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A carved mahogany floor standing easel

A pair of 19th Century cast brass and gilt easel photograph frames with Rococo scroll decoration

A vintage wooden folding director's chair - sold with a folding artist's easel and a folding card table

A pair of enamel and gilt metal easel backed photograph frames with rose trellis corner decoration and velvet backs - sold with a smaller similar

A Victory Medal and Memorial Plaque with Cardboard Envelope, awarded to 58764 DVR.A.(ARTHUR) E.(EDWARD) A.(ALBERT) REDMAN, R.A.,with printed research material and a homemade display easel for the plaque; a Memorial Plaque, to FREDERICK ERNEST CORBY of the First Surrey Rifles, with printed research material (3)

Art Nouveau silver repoussé Rococo style easel bevelled dressing table mirror. Maker's mark H M, Birmingham 1899. (B.P. 21% + VAT) Very grubby and distressed condition, need a very good clean. The backing is in very poor condition with moulding and heavy wear.

A group of pictures, including a portrait study, signed N Stroudley 1934, How he persevered! 42.5cm x 31cm, botanical studies, a study of a female seating before easel, watercolour, 37.5cm x 30cm, etc. (6)

Music Box World resin Christmas model of Santa and two children beside light-up painting on easel (boxed with power cable).Condition Report

George V silver photograph frame, Sheffield 1911, Walker & Hall, of plain form with arched top with oak easel back (lacking glass to front), 33cm x 23cm, together with silver circular photograph frame, 9cm diameter, and a silver framed easel back vanity mirror, London 1910, 18cm x 13cm

An Arts and Crafts silver picture photograph frame by Charles S Green & Co Ltd, Birmingham 1905, of a goat herd and browsing goat, on an oak backing, missing easel, 9cms. (3.5ins) internal diameter, 19x17cms. (7.4x6.8ins)

A mixed group of silver menu holders and stands including; a pair of Birmingham easel holders by Ahronsberg Brothers, two photograph holders, six singles holders and a continental half column with loaded base, 232gms. (7.3gms), gross, (11)

White Metal and Velvet Easel Back Photograph Frame

Late Victorian Ebonised Easel

Vogel London Silver Plated and Velvet Easel Back Photograph Frame

Silver and Oak Easel Back Photograph Frame, Birmingham 1914

A matched silver dressing table set, in the Victorian style, comprising: a dressing table easel mirror, two brushes, a hand mirror, and a four-tortoiseshell comb, marks worn; and a silver mounted cut-glass jar. (6)

CONTINENTAL PORCELAIN FRAMED FAN SHAPED DRESSING TABLE MIRROR having a central panel painted with figures and with gilded highlights, bevelled plate, easel back, 38 (h) x 56cms (w)Provenance: private collection Wirral

WILLIAM COMYNS & SONS; an Edward VII Goliath pocket watch, the white enamel dial set with Roman numerals and subsidiary seconds, diameter 7.5cm, in hallmarked silver frame, London 1904, height 16cm, width 13.5cm, and a further eight day pocket watch, in Birmingham hallmarked silver easel back frame, height 12.5cm, width 10.5cm (2).

A modern hallmarked silver elaborate easel back photograph frame, Sheffield 1994, 17 x 14.5cm, and a Mappin & Webb modern hallmarked silver photograph frame, 19.5 x 13.5cm (2).

A Mid Century Easel Back Barbola Mirror with Painted Floral Finial, 34cms High

Victorian carved walnut Davenport having elevating stationery compartment, slide our easel writing surface and four side drawers (evidence of woodworm), 95cm by 56cm by 55.5cm.

Five silver easel photograph frames including Carrs, 19.5cm by 14.5cm.

A Windsor & Newton beechwood folding adjustable artists easel

Vindevogel - Portrait of a 19th century lady painting at her easel, signed 'Vindevogel...' lower right, oil on canvas, 61 x 91 cm, frame dimensions: 115 x 85 cm, framed

A pair of bevelled glass photo frames, with gilded sphinx mounts and easel stand 22cm high.

