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A folding wooden artist's easel/box, 175cm high overall

A Windsor and Newton adjustable wooden artists' easel

Four Xu Beihong (1895-1953) ink paintings of wild horses on tiles in one frame, 15cm x 23cm total, complete with easel

A Reeves beech artist's easel

A pair of Kitney and Co. silver easel back timepieces

Artist's Easel; together with a wicker picnic basket. (2)

FIVE ASSORTED SHOWCARDS comprising those for Nugget Harness Polish, 24cm x 30.5cm (loss to right side); Compo Seal cement waterproofer, 30.75cm x 24cm; Wardonia razor blades, with an easel back, 12.5cm x 25cm; Dunlop Footwear, with an easel back, 30.5cm x 25.5cm; and Tuf Town Shoes, with an easel back, 28.5cm x 20cm.

A late 19th Century mahogany artists’ easel, the triple uprights with Chippendale blind fret gothic and fence motifs, hinged lyre strut, adjustable shelf, 170cm(H).  *Provenance: Fortescue family. Condition: Good overall, shelf possibly a later addition (as is the modern screw for adjusting it)

Artist's equipment to include an easel, oil paint set, pencils, paints and other. [3]

JOSEP MESTRES CABANES (Manresa, Barcelona, 1898 - Barcelona, 1990)."Mediterranean coast", 1941.Watercolour on paper.Signed, dated and dedicated in the lower right corner.Frame with xylophages.Size: 28 x 56 cm; 35 x 64 cm (frame).Painter and set designer, Josep Mestres Cabanes came from a family with a long artistic tradition. He began his studies at the School of Arts and Crafts in Manresa, and then furthered his training at the Sant Jordi School of Fine Arts in Barcelona, where he was taught by J. Calvo. He also studied in the studio of Salvador Alarma, with whom he became a collaborator and partner years later, with the firm Alarma y Mestres (1939). When Alarma died in 1942, he was commissioned to decorate several Wagnerian works for the Teatro del Liceo, and then moved to his scenographic workshop until 1956. His decorations stood out for their realism and good knowledge of perspective, and as an easel painter he held several exhibitions in Barcelona and Madrid. Between 1947 and 1969 he taught perspective at the Institut del Teatre in Barcelona, and was later appointed professor of the subject at the Escola de Sant Jordi. During his career he was awarded the silver medal of the Diputació de Barcelona, the gold medals of the city of Manresa and of the Gran Teatre del Liceu Society, and the Gold Poster of the Consortium of the Liceu. Although most of his work is in private collections, he is also represented in the Museo Comarcal de Manresa and in the Museo de Artes Escénicas del Instituto del Teatro in Barcelona, where an exhibition has recently been dedicated to him.

A beechwood artist's easel. 42' high

2 wooden easel style display stands with folding foot/stand. With height adjustable supports. Each approx. 115cm tall.

A silver easel back picture frame

An adjustable easel, width 22ins, height 35ins together with another easel

A hallmarked silver mounted photograph frame, with embossed decoration and easel back, aperture size 5.5ins x 3.5ins

A collection of easels, including a pine artists easel, a baroque style brass easel and two other brass easels. H.140 W.150cm (Largest)

Attributed to Johann Heinrich Wilhelm Tischbein (Hayna 1751-1829 Eutin)Study of a female artist at her easel dated '1787' (upper right)pen, ink and pencil on paper22.2 x 20.2cm (8 3/4 x 7 15/16in).For further information on this lot please visit Bonhams.com

Two silver salt and pepper grinders, London 1992; circular easel picture frame, Sheffield 1986; Arthurs Price silver plated sugar castor (4)

A George V silver mounted leather pocket watch stand, embossed front, easel stand, Walker & Hall, Sheffield 1928; World War I princess Mary 1914 Christmas tin

A late 20th century reproduction oil painting on board depicting carriage horses by a water trough and pump on a cobbled stable area, signed lower left indistinctly, 22.5cm x 30cm, unframed, mounted on a small picture easel Location:

An Edwardian hallmarked silver mounted oak easel mirror, London 1906, height 36.5cm. Additional InformationSilver with a few light scuffs and scratches, but nothing serious. Mirror plate also with a few light scuffs and scratches. Oak backing with general age wear patina, but nothing serious. Overall OK. 

