We found 30757 price guide item(s) matching your search

Edward VII silver Art Nouveau easel picture frame, sponsor's mark of John Tiley, London 1904, 21cm high (aperture 14cm x 9.5cm)

Sterling silver oval easel frame, import marks for Sheffield 1980, together with a quantity of teaspoons, etc., of six matched silver teaspoons, together with sundry flatware and silver oval frame, 190g approx. weighable silver

Vintage oval silver coloured easel back dressing table mirror, 57 cm high, 42 cm wide, good condition.

Folding artists easel t/w qty of mostly artist materials including watercolour paper, pastel paper, Windsor & newton oil painting set, etc.

Two similar vintage ornate gilt framed Rococo style dressing table mirrors, both with easel backs - the larger by Aisonea

A 1920's brass 75 year calendar of easel form, covering dates from 1926-2000, with swivel disc to front and chased decoration

An ornate gilt resin framed dressing table mirror with easel back - sold with small oblong wall mirror with local hand painted decorative border

BRASS TABLE MIRROR AND ANOTHER MIRROR the plated mirror with figural and floral decoration brass easel mirror 40cm highQty: 2

An early 20th century clothes drier and a picture easel, COLLECT ONLY.

An Art Deco silver and red enamel desk clock of square form, set with a circular dial and Arabic numerals with an 8 day movement, easel stand to the reverse, Birmingham, 1929, Adie Brother Ltd, 83mm x 83mm

A circular silver photograph frame, oak easel stand, 17.7cm diameter, Birmingham 1914 another smaller 10.4cm diameter (2)

An early 20th century boudoir of cabinet picture, portrait of Catherine Gray, Lady Manners (1766 - 1852), oval engraving, easel frame, 24cm x 19.5cm overall, c.1910

A collection of sterling silver and white metal pill boxes, also including a desk clock on an easel frame in a silver case (stamped 925) weighable silver 226gLocation:

AMERICAN ARTS COMMEMORATIVE MEDALLIONS Two 1980 Grant Wood One Ounce Gold Medals. The obverse design of the medallion features a front-facing portrait of Grant Wood wearing his glasses and dressed in an open collared shirt. On the reverse of the coin is an image of his most famous painting American Gothic, which depicts a farmer with a pitchfork and his daughter standing in front of their house. The painting appears on an easel. Condition Report:Available upon request

A 20th century beech Windsor & Newton folding artists easel, 195cm high Condition Report:Available upon request

A Chinese carved wooden box, a pair of metal easel frames, a wood and brass money bank, Soda syphon etc Condition Report:No condition report available.

Large vintage Oak and cast metal artists easel. App. 200cm H x 66cm W, reasonable used condition, scuffs and scratches

Camberwick Green – Robert Harrop – a collection of x4 statues / figurines comprising; CG68 The Mayor and Philby in the Mayoral Car, CG64 Lord Belborough and Brackett on Bessie The Train, CG121 The Artist & Easel The Mayors Birthday and CGCS06 Murphy Christmas. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present.

An Edwardian tondo miniature portrait painting. A watercolour on ivory portrait of a young girl. In a burr walnut easel frame with silk back and ormolu surround, picture 4.8 cm diameter, the frame 16.7 cm high. Ivory declaration AGF6HYDM

A Collection of Various Mid/Late 20th Century Dressing Table Items to comprise Enamelled Mirrors, Brushes etc Together with a Barbola Easel Back Mirror

A Mid 20th Century Gilt and Cream Easel Back Oval Dressing Table Mirror by Peerart, 35cms High

Mahogany arched top grandmother clock, the case fitted with shelves, 162cm, along with floral painted easel/screen and large contemporary vase (3).

A desk globe, wooden and metal biplane, easel clock in the form pocket watch etc

A brass easel desk clock, with pierced scrolled and floral front. Height: 31cm. Fitted with later quartz movement. Repair to the base of the easel back.

A traditional artist easel of large proportions

A large early 20th century silver mounted photograph frame, of rectangular form with embossed scrolling decoration, marks for Birmingham, date letter rubbed, maker E Mander & Son, material covered easel stand to reverse, 27cm, some denting, mount lifting at lower left corner.

