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A collection of contemporary Artist's easels. Comprising of a large pine construction easel, with a smaller ebonised metal tubular example, and smaller wooden easel. Measures approx. 150 x 49 x 52 cm.

A BOLDMERE WOODEN ARTISTS EASEL

A 19TH CENTURY ROSEWOOD READING TABLE the hinged adjustable easel top rising and falling on a columnar leaf-collared stem continuing to downswept legs terminating in scroll feet and moving on brass castors. Closed height 78.5cm, 53.5cm wide, 40.5cm deep.

An Edwardian silver mounted mirror, William Neale, Chester 1908, the rectangular frame with embossed garland and bow decoration and bevelled mirror plate, with easel back (at fault) 30cm H x 24cm W

A selection of six silver mounted photograph frames, including an Edwardian silver mounted circular photograph frame, with wooden easel back, 15cm diameter, with a smaller silver mounted example, Boots Pure Drug Company, Birmingham 1909, 10cm diameter (at fault) a rectangular silver mounted photograph frame, Birmingham 1914, with initial monogram to top, 25cm long, with three further rectangular silver mounted photograph frames (6) (at fault)

A Meissen porcelain framed easel timepiece, signed Asprey & Son, New Bond St, the 18cm gilt metal dial applied with Roman numerals within scrolling chased detail, signed with the retailers name, the flower and vine encrusted frame below a pair of cherub figures, with a cased key wound movement to the rear, 35cm high (at fault)Condition reportMultiple minor chips and losses to the encrusted frame, one cherub lacking wing, missing two screws to the frame, upper and lower, very light tarnishing to the dial.Two mounting holes flanking the crossed swords mark indicating possible loss of finial.No resistance when winding the clock, clock movement will require attention.

A Victorian silver mounted bevelled edge easel mirror, Birmingham 1899, 39cm x 24cm.

A Victorian silver mounted embossed decorated bevelled edge easel mirror, Birmingham 1900, 27.5cm x 18cm.

EASEL

Two brass trivets, brass hand bell, miniature easel, miniature horn

A turned wooden police truncheon and a Newcastle Upon Tyne Constabulary badge mounted on easel frame

A group of cut glass dressing table bottles including several silver mounted examples, silver mounted easel photo frame, pair of squat candlesticks

An Early 20th Century French Porcelain and Gilt Metal Easel Clock in the From of an Artist's Palette with Hand Painted Town Scene

Three Chinese cloisonne enamel napkin rings, late 19th/early 20th century, two decorated with scrolling dragons and flaming pearls and another with gilt scrolls on a black ground, two 20th century turquoise ground wine cups with character roundels and flowerheads and a late 19th/early 20th century miniature micro-mosaic picture frame of shaped rectangular form with easel back  

Winsor & Newton folding artists easel, an iron-bound simulated coopered barrel, a Middle Eastern/Indian engraved brass octagonal tray, assorted walking sticks and canes including a malacca engraved silver-topped example and a trench art brass shell 

A North Indian carved and pierced wood easel, c1900, 179cm h Small losses and repairs

A French ormolu easel mirror, c1900, in Louis XVI style, crested by a musical trophy, brass strut, 41cm Silvering of mirror defective

A late Victorian embossed silver trinket box, Mappin & Webb, London 1895, 7.9oz, 12.5cm wide, to/w an embossed easel photograph frame with red Morocco leather back, Chester 1900, 23 x 18cm o/a (2)

A late Victorian silver hand-mirror, London 1899, to/w a heart-shaped easel photograph frame, Birmingham 1901, a small oval frame, a child's hairbrush and three cut glass toilet jars with silver covers (7)

A vintage blue glass banded arch top bevel edged easel strut mirror 41 cm w x 61 cm h

A silver and faux tortoiseshell photograph frame,by Mappin & Webb Ltd, Birmingham 1930, with adjustable easel back,frame 32 x 22.3cmaperture 27.5 x 18cmCondition ReportOverall good order. With light wear to the frame, due to cleaning.

