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A pair of Irish mahogany open armchairs,18th century and later, in the Chippendale taste, each with an acanthus-carved top rail centred with a shell, a scrolling pierced splat and open arms, raised on knee-carved cabriole supports, terminating in claw and ball feet united by turned stretchers, with later needlepoint-upholstered drop-in seats,62cm wide62cm deep95cm high (2)Condition report: Knocks, marks and general wear commensurate with age and use. A little bit of wobble in arms. Split to one top rail. Repairs, alteration and restoration to both, including a metal bracket behind one of the right arms shoring up an old break. One stretcher broken and repaired with a screw. Numerous other breaks and repairs. Knocks and wear to both, particularly legs and stretchers, with losses to feet. Viewing in person advised.
A carved beech open armchair,c.1775, in the manner of Thomas Chippendale, with an oval padded back, padded arms and an overstuffed seat, the frame carved with beading and husks, the arm supports scrolled and moulded,64cm wide67cm deep95cm highCondition report: One rear leg broken and repaired with a metal bracket. Lower part of the leg appears to be a replacement. Metal brackets to the back. Probably painted or gilded at one point. Splits and separation to joints. Wear, repair and restoration throughout. Traces of worm and upholstery holes.
Mahogany triple chair back settee in the Irish Chippendale manner, the serpentine top rails carved with double eagle heads and shells, pierced vasiform splat backs with feather edge carving, outswept arms terminating in eagle heads, with a tapestry drop in seat in a carved apron supported by four cabriole legs again with eagle heads, terminating on paw feet, 158 x 96cm
A GEORGE III MAHOGANY CELLARETIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1780The hinged top opening to a divided interior71cm high, 39cm wide, 39cm deep Condition Report: There are marks, knocks, scratches and abrasions consistent with age and use.Some cracks within the grain of the flame figured mahogany; some undulations to the top and a patch to one corner.The handle is probably later as there is a groove mark wider than the handle. The side handles also later, with holes from the previous handles visible to the interior.The key looks to be of the period.The interior divisions are later.The cappings stamped 'R B & Co PATENT'.There is some evidence of old worm to the pine base.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
A PAIR OF GEORGE III MAHOGANY COCKPEN ARMCHAIRS IN THE CHINESE CHIPPENDALE MANNER, CIRCA 1770each 96cm high, 63cm wide, 59cm deep overallCondition Report: There are marks, scuffs, knocks, cracks and abrasions consistent with age and use.The drop in seats are smaller than the recesses for them to slot into and have gaps around them rather than fitting snugly and are of a later date.One chair has a paper label for 'Launa & Co Antiques Washington DC'.There is some evidence of worm including to seat rails.There are some later blocks to the corners of the seat rails.There are some later and repair wood reinforcements to the lattice and fretwork.One side bracket to the crest rail of one chair is missing a section.There are various repairs to joints including to the crest rail, sides, arms, seat rails, legs, stretchers and feet, some repairs incorporating later timber.One seat rail stamped VIII, suggesting that this pair were originally part of a longer set of chairs.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
A GEORGE III MAHOGANY SERPENTINE FRONTED COMMODEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 178083cm high, 112cm wide, 58cm deepCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old splits, chips and some losses - see images. Metalware appears original. No key present, all locks are open. Some small amounts of filler applied in places around the escutcheons. Old veneer and moulding repairs - see images. Including repairs to both front corners of the top. Some filler applied in places. Backboards original with a few later nails to help secure. Feet are original and are of laminated construction. