We found 30757 price guide item(s) matching your search

Edwardian Art Nouveau silver photograph frame, of shaped form, embossed with stylised poppies and scrolling foliage, faded purple velvet easel back, Birmingham 1903, 20cm high x 15.2cm wide, worn, the oval aperture 12.5cm x 9cm.

Edwardian silver photograph frame, by William Comyns, of rectangular form, with gadrooned borders and flower and paterae decoration, worn and partially refurbished purple velvet easel back, London 1902, 18cm high x 14cm wide, the shaped aperture 13.2cm x 9.5cm.

Late Victorian silver photograph frame, by John Mappin, of rectangular form with oblong and gadroon embossed borders, worn velvet easel back, 12cm high x 15.2cm wide, solder repairs to corners, the aperture 9.1cm x 13cm.

Edwardian silver photograph frame, maker's mark EM & F, of rectangular form, with a raised crest enclosing an oval vacant cartouche, embossed with flowers and scrolling leaves within gadrooned borders, worn easel back, 19.5cm high x 14.1cm wide, the aperture 13.2cm x 9.5cm.

Late Victorian silver photograph frame, by William Comyns, of rectangular form with an arched crest enclosing an oval vacant cartouche, the profusely embossed scale, bead and reeded flute pattern borders surrounding a heart shaped aperture, 10.5cm x 9.cm, worn purple velvet easel back total heigh 19cm x 13.5cm, slightly worn.

A pierced brass miniature frame, circa 1870, with faceted glass and domed top, the border with pierced foliate decoration and with pierced easel stand, aperture height 4.75" x 3.6"

A miniatures frame, in easel and book form with five oval bevelled glass plates and catches, 13" x 11 and another double folding miniatures frame in velvet surround on easel support, containing a selection of double plates, 9" x 6.5" (2)

A miniature of a lady by William Egley, circa 1835, head and gaze to dexter, her brown hair falling in loose ringlets to her shoulders, wearing a white dress with flowers to her bosom, cloud and sky background, mounted within a pierced easel frame, 2" high, cracked

A miniature of a lady by Evelyn R. Kellor, (fl.1892-1913) signed and dated 1893, shoulders, full face wearing a white dress, cloud and sky background, mounted within a gilt metal easel frame with ribbon tie surmount, oval, 3.5"

A late Victorian mounted easel mirror,+ with bevelled glass and an embossed border with a vacant cartouche at the top, by H Matthews, Birmingham 1900, 13.6in (34.6cm) high.

A suite of Edwardian mounted boar tusk item:+ a circular photograph frame with easel support, a pair of wine labels "WHISKEY" and "BRANDY" and a pair of menu card holders on rectangular bases, by Stokes & Ireland, Chester 1909 the frame 5in (12.5cm) high. (5)

A late 19th/early 20th Century German porcelain framed easel pattern dressing table mirror, the arched topped frame encrusted with flowers and flanked by figures of cupid musicians, 18ins x 12.5ins (flowers somewhat chipped and lacking easel support)

A pair of late 19th/early 20th Century French gilt metal easel pattern stands, 11.5ins high, and a plain gilt brass rectangular photograph frame with folding front, 6.25ins x 4.5ins

A Regency circular burr walnut momento mori treen box, the cover with black and gold verre eglomise scene of cupids painting portrait bust of Louis XVI and Marie Antoinette, with an artists easel on a cloud up in the heavens, 2 ins. Diameter. (See lot 181 for illustration)

An Edwardian Easel Back Dressing Table Mirror, the oval mirror with oblong frame of stepped outline and Greek-key pattern border, by William Comyns, London 1905, 44.5cm high

A Victorian Easel Back Dressing Mirror, the oblong frame with pierced silver mounts of putti within scrolling foliage and urns and grotesque mask to the upper section, by William Comyns, London 1890, 40.5cm high.

Wince; Portrait of a Young Woman, bust length, with long powdered hair, leaning on her left hand, signed, oval 9.5cm (water damage), in a decorative ribbon tied flower embellished oval easel back frame stamped "Montmartre, Paris"; and A Similar Miniature, smaller, oval, in a gilt and cast brass ribbon tied frame, the miniature 4.5cm (2)

Miniature: After Greuze, Portrait of a Pretty Young Girl, with a pink ribbon in her long brown hair, holding two doves, a basket of oranges on her knees, 11.5cm by 9cm, in a decorative easel back frame.