A.T CANNON LTD; a pair of Elizabeth II hallmarked silver squat candlesticks with a cast beaded rim, Birmingham 1972, a further pair of hallmarked silver candlesticks (af), two hallmarked silver easel back photograph frames and a sterling silver easel back quartz time piece (af) (7).Additional InformationLight tarnishing and wear, scratches to the time piece, the photograph frames are af, the silver mounts are coming away from the wooden backs, each pair of candlesticks is in poor condition.

CARR'S OF SHEFFIELD; an Elizabeth II hallmarked silver pill box in the form of a heart with repoussé floral decoration, Sheffield 2000, two hallmarked silver easel back photograph frames of circular form (af), six hallmarked silver napkin rings, three hallmarked silver mounted cut glass open salts and a selection of hallmarked silver mounted combs, weighable approx. 2.8ozt/90g.

ROLEX; a vintage advertising easel back sign, width 18cm, stamped 'Fab. Suisse Swiss Made' verso. Height 10cm.Additional InformationPitting, light scratches and wear.

MAPPIN & WEBB LTD; a brass cased carriage clock with swan neck handle, the enamelled dial set with Roman numerals, height including handle 15cm, and three further carriage clocks including a Forum eight day example and a hallmarked silver mounted easel back timepiece by Carrs of Sheffield (5).

English School Late 18th Century Portrait of a girl, traditionally identified as Mary Somerville, aged nine, wearing a white dress, blue sash and white bonnet Bears a signature, inscription and date Mary Somerville/Ætatis suæ 9/1789/M.A.B./fecit (lower left) On paper, oval, in an ebonised wooden easel frame 128 x 93mm

λEnglish School Early 19th Century Portrait miniature of a gentleman wearing a black coat and white stock; Portrait miniature of a lady, wearing a red, green and blue dress and coral necklace and earrings A pair, both rectangular, in ebonised easel frames Each 84 x 67mm (2) Ivory Act registration reference DKWCMSKP

Henry Pierce Bone (1779-1855) Portrait miniature of Mrs Buller, wearing a blue dress with lace collar and a cream shawl, seated in an interior Signed, dated and indistinctly inscribed Mrs Buller/London/March 1813/Painted by Henry Bone R.A./Enamel Painter in Ordinary/to His Majesty and Enamel/Painter to H.R.H. the Prince/****t after *** picture in/the possession of Lady Somers (in black paint to the counter enamel) Enamel on copper, rectangular, in a gilt painted easel frame 101 x 82mm Provenance: Redlynch House, Salisbury, Wiltshire The squared drawing for this work is in the collection of the National Portrait Gallery, London (no.NPG D17711).

λEnglish School c.1835 Portrait miniature of Lady Maria Theresa Lister (née Lewis), wearing a white dress, her hair in ringlets, in a painted oval Rectangular, in a gilt metal easel frame with ribbon surmount 107 x 80mm Provenance: Redlynch House, Salisbury, Wiltshire Ivory Act registration reference W98S2M2J