Pair of French brass easel frames, in the rococo style, approx 19 x 28 cms

A silver-clad easel photograph frame, of rectangular shape, h.21cm; together with another silver example; and a further plated example (3)

An Elizabeth II silver-clad easel photograph frame, Sheffield 2000, h.15cm; together with another of oval shape, h.16cm (2)

A silver-clad easel photograph frame, repousse decorated with swags and bows, h.15cm; together with another (2)

An Elizabeth II silver clad easel photograph frame, London 1997, height 15.5cm

An Edwardian silver clad easel photograph frame with hammer beaten decoration, height 12cm, together with another silver clad easel photograph frame of rectangular shape

An Elizabeth II silver clad easel photo frame, height 22cm, Sheffield 2003, together with another smaller

An Elizabeth II silver clad easel photograph frame, repoussee decorated with flowers, height 20cm, London 1970

A 19th century French giltwood and gesso arched wall mirror, having flowerhead and acanthus leaf decoration, 90 x 54.5cm; together with a 19th century Rococo Revival floral swept giltwood framed wall mirror (some losses), 87 x 50cm; and a French white painted and gilt decorated A-frame artists easel (one turned column missing) (3)

Large beech wood Italian artists easel

Large Early 20th century Stained Pine Artist's Easel, 180cm high x 94cm wide

A 20th Century Easel

λ &nbspCECIL BEATON (BRITISH 1904-1980) PORTRAIT OF OLIVE SNELL, PAINTING AT HER EASEL Pencil Inscribed (upper right) signed (verso) 33.5 x 26.5cm (13 x 10¼ in.) Together with another pencil sketch of a garden (2)Provenance: Sale, Christie's, London, Estate of Miss Eileen Hose, June 1988 Please note measurements do not include the frame unless otherwise stated. Condition Report: Unexamined out of glazed frames. Both appears to be in good original condition. Please note Dreweatts is not liable for damage to frames. Condition Report Disclaimer

Les Must de Cartier travel quartz alarm clock, reference no. 7505, serial no. 01716, rectangular white dial with Roman numerals, black body with gilt frame, the easel with C-scroll feet, 9.5cm, box, guarantee.

A new pine artists easel. Shipping unavailable

A Large selection of sewing items; sewing baskets, wicker basket, threads, Chatsworth easel/ storage box.

* PHILIP RASKIN (SCOTTISH b. 1947), IN THE PINK acrylic on canvas, signed, titled verso framedimage size 30cm x 30cm, overall size 44cm x 44cmArtist's label verso.Note: Born in 1947, Philip studied at the Glasgow School of Art in the 1960s. However, due to his father's untimely death, he had to postpone his career in art and left art school to enter the business world where he stayed for the next 30 years. For 20 of those years, he was the well known proprietor of The Inn on the Green, a celebrated jazz restaurant, in Glasgow. During this time, he maintained his contact with the world of art however, by running a schedule of art exhibitions and openings within the venue. Upon leaving the restaurant in the 1990s, Philip returned to his easel and brushes and since then has become a successful full time artist with broad appeal. He now lives and works from his studio just outside Glasgow. Philip's unique style is instantly recognisable combining a heavy impasto application of the paint alongside more delicate and sensitive brush strokes. Focussing mainly on landscape painting, his inspiration comes from the islands of the west coast of Scotland with Barra, Islay, Jura and Arran being some of his favourite locations. He deftly captures the essence and light of the landscapes through his work, the rugged shorelines, dramatic seascapes and ever changing skies. "I tend to paint very private places for the viewer to own and enjoy. No people, no houses, no telegraph poles; just expansive skies, mist tumbling on a distant hillside and a silence broken only by lapping water and gulls ascending". Philip is also the father of Natasha Raskin Sharp who for several years worked for McTear's and is now a regular TV expert and host on shows such as "Bargain Hunt" (BBC1) and others.

A circular bevel edged easel backed mirror in ornate pierced brass frame, 33cm x 22cm

A 19th Century carved hardwood easel-back framed religious porcelain plaque in the form of a Renaissance reliquary altar piece, palm tree carved detail, 44cm x 31cm total

A Sanders & Mackenzie silver easel back photograph frame, Birmingham 1915, 46cm x 35cm total

A Victorian Goldsmiths & Silversmiths Co. silver easel back table-top mirror of heart form, ornate pierced design of leaves and flowers, bevel edged, London 1898, 57cm x 44cm total (back can be taken off for cleaning), 37oz approximately

A Victorian silver freestanding perpetual calendar, mark of Cornelius Joshua Vander, London 1895, of rectangular form, outer border of engine turned decoration, topped with a pierced crest and ribbon of THE 9TH QUEEN'S ROYAL LANCERS, the left-hand side with two applied lances, verso with hinged easel type stand with presentation engraving and retailer's signature of ORTNER & HOULE 18 x 13.5cm