A Victorian mahogany double sided adjustable easel music stand, raised on a brass rise and fall support to a tripod base, good original overall, the rise/fall mechanism lacking its latch

A Victorian mahogany music stand, the single easel with lyre centre raised on a rise and fall support to a tri-form base

An artists easel - by Winsor and Newton

A mid-century lucite artist's easel. H.200cm

A Windsor & Newton artist's easel and three other artist's easels

An artists travelling easel and box bearing label 'Manufactured by J Bryce Smith Ltd. London

Timeless Mexican picture table frames with glass and wood easel, featuring beautiful wavy or twisted pattern decorations. Frame 1: 6"L x 5.5"W x 7.25"H; photo size: 3"W x 4.75"H; and stickered Pewter Luba Hecho En Mexico. Frame 2: 6.75"L x 4"W x 6.5"H; photo size: 4"W x 4.25"H. Frame 3: 4.75"L x 4.25"W x 6"H; photo size: 3"W x 4.25"H; and stickered Hecho En Mexico. Dimensions: See DescriptionCountry of Origin: MexicoCondition: Age related wear.

Timeless Mexican picture table frames with glass and wood easel, featuring double intricate wavy leaf pattern designs. Stickered Articulos Decorativos and Hecho en Mexico. Frame 1: 7.5"L x 5.25"W x 9.25"H; photo size: 4.75"W x 6.75"H. Frame 2: 8.5"L x 4.5"W x 7.75"H; photo size: 6"W x 4.25"H. Dimensions: See DescriptionCountry of Origin: MexicoCondition: Age related wear.

Beautiful Mexican picture table frame with glass and wood easel, featuring intricate flower vine pattern decorations. Stickered Articulos Decorativos and Hecho en Mexico. 11.5"L x 8.5"W x 12"H; photo size: 6.5"W x 8"H. Dimensions: See DescriptionCountry of Origin: MexicoCondition: Age related wear.

Timeless Mexican picture table frames with glass and wood easel, featuring beautiful wood grain patterns with edge accents. Frame 1: 9.25"L x 4"W x 6"H; photo size: 6.25"W x 4.25"H. Frame 2: 7.25"L x 3"W x 5"H; photo size: 6.25"W x 4.25"H; and stickered Hecho En Mexico. Dimensions: See DescriptionCountry of Origin: MexicoCondition: Age related wear.

Timeless Mexican picture table frames with glass and wood easel, featuring beautiful leaf pattern decorations. Frame 1: 7.75"L x 7.25"W x 9"H; photo size: 5.25"W x 7.25"H; and stickered Hecho En Mexico. Frame 2: 5.5"L x 4.25"W x 6.75"H; photo size 3.75"W x 5.25"H. Frame 3: 5"L x 2.5"W x 5.5"H; photo size: 3"W x 3.75"H; and stickered Hecho En Mexico. Dimensions: See DescriptionCountry of Origin: MexicoCondition: Age related wear.

PHOTOGRAPH FRAME, 19th century English gilt metal, Baroque style and easel support, bears registration no, 36cm H x 26cm.

A 19th century rosewood and marquetry inlaid dressing table, the hinged top opening to reveal an easel mirror with bevelled plate, the whole raised on square tapering supports, w.62.5cm, d.38.5cm, h.77cm Some knocks and wear.Surface scratches.Split to the interior of left drawer.

Artist easel

A small French style metal artists easel

Two Elizabeth II rectangular silver photo frames - one by Carrs of Sheffield, 2005; the other by W I Broadway & Co, Birmingham 2004, both 23 x 18.5cm; together with a larger silver plated frame of similar style, 31 x 26cm, all with easel backs.

Two Elizabeth II silver photo frames - with easel backs, one of cartouche, scroll-edged form, by Carrs of Sheffield, 1990, 25 x 21cm; the other rectangular with reeded and crossed-ribbon borders, by the same maker, 1994, 20.5 x 15.5cm.

A beech wood artist's 'donkey' bench easel - LWH 101 x 29.5 x 43 cm, some water staining.

Two modern silver photo frames - Keyford Frames Ltd, London 1980 and 1986, the oval frame 16.5cm high, with easel backs.

A modern hardwood adjustable artist's easel - 132 cm high to top of stand.