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE III GILTWOOD OPEN ARMCHAIR IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1775 92cm high, 66cm wide, 52cm deep overallFor a pair of chairs by Thomas Chippendale of related form and incorporating near identical legs, see Sotheby's, London, 27th September 2012, Lot 135 (£73,250). A set of twelve chairs twelve chairs of this design were supplied by Chippendale for Brocket Hall, Hertfordshire in 1773, see Christopher Gilbert, The Life & Work of Thomas Chippendale, Vol II, Studio Vista/Christie's, 1978, page 109, figure 185.Thomas Chippendale supplied a chair to Harewood House, Yorkshire in 1773 that incorporates foliate roundel carving to the frame that are closely related to those seen on this chair, Christopher Gilbert, The Life & Work of Thomas Chippendale, Vol II, Studio Vista/Christie's, 1978, page 106, figure 178. For a chair supplied by Chippendale for Harewood House in 1772, incorporating upright arm supports related to those on the chair shown here, see Christopher Gilbert, The Life & Work of Thomas Chippendale, Vol II, Studio Vista/Christie's, 1978, page 114, figure 198. Condition Report: Various marks, knocks, scratches and abrasions commensurate with age. Old re-guilding to surface. Various old chips and losses (see images for extent). Old but later metal bracing between back of seat rail and both front legs. Central upright to centre of the back is lacking. Old worm present to the block at the top/back of one rear leg (see image). Two sections of old replacement timber inset into each side of the back (at approx. 10 and 2 o'clock). Section of cresting at the top of back appears to have been detached and glued back into position. Triangular section of timber lacking towards the lower area of the back. Slight movement within frame. The hessian pads with wear loose threads and fraying. Various old tack holes from where previous upholstery sat. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE III MAHOGANY AND UPHOLSTERED OPEN ARMCHAIR IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1775 Of cockpen type 90cm high, 60cm wide, 56cm deepCondition Report: Marks, scratches and abrasions comensurate withy age and use. Good original surface, Very good depth of colour and patina overall. Old chips and splits. some minor old chips of loss. Some larger old fragments of loss to the outer corners of the front legs. some minor old repairs including very small tacks put in to secure the 'shoe piece) at the base of the back and filler to disguise. The rear seat rail from the reverse has two triangular sections of veneer that are of a lighter tone. These could be coloured better to match/ blend in. They may be old replacements, closely matched old veneer has been used. With the exception of the rear seat rail, the remainder are very well executed replacements. likely 20th century in date The dowel joints securing the arms in position are of a lighter coloured timber than the main elements of the chair. It is difficult to conclude if these are original. They have been in place for a considerable period. The chair is of solid structureThe seat fabric is a later replacement. There is dirt and some discoloration to the fabric and would likely benefit from cleaning. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE III OCTAGONAL 'BIRDCAGE' TRIPOD TABLE IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1765 73cm high, the top 74 x74cmFor a table of related form and possibly by Thomas Chippendale see, Christie's, London, 50 Years of Collecting: Decorative Arts of Georgian England, 14th May 2003, Lot 85 (£54,970), for another table of similar form see, Christie's, London, Chieveley House, Berkshire and Five Private Collections, 19th March 2020, Lot 86 (£10,000). Chippendale is know to have supplied a hexagonal top table to Sir Lawrence Dundas for 19 Arlington Street in 1764 (C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, vol. II, fig. 470).Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. The edge of the top with some splits and sections of moulding lacking (see images). The timber to the top with a 'dry' original surface and some fading. Very slight warping to top. Catch appears original. It operates well but is slightly stiff. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
AN EARLY GEORGE III GILTWOOOD WALL MIRROR IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1760118cm high, 64cm wideCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and cracks. Gilding has been refreshed at some point. Gilding with the expected rubbing, chips and some losses. Mirror plate and backboard are replacements but has a convincing antique appearance. The mirror plate has some depletion, bloom and grey spots. Some old glued repairs to carved frame - see images. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE III MAHOGANY SIDE TABLEIN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 176578cm high, 119cm wide, 60cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Some additional dark marks and ring marks to top. Minor evidence of old worm to underside. some old glued repairs to pierced spandrels - see images for details. All four legs have been re-tipped. This appears to have been to raise the table in height and was done a considerable time ago as the colour matches almost perfectly. This could have possibly been done soon after the table was first made. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A GEORGE II MAHOGANY BOOK CARRIER IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 175040cm high, 59cm wide, 19cm deepCondition Report: Marks, scratches, knocks and abrasions commensurate with age and use.The back with cracks along the grain of the timber.The brass handles with an area of discolouration to the centre of the back plates.Please see additional photographs for a visual reference to condition. Condition Report Disclaimer
