a nightingale perched amidst blossom and singing under a fingernail moon, glazed off-set rectangular apertures, later mahogany conforming backs with easel struts, P.O.D.R. No.453054 for 1905, 24cm long
A George V silver engine turned rounded rectangular travelling pocket watch case, vacant cartouche, easel standing Morocco leather case, green satin and velvet lined, 11.5cm x 10cm; containing a silver plated Swiss Goliath pocket watch, white enamel dial, Arabic numerals, subsidiary seconds dial, Argenta, serial number 900068, 9.5cm over suspension loop, c.1900 (2)
An early 19th century mahogany vanity/dressing chest, in the manner of Gillows, the rectangular cross banded top with canted corners, over a blind fretwork frieze and an appointed top drawer with a sliding easel mirror and covered compartments, flanked by two small drawers each with a sliding cover, above three further cock beaded and graduated drawers, all applied with pierced brass back plates and swing handles, enclosed by canted blind foliate fretwork columns, upon angular bracket fore feet, applied with conforming fretwork detail, 94cm H x 122cm W x 55cm D (at fault)
A George V silver bedside timepiece, possibly James Geraghty, Birmingham 1930, the engine turned detailed front shaped as a mantel clock, the dial with stylised Arabic numerals, with easel back, 9cm highCondition reportVery light scratches and rubbing to the case, tiny dents to the bezel and a very minor chip to the inside of the lens rim.Tarnishing to the rear of the case, key winds however the spring feels 'soft' and the movement doesn't run. Hands can be adjusted at the rear.
Aleksandr Mikhailovich Gerasimov, Russian 1881-1963- The Artist's Studio, Moscow; pencil on paper, 74.7 x 100.7 cm. Provenance: The artist's family. with Roy Miles Fine Paintings, London; where purchased by the present owner in 1989. Exhibited: London, Roy Miles Gallery, 'Russian Paintings: The Winter Show', 1-22 December 1988, no.24. Literature: 'Russian Paintings: The Winter Show', exh. cat., London, Roy Miles Fine Paintings, 1988, p.16, no.24. Note: Gerasimov was a leading proponent of the socialist realism movement which was the dominant artistic approach in the Soviet Union. He was particularly celebrated for his portraits of prominent figures in the Soviet government, including Vladimir Lenin (1870-1924), Joseph Stalin (1878-1953), and Kliment Voroshilov (1881-1969), with his most famous painting undoubtedly his 1938 double portrait of 'Stalin and Voroshilov in the Kremlin'. The present work depicts the artist's own studio, replete with an assortment of antiques as well as the artist's pupils. Gerasimov has included himself in the composition, seated by a canvas on an easel towards the back of the room, undoubtedly giving instruction to his onlookers.
VINTAGE METAL FRAMED ILLUMINATED EMERGENCY EXIT BOX SIGN with perspex front and green lettering, 22 x 42 x 22cms, 2 x illuminated box lights, 13 x 29 x 9cms, and a vintage advertising mirror 'Failsworth Hats & Caps', unframed with easel back, 46 x 30.5cmsProvenance: private collection Ynys Mon
THREE PIECES OF 20TH CENTURY SILVER, comprising a George VI sugar caster of baluster form, foliate pierced pull off cover, makers S Blanckensee & Son Ltd, Chester 1939, an egg cup (no liner), gadrooned rim, makers Charles S Green & Co Ltd, Birmingham 1956 and a small rectangular easel back photograph frame, oak back, inner dimensions 9cm x 6.3cm, makers M. Bros, Birmingham 1913, gross weight 4.6ozt, 143.2 grams (3) (Condition Report: sugar caster sits level on a flat surface, two small dents to widest part of belly, photograph frame in poor condition)
A SMALL PARCEL OF SILVER, comprising an Elizabeth II easel back photograph frame, inner dimensions 11.5cm x 7.6cm, makers John Bull Ltd, Birmingham 1992, a George V rectangular photograph frame in need of restoration, a glass toilet jar with pull off engine turned cover, makers Thomas Ingleton & Co, London 1923, the silver mount off a nail buffer, a propelling reamer, a sterling money clip with Chinese design, stamped 'Made in HK', a Sterling propelling swizzle stick, a.f. and a plated propelling pencil with spare leads, gross weight of weighable items 1.93ozt, 60 grams (9) (Condition Report: mixed condition, Elizabeth II frame has small dent to inner edge, other frame in poor condition, swizzle stick in poor condition)
A Victorian burr walnut piano top Davenport Desk, the rectangular top with pierced brass three-quarter gallery, with rise and full stationery component including three small drawers and pigeon holes, piano top opens to reveal pull out writing surface with easel back and pen and ink compartments, raised by carved cabriole front legs, four drawers opposite four corresponding dummy drawers, upon four bun feet with recessed wooden castors, W 58 cm x H 96 cm x D 58 cm.
A silver selection to include - a pair of small circular hallmarked silver easel-style photograph frames, London mark 1919; a silver single-loaded dwarf candlestick with sterling silver marks to base; a white-metal key marked silver, 14.75cm. long; and a Scottish silver two-handled sugar basin, Glasgow 1899 assay mark.
Four Various Silver Photograph-Frames, two shaped oblong and with oval aperture, another oval (4) The two oblong examples in reasonable condition, though the easel backs in somewhat distressed condition and some some bruising. 26.5cm high by 17cm wide. The oval example with very obvious bruising. 24cm high. The small example in reasonable condition 70mm high.
Continental silver miniature dressing table/wall mirror, of oval form with bevelled mirror plate, surrounded by a bead and dart rim, with pierced scrolling floral border with a standing cavalier to either side and the bust of a cavalier to the base, H17.7cmCondition Report:Unmarked, tests as silver. Probably Dutch/German. General wear commensurate with age and use in the form of surface scratches, nicks and small knocks. Some areas of border missing, lifting and pushed back. Rubbing to higher points of decoration. Missing easel back verso. Mirror plate appears in good order.
Conrad Schweiring (American, 1916 - 1986), Dusk, Teton Wyoming, oil on board, signed, original labels and inscriptions verso, provenance: purchased by the vendor directly from the artist's home/gallery in Wyoming, this work was on the easel in the studio and was thought to be his last work in the TetonsVery good untouched condition, no damage or restoration, paint all stable, original frame also in good condition
Fauvist and Modernist Guy Charon used bold colors to create this vibrant lithograph on paper entitled Red Flowers with Painting. It represents the interior of an artist's studio where a painting on an easel is partially hidden by blooming flowers placed on a coffee table. Signature in pencil on lower right: G. Charon. Numbered on lower left: E.A (Epreuve d'Artiste: Artist Proof). Housed in a hunter green frame with a three tiered white mat, mauve and deep fuchsia borders. Frame size: 33.50"L x 28"H x 1.10"W. Sight size: 26.50"L x 21"H. Artist: Guy Charon (French 1927-2021)Issued: c. 1977Edition Number: Artist Proof Country of Origin: FranceCondition: Age related wear.

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