An Elizabeth II silver photo frame by Asprey of London - 2007, plain rectangular form with line engraved borders, wooden easel back, 28 x 23cm.

Georgian mahogany framed easel mirror of Chippendale design, the plain plate within a moulded rectangular frameDimensions: Height: 45cm  Length/Width: 27cm 

A pair of modern London silver photograph frames with hardwood backs and easel stands London 2000: external h. x 22cm x l. x 17cm inner h. x 18cm x l. x 13cm

A modern London silver photograph frame with reeded border and velvet back and easel stand: external h. x 21.5cm x l. x 16.5cm inner h. x 18cm l. x 12.5cm and a London silver photograph frame with hardwood easel back London 2000: external h. mx 18.5cm x l. x 13.5cm inner h. x 14.5cm x l. x 9.5cm (2)

A large modern London silver photograph frame with blue velvet back and easel stand London 1989: external h. x 31cm x w. x 26cm inner h. 25cm x w. 20cm

An Edwardian Birmingham silver heart shaped mounted photograph frame with floral and leaf chased border on easel stand Birmingham 1901: h. x 15.5cm x w. x 13cm

A modern London silver flat framed photograph frame with velvet back and easel stand: external h. x 21.5cm x l. x16.5cm inner h. x 17.5cm x l. x 12.5cm and London silver moulded photograph frame: external h. x 21cm x l.x 16cm inner h. x 17cm x l.x 12cm (2)

A unusual Arts and crafts oak carved table dispay case with glazed removable front and relief carved boder on easel stand: h. x 30cm x l. x 37.5cm x w. x 5cm

A modern London silver photograph frame with hardwood back and easel stand London 2000: external h. x 25.5cm x l. x 20.5cm inner h. x 20cm x l. x 14.5cm and a smaller matching frame: external h. x 23.5cm x l. x 17.5cm inner h. x 17cm x l. x 12cm (2)

A WMF Art Deco silver plated easel dressing table mirror, the rectangular plate within a reeded border, stamped verso, 28 x 17cm

An Edwardian 9ct gold and leather pocket watch holder, by Cohen & Charles, Birmingham, 1901, the front with elaborate repousse work foliate spandrels, opening to reveal a padded interior with pocket watch recess, with an easel back 7cm x 7.5cm

SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I., D.LITT., L.L.D. (SCOTTISH 1916-1992) POPPIES AND STRIPES Signed and dated 1991/92 on the backboard, oil on board 91cm x 96.5cm (36in x 38in) With the artist's label verso.‘What attracted me to the poppies was their splendour - the sheer power and yet the delicacy of their colour - the cold and warm reds and the very subtle translucent lights.’ (Sir Robin Philipson, quoted in Gordon Smith, W., Sir Robin Philipson, Atelier Books, Edinburgh, 1995, p.112)Poppies bloomed from the tip of Philipson’s brush in the final ten years of his career and the resulting paintings were so effective that the artist became synonymous with the flower. After a prolific and successful career as Head of the School of Drawing and Painting at Edinburgh College of Art, Philipson retired in 1982, enabling him to commit himself fully to his easel. Poppies recurred as subject matter, with their sculptural blooms and intense hue proving to be irresistible to the artist. Philipson later recalled: ‘I began by modelling their form in whites and a range of neutral colours. When this “white” stage was quite dry, the strong colours were created by layering thin glazes of pale transparent paint over the top, sometimes up to ten or more on top of the other. Some of the blacks are built up in the same way over a bed of very rich blue or crimson.’ (Gordon Smith, op.cit., p. 104) W. Gordon-Smith observed that the ‘choreographed, large-scale paintings of these fragile blooms which…[Philipson]…set to his own dynamic music’ were the ‘achievements of his artistic lifetime’. (Gordon Smith, op.cit., p.112) 

Folding artists easel and wooden box of vintage oil paints

TWO EASEL BACK SILVER PICTURE FRAMESconsisting of Mappin & Webb Birmingham 1991 with details around edge, 23 x 16cm; the other Carrs of Sheffield frame stamped Sheffield 1991, of rectangle shape with beading around edge, 20.5 x 15cm (2)

An oak adjustable artist's easel. Circa 1920, with plain supports, on casters, the action adjusted with a lever device.