An Edward VII silver framed easel backed dressing table mirror, mark of the Goldsmiths' & Silversmiths' Company Ltd., London 1905, of rectangular form, the top decorated with foliate swags and ribbons under a gilt crown, rosette embellishments to the corners, verso in wood with hinged easel support, rectangular mirror with bevelled edge, 25.5 x 19.5cm, maximum overall dimensions 33 x 26cm

Arnold & Dent, London - A William IV 18ct gold open faced pocket watch with travelling case, circa 1835, the unsigned gilt dial with floral engraved inner, 37mm diameter, with black Roman numerals, blued spade and whip hands, engine turned subsidiary seconds register at 6 o'clock and dot minute track, jewelled key wind duplex escapement with three arm balance, diamond end stone and hanging barrel signed ARNOLD & DENT LONDON 5058, case, 40mm diameter with milled edge, verso hinged at 6 o'clock, engine turned all over around a central vacant circular cartouche, interior numbered 5058 with London hallmarks for 18ct gold, casemaker's mark not traced (HH skeleton punch), the part marked cuvette similarly marked, 48.8g gross, presented with the winding key and fitted burgundy leather carrying case, lined in purple satin and velvet, verso with hinged easel type stand, top with carrying handleEdward John Dent (1790–1853) was a famous English watchmaker noted for his highly accurate clocks and marine chronometers. By the age of 24, he was already well known as a craftsman of some distinction. In 1830, he saw a vacancy for a watchmaker with the firm of John Roger Arnold - one of the leading chronometer makers in London - but instead of becoming an employee of the firm, Dent negotiated a partnership. However, by 1838 the partnership was faltering. Despite Arnold being nearly 70, Dent's hopes of taking over the business were frustrated and so, on 30 September 1840, the partnership of Arnold and Dent came to an end. Dent continued as a highly successful watch and clockmaker on his own and in 1852, he won the commission to make the great clock - now popularly called Big Ben - for the Houses of Parliament in London.Timepieces by E.J. Dent are always popular at auction, but items made during his short 10-year partnership with John Arnold are particularly sought after by collectors.

A George V rectangular silver plain easel back photo frame, hallmarked Birmingham, 1917, E. Mander & Son, approx. 24cm x 18.5cm, glazed and fabric backed together with a samller Birmingham silver edged wooden easel back photo frame (easel back broken), approx. 11.5cm x 15.5cm. Further Details: Some tarnishing, denting, wear, scratching etc.

An Edwardian silver easel back tortoise shell photo frame, with unmarked yellow metal monogram to front, hallmarked London, 1909, maker's mark slightly rubbed, with retail mark of Albert Barker Ltd to reverse together with a George V plain rectangular photo frame, wooden backed (no easel), silver hallmarked by Sanders & Mackenzie, Birmingham, 1916, . (2) Further Details: Wear both, slight nibbles to tortoise shell, tarnishing, slight denting etc to silver.

Three silver photo frames to include: a plain modern by Carrs of Sheffield, a smaller Modern profusely decorated frame by Carrs of Sheffield and another with a cross designed bordered frame, London hallmarked,  all easel backed. (1 bag)

An Edwardian heart shaped silver mounted dressing table mirror, the repousse silver border decorated with foliage and scrollwork, with a vacant cartouche to centre top, hallmarked by William Comyns, London, 1905, with bevelled glass, yellow metal rivets, easel back, approx. 36cm high x 29cm wide.  Further Details: The wooden and fabric back having wear and tear commensurate with age and use, the silver tarnished, some denting, wear, the glass slipped in frame with gap to right hand side

A pair of hallmarked silver shaped rectangular easel photograph frames each with embossed foliate decoration, height 20cm, Birmingham 1989, Ray Hall. (2)

A hallmarked silver circular easel photograph frame with enamelled pink roses to a white guilloche ground within blue borders, diameter 13.5cm, Chester 1913, Williams (Birmingham) Ltd, damaged, with a silver compact and comb. (3)

A Victorian Windsor & Newton mahogany cased artist box with contents, a vintage artist easel and box containing paints and other itemsLocation:

A RUSSIAN SILVER OVAL EASEL PHOTOGRAPH FRAME. 5ins x 3.5ins.

A floor standing artist's easel, 183cm high; another similar; a smaller easel (3)

A large floor standing artist's easel, 181cm high open, 66cm wide at the base