Portrait of a Lady, reputed to be Helen, Duchesse of Mecklenburg, bust length; Another, of a Lady, reputed to be Dame Anne Bildins, with flower bedecked hairpiece, circular, 5.5cm diameter, contained in a gilt metal decorative frame with ribbon tied mulberry cresting and easel back; and A Modern Portrait Miniature of a Young Woman, in a decorative frame (2)

A WMF Electroplated Dressing Table Mirror in Art Nouveau Style, modelled as a young woman in flowing robes upreaching toward a bunch of flowers forming the upper right angle of the bevelled mirror plate, with whiplashed tendrils and further flowers to the borders, upon swept feet, stamped WMF EP 1/0 OX, wooden easel back, 36cm high

An Early 19th Century Rosewood and Brass Strengthened Travelling Vanity Box, rectangular, with a central brass circular vacant cartouche to the lid, opening to reveal purple stained leather lined interior with an easel mirror to the lid underside, compartments and a liftout tray containing an assortment of associated vanity items, including a shaving brush, six slice cut and silver (or silver metal) mounted trinket jars and scent bottles hallmarks including London 1822. And 1837, a pair of boot pulls and manicure items, the box with E Wells & Co patent hinges, 31cm wide.

A large Edwardian rectangular silver mounted dressing table mirror by Cooper Bros & Sons, Birmingham 1908, with rectangular bevelled plate within a plain reed and ribbon edged border, easel back, 46cm high

A silver mounted dressing table mirror by James Deakin & Sons, Chester 1913, of plain rectangular shape with arched top and foliate moulded edge, easel back, 26cm

A George V easel table thermometer, the upright ivorine register in waisted case, decorated in relief with scrolls and cartouche, Chester 1926, 10cm high

An early 20th century brass easel clock, square dial with floral decorated centre enclosed by Arabic numerals, inscribed 'A L'emeraude. Nice', the surround enamelled with stylised foliage, the 8 day Swiss movement striking on a gong, 17cm square.

An early 19th century oval head and shoulder portrait miniature of a young boy, he in blue buttoned frock coat with lace collar, watercolour on ivory, in ebonised rectangular easel frame, 8cm high

A Regency miniature coquilla nut box carved with military accomplishments, 1.25in high; a Georgian acorn shaped nutmeg grater, 2.75in long; a Victorian ivory photograph frame with hawthorn pattern borders and easel back, 5.25in x 3.75in; and a meersham pipe, the bowl carved in the form of a negro's head, 5in overall. (4)

A Victorian burr walnut folio stand, the hinged top above a glazed fall on brass supports, with pierced brackets, on an easel type support, with ceramic casters, 110 high x 93cm wide

A Spanish style oak rectangular table, the planked top with rounded corners, on angled easel type end supports with shaped brackets, 74 high x 71 deep x 210 cm wide (the top patched)

A giltwood round easel frame, in 16th century style, carved in bold relief with a band of fruits and leaves, 25.5cm diameter (10")

A Cartier Belle Epoque diamond brooch, composed of leafage, swags, pendant from a serpentine ribbon, with three drop shaped pendant diamonds, set in platinum, signed, number 1209, in original gilt tooled red morroco easel case

An early 20th Century engine turned photograph frame in the Arts and Crafts style, on easel stand, 6.75in. (12.5cm).

A photograph frame, plain circular, on easel stand, Birmingham marks, modern.

A late Victorian embossed dressing table mirror, the oval plate within a highly ornate frame decorated with raised floral, bird and acanthus scroll design with vacant cartouche, easel stand, 22.5in. (56cm), by William Comyns, London 1890.

A ladies leather fitted dressing case, with silver backed brushes, hand mirror, a large silver easel mirror, 35 x 23.5cm, and other accoutrements, some engraved 'Ruth'

A French clock in the form of a porcelain pallette supported on a bronze easel, paper label to the reverse, no. 19567, 44cm high

V*** Walton. 14.25in. x 10.5in. (37 x 26.5cm). A woodland landscape with an artist seated painting at an easel. Signed and dated '90.

A Danish rosewood toilet mirror, circa 1960's, with three rectangular plates and easel support.

A silver framed easel mirror, moulded in relief with carnations, berries and other scrolling foliage, Birmingham 1904, maker initials B.C.D, 31cms max.