A 19th century ornate giltwood and gesso painting frame. The ornate frame with ribbon work exterior to the cushion frame  having central oval mount. Inset Arabic market scene. The frame being mounted itself into a further glazed baize lined easel back cabinet frame. Measures 25cm x 29cm / outer easel frame cabinet measures 31cm x 35cm

THREE VINTAGE SCALEXTRIC RACING CARS IN ORIGINAL DISPLAY BOXES. TOGETHER WITH THREE UNIPART PLASTIC EASEL BACK CAR DISPLAY PLAQUES. the proceeds from the sale of this lot will be donated to "Uganda Lodge Community Projects” reg charity 1150023

Folding travelling artists easel

Adjustable artist's easel by Winsor & Newton

Antique easel style gilt framed mirror approx 49 x 80cm

An artists easel

A Topman tripod and metal artist easel

PAOLO MOSCHINO ARTIQUE EASEL FLOOR STANDING LAMP, 269cm H at tallest.

EASEL, antique Moorish carved hardwood and mother of pearl, ebonised and bone inset, adjustable,171cm H x 35cm W.

An Elizabeth II silver clad easel photograph frame of rectangular shape, height 29cm

An Elizabeth II silver clad easel photograph frame, having a plain cartouche amongst cherub repoussee decoration, height 18cm, together with another (2)

An Edwardian silver clad easel photograph frame, of rectangular form, maker Henry Matthews, Birmingham 1907, 16.5 x 12.5cm; together with an Edwardian silver four division letter rack; a George V silver pedestal pepperette; and a silver salt spoon (4)

A late Victorian silver heart shaped Box, by Henry Matthews, hallmarked Birmingham 1896, with hinged cover, 6cm wide, together with a small silver mounted easel frame, Birmingham, 1991, a Russian silver and niello souvenir spoon, a Russian silver mounted cut glass bowl, a silver mounted brush and dressing table jar, white metal beaker etc., (a lot)

A quantity of brass to include a set of three graduated alcohol measuring ladles, brass kettle, cat, pairs of candlesticks, easel etc.

A modern photograph frame with silver outer, Sheffield assay marks and wooden back and easel style hinged stand (frame size 39.5 x 24.25 cm)

A modern silver photograph frame; beaded outer cushion-moulded frame and with wooden back with easel-style hinged stand (frame size 22.5 x 17.5 cm), together with a larger burr-wood effect photograph frame (frame size 30.5 x 25.5 cm) (2)

A large wooden artists easel AF

A brass easel, 153cm high. 

Rare Aesthetic Movement Doulton Burslem plate clock, with cast gilt metal mounts and easel back, the plate with fluted rim, printed and painted in colours and gilt with blossom sprays, on a pale yellow ground, the back with printed millefiori blossom gilt design, the circular dial with gothic scrolled numerals, stamped Doulton Burslem mark, the dial marked Bryson and Sons Edinburgh, 27cm high

Zwei Pietra Dura-Miniaturen auf Staffelei Messing sowie schwarzer Marmor mit Intarsien aus verschiedenen Schmucksteinen. Ovale, von Perlfriesen umzogene, aufklappbare Rahmung, bekrönt von geschweiften Kordelbändern. Schauseitig Blumenstillleben u.a. mit weißen Rosen und Vergissmeinnicht aus unterschiedlichen, intarsierten Edelsteinen in sog. Pietra Dura-Technik. Auf kleiner Staffelei aufstellbar. Herstellerzeichen. Staffelei-H. 16 cm. Pietra Dura-Bildplatten 8,5 cm x 6 cm.Two Italian Pietra Dura marble plaques with inlays of gemstones. Brass frames with small easel. Maker´s mark.Italien. Florenz. E. Scoti. Um 1900.

A wooden easel by Daler-Rowney

A wooden easel by Rowney.