λEnglish School 19th Century Portrait miniature of a lady wearing a white dress with a yellow cloak and pearl necklace Oval, in a gilt metal frame 115 x 87mm Together with English School 18th and 19th Century, Portrait miniature of Nicholas Ridley-Colborne, 1st Baron Colborne (1779-1854); Portrait miniature of Catherine Colborne (neé Steele); Portrait of a young girl wearing a white dress and blue sash seated in a landscape; Portrait miniature of two children in an interior; Portrait miniature of Lady Seymour; Portrait miniature of a young girl wearing a white dress with a blue hat; Portrait miniature of Maria Theresa Farquhar, signed with initials HWH (lower left); Portrait miniature of a young girl wearing a white dress and hat; Portrait miniature of Rupert Farquhar holding a cat, aged four; Portrait miniature of a young lady with blond hair; Portrait miniature of a young girl wearing a white dress with blue ribbons; and Ethel and Margaret Hall, Portrait miniature of Harold Farquhar holding roses, aged four, signed M & E Hall (lower right); Two in ebonised and tortoise shell frames, one in an ebonised frame, one in a gilt metal bracelet frame, eight in gilt metal frames, eight within a gilt painted wooden easel display case; Largest 102 x 75mm; Smallest 23mm diameter (13) Provenance: Redlynch House, Salisbury, Wiltshire Ivory Act registration reference 4F6GFGN0

Danish School 19th Century Self-portrait of an artist seated at his easel Oil on canvas 34 x 26.5cm; 13 x 10½in Provenance: Bury Street Gallery, London; Where purchased by the present private collector, 1984 (as Circle of Constantin Hansen) An attribution to Carl Heinrich Bloch (1834-1890) has also been suggested.

Art Deco hallmarked silver and yellow guilloché enamel watch holder or similar, with easel back, Birmingham 1923, maker Albert Carter, width 7cm

19thC mother of pearl inlaid rosewood travelling / vanity box with fitted interior, campaign brass handles, secret drawer, removable easel back mirror and VR cipher to the lock, W33 x D23.5 x H16cm

18TH CENTURY CONTINENTAL SCHOOL; oil on canvas, study of a violinist at a window with globe and painting on easel in the background, a sword and music score in the foreground, unsigned, bears stencil mark to stretcher, 41 x 31cm, framed.

A CHINESE JADE DISH, of shallow circular form with carved and pierced everted asymmetric flower lugs, 5" wide overall, with matching carved wood stand, together with an easel back circular photograph frame inset with a Chinese jade roundel engraved with characters and seals, internal measurement 2 3/4" diameter (2) (Est. plus 21% premium inc. VAT)Dish and stand good, roundel detached from frame but no damage, small losses to carved frame

A silver mounted photograph frame, Carr's of Sheffield Ltd, Sheffield 1998, of rectangular form with scrolling floral border, easel stand, 26.5cm x 20cm, together with a further silver mounted photograph frame, Carr's of Sheffield Ltd, Sheffield 2004, 17cm x 22cm, an Art Deco silver mounted photograph frame, Samuel M Levi, Birmingham 1931, 19.5cm x 13cm (at fault), a silver mounted oval photograph frame (marks worn), 22cm x 15.5cm (at fault), and a further silver mounted photograph frame, Carr's of Sheffield Ltd, Sheffield 2001, 15cm x 11cm (5)CR; Oval example: Heavy denting and splitting to the silver mount, but no signs of repair. Visible glass in good order, light scratching and wear but no splits cracks or losses. The wooden reverse shows heavy scratching and wear, but no major splits or damage. Easel is slightly misshapen, but is in working order. See pictures for illustration.Largest example (Carr's): Mount shows denting/thinning and lifting to the top right corner. There are further areas of slight lifting to the edge of the frame and the interior around the aperture. No cracks, chips or losses to the visible glass, moderate scratching and wear only. Moderate wear to the felt, easel stand in working order. See pictures for illustration.Medium Carr's example: Heavy scratching and wear to silver mount, but no splitting, major thinning or repair. Visible glass in good order, no cracks chips or losses. Heavy wear to reverse. See pictures for illustration.Smallest Carr's example: Heavy scratching and wear throughout. No splitting, major lifting or signs of repair. Visible glass in good order, no cracks chips or losses. Moderate wear to the felt reverse, easel in working order. See pictures for illustration.Levi example: Heavy denting throughout the silver mount. Moderate lifting to the edges and the interior. Moderate scratching and wear to silver mount. Visible glass in good order, no cracks chips or losses. Easel stand is broken, not in working order. Moderate wear to the leather reverse. 