A GEORGE III MAHOGANY OVAL TRAY IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1770 With pierced fretwork gallery6cm high, 59cm wide, 39cm deep Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Slight 'bowing' to the base resulting in the tray not sitting perfectly flat. Some ring marks and darker marks. Various additional scratches to underside of tray as to be expected with age and use. Old glued repair to split or opened join along the centre of the tray - see images. Some minor opening to joins between the handle elements and the gallery, and in places between the gallery and the base of the tray. Some old glue residue visible to one join between the handle element and the gallery. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Broome (Michael). A Collection of Psalm Tunes in IV parts; each tune being interlined with a proper Psalm from the Revd. Dr. Watts, for the use of dissenting meeting houses, Birmingham: printed by Michael Broome, [1755?], engraved title, two leaves of letterpress, engraved contents leaf and 47 leaves of engraved music (printed to one side), light staining to gutter margins, front endpapers with red ink stamps 'Ino*Watton 1785' and with pencil signature John Watton 1785, bookplatte of John L. Marks of 'Chippendale' Earlswood to upper pastedown, contemporary sheep, joints cracked and some wear, slim 8voQty: (1)
Baskerville Press. Paradise Lost. A Poem in Twelve Books. The author John Milton/ From the text of Thomas Newton, D.D., 2 volumes, Birmingham: printed by John Baskerville, for J. and R. Tonson, 1760, list of subscribers present, marbled endpapers with bookplates of James Falconer, D.D. of Lichfield and John L. Marks of 'Chippendale' Earlswood to front endpapers, contemporary mottled calf, gilt decorated spines with contrasting morocco title label, gilt roll decorative border to boards, joints cracked and extremities lightly rubbed, 8vo, together with: Ibid., The Book of Common Prayer, and Administration of the Sacraments, and other rites and ceremonies of the Church, according to the use of the Church of England: Together with the Psalter or Psalms of David..., Cambridge: printed by J. Baskerville, 1762, cancel title with remnants of paper slip obscuring original price of five shillings, bound with A Companion to the Altar, shewing the nature and necessity of a sacramental preparation in order to our worthy receiving the Holy Communion..., London: printed by assignment from E. Parker for John Beecroft, 1765, engraved frontispiece and title, scattered spotting throughout, marbled endpapers, armorial bookplate of Sir Velters Cornewall Bt. to upper pastedown, contemporary elaborately gilt decorated red morocco, oval green morocco onlay to centre of each board with JHS in gilt, 12mo in 6s, Ibid., Edwin, and Emma [by David Mallet], Birmingham: printed by John Baskerville, for A. Millar, 1760, 16pp., modern red morocco, slim 4to Ibid., The Chase, A Poem: to which is added Hobbinol, or the Rural Games. The Author, William Somervile, Birmingham: printed by Robert Martin, and sold by A. Donaldson at his shop, near Norfolk Street in the Strand, London, 1767, scattered spotting, 19th century vellum, 8voQty: (5)NOTESGaskell 9, 20, 11 and Add. 3 respectively.
Fine 19th Century mahogany twin pedestal sideboard of Chippendale revival form, circa 1880, the ornate back carved in deep relief with a scene depicting shepherds in a landscape, the pedestals each with a galleried blind fretwork and acanthus moulded top above a cellarette drawer with swivel action and cupboard door, the tapering pedestals each with a cupboard door decorated with further carved mouldings flanking a dropped centre with two further drawers above a panelled lower back and ogee bracket feet, 104.5ins wide x 76ins high
Good 19th Century mahogany silver table of Chippendale design, the rectangular galleried top above a blind fretwork frieze and square tapering fluted supports with pierced corner mounts, spade feet and original brass and leather casters, 36.25ins x 22.75ins x 29.75ins high Provenance: Formerly the property of Lord Baden PowellSplits to top

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20395 item(s)/page