20th century beech artists' adjustable easel

Two 19th/ early 20th century Italian Micro mosaic frames by Fabbrica Angelo Pessar, one of oval form with beaded border and the other of rectangular form, both inlaid with flowers, easel gilt metal backs, both stamped F.A.P, 5.5cm x 4.5cm maxDimensions: Height: 2cm 

Two 19th/ early 20th century Italian Micro mosaic frames, one of oval form with ropetwist border and the other of arched form, both inlaid with flowers, easel gilt metal backs, 8.5cm x 6.5cm maxDimensions: Height: 2cm 

Silver fob watch stand engraved with R.A.F. wings and initials 'C.R.' and dated 1919, on easel stand H8cm Birmingham 1918 Maker Henry Williamson

George V Art Deco silver picture frame of trapezoid form with engine turned decoration, oak easel back, by S Blanckensee & Son, Birmingham 1927, 23cm x 17cm

Pair of Edwardian silver photograph frames embossed with a scene from Longfellows Hiawatha with a kneeling Native American brave outside a tepee ' Feed the Fire of Friendship and the Winds will fan the Flames' each 27cm x 19cm and on easel stands Birmingham 1904 Makers Sloane & Carter and Hilliard & Thomason

Silver photograph frame on easel stand 25cm x 13cm Birmingham 1946, another 20cm x 14cm and another 18cm x 13cm (3)

Edwardian silver upright dressing table mirror with plain arched frame on an easel stand 37cm x 23cm overall Birmingham 1908 Maker Henry Matthews

A floorstanding beech artists easel

PAIR OF EDWARDIAN SILVER ART NOUVEAU PHOTOGRAPH FRAMES REYNOLDS & WESTWOOD, BIRMINGHAM 1905 each of shaped oblong form, embossed with stylised borders, oak easel backed12.8cm x 8.5cm aperture sizeThe first with dents and dings to upper cartouche, and with further minor dings throughout. Some minor splits to thinner gauge areas.The second with minor dings and similar minor splits. Additional images now available.

Mid 19th century A.D. Composed of a chalcographic print representing the Evangelist Luke who, depicted with a brush and easel, is painting a true image of the Virgin and Child, who appear to him in a cloud radiating Divine Light; a winged ox above; inscription 'S. Lucas Evang.' (St Luke the Evangelist) below; the central image enclosed within a lace frame, decorated with embroidery, containing relics of Saints Magnus, Diodorus and Prosperus; all enclosed in a gilded wooden frame. See Trassari Filipetto, G., 'Le stampe di traduzione del dipinto San Luca che dipinge la Vergine: osservazioni e spunti di riflessione, in Arte italiana del Novecento : dalla metafisica agli anni Sessanta : atti della giornata di studio in onore di Pia Vivarelli : 19 febbraio 2009, 1 (2015), pp. 155-158. 1.06 kg, 35 x 28.5 cm (13 3/4 x 11 1/4 in.). Acquired in Germany. Property of RWM Collection. According to Christian tradition, St Luke made the first pictorial representations of the Mother of God, which were defined as acheiropitae, that is, not created by humans. The presence of the relics of Saint Magnus (saint patron of Anagni, Lazio), of the Roman martyr St Diodorus and of St Prosperus, (patron saint of Reggio Emilia), would suggest an Italic environment as the centre of production of the sacred image. [No Reserve]

An Edwardian Arts and Crafts silver photograph frame, arched top, easel stand, S Blanckensee & Son Ltd, Chester 1909, 30cm high

An Elizabeth II silver rectangular easel photograph frame, 21.5cm high, Sheffield 2018, boxed

UNATTRIBUTED; a 19th century oil on canvas, artist with easel and canvas, sat on the shoreline painting, unsigned, 12 x 16cm, framed and glazed.

A 20th century carved hardwood folding easel, 197cm high x 59cm wide Condition Report:Available upon request

GEORGE II GILTWOOD EASEL MIRROR EARLY 18TH CENTURY the rectangular mirror plate in a foliate carved frame surmounted by a swan neck pediment with flower head terminals and centred by a flowered cartouche, with an easel backDimensions:77cm high, 61cm wide

A Reeves wooden artist's easel. Unassembled