A vintage 20th century Capodimonte porcelain figurine of the artist having a man standing in front of an easel raised on a circular base. Comes with a certificate of authenticity. Measures 34cm high.

A 19th century miniature silver mounted easel back frame, centred with a circular enamelled portrait painted ‘en grissaille’, the reverse signed ‘LEUCHARS & SON 38 & 39 PICCADILLY & LONDON 2 RUE DE LA PAIX PARIS’ with London import marks for Louis Dee, 1884, length 8.3cm. £200-£300

A 9ct gold mounted photo frame, the plane gold frame with plush brown fabric easel back and fittings and glass front, London hallmarks, 2004, 18 x 12cmGross weight without back or glass 87g

CONTEMPORARY METAL FRAMED EASEL BACK DRESSING TABLE MIRROR

Pair of Silver Photograph Framed, 6.75x4.25" aperture, easel back, date matched Birmingham 1923 & 1927, William Neale & Son.

Victorian Silver Photograph Frame, 5.5x4", easel back, Birmingham 1900. Faults

Modern Silver Easel Back Photograph Frame, 7x5" aperture

Modern Silver Easel Back Photograph Frame, 7.5x5.5" aperture

Modern Silver Easel Back Photograph Frame, 7x5" aperture

Silver Easel Back Photograph Frame with engine turned decoration, 7x4.5" aperture, Birmingham 1926 and two others with no glass or backs

Modern Art Nouveau Style Silver Easel Back Photograph Frame, 5.5x4" aperture

Modern Silver Easel Back Photograph Frame decorated with Cupids, 3.75" aperture

A Victorian Miniature Easel Back 1 x .75" Photograph Frame with image of high ranking officer, Birmingham 1899

A SELECTION OF OCCASIONAL FURNITURE, to include a gilt framed wall mirror, a pine swing mirror, two wicker occasional tables, a folding occasional table, an oak torchere stand, an artist easel, a small hardwood occasional table, a carved magazine rack, a metal umbrella stand ,a gout stool, a wall clock, a regulator, etc (15+)

Quantity of tools to include hammers, screwdrivers, pliers, chisels, planes, a tow rope, a pair of Sony speakers and a cantilever toolbox containing sockets and spanners etc, easel and foot pump (3 boxes) 

A large silver Victorian bevel edged easel tabletop mirror. Cast with rocaille scrolls and flowers centred with a shield shaped cartouche cresting, with red leather easel back, hallmarked Birmingham, 1898, 47cm high

A Victorian silkwork panel depicting harvest girl framed as an oval, 24x17cm, together with a Florentine gilt wood and gesso easel frame, gross dia. 24cm, and a gilt framed oval wall mirror (3)

A late Victorian mahogany table top book trough, width 34cm; together with a 19th century walnut cushion framed shaped easel dressing mirror, 38.5 x 32cm (2)

An Edwardian silver and brown leather clad photograph frame, h.9.5cm; together with a silver and brown leather clad double-easel photograph frame (2)

A late Victorian leather blotter, the white metal cover embossed with the word Punch above a figure of Mr Punch seated before an easel with attendant dog, with various other mischievous figures, within floral border with corner rosette bosses, 29 x 23cm

A collection of assorted silver clad easel photograph frames, to include circular example surmounted by a tied bow, folding double-frame etc (7)

A small collection of miscellaneous items to include a pair of late Victorian silver table candlesticks in the Neo Classical style, silver clad easel photo frames etcPin dishes are plated copper and relief decorated.Candlesticks are quite grubby and bent in several places.

A collection of miscellaneous items, to include a continental white metal easel photograph frame, gilt metal monocle (a/f), silver spoon, lady's purse etc

A mahogany box and contents, to include WWII period diary, silver clad easel photograph frame, visiting cards, photographs and ephemera