A pair of Oriental white metal easel frames, each with heart shaped reserve with pierced, foliate borders and capitals (2), height 23cm.

ORIVIT, A pewter easel mirror, early 20th century, the bevelled plate within a shaped surround, the lower maiden mask above scroll feet, indistinctly stamped 'Orivit, 2?80' to reverse, 35cm., 1ft. 1in.

CHARLES RENNIE MACKINTOSH, A Glasgow School of Art pine picture easel, the rectangular upright frame with a sliding horizontal bar support held by adjustable pins, the twin plank base on metal castors, 202cm high by 78.5cm wide by 69cm deep; 6ft 7in by 2ft 7in by 2ft 3in

ENGLISH SCHOOL, An Art Deco shagreen covered easel toilet mirror, circa 1925, the bevelled rectangular plate below a shaped cornice, the uprights surmounted by ivory urn finials, on triangular feet, 46cm., 1ft. 6in.

A Sitzendorf toilet mirror with encrusted oval frame decorated with polychrome roses and cherubs, on out splayed support, bevelled plate, easel support, 33cm (13'')

An oval portrait miniature, bust length study of a young girl, watercolour on ivory, indistinctly signed, in ribbon tied gilt metal easel frame, 12cm high

A pine easel, with a hinged chalk box, 182cm high

THREE SMALL FRAMES One flanked by putti, 1887, an easel frame, Birmingham, 1899 and a rectangular example, Chester 1902

A Victorian oblong frame, with a shell engraved border and a wirework easel support, by an unascribed maker "FS" Exeter 1874, 6. 5in (16.5cm) high.

A late Victorian mounted easel mirror, with bevelled glass, the mount embossed and pierced with birds amongst trailing flowers, with a vacant cartouche at the top flanked by putti, by William Comyns, London 1893, 17.1in (43.5cm) high.

A good bronze easel toilet mirror, the gadrooned frame with re-entrant angles boldly cast with a rampant lion and cartouche cresting above acanthus scrolls and lion paw feet, 77cm, c.1900

A late 19th century French gilt metal easel photograph frame, embossed with frolicing cherubs, playing amongst bulrushes and flowering fronds, ribbon tied cresting, 29cm x 23cm

A good 19th century novelty carved lime wood easel mirror, the cello shaped plate supported by cherubs holding musical trophies, 72cm high, c.1850

A Victorian brass easel dressing table mirror, cast with and pierced with a ferocious dragon cresting, above leafy floral scrolls, 43cm high, c.1870

An Art Nouveau copper easel dressing table mirror, the arched frame cast and pierced overall with flowering stems and sinuous lines, bevelled glass mirror, 49cm high, c.1905

A continental ebony and ivory inlaid easel photograph frame, late 19th century, 44 x 36.5cm

A silver easel grandfather clock watch, Birmingham, 1912, 16cm high

A Regency silkwork picture of a lady and child playing, in a later easel frame, 16.5 x 11.5cm

An Important and rare silver-gilt photograph frame, by Omar Ramsden, of triptych form with an arched pediment embellished in relief with crossed arrows and a spear, bearing the motto 'Festina Lente', a pair of hinged doors, with stylised flower and foliage mounts to the clasps the remainder of the doors having a bloomed surface, the interior of the doors with pierced foliate decoration and enclosing a beautifully executed portrait miniature of Dorothy Vaughan Tozer sitting holding her infant granddaughter Janet Elizabeth Tozer, painted in gold with initials 'D.V.T' and dated '1937' and signed by the artist 'V. B-A' and dated 1937, believed to be Violet Brunton, the portrait flanked by a panel engraved with a seascape at sunrise with clouds above, supported on ball feet and a wirework easel stand, engraved on the back 'Dorothy Vaughan Tozer of Mallards Beaulieu 1938' , 19.5cm. high, marked 'OR' with hallmarks for London 1938 and unusually engraved on the underside of base 'Frame designed and made by Omar Ramsden'

A pair of reproduction portrait miniatures of a gentleman and companion, in 18th century costume, each in pierced gilt metal easel frame, with scroll crest, 14.5cm high (5 3/4")

A pair of reproduction portrait miniatures, each in oval gilt metal easel frame, with scroll crest, 14cm high overall (5 1/2")